Review – FREYjA “The Siren’s Odyssey”

Independent album

 

When an artist fails to fail, be it in the studio or live on stage, it is not easy to maintain a level of professional bias. Rebecca Rennie is one of those unfailing artists – to know the level of growth from FREYjA with Rebecca Rennie makes it all that more difficult to approach this record with the view to hearing it for the first time, but here goes…

Recorded toward the middle of 2000, just prior to her appearance at the Montreux Jazz Festival for the Northern Summer, The Siren’s Odyssey is the second album for Sydney singer-songwriter-diva Rebecca Rennie and FREYjA, a band whose membership changes from guitar and bass in the local restaurant to a full 9-piece Latin/Jazz/Folk/Pop/Blues (“Eclectic Ffazz” as Becc calls it) combo at the Sydney, London, New York or Amsterdam night club. Siren shows a depth of inspiration not really expressed in FREYjA, but that was more than a couple of years ago and in those years Becc has made some influential friends who have all added their experience to the experience that is Siren.

 

One Happy Day opens this night’s entertainment with Rebecca’s voice, if only for a few notes, and, as the song suggests, one happy tune. The following nine tracks peak and trough as you’re taken on a musical and emotional trip around the world: from Provincial France to Soho beatnik poetry, New Orleans Mardi Gras celebration, Caribbean beach resort and South American Equatorial jungle encounter. My favourite track is Don’t Bother Going Home, as it reminds me of the night some bogan asked her to sing a Sherbet song at Neutral Bay, but also because of the Alan Ginsberg/Hunter S Thompson feel to the whole thing. I also like Down The Castle, Why Would I?, One Happy Day and Magnolia for the reminder of that day at Sony that Becc, Todd & I tried to piece together a suitable track listing for the record. We didn’t come up with this list that day, but there is no faulting any of this version in any way.

 

The Siren’s Odyssey is not a purist’s record. It is a collection of different styles of music as only Rebecca Rennie and her consortium can make. So Montreux is a Jazz festival… so many of her associates are actually Jazz musos… as Becc says, it’s not just Jazz that they play, it’s Eclectic Ffazz! Get into it, whatever your muse! 

PG (Jacky) Gleeson

 

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