Maxwelton-S.
The
The exit of the
Maxwelton Creek occurs where a small fault cuts NW across the island, and a
NW-erly flowing lower creek follows this fault- pointing toward Double Bluff and
backwards toward a hook in Cultus
Bay. When looking at LIDAR maps, the
island can be seen to have been cut by this NW-SE fault- later rearranged by the
uplift of Scatchet Head which has pushed the fault trace northward in the center
of the island.
This fault was first spotted on a plot of the water wells in the area, since the well near the present exit point at the tide gate has unusual fluoride in the water. This was noticed before using LIDAR, and then the laser technology confirmed the presence of the small fault.
The cliffs south of Maxwelton are fairly regular, showing no faulting until Maple Point, where there are several features interesting to the dynamics of the island.
1. There is a set of arcuate fractures (concave upward) just north of Maple Point, and a small spring exits there. The water is normal in conductivity, but the F and K were not measured.
2. There are several exposures of peat in the cliff walls
north of Maple and the level of the thickest (2 meters), which is continuous,
gradually increases in elevation going southward. Further, a resistant silt or
clay bed in the tidal zone has a similar tilting upward to the south, confirming
that Maple Point has been uplifted relative to the
3. After Maple Pint, the
4. The iron sands, similar to Esperance occur locally just below the Vashon tills, and this helps delineate the stratigraphy- these peats are not the same as those in the tidal zone at Double Bluff, but probably are the same ones seen in the low tide at Cultus Bay mouth (these are wide in extent and tilt downward to the NE).
5. There is extensive slumping in the whole cliff area south
of Maxwelton, proceeding all along the south coast all the way to
6. At low tide, there is no occurrence of peats in the tidal zone north of Maple, but on the other side of Scatchet Head at Cultus
bay, the peats are extensive in the
surf.
The Sound
My psyche, being tightly wound
Rose so
sharply, without bound
When I transported it to new ground,
To Nirvana-
dubbed “The Sound”.
How is this, Old Reprobate-
Have you
found the long lost gate?
Did your spirit soon deflate,
In the
desert- just of late?
Aren’t you most the individual- same-
Who just
into the blue horizon came?
Were you afflicted, blue, or lame
Giving all
the desert blame?
Now you are in the soul of it,
Not in peat
beds or the pit,
But at the apex of your wit-
Ignoring “The Moving Finger having writ”.
Perchance you hear a different “Sound”
From the
laughter, lately clowned,
Of the Verbalizer, who was downed
By his listeners- those who frowned.
Or perhaps the sound is music spilled
On Whales or
Salmon, lately gilled;
Or with Pileated ‘peckers never stilled,
And with Ebby’s Prairie, rarely tilled.
Some say the sounds are phantom made,
As with
neurotic psyches played-
Some from
Inserted into bovine flesh (by spade?).
It “sounds like” it is my spirit dear
Which came to life since I was here,
Which wove a spell upon my
fear
And cast it
out, in instants mere.
But no! It is the depth by sound,
Which was
made, when fear most sound,
Made the boats proceed just
cautious round
The
shoreline, else the boats’d run aground.
To me, the Sound is water clear
With skies
of blue in seasons near,
And currents swift and ships with gear-
That keep the Skipper’s wits so dear.
It is the place where eagles soar,
Where kayaks
compete with tidal bore,
Where I can see the rocky “door”
Into the
earth’s interior Floor-
Where massive movements cast their spell
On mere mans
movements most pell-mell,
Where his Spirits likely gel
On Truth,
and Wit- which lately fell;
But which brings a smile into my heart,
And pricks
my center with a dart-
So penetrating that it makes me smart-
By
hearing, seeing, smelling The Sound- Her Art.
Harold L. Overton