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Entry for April 13, 2007
The Poet's Bench Volume 1, Issue 3 suggested donation $1 April 2007
Black Street Gangs in Los Angeles: A History Excerpts from Territoriality Among African American Street Gangs in Los Angeles
The below article will be part of an upcoming book (2006-2007) on the history of Los Angeles Street Gangs in Los Angeles from 1940 – 2000. We will be running this in three parts over the next three issues.
by Alex Alonso, PhD Candidate
Surprisingly, little has been written about the historical background of black gangs in Los Angeles (LA). Literature and firsthand interviews with Los Angeles residents seem to point to three significant periods relevant to the development of the contemporary black gangs. The first period, which followed WWII and significant black migrations from the South, is when the first major black clubs formed. After the Watts rebellion of 1965, the second period gave way to the civil rights period of Los Angeles where blacks, including those who where former club members who became politically active for the remainder of the 1960s. By the early 1970s black street gangs began to reemerge. By 1972, the Crips were firmly established and the Bloods were beginning to organize. This period saw the rise of LA’s newest gangs, which continued to grow during the 1970s, and later formed in several other cities throughout the United States by the 1990s. While black gangs do not make up the largest or most active gang population in Los Angeles today, their influence on street gang culture nationally has been profound. The first major period of black gangs in Los Angeles began in the late 1940s and ended in 1965. There were black gangs in Los Angeles prior to this period, but they were small in numbers; little is known about the activity of these groups. Some of the black groups that existed in Los Angeles in the late 1920s and 1930s were the Boozies, Goodlows, Blogettes, Kelleys, and the Driver Brothers. Most of these groups were family oriented, and they referred to themselves as clubs. Max Bond (1936:270) wrote briefly about a black gang of 15-year-old kids from the Central Avenue area that mostly stole automobile accessories and bicycles. It was not until the late 1940s that the first major black clubs surfaced on the East side of Los Angeles near Jefferson High School in the Central Avenue area. This was the original settlement area of blacks in Los Angeles. South of 92nd Street in Watts and in the Jefferson Park/West Adams area on the West side, there were significant black populations. By 1960 several black clubs were operating on the West side of Los Angeles, an area that had previously restricted black residents during the 1940s. Several of the first black clubs to emerge in the late 1940s and early 1950s formed initially as a defensive reaction to combat much of the white violence that had been plaguing the black community for several years. In the surrounding communities of the original black ghetto of Central Avenue and Watts, and in the cities of Huntington Park and South Gate, white Angelenos were developing a dissatisfaction for the growing black population that was migrating from the South during WWII. During the 1940s, resentment from the white community grew as several blacks challenged the legal housing discrimination laws that prevented them from purchasing property outside the original settlement neighborhoods and integrate into the public schools. Areas outside of the original black settlement of Los Angeles were neighborhoods covered by legally enforced, racially restrictive covenants or deed restrictions. This practice, adapted by white homeowners, was established in 1922 and was designed to maintain social and racial homogeneity of neighborhoods by denying non-whites access to property ownership. By the 1940s, such exclusionary practices made much of Los Angeles off-limits to most minorities. This process contributed to increasing homogeneity of communities in Los Angeles, further exacerbating racial conflict between whites and blacks, as the latter existed in mostly segregated communities. From 1940 to 1944, there was over a 100 percent increase in the black population of Los Angeles, and ethnic and racial paranoia began to develop among white residents. Chronic overcrowding was taking a toll, and housing congestion became a serious problem, as blacks were forced to live in substandard housing (Collins 1980:26). From 1945-1948, black residents continually challenged restrictive covenants in several court cases in an effort to move out of the dense, overcrowded black community. These attempts resulted in violent clashes between whites and blacks (Collins 1980:30). The Ku Klux Klan resurfaced during the 1940s, 20 years after their presence faded during the late 1920s (Adler 1977; Collins 1980), and white youths were forming street clubs to battle integration of the community and schools of black residents. In Huntington Park, Bell, and South Gate, towns that were predominately white, teenagers formed some of the early street clubs during the 1940s. One of the most infamous clubs of that time was the Spook Hunters, a group of white teenagers that often attacked black youths. If blacks were seen outside of the black settlement area, which was roughly bounded by Slauson to the South, Alameda Avenue to the east, and Main Street to the west, they were often attacked. The name of this club emphasized their racist attitude towards blacks, as “Spook” is a derogatory term used to identify blacks and “Hunters” highlighted their desire to attack blacks as their method of fighting integration and promoting residential segregation. Their animosity towards blacks was publicly known; the back of their club jackets displayed an animated black face with exaggerated facial features and a noose hanging around the neck. The Spook Hunters would often cross Alameda traveling west to violently attack black youths from the area. Raymond Wright was one of the founders of a black club called the Businessmen, a large East side club based at South Park between Slauson Avenue and Vernon Avenue. He stated that “you couldn’t pass Alameda, because those white boys in South Gate would set you on fire,” and fear of attack among black youths was not, surprisingly, common. In 1941, white students at Fremont High School threatened blacks by burning them in effigy and displaying posters saying, “we want no niggers at this school” (Bunch 1990: 118). There were racial confrontations at Manual Arts High School on Vermont and 42nd Street, and at Adams High School during the 1940s (Davis 1990:293). In 1943, conflicts between blacks and whites occurred at 5th and San Pedro Streets, resulting in a riot on Central Avenue (Bunch 1990:118). white clubs in Inglewood, Gardena, and on the West side engaged in similar acts, but the Spook Hunters were the most violent of all white clubs in Los Angeles. (Editors note: An excerpt from the Exzecutive Summary of City of Los Angeles’ Gang Reduction Strategy states that “In the long run gangs don’t die because of anti gang intervention but [only] when public leaders reshape the communities that spawn them). to be continued next edition. School’s Out! An Editorial by Ali Baba the Oaktown Griot It happens about three times every week. You have the Castlemont kids who get out for lunch, the Fremont kids, who also have an open campus, and the Charter School kids from the academy at Eastmont mall. These groups of kids come together with that other group of kids, those who don’t go to school at all and then the mixture is set for what comes next. The blunts get lit up, then the talk starts, interspersed with laughter at first as the insults fly and voices get louder: “Fuck you nigguh!” “Hey bitch, why wasn’t you at school today?” “Fuck you ho, I was with my baby daddy, bitch!” “Look at that nigguh!” “Man, we was thizzed out yesterday, nigguh.” “Nigguh, burn something?” Then it happens. The girl’s voice gets louder. The crowd shifts to the other side of the Eastmont mall parking lot, they bunch together tightly, and suddenly youth are running from East, West, South and North to see the fight. Eastmont’s security force show up in force, looking more like Gestapo officers. Since the area is a transit hub, which is the jurisdiction of the Alameda County Sheriff’s Department, a contingent of their officers show up, and because there is an Oakland Police Department precinct station at the mall, OPD also shows up. People are pushed apart and around, handcuffed, interrogated, then released or detained, and then for the next couple of hours the parking lot is patrolled by one of the heaviest policing concentrations we get to see. In urban areas such as the Eastmont-Castlemont corridor, it is quite rare to have the kind of over-lapping police presence that exists at Eastmont mall. Generally one needs to be on the outskirts of a city or county to see this cross agency interaction. In spite of this, older people shake their heads and walk cautiously toward their buses. Even with the heightened police presence, it is obvious that the mostly older group of people who visit the mall during the day don’t feel especially safe there. The elders dart their eyes at the youth cautiously, even fearfully as they whisper about the youngster’s behavior. “They are out of control. Their language is foul, loud and boisterous. They smoke dope openly, threateningly, menacingly. They don’t have any respect for anything or anybody.” So it’s the same thing, almost daily, and the question is asked “What are we going to do about these kids?” I believe that the the root of the problem is 1) That kids from other schools are let off their campuses to try and get lunch in a hurry up fashion and then, 2) They meet up with kids from other schools with all of the natural rivalries that go along with that interaction, who then 3) Meet up with kids who don’t go to school and who moreover, probably don’t go to school because of the type of character they have already displayed while in school. This all takes place 4) as they meet up for lunch or whatever other activity they are involved in at what is essentially the school yard of the charter school kids. When viewed in this context it is understood that the police presence does nothing but exacerbate a problem that is already a recipe for disaster. -- AB the OG
My inna me is my enemy
don't trust my enemy keep my enemy closer destroy my enemy before ... Isn't that soul stripped of melanin in skin irritate
my inna'me -- SmooVerbiage © 2007
Special Engagement! Saturday, April 21st 1 - 3pm West Oakland Branch 1801 Adeline Street Oakland, CA
The Urban Librarians Project will sponsor, "On the Wings of a Story," featuring storyteller Diane Ferlaltte. The festival will open with two original songs performed by Augusta Lee Collins and Toney Thibodeaux, with M-PULSE. Admission is free and all ages are welcome. You are not going to want to miss this event. Stories told in words, dance and song.
Oakland Poetry Slam's Blurbs reprinted in solidarity with our colleagues at the oakland poetry slam http://www.myspace.com/oaklandslam
March winds are blowing, allergies are acting up, animals and flowers are getting pretty frisky - could it be spring? Why, I think it is - and we at the brOakland Poetry Slam & Open-Mic are feeling the fever and the feeling of renewal; that watery eyed, scratchy throated sensation of growth and creation. This is a perfect time for whipping out your new poem, and sharing it with a loving and supportive audience. Maybe you'd prefer to compete for cash prizes to finance that new Easter dress. Or maybe you just need some toe-tapping, head-bobbing inspiration from our own DJ Agana. Your hosts with the most, Nazelah & Dahled will be there, keeping the house all warm against the cold March winds. And with such amazing features as Helene Faussart (Les Nubians) & Michael Cirelli (NY Urbana), we might just usher in an early summer at our new venue The Oakland Metro , 201 Broadway, Oakland, CA 94607. See you at the Slam!
… Friday night, before you head up to Berkeley to catch Les Nubians, stop by The Oakland Metro and enjoy an intimate set of poetry with Helen Faussart. Take this opportunity to see an international recording sensation in an entirely different kind of setting. Helen & Celia are in The Bay with their band in part to promote their project: “Echos, Chapter One: Nubian Voyager”. This project is so close to their heart that they released it on their own label. It is a collection of poetic tales wrapped in Afro-soul and jazzy nuances. Among the poets featured on Echoes is your hostess for the evening: Nazelah Jamison. The album and accompanying book feature passionate words and vocals in both French and English. Whether or not you speak French, the flow and feel of songs convey the emotion and soul of this unique project which is deeply rooted in native African musical tradition.
– Nazelah / Dahled © 4/2007
Ballad
once. what does it matter
-- Sonia Sanchez
What it is and where to get it. Remember, if you have any news you’d like to share, or any announcements you’d like to make such as weddings, obituaries or special events just send it to us at least two weeks prior and we’ll be glad to run it. E mail us at poetbench @ yahoo.com or call (415) 861-3024
Mondays: 02,09,16,23,30
The Oakland Metro, (Weekly beginning 11/13/07)
“Poetically Speaking” 5:30 – 7:30 pm 259 Hyde Street, SF, CA
San Jose Slam - weekly Dorsey's Locker (1st and 3rd Tues), 5817 Shattuck Ave, Oakland, CA (Next to KTVU Channel 2) (Weekly) (510) 228-7400 Open Mic - 2nd & 4th Thurs
Fridays: 06, 13, 20, 27 The Oakland Metro Theater - 201 Broadway @ 2nd
poet bench’s pick !!! Lady Zion Presents: “Yahosheannah” Open Mic, Reading and More! Every Thursday Evening 5:00 to 9:00 pm at the Zazoo Restaurant 15 Embarcadero, Oakland, CA (Next to KTVU Channel 2) Call : (510) 228-7400 for info Donation $10.00 The Hero of My Heart I'm the hero of my heart Now in a parade I must survive- They've seen me tell our only love But just then they came to me The procession carried on (For and inspired by Bronwyn)
-- by Jon Sanders ©2006
The Poet’s Bench, in existence since the summer of 2005 has begun the year 2007 with great hopes of continuing and extending our services to and for writers, artists, our loyal following, and the general public. In 2007, we want to increase our service by going bi-weekly (scheduled for June 2007), and coordinating the activity of the website (www.geocities.com/poetbench) with the hard copy version. Our mission is simple and clear: To provide critical information, essays, poems, reviews, interviews, and a showcase for advertisers in an effort to facilitate dialogue, entertain, encourage and enlighten, all toward the aim of augmenting “the cultural imperative” We will continue to try to provide monthly updates of important news stories and events, as well as facilitate free expression of opinions which may not get through the mainstream filter. We can always use donor support. Make a much needed donation of any amount! Donations (check or money order) should be made out to The Poet’s Bench and sent to:
2007-04-14 02:46:56 GMT
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