MIME-Version: 1.0 Content-Type: text/plain; name="The Honey-Trap II.txt"; format=flowed Content-Transfer-Encoding: 8bit Content-Disposition: attachment; filename="The Honey-Trap II.txt" Title: The Honey-Trap Part Two: Through The Veil Rating: PG-13 Author: Alsepang E-mail: alsepang@hotmail.com Disclaimer: Except for the names, I will be EXTREMELY surprised if there is any resemblance to Sailor Moon found here. After all, I wrote this. And there are no mentions of short-skirted heroines anywhere. Likewise, Daniel Jones, Darren Hayes, Savage Garden and I have no connection. However, I'd like to butter them up by saying that the song I've used is gorgeous. Go, Savage Garden! [She's taking her time making up the reasons To justify all the hurt inside Guess she knows from the smiles And the look in their eyes Everybody's got a theory about the bitter one] ~~~ 'To The Moon And Back', by Savage Garden I know what they say behind my back. I can hear them, however low they pitch their voices, and sometimes they don't even have the courtesy to wait until I have stepped out of the room before they start their nodding and whispering. I can see their carefully averted glances when I walk by, and the way they look at me, even those of my staff who address me by my first name. They call me a machine, cold and emotionless, a veritable Everest and even more formidable than the highest mountain in the world. I am the old-fashioned boss, the type whose entrance into the offices invariably causes a sudden and frantic surge in productivity. I admit it. I am cold, frigid even. I am also emotionless-why, I ask you, should I wear my heart on my sleeve for others to tear it apart? Oh, I can show emotion whenever necessary-- I have been a consummate actress all my life and now I use my thespian skills to manipulate others when necessary. You can look askance at me, but that's what we all do every day-- manipulate people. I simply do it better than most. My acting abilities have always allowed me to close business deals with unusual swiftness. It has also let me walk away with my pride intact where others would have collapsed. I know, more so than others, the prices that I will have to pay if I were to melt. I can only imagine how much more I will have to pay, more so than others. In this world, you cannot be soft. To be soft is to let your guard down, and to let your guard down means allowing others to hit you anywhere, particularly in places you hurt easily and most. [They're saying Mamma never loved her much and Daddy never keeps in touch That's why she shies away from human affection] I was born Serenity Houghton-West, almost twenty-seven years ago. My father was Craig Houghton-West, who would later set up and helm the international investment bank named for his family, establishing his reputation as one of the world's most trusted and powerful financiers. There was some aristocratic blood in my father's family-- not much, but enough to acquire a hyphenated family name. My mother was Maria Anna Ashleigh, whose family owned Ashleigh Modelling Agency, the byword in the modelling world before America's Ford and Elite agencies brought it to the brink of insolvency. I don't hold many memories of my parents. 'Keep away from my dress, please. It's an original model from Gobbledygook.' Maria Anna Ashleigh, my mother, was the beautiful and exceedingly glamorous owner of Ashleigh Models, based in the United States. She frequently flew across the Atlantic to attend galas, premieres and other assorted functions where the glitterati came together to sip martinis and smile for the cameras. Papers and magazines gloried in the photogenic Mrs Houghton-West, blessed with looks and wealth. Oddly enough, they never seemed to notice that Maria Anna Ashleigh never said much about her daughter. In fact, for a woman who basked in the glow of flashbulbs as much as she did, it was strange that very few people actually took notice of the fact that she had a daughter. Sometimes I wonder if Mother deliberately kept me out of the spotlight for selfish reasons of her own. Whatever it was, I have never known my mother to be particularly altruistic towards me. Towards others, yes. I was eighteen when Mother suddenly realised that I was her daughter and needed to make an important and preferably wealthy match. For the first time in a long while, she paid me a great deal of attention, most of it unwelcome. I was expected to smile prettily, wear glamorous gowns and accompany her to glittering galas and debutante balls to charm some hapless-- or perhaps not so hapless-- millionaire, or member of royalty, failing which a titled hereditary peer would do. Discarding the idea of being a trophy wife, and knowing that I could not buckle down to aristocratic standards, I went to Cambridge instead and she never spoke to me again. Sometimes I wonder if things would have been different if I had married an important society man or a wealthy and debonair man of the world. Would she have loved me? I think not. However, my position would have changed from good-for-nothing daughter to useful daughter who brought in even more useful son-in-law. As for Father-- my memory of his face comes mostly from photographs. Say what you will about my family, we had tons of photo albums. Father was rarely at home, being too busy jettisoning from one business deal to another. I don't believe I saw him more than twice a year and sometimes not at all. Houghton-West Investments Inc. was his only child and he was devoted to it-- so devoted that his human family came a poor second. I take after him in both looks and business acumen, or so I've been told. It might have been one of the reasons why Mother didn't seem to like me very much. Well-- that's not quite true. Perhaps it would be more accurate to say that where I was concerned, she was simply indifferent. Theirs was not a marriage for love. If it had been, I saw no evidence of it. I doubt very much that their lifestyles had anything to do with the obvious lack of emotion in their union. I was the result of 'a burst of friendliness', as Harper Lee, writer of the unsurpassable 'To Kill A Mockingbird', so concisely puts it. The world could not see it, of course. My family were consummate actors, as am I. There are many other things I remember. Almost six years ago, on graduation day, I looked out over the crowd of proud parents and relatives of my schoolmates. I watched as my friends hugged their whoever and threw their graduation scrolls and mortar boards in the air a third or fourth time for cameras. I looked down at the scroll in my hand and turned away. I was going solo. My parents had died within a few days of each other. Mother had died in a car crash in California two days before I graduated. She had been on her way to a Hollywood premiere for a film. Father had died, also in a car crash, but this had taken place the week before. His limousine had gone off a ravine in Europe. With him had been his secretary and chauffeur. I didn't feel much, only a deep regret that they had to die in that manner. It must have been very painful for them. I cried a little at their joint funeral-- the only event they attended side by side, apart from their wedding and engagement party-- not because I was grieved at having lost them, but because they had never allowed me to somehow find them. It's funny how, after so long, I still harboured the hope that I could meet with their approval. Old habits die hard. At twenty-one, I was the sudden and very rich owner of the failing Ashleigh Modelling Agency and the internationally respected Houghton-West Investments Inc. Ashleigh was suffering massive losses-- why Mother tried to keep it alive was probably more out of sentimental reasons than anything else. After all, the agency bore her family name. Houghton-West, on the other hand, was still going strong and had just been named one of the top five investment banks in the world, on par with Credit Suisse and Goldman Sachs. I was surprised that Father had left me Houghton-West Investments in his will. As a matter of fact, he had left his entire controlling stake to me-- all sixty-five per cent of it-- despite the fact that I had not had word from him since high school. Like Mother, he had never paid me attention if he could help it. The investment firm was his only child. Ashleigh Modelling was an unexpected burden, but I took it on because I had to. I was Mother's sole heir and again, ownership came to me after her death. It was foundering because of a sordid scandal involving the models and some of the management. Mother, I saw, had not taken the necessary steps and I immediately turned the agency upside down as fast as I could, changing the name to Palais (AN: insert gratuitous author appearance here) Alse-pang Models Inc. and re-hauling the entire management. Of course, there were protests from Mother's family, who didn't like the name change, but I didn't care. It was MY business, not theirs. Houghton-West I left alone, because it was doing well. [But somewhere in a private place She packs her bags for outer space And now she's waiting for the right kind of pilot to come Then she'll say to him I would fly to the moon and back If you'll be If you'll be my baby Got a ticket for a world where we belong So would you be my baby?] I have been alone almost all my life, starting from the time I first realised that there was nothing I could do to gain my parents' attention. I don't know if they ever loved me. Perhaps they did once, when I was a baby. As I said, I know nothing of it. When they died, I went through their personal papers, not so much because I wanted to remember them, but because I wanted to know if they had ever loved me. I think I loved them. They weren't nasty people, just a little selfish, or thoughtless. Believe me, I'm not ungrateful and I'm not blind. I look back at times and I know that I'm far luckier in life than many. I have had more than the proverbial roof over my head and three satisfying meals. I have never had to yearn for something money can buy. And I now have power, influence and all the wealth I can lay my hands on. I'm not stupid or completely self-pitying to the extent that I don't know when I 'have it good'. What right do I have to pity myself when I'm better off than millions around the world? But there is that something I've never had, that one element that people say transforms lives and makes it richer. I look around me sometimes, when I'm feeling particularly pensive, or when the sky is a soft grey with strong breezes stirring up the leaves on the sidewalks. Inside, there's something that aches and wants to reach out for...for what? I feel as if there is an emptiness inside my soul, and I know it's my soul calling, because it's rooted far too deeply and too painfully for anything else. I feel as if I need someone to help hold me and-- and to love me. I don't want that! I hate that feeling, that hollowness I carry sometimes, that knowledge that I want to belong to someone, to have someone I can lean on or really talk to, someone who could hold me-- and I want someone to belong to me. But I am a woman, and for all the ice and steel I try to keep on the outside, that is my fatal flaw, a flaw I don't want anyone to know, because they will then have an advantage over me, an advantage I can ill afford. I had a dream once, when I was eighteen. One night, I dreamt that I was in a beautiful green place, filled with sunlight filtering through the tall trees and long grass, and a quiet breeze ruffling the leaves and grass. I wasn't alone. There was someone with me, a man I knew very well, a man I knew inside my heart, and when I looked up at him, laughing, he smiled down at me, smiled into my eyes, and then he too laughed with me. In that one defining moment, I felt myself wrapped in perfect love and happiness, a warmth so pure and true that I could not cry, not even for joy. I could only let him clasp my hand in his and feel the golden magic of the sunlight and scene wash over me. I awoke abruptly from that dream when it was still night. I couldn't remember the man. I didn't know who he was. All I had was that feeling. I could remember the sunlight and the joy...and the love, the sweetness and beauty in that love. I had felt a complete sense of trust as well, because I had loved the stranger in my dream and he had loved me back. I had *trusted* him. [She can't remember a time When she felt needed If love was red then she was colour blind All her friends they've been tried for treason And other crimes that were never defined She says 'Love is like a barren place and Reaching out for human faith Is like a journey I just don't have the map for.'] I was only eighteen then, and young and naïve enough to have dreams of finding that love-- of believing that I could find love, because I had seen it in a dream, and because I thought I could see it around me. I had seen couples in high school and couples everywhere on campus at the university. And I thought then, perhaps my parents had loved each other once, long ago. But while their love couldn't last, mine could and would. I would succeed where my parents had failed. But I didn't understand love and even my dream didn't help me. As time slipped by, I could only remember fleetingly what that dream had felt like. I knew what it was; I just couldn't seem to feel it anymore. And I couldn't seem to find someone who could fill that space. I dated, but not exclusively; the boys and, later, men (by virtue of age and little else) I agreed to go out with were awed by me and my money. It was either that, or they treated me as if I was some sort of prize they had won, parading me around until I felt like a championship trophy on a mantelpiece. Once, I thought I found someone I could love. I realised later that I wasn't in love with him, and had never been in love with him, but I did have a bit of a crush on him, and I was halfway in love-- only halfway, thank heavens! I found him easy to talk to, intelligent, and easy to look at as well. We were an official couple until the day I found out that he had been multi-timing me behind my back. I say multi-timing, because he had been seeing more than one girl behind my back. He was playing the field and everyone knew about it. As the betrayed party, I was, of course, the last to know. One reason was because he had gone the rounds of the people who called themselves my friends. They were all trying to be his One And Only, as soon as they could get him to dump me. So I dumped him-- and them. That was after I had it out with every single one of them and dragged them through mud and ice, as the college newspaper put it the very next day, with a front-page article accompanied by photographs. It painted me as a control-freak of a girlfriend who 'couldn't satisfy' him-- and exactly what did they mean by that? I walked into the editor's office that very day and coolly gave her the sharpest side of my tongue, detailing the jerk's misdemeanours as well as my former friends' warming his bed at every chance they could get, because his official girlfriend wouldn't warm it. I detailed it at full pitch of my lungs and collected an interested and large audience in the hallways. I didn't spare the editor, who had been trying to snag him as well. And that dream I had? I know I'll never find that stranger. It's a dream, not reality, and I lost my rose-coloured glasses a long time ago. Some stubborn part of me, one that I am ashamed of, still keeps hoping that someday, I won't have to be alone. Still, it's not something I'm going to announce to the whole world. It's my life. It's my secret. And somehow, he has pierced through the veil. (c)Copyright 2001 original storyline by Alsepang ****THE SINGING CLOSET**** Look at the two songs. Then think...hmmmm... --THE (DOGGONE) GIRL IS MINE-- (Michael Jackson) Every night she walks right in my dreams Since I met her from the start I'm so proud I am the only one Who is special in her heart The girl is mine The doggone girl is mine I know she's mine Because the doggone girl is mine (Paul McCartney) I don't understand the way you think Saying that she's yours not mine Sending roses and your silly dreams Really just a waste of time Because she's mine The doggone girl is mine Don't waste your time Because the doggone girl is mine (Paul) I love you more than he (Take you anywhere) (Michael) But I love you endlessly (Loving we will share) (Michael & Paul) So come and go with me Two on the time (Michael) But we both cannot have her So it's one or the other And one day you'll discover That she's my girl forever and ever (Paul) Don't build your hopes to be let down 'Cause I really feel it's time (Michael) I know she'll tell you I'm the one for her 'Cause she said I blow her mind (Michael) The girl is mine The doggone girl is mine Don't waste your time Because the doggone girl is mine (Michael & Paul) She's mine, she's mine No, no, no, she's mine The girl is mine, the girl is mine The girl is mine, the girl is mine (Paul) The girl is mine, (yep) she's mine The girl is mine, (yep) she's mine (Michael) Don't waste your time Because the doggone girl is mine The girl is mine, the girl is mine (Paul speaks) Michael, we're not going to fight about this, okay (Michael answers) Paul, I think I told you, I'm a lover not a fighter (Paul says) I've heard it all before, Michael, she told me that I'm her forever lover, you know, don't you remember (Michael answers) Well, after loving me, she said she couldn't love another (Paul, surprised) Is that what she said (Michael, confidently) Yes, she said it, you keep dreaming (Paul sings) I don't believe it (Michael & Paul) The girl is mine (mine, mine, mine) (Fade-Out/Repeat) ~*~*~*~*~*~*~*~*~*~* --THE BOY IS MINE-- Brandy- Excuse me, can I please talk to you for a minute Monica- uh huh, sure, you know you look kinda familiar Brandy- Yeah, you do too but, umm, I just wanted to know do you know somebody named you, you know his name. Monica - Oh, yeah definitely I know his name. Brandy - I just wanted to let you know he's mine. Monica - Huh..no no, he's mine. Chorus 1: You need to give it up. Had about enough. It's not hard to see, the boy is mine. Brandy - I think it's time we got this straight, let's sit and talk face to face. There is no way you could mistake him for your man, Are you insane? Monica - See I know that you may be just a bit jealous of me. Cause' you're blind if you can't see that his love is all in me. Brandy - See I tried to hesitate, I didn't want to say what he told me. He said without me he couldn't make it through the day, ain't that a shame. Monica - And maybe you misunderstood, Plus I can't see how he could wanna take his time and that's all good. All of my love was all it took Chorus 2: The boy is mine. You need to give it up. Had about enough. It's not hard to see, the boy is mine. I'm sorry that you seem to be confused. He belongs to me the boy is mine. Monica - Must you do the things you do Keep on acting like a fool You need to know it's me not you And if you didn't know it girl it's true. Brandy - I think that you should realize, And try to understand why He is a part of my life I know it's killing you inside. Monica - You can say what you wanna say. What we have you can't take. From the truth you can't escape. I can tell the real from the fake. Brandy - When will you get the picture. You're the past, I'm the future Get away it's my time to shine if you didn't know the boy is mine. Chorus 2 Monica - You can't destroy this love I've found Your silly games I won't allow The boy is mine without a doubt You might as well throw in the towel Brandy - What makes you think that he wants you, when I'm the one that brought him to The special place that's in my heart, he was my love right from the start Chorus 2 Brandy: He belongs to me (sang in chorus) Monica: The boy is mine, not yours (after chorus) Brandy: But mine! Monica: Not yours! Brandy: But mine! Monica: Not yours! Brandy: But mine! I'm sorry that you seem to be confused. He belongs to me the boy is mine. ALSE SPEAKS: Ahhh...Nice counterparts, yes?