PLAYING DEAD

I helped my father work on his van many nights:

he shouted directions from his wheelchair

to me underneath, squawk grunts and

short bursts of silence between long bouts of helplessness.

He was uncontrollably unaware, yet

angry at most things, including me, as if he sensed the

incompetence in things and people, their failures, like

a sculptor seeing shape in a block of marble, carving rage

out of only the most malleable.

 

One night I forgot to close the garage door and

left the dim light on over the workbench,

sallow metal parts cold to the touch and

tools laid hopefully arranged.  Things worked as best they could,

suspended reconstructions of machinery,

a tool for each of his hands and the promise of his legs

connected to the gears in his eyes, his screw-like focus.

To either side of the open door was

the darkness of well-cut lawns, and the possum scurried

quietly inside and hid in the tin green shelves,

a dumb suburban animal as common as bicycles

urgently abandoned to fathers’ voices

shouting through picture window curtains.

It realized it was trapped.  It locked itself in to feel safe.

I called my father out and we watched

its yellow eyes pace back and forth along

the car parts, paint cans and obsolete mechanics of

repairs long forgotten.  It settled for a while, hidden.

And my father’s face gaunt in garage light,

the cancer already beginning to nest in his stomach,

menacing swallows in a thicket on a sill, or an opossum

bringing chaos to a surface of order slowly gathering dust.

 

We tried to sweep this new disturbance into the light and

it fell into a lump, feigning death.

He tapped its back with the broom and it seemed willing to take a beating.

I knew the feeling, the surrender, the lost orientation, looking

for an exit through half open eyes.  And then we turned out the lights,

leaving it to suffocate or snag itself before more drastic measures were taken.

But I still left the door open and sat outside, waiting for it to leave,

wondering if it sensed this second chance for

escape from this museum of broken and

remembering how my little brother imagined our father’s death:

a fiery traffic accident, no witnesses, and how I sometimes hoped

one morning he’d be gone,

having left all the lights in the house on.

Copyright © 2002 Kurt Lindemann

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