Juliette Binoche: Mauvais Sang

Juliette Binoche: Mauvais Sang

Last updated 20 may 1996.

Original title: Mauvais Sang
Made in: France 1986
Director: Leos Carax
Subject: Leos Carax
Art direction: Jack Dubus, Thomas Peckre, Michel Valdestein
Costume desing: Dominique Gregogna, Martine Metert, Robert Nardone
Music: Charles Aznavour, David Bowie, Benjamin Britten, Sergei Prokofiev, Serge Reggiani
Cinematography: Jean-Yves Escoffier
Film editing: Nelly Quettier
Cast: Production: France 3 Cinema, Les Films Ariane, Les Films Plain-Chant, Soprofilms
Distribution:
Length: 116.

It's a true surprise for the cinema to find a movie so full of love, good taste and pleasure. The movie is intense, sometimes breathtaking; it's tender and violent, touching and grieving. A few years before the XXI century, in Paris ( a city that didn't change except the underground trains that became red, a comet in the sky, near the Earth and a mortal ache, the STBO, that is transmitted by certain touches ) a young orphan accept to make a stealing for a man and a woman in exchange of a great sum. He wants to escape by everything, by his girlfriend too; he meets another woman, falls in love. At the end he will be betrayed.

The Mauvais Sang story is just an "installation" used by Carax for a cinematographic rappresentation with rare intensity. The take machine does not domain, the matter is fulfilled with expressive richness, sweeping movements. The background like a dream, a nightmare, fear, emotion. This pure, total cinema invades immagination, creates feelings, invents time and space. Carax shows to be a real talent; plays with lights, shadows, colors faces, places, carrying out a rare ambiguity. Mauvais Sang is a futurible film, a kind of theorem about the possibilities of cinema, after a crisis that seemed to be absolute, after a death too soon decreed. Inside there's the fascination if the image, with its movement, its form, its artificiality, its mistery, its transgression over the visible.

Translated by David Beduzzi

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