Review – Miles From Nowhere @ Marlborough Hotel

Newtown 19 June 1999

 

The Marlborough – where the mainstreamers come to Newtown for their brand of entertainment. With the promise of an original set as well as some covers from Brisbane pop-acoustica artistes Miles from Nowhere we had to be there for at least one of those sets. The cliched 2Day playlist fulfilled the quota of overworn ‘faves’ from the 80s.

 

For an all-acoustic band, MFN pack a decibel-filled punch! Unfortunately it was a little too loud and not mixed too well initially but the songs still stood out for what they are! I was assured that most of tonight’s originals were new from demos for the forthcoming LP so I stepped back a little for a better look (despite the obligatory pole centre-stage) and listen.

 

Tonight’s set featured those harmonies that we know from their two EPs and previous excursions to State-of-Origin-Runner-Up City. Most of the supporters tonight comprised the first three rows while the rest of the room seemed disappointed that these were not the covers they were promised. It should be noted, though, that almost none of the punters that came through the first set left before I did! Standout performances tonight at the Marly included My Girlfriend Is Smarter done a-capella, Chermside 172 with a Pennsylvania 6-5000 swing to it, the catchy formula-pop of Inside Out and Bullet Proof, and my personal favourite Brain from the first release.

 

Through the first set, the guys showed why they are at the level they have attained in their careers. Chris had a ball on his side of the stage while nominated spokesperson Ben kept the crowd amused between songs from his end. While the crowd in general lost interest from Pelican Bones to Tide, despite the bass-riff during Pelican, they all knuckled down to the task at hand which was made easier once 172 was launched. Set 2, the dreaded covers, was actually quite inspirational. Featuring top-shelf interpretations of ‘standards’ which included Simon & Garfunkel’s Mrs Robinson, David Bowie’s Ashes to Ashes and The Police’s Message in a Bottle, as well as a beautifully rendered Last Goodbye by Jeff Buckley, those that came for the covers were left agape from the more-than-note-for-note versions of songs they know and love from the radio.

 

Miles from Nowhere are not just your average animal-band. Their acoustic originals emphasise their love of close harmonies developed over years as close friends, while their cover-songs keep the corporate and gigs-like-these bookings coming. As one music critic would say, “do yourself a favour” next time MFN play your part of the country

PG (Jacky) Gleeson

 

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