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For the preparation of this catalogue, I have
visited the following libraries, and the information about
pieces stored in them is as complete as the time I had at my
disposal allowed:
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Donaueschingen,
Fürstlich Fürstenbergische Hofbibliothek |
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London, The British
Library |
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London, Royal College of
Music |
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Bologna, Archivio
dellAccademia Filarmonica |
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Bologna, Civico Museo
Bibliografico Musicale |
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Bergamo, Biblioteca civica
Angelo Mai |
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Genova, Conservatorio di
Musica N. Paganini (Liceo musicale) |
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Milano, Biblioteca del
Conservatorio Giuseppe Verdi |
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Naples, Biblioteca del
Conservatorio San Pietro a Majella |
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Noto, Biblioteca
Comunale |
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Palermo, Biblioteca del
Conservatorio Vincenzo Bellini |
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Roma, Biblioteca del
Conservatorio di Santa Cecilia |
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Roma, Biblioteca
Apostolica Vaticana |
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Lisboa, Biblioteca da
Ajuda, seção de música |
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Lisboa, Sé
Metropolitana de Lisboa, Arquivo Musical da
Fábrica |
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Lisboa, Biblioteca Nacional |
Ý
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For the information on a second group of archives (in which the existence of music by Perez had been indicated to me by the RISM office), either the libraries were very helpful in giving me the information by letters, or, in the case of Coimbra from which I received no reply, I had a colleague, Rogério Budasz, visit it on my behalf. Information on Piazza Armerina, was given by the Sicilian musicologist Nicolò Maccavino. Information on Cambridge, gently provided by Dr. Robert Rawson: |
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Vienna, Österreichische Nationalbibliothek, Musiksammlung |
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Opava, Museum Silesiae,
musicological division |
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Berlin, Staatsbibliothek,
Preuþischer Kulturbesitz |
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Dresden, Sächsische
Landesbibliothek, Musikabteilung |
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Hamburg, Staats- und Universitätsbibliothek, Musikabteilung |
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Münster,
Diözesan-Bibliothek |
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Cambridge, St Johns College |
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Pannonhalma, Bibliotheca
Archiabbatiae |
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Piazza Armerina,
Cattedrale |
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Coimbra, Universidade,
biblioteca geral |
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Beromünster,
Stiftsbibliothek |
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Einsiedeln,
Benediktinerkloster Einsiedeln, Musikbibliothek |
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Sarnen, Benediktinerinnen-Abter St. Andreas |
Ý
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For
information on a third group of libraries, I relied on their
catalogues, or on the CD-ROM published by RISM which
contains the incipits of the works. For the library of
Florence conservatory, which denied me the access, I used
the information contained in the index-cards of its general
reference room. Information on San Giovanni in Laterano was
kindly supplied by Eleonora Simi.
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ITALY |
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Assisi, San Francesco,
archivio musicale |
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Firenze, Biblioteca del Conservatorio di Musica Luigi Cherubini |
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Monza, Biblioteca e Archivio Capitolare della Basilica di S. Giovanni Battista |
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Napoli, Biblioteca
Oratoriana dei Filippini |
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Parma, Biblioteca
palatina, sezione musicale |
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Roma, Archivio della Congregazione DellOratorio Dei Padri Filippini |
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Roma, Archivio di San
Giovanni in Laterano |
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Regensburg,
Bischöfliche Zentralbibliothek,
Proske-Musikbibliothek |
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Braga, Biblioteca da
Sé |
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Évora, Arquivo da Sé Metropolitana, Catedral de Santa Maria |
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Viseu, Arquivo da
Sé |
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Vila Viçosa, Casa
de Bragança, Museu-Biblioteca |
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Zaragosa, Catedral Metropolitana, archivo musical del cabildo |