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Entry for April 13, 2007

The Poet's Bench

Volume 1, Issue 3 suggested donation $1 April 2007

Black Street Gangs in Los Angeles: A History Excerpts from Territoriality Among African American Street Gangs in Los Angeles

The below article will be part of an upcoming book (2006-2007) on the history of Los Angeles Street Gangs in Los Angeles from 1940 – 2000. We will be running this in three parts over the next three issues.

by Alex Alonso, PhD Candidate


In Los Angeles and other urban areas in the United States, the formation of street gangs increased at an alarming pace throughout the 1980s and 1990s. The Bloods and the Crips, the most well-known gangs of Los Angeles, are predominately African American and they have steadily increased in number since their beginnings in 1969. In addition, there are approximately 600 Hispanic gangs in Los Angeles County with a growing Asian gang population numbering approximately 20,000 members.

Surprisingly, little has been written about the historical background of black gangs in Los Angeles (LA). Literature and firsthand interviews with Los Angeles residents seem to

point to three significant periods relevant to the development of the contemporary black gangs. The first period, which followed WWII and significant black migrations from the South, is when the first major black clubs formed. After the Watts rebellion of 1965, the second period gave way to the civil rights period of Los Angeles where blacks, including those who where former club members who became politically active for the remainder of the 1960s. By the early 1970s black street gangs began to reemerge. By 1972, the Crips were firmly established and the Bloods were beginning to organize. This period saw the rise of LA’s newest gangs, which continued to grow during the 1970s, and later formed in several other cities throughout the United States by the 1990s. While black gangs do not make up the largest or most active gang population in Los Angeles today, their influence on street gang culture nationally has been profound.

The first major period of black gangs in Los Angeles began in the late 1940s and ended in 1965. There were black gangs in Los Angeles prior to this period, but they were small in numbers; little is known about the activity of these groups. Some of the black groups that existed in Los Angeles in the late 1920s and 1930s were the Boozies, Goodlows, Blogettes, Kelleys, and the Driver Brothers. Most of these groups were family oriented, and they referred to themselves as clubs. Max Bond (1936:270) wrote briefly about a black gang of 15-year-old kids from the Central Avenue area that mostly stole automobile accessories and bicycles. It was not until the late 1940s that the first major black clubs surfaced on the East side of Los Angeles near Jefferson High School in the Central Avenue area. This was the original settlement area of blacks in Los Angeles. South of 92nd Street in Watts and in the Jefferson Park/West Adams area on the West side, there were significant black populations. By 1960 several black clubs were operating on the West side of Los Angeles, an area that had previously restricted black residents during the 1940s.

Several of the first black clubs to emerge in the late 1940s and early 1950s formed initially as a defensive reaction to combat much of the white violence that had been plaguing the black community for several years. In the surrounding communities of the original black ghetto of Central Avenue and Watts, and in the cities of Huntington Park and South Gate, white Angelenos were developing a dissatisfaction for the growing black population that was migrating from the South during WWII. During the 1940s, resentment from the white community grew as several blacks challenged the legal housing discrimination laws that prevented them from purchasing property outside the original settlement neighborhoods and integrate into the public schools. Areas outside of the original black settlement of Los Angeles were neighborhoods covered by legally enforced, racially restrictive covenants or deed restrictions. This practice, adapted by white homeowners, was established in 1922 and was designed to maintain social and racial homogeneity of neighborhoods by denying non-whites access to property ownership. By the 1940s, such exclusionary practices made

much of Los Angeles off-limits to most minorities. This process contributed to increasing homogeneity of communities in Los Angeles, further exacerbating racial conflict between whites and blacks, as the latter existed in mostly segregated communities. From 1940 to 1944, there was over a 100 percent increase in the black population of Los Angeles, and ethnic and racial paranoia began to develop among white residents. Chronic overcrowding was taking a toll, and housing congestion became a serious problem, as blacks were forced to live in substandard housing (Collins 1980:26). From 1945-1948, black residents continually challenged restrictive covenants in several court cases in an effort to move out of the dense, overcrowded black community. These attempts resulted in violent clashes between whites and blacks (Collins 1980:30). The Ku Klux Klan resurfaced during the 1940s, 20 years after their presence faded during the late 1920s (Adler 1977; Collins 1980), and white youths were forming street clubs to battle integration of the community and schools of black residents.

In Huntington Park, Bell, and South Gate, towns that were predominately white, teenagers formed some of the early street clubs during the 1940s. One of the most infamous clubs of that time was the Spook Hunters, a group of white teenagers that often attacked black youths. If blacks were seen outside of the black settlement area, which was roughly bounded by Slauson to the South, Alameda Avenue to the east, and Main Street to the west, they were often attacked. The name of this club emphasized their racist attitude towards blacks, as “Spook” is a derogatory term used to identify blacks and “Hunters” highlighted their desire to attack blacks as their method of fighting integration and promoting residential segregation. Their animosity towards blacks was publicly known; the back of their club jackets displayed an animated black face with exaggerated facial features and a noose hanging around the neck. The Spook Hunters would often cross Alameda traveling west to violently attack black youths from the area. Raymond Wright was one of the founders of a black club called the Businessmen, a large East side club based at South Park between Slauson Avenue and Vernon Avenue. He stated that “you couldn’t pass Alameda, because those white boys in South Gate would set you on fire,” and fear of attack among black youths was not, surprisingly, common. In 1941, white students at Fremont High School threatened blacks by burning them in effigy and displaying posters saying, “we want no niggers at this school” (Bunch 1990: 118). There were racial confrontations at Manual Arts High School on Vermont and 42nd Street, and at Adams High School during the 1940s (Davis 1990:293). In 1943, conflicts between blacks and whites occurred at 5th and San Pedro Streets, resulting in a riot on Central Avenue (Bunch 1990:118). white clubs in Inglewood, Gardena, and on the West side engaged in similar acts, but the Spook Hunters were the most violent of all white clubs in Los Angeles.

(Editors note: An excerpt from the Exzecutive Summary of City of Los Angeles’ Gang Reduction Strategy states thatIn the long run gangs don’t die because of anti gang intervention but [only] when public leaders reshape the communities that spawn them). to be continued next edition.

School’s Out!

An Editorial

by Ali Baba the Oaktown Griot

It happens about three times every week. You have the Castlemont kids who get out for lunch, the Fremont kids, who also have an open campus, and the Charter School kids from the academy at Eastmont mall. These groups of kids come together with that other group of kids, those who don’t go to school at all and then the mixture is set for what comes next. The blunts get lit up, then the talk starts, interspersed with laughter at first as the insults fly and voices get louder: “Fuck you nigguh!” “Hey bitch, why wasn’t you at school today?” “Fuck you ho, I was with my baby daddy, bitch!” “Look at that nigguh!” “Man, we was thizzed out yesterday, nigguh.” “Nigguh, burn something?”

Then it happens. The girl’s voice gets louder. The crowd shifts to the other side of the Eastmont mall parking lot, they bunch together tightly, and suddenly youth are running from East, West, South and North to see the fight. Eastmont’s security force show up in force, looking more like Gestapo officers. Since the area is a transit hub, which is the jurisdiction of the Alameda County Sheriff’s Department, a contingent of their officers show up, and because there is an Oakland Police Department precinct station at the mall, OPD also shows up.

People are pushed apart and around, handcuffed, interrogated, then released or detained, and then for the next couple of hours the parking lot is patrolled by one of

the heaviest policing concentrations we get to see. In urban areas such as the Eastmont-Castlemont corridor, it is quite rare to have the kind of over-lapping police presence that exists at Eastmont mall. Generally one needs to be on the outskirts of a city or county to see this cross agency interaction.

In spite of this, older people shake their heads and walk cautiously toward their buses. Even with the heightened police presence, it is obvious that the mostly older group of people who visit the mall during the day don’t feel especially safe there. The elders dart their eyes at the youth cautiously, even fearfully as they whisper about the youngster’s behavior. “They are out of control. Their language is foul, loud and boisterous. They smoke dope openly, threateningly, menacingly. They don’t have any respect for anything or anybody.”

So it’s the same thing, almost daily, and the question is asked “What are we going to do about these kids?” I believe that the the root of the problem is 1) That kids from other schools are let off their campuses to try and get lunch in a hurry up fashion and then, 2) They meet up with kids from other schools with all of the natural rivalries that go along with that interaction, who then 3) Meet up with kids who don’t go to school and who moreover, probably don’t go to school because of the type of character they have already displayed while in school. This all takes place 4) as they meet up for lunch or whatever other activity they are involved in at what is essentially the school yard of the charter school kids. When viewed in this context it is understood that the police presence does nothing but exacerbate a problem that is already a recipe for disaster.

-- AB the OG

My inna me is my enemy


hate my enemy

don't trust my enemy

keep my enemy closer
then my friend.

destroy my enemy before
my enemy destroys me.

... Isn't that
the order of things?

soul stripped of
it's spirit
heart hardened
emotions
p a r a l y z e d

melanin in skin irritate
and disgust
broad nostrils inhale
sour odor of self hatred.
strong structure weakened
by sustained ignorance
mind set on
p r e d e s t i n e d
failure


nappy hair hassles
along with full lips
that spit
o b s c e n i t i e s
to thick thighs
round hips
and backside.
deep brown eyes
reflect envy of
a different hue.

my inna'me
is my enemy

-- SmooVerbiage

© 2007

Special Engagement!

Saturday, April 21st

1 - 3pm

West Oakland Branch

1801 Adeline Street

Oakland, CA

The Urban Librarians Project will sponsor, "On the Wings of a Story," featuring storyteller Diane Ferlaltte. The festival will open with two original songs performed by Augusta Lee Collins and Toney Thibodeaux, with M-PULSE. Admission is free and all ages are welcome. You are not going to want to miss this event. Stories told in words, dance and song.

Oakland Poetry Slam's Blurbs

reprinted in solidarity with our colleagues at the oakland poetry slam

http://www.myspace.com/oaklandslam

March winds are blowing, allergies are acting up, animals and flowers are getting pretty frisky - could it be spring? Why, I think it is - and we at the brOakland Poetry Slam & Open-Mic are feeling the fever and the feeling of renewal; that watery eyed, scratchy throated sensation of growth and creation. This is a perfect time for whipping out your new poem, and sharing it with a loving and supportive audience. Maybe you'd prefer to compete for cash prizes to finance that new Easter dress. Or maybe you just need some toe-tapping, head-bobbing inspiration from our own DJ Agana. Your hosts with the most, Nazelah & Dahled will be there, keeping the house all warm against the cold March winds. And with such amazing features as Helene Faussart (Les Nubians) & Michael Cirelli (NY Urbana), we might just usher in an early summer at our new venue The Oakland Metro , 201 Broadway, Oakland, CA 94607. See you at the Slam!

… Friday night, before you head up to Berkeley to catch Les Nubians, stop by The Oakland Metro and enjoy an intimate set of poetry with Helen Faussart. Take this opportunity to see an international recording sensation in an entirely different kind of setting. Helen & Celia are in The Bay with their band in part to promote their project: “Echos, Chapter One: Nubian Voyager”. This project is so close to their heart that they released it on their own label. It is a collection of poetic tales wrapped in Afro-soul and jazzy nuances. Among the poets featured on Echoes is your hostess for the evening: Nazelah Jamison. The album and accompanying book feature passionate words and vocals in both French and English. Whether or not you speak French, the flow and feel of songs convey the emotion and soul of this unique project which is deeply rooted in native African musical tradition.

…if you've been around for a while you know Bay Area expatriate Michael Cirelli. These days he's the Executive Director of Urban Word NYC. He has been an educator teaching poetry for the last eight years throughout the Bay Area,
Los Angeles, and New York City. As the former director of PEN Center West's Poet In the Classroom program in Los Angeles, he doubled the amount of workshops offered in Los Angeles public schools. He is the co-author of the award-winning curriculum, Hip-Hop Poetry and the Classics (Milk Mug 2004), and is an MFA graduate from the New School. He was a five-time National Poetry Slam participant, winning Grand Slam Finals in Oakland, San Francisco, Berkeley and New York City, as well as being an HBO Def Poet. Along with his work with Urban Word NYC, he is the Director of Program Development for the Hip-Hop Association, and an adjunct professor of hip-hop and literature at the College of New Rochelle. Although Michael may seem to be writing about waitresses, birds and sports, "all of his poems are love poems."

– Nazelah / Dahled © 4/2007

Ballad
(after the spanish)


forgive me if i laugh
you are so sure of love
you are so young
and i too old to learn of love.


the rain exploding
in the air is love
the grass excreting her
green wax is love
and stones remembering
past steps is love,
but you. you are too young
for love
and i too old.

once. what does it matter
when or who, i knew
of love.
i fixed my body
under his and went
to sleep in love
all trace of me
was wiped away


forgive me if i smile
young heiress of a naked dream
you are so young
and i too old to learn of love.

-- Sonia Sanchez

What it is and where to get it.

Remember, if you have any news you’d like to share, or any announcements you’d like to make such as weddings, obituaries or special events just send it to us at least two weeks prior and we’ll be glad to run it. E mail us at poetbench @ yahoo.com or call (415) 861-3024

Mondays: 02,09,16,23,30
Marvin Gaye Dies 1986/Born 1939

The Oakland Metro, (Weekly beginning 11/13/07)
7:00 open-mic, 10:30 Feature, 11:00 party w/ the band!
FREE b4
9:30 - $3.00 after
Contact: http://www.myspace.com/tomkatsopenmic for info.

Poetically Speaking”
8pm, 1st Mondays monthly
Hotel De Anza, Downtown
San Jose
Features Only - Contact AM Entertainment for booking: [email protected]

Tuesdays: 03,10,17,24
”Sho You Write” Writing Workshop 04/10, 17/07

5:30 – 7:30 pm 259 Hyde Street, SF, CA

San Jose Slam - weekly
Contact:
http://www.sanjosepoetryslam.com/ for info.

Cometri: Laughter & Lyrics @ The Blue Candle
7-10pm,

Dorsey's Locker (1st and 3rd Tues), 5817 Shattuck Ave, Oakland, CA

Poetry Diversified” - 1st & 3rd Tues monthly
Contact: http://www.worldgrounds.com/events.html for info.

Wednesdays: 04, 11, 18, 25
Mouth Off” – (Weekly)
Contact:
http://www.myspace.com/mouthoffairloungue for info

Bezrkeley Slam” - weekly
Contact: http://www.berkeleypoetryslam.com/

Thursdays: 12, 19, 26
poet bench’s pick !!!
Zazoo Restaurant, 15 Embarcadero

(Next to KTVU Channel 2)

(Weekly) (510) 228-7400

Holla Back” open mic(Weekly)
Contact: http://www.myspace.com/hollabackesa

Dalva

Open Mic - 2nd & 4th Thurs
3121 16th St., San Francisco, 415 252-7740 Friday:
The brOakland Poetry Slam - 1st & 3rd Fridays
Cafe Axe' -
1525 Webster St.
8:00 - open-mic, 8:30 - slam
$3.00 to read & for OUSD Students/teachers
$5.00 to watch
Contact: http://www.myspace.com/oaklandslam


Fridays: 06, 13, 20, 27
Marvin X Coming East: Marvin X will be on the east coast during the month of April promoting his latest book, Beyond Religion Toward Spirituality accompanied by Elliot Bey on keyboard. April 6, Sonia Sanchez will host a party for him in Philadelphia. April 7, he will read and sign books at Robins Book Store, Philly, 7pm. April 8 he will be in Newark at Amiri Baraka's house, 808 St. Tenth St., 6 pm. April 12, Suninleo.com will host party in Brooklyn (tentative). BLACK BIRD PRESS, POBox 1317, PARADISE CA 95967 / $19.95 / 510-472-9589 Author's agent: [email protected] / 718.496.2305The brOakland Poetry Slam - 1st Fridays

The Oakland Metro Theater - 201 Broadway @ 2nd
Jack
london Sq. Oakland 94607
8:00 - sign-ups / 8:15 - show
$5.00 General Admission
http://www.myspace.com/oaklandslam

Cafe International Open Mic -
7:30 p.m. weekly
508 Haight,
San Francisco 94117

Oakland Soup -
6:30pm 4th Fridays
Temescal Cafe,
4920 Telegraph Ave.

Saturdays: 07, 14, 21, 28
Soul Cypher - 1st Sat. monthly
http://www.myspace.com/hotwatercornbread06

Sundays: 01, 08, 15, 22, 29
SF Slam - 2nd Sundays Monthly
The City Slam & Experimental Mic.
thecityslam @ yahoo. com
http://www.myspace.com/sfslam

Parkway Lounge LBTQ (&Friends) Open-Mic/Freestyle Session
Sundays Weekly @ 8:00 pm
The Parkway Lounge - 1850 Park Blvd. Oakland
feel free to bring tracks
21+

Red Ink Studios open Mic - 7:00 p.m. weekly
1035 Market St. San Francisco

3rd Eye Collective presents: AI Live - monthly
www.myspace.com/3rdeyecollective

Synergy women's open mic - 3-5 pm - 3rd Sundays monthly
Frank Bette Center, Alameda

poet bench’s pick !!!

Lady Zion Presents:

“Yahosheannah” Open Mic, Reading and More!

Every Thursday Evening 5:00 to 9:00 pm

at the

Zazoo Restaurant

15 Embarcadero, Oakland, CA

(Next to KTVU Channel 2)

Call : (510) 228-7400 for info

Donation $10.00

The Hero of My Heart

I'm the hero of my heart
for every chance I ever took
I've let myself fall in love with just a single look
My heart looks up to me while on the ground I lie,
for how can I be a hero
when I'm so afraid to die?

Now in a parade I must survive-
for it's thrown for only me-
with my heart and soul and dream
all standing on the street
I smile for them- like eight year olds,
they're waving back at me
They think that I'm so brave
because of what they've seen

They've seen me tell our only love
that we've loved her all the while
They've seen me dare to kiss her and even make her smile
But how am I to tell them
that one of them must break,
that one of them will die alone
while the other never wakes?
How am I to tell them-
with that look in all their eyes-
that their hero's just a man
who's so afraid to die?

But just then they came to me
Just then they caught my eye
Regrettably I told them, "I'm so afraid to die"
They surprised me when they smiled
with smiles ear to ear
Pulled me closer to 'em so that I may hear
And while spoken loud enough,
he just whispered in my ear
"Believe me, sir, you can't be brave
if you have no fear"

The procession carried on
down an endless street
My fear was never gone
but I would never be
regrettably withdrawn
Forever I would see
the little boys running along trying to keep up with me

(For and inspired by Bronwyn)

-- by Jon Sanders

©2006

The Poet’s Bench, in existence since the summer of 2005 has begun the year 2007 with great hopes of continuing and extending our services to and for writers, artists, our loyal following, and the general public. In 2007, we want to increase our service by going bi-weekly (scheduled for June 2007), and coordinating the activity of the website (www.geocities.com/poetbench) with the hard copy version. Our mission is simple and clear: To provide critical information, essays, poems, reviews, interviews, and a showcase for advertisers in an effort to facilitate dialogue, entertain, encourage and enlighten, all toward the aim of augmenting “the cultural imperative” We will continue to try to provide monthly updates of important news stories and events, as well as facilitate free expression of opinions which may not get through the mainstream filter.

We can always use donor support. Make a much needed donation of any amount!

Donations (check or money order) should be made out to The Poet’s Bench and sent to:

The Poet’s Bench

P.O. Box 421324 San Francisco, CA 94103

(415) 861-3024 and/or

[email protected]

2007-04-14 02:46:56 GMT


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