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COUNTESS (CARLOTTA) Serafimo - away with this pretence!
(She rips off SERAFIMO'S skirt to reveal his manly breeches)
You cannot speak, but kiss me in my husband's absence!
Poor fool, he makes me laugh! Haha, Haha! etc. Time I tried to get a better better half !
COUNTESS AND CHORUS Poor fool, he doesn't know! Hoho, Hoho! etc. If he knew the truth, he'd never, ever go!
(Suddenly from nowhere, we hear the voice of the PHANTOM)
PHANTOM'S VOICE Did I not instruct that Box Five was to be kept empty?
MEG (terrified) He's here: the Phantom of the Opera . . .
(General reaction of bewilderment. CHRISTINE looks fearfully about her)
CHRISTINE It's him . . . I know it . . . it's him . . .
CARLOTTA (Finding a scapegoat in CHRISTINE, hisses at her) Your part is silent, little toad!
(But the PHANTOM has heard her)
PHANTOM'S VOICE A toad, madame? Perhaps it is you who are the toad . . .
(Again general unease. CARLOTTA and the CONDUCTOR confer and pick up from the opening of the scene)
CARLOTTA (As the COUNTESS) Serafimo, away with this pretence! You cannot speak, but kiss me in my croak!
(Instead of singing she emits a great croak like a toad. A stunned silence. CARLOTTA is as amazed as anyone but regains herself and continues. More perturbing, however, is a new sound: the PHANTOM is laughing - quietly at first, then more and more hysterically)
CARLOTTA (as the COUNTESS) Poor fool, he makes me laugh - Hahahahaha! Croak, croak, croak, croak, croak, croak, etc.
(As before. The PHANTOM'S laughter rises. The croaking continues as the chandelier's lights blink on and off. The PHANTOM'S laughter, by this time overpowering, now crescendos into a great cry):
PHANTOM'S VOICE Behold! She is singing to bring down the chandelier!
(CARLOTTA looks tearfully up at the MANAGERS ' box and shakes her head)
CARLOTTA Non posso piu . . . I cannot . . . I cannot go on . . . |
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