Review - Craig Calhoun & the Brothers of Oz

@ The Basement 25/7/98

 

Arriving fashionably late at The Basement for a Craig Calhoun & the Brothers of Oz gig means actually catching the whole show, but doing so initially from the nosebleed section. That aside, it wasn’t long before Mr Calhoun was singing his welcoming opening and getting straight into an all-in jazz/funk jam Chameleon, Craig walking off to stage right and Ralph (sax & percussion) Franke  walking around centre-stage.

 

The next song was another jam; it focused more on the solos so we knew what to expect through the rest of the set. The highlight was their version of Living Colour’s Love Rears Up Its Ugly Head, a crowd pleaser that brought more than the polite applause the rest of the set attracted. The other feature of the set was that singing duties were spread between four of the nine people on stage, including guest vocalists Kimi Tupaea and Jo Elm. The let down was in the mix, with the vocals being a bit further down than we would have liked and the overall volume a little low. 

 

My stamina was fast receding and I was ready to do the Harry before the second set started, but when Craig’s welcome song was followed by a slow but soulful version of Prince’s 1999, complete with audience participation, I just had to stick around! While the first set was a little slow on the uptake, the only downer in the second was the closer which no-one in the crowd seemed to know. Features of set #2 included Papa Was A Rolling Stone with percussionist Peter Morgan out from behind the bongos and doing his best Aaron Neville, a close-to-the-original Higher Ground, and Master Blaster with a Walking On The Moon impromptu from Craig along with all seven vocalists harmonising along (including the 2-piece brass section singing through their instrument mics!). The applause was more than polite but still not rapturous, save for the solos by Roy & HG’s house-band guitarist Rex Goh, and the mix was 150% improved.

 

The stamina would not have held out for the third set, but should you see the name Craig Calhoun & the Brothers of Oz at a venue you like to frequent, it is suggested that you make the effort. With exceptional musicianship all around, including the best bass-playing I have seen since Jean Beauvoir (a sort of George Benson and Doug Williams meets Tommy Emmanuel on 5 strings) and Craig’s promise that no two shows are the same, you will not be disappointed! ««««

PG (Jacky) Gleeson

 

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