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ISSUE #52 MAY - JULY
2007
editorial
This should really be the autumn issue of the OGT (and it
certainly looks like autumn outside with the leaves displaying a wonderful
range of red, orange, yellow and brown hues), but as I write this it
definitely feels way more like winter. The end of April/beginning of May
seems way too early to be bringing out the woollen socks and the thermals
but I can’t bear being cold so I’ve given in and brushed the cobwebs
off my winter wardrobe!
An important event that’s coming up in May is the AIDS
Candlelight Memorial on Sunday May 20. This is the day when people around
the world remember those who have died from AIDS and those who are living
with HIV and AIDS. The Working Together Group is organising the memorial
which will take place at 7pm at St Paul’s Cathedral in the Octagon.
While the number of people diagnosed with HIV last year was down on the
previous year, there’s no room for complacency and the safer sex
messages and practices are just as important as ever. Each new diagnosis
is one too many. See Page 3 for more details about the latest HIV .gures
from the NZ AIDS Foundation and for more information about the local AIDS
Candlelight Memorial.
There’s a wide range of material in this issue of the
OGT. It’s great the way people are willing to provide copy for the paper
and I really appreciate all the time and effort our contributors put into
making the OGT a valuable asset not just for the queer/LGBT community, but
also our friends and allies. There are three interviews with very
interesting people included here – one with an artist from Australia who
lives here now, one with a presenter on the TV programme Takataapui
and the third with an American
voice-over actor, novelist, bodybuilder and LGBT activist who lives in
Hollywood.
The paper also contains information about upcoming events
and activities, local groups and a new resource that’s been produced by
the Family Planning Association speci.cally for women who have sex with
women. And, in amongst all this, there are a few book reviews which might
give you some ideas for books to check out during the long winter nights
ahead.
On Page 8 there are details about a project that’s being
carried out by a woman in Wellington on the subject of GLBTI domestic
violence. If anyone would like to be involved with Kim’s project or
would like more information about it, then her contact details are
included there for you. Domestic violence in the queer community is
something that is rarely acknowledged or talked about so the website that
Kim is proposing would be a really valuable resource. Kim has indicated
that she’s willing to write something for the OGT about domestic
violence in the queer/LGBT community so hopefully we’ll have that in the
following issue which will be great for raising awareness and making
visible an issue that, unfortunately, our community is not immune to.
Tor Devereux, Editor
HIV In 2006: One Gay Man
Diagnosed Every Five Days
Press Release, NZ AIDS Foundation, 14 March 2007
Figures released today by the AIDS Epidemiology Group show
that 70 gay and bisexual men were diagnosed with HIV in 2006, a rate of
one every five days. The New Zealand AIDS Foundation says the
figures are a welcome drop on 2005, which saw 90 new diagnoses among gay
and bisexual men - the most ever in a single year - but is still
cautioning against complacency. Despite an increase in heterosexual
diagnoses this year, gay and bisexual men remain the highest risk group
for HIV, comprising 80% of the total number of 2006 diagnoses where
infection occurred within New Zealand.
"While it’s great news that we’ve seen a decrease
for gay and bisexual men this year, this doesn’t mean that we are less
at risk," says NZAF Chair Hoani Jeremy Lambert. "We have
to remember that 2005 was a particularly bad year, and the number of men
diagnosed with HIV in 2006 is still more than double what we were seeing
between 1997 and 2000."
NZAF is reminding gay and bisexual men this year that it’s
not who you are, but what you do that puts you at risk of HIV. "You
don’t get HIV simply because you’re gay or bisexual – you get it by
having anal sex without a condom," Lambert says. "This is by far
the riskiest thing you can do in terms of HIV, and all the evidence
suggests that anal sex without condoms is how all the gay and bisexual men
in 2006 who were infected through sexual transmission got it."
Of the 70 gay/bi diagnoses in 2006, 52 were infected in
New Zealand. Of these:
• 33% are known for certain to have been infected in the
previous two years because they received a negative HIV test in that time.
• 81% lived in the North Island, with 56% from the
Auckland region and 17% from Wellington.
• The average age of those infected was 38.
• 77% were of European ethnicity, 11% Maori, 8% Asian
and 2% Pacific.
"The reality is, HIV does not affect everyone in New
Zealand equally," Lambert continues. "As gay men, we remain the
primary risk group because of the risk of transmission via anal sex, and
because most of our infections occur here in New Zealand, not overseas.
This virus is on our doorstep and in our communities."
An Invitation To The
AIDS Candlelight Memorial
Sunday 20 May is the date for this year’s AIDS
Candlelight Memorial at St Paul’s Cathedral in the Octagon at 7pm. The
memorial includes a non-religious service to provide a time to remember
those we and our community have lost to HIV/AIDS, an "open
microphone" time for anyone to speak of someone they have lost or
make other comments or statements, a candle-lighting ceremony, silent time
for prayer or meditation and a supper to meet together and share
conversation, food and drink.
The memorial is open to all members of the community, all
ages and stages of life, those who have lost friends or family to
HIV/AIDS, those living with the virus or who have family or friends living
with it and those who care about supporting them.
Ultimately we are all affected by HIV/AIDS because it is
in our community and affecting people around us. In New Zealand there were
177 new diagnoses of HIV in 2006, 27 people previously diagnosed overseas
and confirmed in New Zealand and 29 people notified with AIDS.
Please extend this invitation to all your friends and
family, community groups, church groups and youth groups. In the past,
more than 150 people have come along and many have found it a very moving
and passionate event which leaves them touched and sad, but also motivated
to continue to work and advocate for more public acknowledgement of the
need for research funding, medical funding and sexual health funding to
reduce the number of people contracting HIV in New Zealand in the future.
Dunedin is just one of over 4500 communities in 93
countries which hold an annual memorial event. Attending the Candlelight
Memorial makes you part of a world-wide movement to remember those who
have died and support those who are living with HIV/AIDS. It is
exciting to feel we are part of such a large event. See
www.candlelightmemorial.org for more information.
The Dunedin event is free, but donations are gratefully
accepted and go towards the ongoing work of Dunedin HIV/AIDS education,
prevention and support groups and interested individuals, collectively
called The Working Together Group. You are most welcome and we look
forward to seeing you at St Paul’s, 7pm, Sunday 20 May.
WORLD WATCH
Sources: www.365Gay.com
, www.pinknews.co.uk , www.rainbownetwork.com
HATE CRIMES LEGISLATION NAMED FOR VICTIM
Washington DC, USA
A new federal law that will extend protections on the
grounds of race or religion to sexual orientation or gender identity in
the USA is to be named after the murdered gay teenager whose death brought
the issue of hate crimes into the American consciousness. Matthew
Shepard was beaten, tied to a fence and left for dead in freezing Wyoming
in 1998. He was the victim of a hate crime, targeted because he was gay.
His story inspired Republican and Democratic Senators to try to bring
forward new laws. With the Democrats now controlling power in Washington,
the hate crime legislation has a better chance of passing than when it was
first proposed by President Clinton to a hostile Republican Congress in
1999.
PRIDE BAN RULED ILLEGAL
Riga, Latvia
A court has ruled Latvian of.cials acted illegally in
banning last year’s gay pride parade. Last year hundreds of skinheads,
members of the Orthodox Church and people identified as members of an
extremist national group threw excrement and eggs at about 50 gay rights
activists and their supporters as they left a gay pride service, held
after the city refused to grant a pride parade permit. Gay rights in
Latvia have also resulted in political clashes between President Vaira
Vike-Freiberga and parliament. Last year she sent a labour bill back to
parliament with a terse message that sexuality needed to be listed
alongside discrimination based on race, gender, age, disability, religious
or political beliefs. Begrudgingly lawmakers reinserted the protections
they had taken out and the bill was signed.
CHARGES AGAINST GAY PRIDE MARCHERS DROPPED
Moscow, Russia
Police have dropped charges against civil rights leader
Nikolai Alekseev and 200 other people arrested during last year’s
attempted gay pride march. They were charged with violating an order
denying Moscow Pride the right to "gather, meet, demonstrate, march
or picket". If convicted they could have faced imprisonment. Moscow’s
mayor, Juri Lushkov, had refused to give a permit for the May gay parade,
citing security concerns, but he has often made anti-gay comments. When
marchers attempted to hold a parade despite the ban, police quickly
arrested marchers and counter protestors. Moscow Pride has applied for a
permit to march on 26–27 May this year, and Lushkov has again said he
will ban it.
GAY ADOPTION LAW HEADS TO GOVERNOR
Colorado, USA
Legislation that would allow Colorado same-sex couples to
adopt is on its way to the desk of Governor Bill Ritter after passing
through both legislative houses. While Ritter has refused to comment on
the bill, it is widely expected he will sign it into law. As well as
recognising same-sex couples as co-parents, the bill also allows two
people who aren’t married (such as a grandparent or another individual
helping a parent raise a child) to adopt.
PROCREATION WITHOUT MEN?
Newcastle-upon-Tyne, UK
After discovering how to grow human sperm cells from male
bone marrow, scientists at Newcastle University’s North-East England
Stem Cell Institute are seeking permission to replicate their experiment
with female marrow. If successful, a female couple may be able to
impregnate one partner’s eggs with sperm grown from the other’s bone
marrow. However, Professor Nayernia emphasised the research could be of
most use to infertile men. Creating a child using "female" sperm
would produce only daughters as the Y chromosome needed for a male foetus
can come only from male sperm. The concept of a child conceived by two
women is possible, said the professor, but "the problem is whether
the sperm cells are functional or not". The British government might
ban the use of arti.cial sperm and eggs as part of an ongoing review of
its fertility laws. A ban is supported by the medical association amid
fears sub-standard sperm or eggs might produce children with serious
health problems. Experiments on rats with arti.cially created sperm led to
successful births, but the resulting children had shortened lifespans and
health deficiencies.
YOUNG LESBIANS ESCAPE THEIR CAPTORS
Kathmandu, Nepal
Two young lesbians captured by Maoist guerrillas in early
March have escaped, according to the Nepalese LGBT rights group Blue
Diamond. The women (aged 16 and 20 years) were seized when the rebels, who
control much of southern Nepal, discovered the pair were gay. From
impoverished families and nearly illiterate, the women worked as cleaners
at an HIV/AIDS of.ce. They were taken to a rebel camp, questioned and then
imprisoned, where they were beaten until they renounced homosexuality.
They were allowed out of jail after agreeing to join the Maoists, but
slipped out of the rebel camp and made their way to the capital.
BEN PATRICK JOHNSON
Interview by Pauline Butler Nicholson
Ben Patrick Johnson is a one of Hollywood’s top
voice-over actors. His voice has been recorded for lots of movie trailers,
TV promos and video games. Ben is also an activist and supporter of the
International Gay and Lesbian Human Rights Commission. His other pursuits
include writing novels (Ben’s second novel Third
And Heaven has been reviewed in
this edition of the Otago Gaily Times) and bodybuilding, and he shares his
home with his cat Annie. Ben volunteered to be interviewed after we
corresponded through our myspace online sites.
ACTING AND WRITING...
When you were very young what did you want to do? Was
working in radio the original plan or was Hollywood the "ultimate
goal"?
It was all about radio when
I was a kid. Hollywood came later, kind of by accident!
With your voice-over acting have you had to do any voice
training, attended any workshops or has your own ear been your guide?
Is this multiple choice? Let’s go with all of the above.
By far the best "teacher" you can have is your own ear, but it’s
also very valuable to have input and guidance from pros.
Unfortunately I haven’t had the pleasure yet of reading
your first novel In And
Out In Hollywood. For the
benefit of those people reading this interview can you tell us a little
about the book and your own experience in Hollywood?
In 1994, at the age of 24, I was hired to be the first
host of the American TV show Extra,
a daily news and entertainment magazine programme. A few weeks later they
found out I was gay, and I was quietly demoted. Was there a connection?
Read my book and you decide.
This would be a good opportunity to mention your new novel
One Size Fits All which
is due out very soon. Can you tell everyone about it and how to pre-order
a copy!
Go to amazon.com to pre-order One
Size Fits All. It’s the story
of an ambitious young L.A. fashion designer who gets himself in trouble by
promising the same over-the-top Oscar dress to three Best Actress
nominees.
Can you share what it is that drives you to do
bodybuilding?
I was a gawky, fat kid. I think there’s still a part of
me that’s .ghting to overcome that, at least the ghosts of it that
remain in my head.
I read that you may consider doing a .tness/training video
or DVD. What are the chances of that happening?
I keep intending to and then I get busy! I’ve been
working like a madman on the daily video blog I’ve been doing. Once that
gets under control somewhat I can return my attention to doing a fitness
video.
You have a high profile in many areas and there will be a
lot of gay men out there who will see you as a role model. How do you feel
about that and who was your role model(s) and inspiration?
Honestly, it’s scary. I’m afraid to misstep and set a
bad example, or speak without thinking and say something like commentator
Don Imus did recently about the Rutgers Women’s basketball team. But
then I remember that I’m human. I never promote myself as a spokesperson
for anything other than my own beliefs unless I’m specifically asked to
assume that role, and I am willing to discuss my own shortcomings.
ON BEING AN ACTIVIST…
What made you become an activist?
It started long before 9/11, but that brought things to
the fore. The world is in a reactive, hate-.lled state and it is the duty
of both individuals and nations to spread compassion instead of fear
and hatred. Our own government is a brilliant and wonderful
organization, but I fear that the current administration has left us
misguided. I didn’t vote for Bush, but I respect him as my President as
long as he is in office. Many of the changes we must make start on an
individual basis. When you react to someone driving badly around
you, do you immediately classify them by race, gender, age, etc.?
Think about it. Are there any minority (or majority) groups against whom
you rile? Ask yourself why.
How do you try to make a difference improving on gay
rights, anti-gay violence and marriage laws?
I try to present gay people on my blog every day as
normal, sane, not scary. The biggest obstacle I think we face as
humans is seeing others as different from us, alien. In truth, we’re
much more alike than we are different. Once we begin to recognise our
similarities, our differences fade into the background.
Has the current conservative governor Arnold
Schwarzenegger made the progression of gay rights dif.cult?
It’s been a mixed bag. He’s signed some of the
legislation that’s crossed his desk and vetoed some of it. I think that,
in the long run, we have an ally. However, I feel he spent the early part
of his term in of.ce appeasing the national Republican leadership, which
currently answers to the religious right, no fan of gays! But
Schwarzenegger seems to be striking out more on his own convictions in
areas such as the environment and education, stepping away from the party
line. Will he do the same on gay issues? Time will tell.
TO FINISH…
How can OGT readers find your video blogs?
http://blog.myspace.com/benpatrick
http://www.youtube.com/benpatrickjohnson
Also on iTunes by entering Ben Patrick Johnson as a search
and subscribing as a podcast.
GOLDIE-LOCKS AND THE
THREE TRIALS OF COMMUNICATION
by Jane E Libeau
When I think about communication and finding the quality that I want to exude, I
think of the Goldie-Locks story – although notnecessarily the traditional Goldie-Locks and the
three bears story we all know and love. To me Goldie-Locks portrays the seeker of knowledge,
how she searches for what is just right and how she wants to find her way to communicate.
Goldie-Locks wanders the forest of "herself" until she comes to the house of her inner self.
Her curiosity to what is inside draws her to open the door and enter.
Once inside Goldie-Locks finds upon a table three bowls of porridge. She samples the
first bowl of porridge and it burns her lips, she samples the second bowl of porridge and it is
cold. Reluctantly Goldie-Locks samples the third bowl of porridge and to her surprise it is just
right. The tasting of the three bowls of porridge reflects how Goldie-Locks wants to generate her
communication. With tasting the third bowl she becomes aware that she will communicate with
a warm and nourishing voice.
Goldie-Locks then peruses the room and sees three chairs. She sits on the
first chair and finds it hard and rigid. She sits upon the second chair and sinks deeply as she folds into
it. Then, sitting upon the third chair, she finds it comfortable, supporting and relaxing. How she
feels in the third chair represents her desired body language. Goldie-Locks sits in the chair
for a moment longer and ponders her new discovery of her self.
It wasn’t long before Goldie–Locks espies three beds. Of course it was time to test their
qualities. The first bed by the open window was too large, too hard and too exposed. The
second bed under the eave was too soft and too sheltered. In the centre of the room was
the third bed. Goldie-Locks wandered toward the bed, easily got upon it and relaxed with
its natural covers enveloping her and sides slightly raised giving a feeling of comfortable
containment. Goldie-Locks lay in the bed that represented her social boundaries and
consciousness of conversational intent.
And time went by.
The three bears come home to see that their porridge has been nibbled at and that one bowl
is all gone. Their chairs have been sat in and now there is someone lying in the little bear’s
bed. As they approach the bed Goldie-Locks rises and smiles at the two larger bears then
turns to the little bear. She looks into his left eye and says:
I entered this house and I did found Three bowls of porridge up off the ground
I chose the one that was right for me Now I generate my voice to thee The warm nurturing bowl, sweet and true
Generates how I speak to you.
I sat on the chairs, and found that one Supported my self and my new voice I have
found.
From there I picked this bed of three Is where I found you, and you hear me.
I speak to you from my true voice I had three of three to make my choice
So,
I chose from which cot
To make MY bed
So now I say what I mean
And mean what I said.
With that Goldie-Locks and the little bear
Saw the mirror of self
Of self aware
From her belly of knowledge she could generate
The power of truth and intention
From a sleepless state.
Both understood
What she came here for
They embraced for a moment
Then Goldie-Locks walked out the door.
MANAAKI KORERO
by Anna Chinn
This quarter, we hear from Tania Simon (Ngati Rehia) from Maori TV’s Takataapui.
Could you please give a brief background of yourself?
Kia ora, ko Tania Mereana Simon ahau. He uri no Te Tii Mangonui. I heke mai au mai aku karani ma,
karani pa a Taupua Jack Heihei raua ko Mereana Heihei. And, my
mother was the second eldest of 13, and I was the sixth out of nine from my family.
I grew up in the Bay of Islands in a beautiful place called Te Tii, which is on the East Coast from Kerikeri
in the Bay of Islands.
Now, you are a sign language interpreter as well as fluent in Maori and English, and a
presenter/actor/producer. How did you get into your two main streams of career?
Interpreting and TV. Purely by accident with TV – I’ve been involved in the
film industry since 1992, and that was just by chance of meeting somebody who was writing something, and they sent me
a letter and I auditioned, and it started off from there. My first job was working with Lucy Lawless,
of all people. So that was my introduction to the film industry.
And you almost got to kiss her?
Oh, we kissed in the rehearsals of course, to get the camera angles right [laughs].
At that time I didn’t know what I was getting myself into. I didn’t know how big Lucy Lawless was; I was an
orchardist from the Bay of Islands.
And sign language interpreting. I guess most people who get into that probably
know someone who is deaf or has hearing impairment. Is that the case with you?
Not for me. I didn’t know at the time that I had deaf whanau. I was unemployed and was
looking for a job that was totally out of the blue, something I’d never done before. And there
happened to be a social worker’s job at the Deaf Association in New Lynn. Ten years ago. And I
thought "Oh, why not, I’ll give that a go" and
next minute I’m working for them for two years and then decide to take on the role of a sign-language
interpreter.
How does one of your average days go?
Well, Monday morning, up at 6.30 and shower. On the road by quarter past 7 from Helensville,
heading to Grey Lynn, making sure I get there by at least 8.30. And then I’m there either
transcribing or writing scripts, or editing, or going out filming with the people that are going to be on
our show. Or directing - directing Levi while he’s doing his segments, or supporting Ramon if she
needs support on her shoots with different things – you know, ’cause it’s such a small team.
Maori TV is one of the world’s only indigenous networks, and then to have - I’m guessing
it’s the only gay indigenous show in the world, is that right?
Totally.
So how does that feel?
Um, [ laughs]
I dunno! You could get lost in what it is, but I just keep my feet on the ground and just, mahi
the mahi and korero the korero. People are just so generous in the takataapui community and their whanau and
their hapu and iwi by accepting the crew to come in amongst them and to feel free to share – and,
y’know, the stories are beautiful. And without their support and their aroha for us, Takataapui,
to be there, then we wouldn’t have a show.
What would you say are some of the main issues that you like to work on, or that you
think are really important for the takataapui community today?
Definitely adoption. Whangai and adoption are huge kaupapa. Um, civil union versus marriage,
health, equality – I could go on! Transgender is a really huge take at the moment within our
whanau, hapu, iwi. There’s a lot of gaps in services for our transgender community. That’s one thing
I’d like to keep pushing through for ever and a day, until the Ministry of Health or Human Rights
Commission do something with their Inquiry that’s coming up.
And looking to the future – we’re into the fifth season of Takataapui
now so it’s quite established. Do you just hope to be working
away at it forever because it’s so cool?
Oh, yeah it is great but, you know, I’m getting old [ laughs].
And I’m sure there’s a lot of younger, Maori, beautiful women out there who would be
keen to take the role on and become a protégé within the next couple of years.
REVIEWS REVIEWS REVIEWS
FIX: The Art And Life Of Felix Kelly
by Donald Bassett (Auckland, NZ: Darrow Press, 2007)
Review by John Robinson
The artist Felix Kelly, known to his friends as Fix, was
born just before the start of the First World War in Mountain Road, Epsom. Co-incidentally this
was also the one-time address of his contemporary and fellow Neo-Romantic painter Patricia
France. But, unlike France, Kelly left New Zealand in the 1930s and never came back.
At first he worked at Lintas in London. Lintas was the
advertising arm of Unilever, which seemed to attract artistic talent. The painter Keith
Vaughan, for instance, was there at the time. Kelly was soon hobnobbing with the ha ha’d classes and
found a comfortable niche painting portraits of country houses. One of his
first aristocratic
friends was Gavin, 2nd Lord Faringdon, who "famously prefaced a speech (to the House of
Lords) not with ‘My Lords’ but ‘My Dears’’’.
Kelly’s star was rising and he visited the States, and
the South with its antebellum mansions, swamps and steamboats particularly inspired him. Success
followed success. Flash cars and a smart address. He did sets for Gielgud. He illustrated
books and designed the covers. He painted murals for famous cruise liners. He was written about in
glossies and made improvements to the facade of Prince Charles’ Highgrove.
And yet when he died in 1994, Felix Kelly was hardly known
in the land of his birth. The Dunedin Public Art Gallery
has quite a collection of twentieth century British art, but nothing
by him.
Dr Donald Bassett is an Auckland art and architectural historian. He had to travel to Britain and America to
research this book. He is to be congratulated. Publishers were not
forthcoming. It is a labour of love beautifully illustrated with more
than one hundred colour plates. Dr Bassett has also secured for Te
Papa archival material from the estate of the artist.
My prediction is that Fix
will fix Fix. And deservedly, too.
Firstly as a New Zealand born artist of some originality
and occasional brilliance, and then as another glittering
addition to the gay pantheon.
FIX: The Art And Life Of Felix Kelly can
be ordered from www.darrowpress.com
2 SHORTS
Every Move You Make by David Malouf (Chatto & Windus,
2007)
Mothers and Sons by Colm Toibin (Scribner, 2007)
Review by Mike Wooliscroft
Already this year, two collections of short stories have
been published by internationally significant gay writers – David Malouf and Colm Toibin. Writing at
opposite sides of the world, Malouf in Australia and Toibin in Ireland and Italy, both are adept across
literary genres.
Malouf has written a substantial body of fiction, short
stories, a memoir, poetry and libretto and has won a handsome cluster of literary awards. Toibin has
written fiction and non-fiction and also won a number of literary awards for his The
Master based on the life of Henry
James. He was also short-listed for the Booker Prize for The
Blackwater Lightship.
Both authors, while gay, most often populate their
fictional works with straight characters, although sometimes allowing one or
more gay characters an appearance. Malouf has written little explicitly gay
fiction though Johnno and
The Great World explore
the largely unspoken love between men. In his earlier collection of short stories, the homo-erotic sometimes
appears as in "Night Training" included in the Dream
Stuff collection of stories.
In his latest collection of short stories, Every
Move You Make, Malouf features a fairly obviously gay man, Donald, the son of the
eponymous Mrs Porter and the Rock. Donald
is presented as a decidedly unattractive, impatient and rather scornful son who takes Mrs Porter, who is clearly dying
and going gaga, to Ayres Rock.
All the stories are eminently worth reading and all focus
on the inner-life of the principal characters, the way people face and adapt to
life-changing events even when on a small scale rather than the main stations we
arrive at, sometimes time and time again.
The settings are mostly distinctively Australian, easily
recognisable to many New Zealanders whether Malouf is writing of the events in cities or small
country towns. One inhales the setting through the familiar images of the paintings of Australia’s
artists as well as by the words which Malouf uses so cleverly to create a sense of time and place.
Colm Toibin wrote five novels and one play before turning
to short stories and this collection is his first. Compared with Malouf,
more of Toibin’s characters are gay. One, Richard Garay, features prominently in The
Story Of The Night
set in Argentina at the time of the generals and the
Falklands War. In The Blackwater Lightship, Declan
is dying of AIDS in a household where his sister, mother and grandmother have joined together after a period
of estrangement to wait for his end.
Mothers and Sons (no
Mother’s Day gift) focuses largely on sombre settings in Irish families where suddenly there is a new awareness,
or a change in the balance of power or affection between mother and son.
In one story a paedophile priest comes to say both hello and goodbye to
his mother. It is marvellously understated – the grim reality of a change
of awareness numbing yet being accepted as the lot of a life hard-lived. In
"A Long Winter", set in the Pyrenees, the son of an alcoholic mother has an
understated yet highly-charged encounter with a young policeman.
Both of these collections of short stories deserve to be
read cover to cover – not for "the gay bits", but because they speak so tellingly of all of humanity and
life’s condition.
Third & Heaven by Ben Patrick Johnson (USA: Alyson Books, 2005)
Review by Pauline Butler Nicholson
How could I not hunt out this novel after adding the author to my list of online friends?
I’m glad I did so as it is a wonderful story. It gives the reader a little window into the real
lives of everyday people in Hollywood based on Ben’s observations of those he’s met.
The characters are so interesting. Claire works as an osteopath and Freddie is a writer.
They used to live near each other and, after watching Freddie jog by many times, Claire
invites him to dinner. She wonders if it was a shame to waste a lovely dinner on someone
who is gay, with no hope of a romance, but she realises that good company is enough, and the
two become good friends.
Joshua’s lifeline is his public relations company. There are times when it is the only thing that
gets him out of bed. He meets Freddie at the Power Zone nutrition store
and the two of them go on a date.
The fourth friend is Ritchie. He is said to be the best
looking gym instructor in West Hollywood. His heart’s desire is to
be a famous actor, but he just gets things so wrong. The story is set in Hollywood, LA and it is about the love
and lives of this group of friends. They celebrate the good times
together and support each other through the rough patches that life and
Hollywood throw at them.
I was identifying with elements of all of these people,
but I didn’t realise how emotionally involved I was with the story
until I got near the end. If you are inclined to cry at happy and sad things
very easily, then you will do so with this book.
You can find new and used copies of Third
& Heaven through Amazon. com ranging in price from US$1.35 to US$14.95 plus
postage.
I can’t wait to read Ben’s forthcoming novel One
Size Fits All. It’s due out in June and can be pre-ordered now on Amazon. I have!
Neil Emmerson - (are we there yet… ?)
Blue Oyster Art Project Space, 17 April - 5 May
Review by Ralph Body
Traditionally, printmaking has been associated with
multiplicity and intimacy. The typically discreet scale of prints has made
them ideal for indiscreet content. Able to be kept hidden away in drawers
and folios, only brought out for private perusal, they were the perfect
medium for politically and sexually subversive imagery. Indeed, for centuries
printmaking was the principal process through which pornography was produced
and circulated. Neil Emmerson pulls printmaking out of this historical
closet, subjecting his images to public scrutiny as the chief component of
his large-scale installation.
The relationship between public and private is one of a
number of dichotomies that Emmerson problematises as he explores the
construction of the contemporary gay male. The three gallery spaces are
furnished with the trappings of domesticity - embroidered curtains, a
double bed and dining table with tablecloth. At the same time, the first gallery
space is hung with images evoking gay cruising grounds, the shadowy spaces of
a public garden at night and the toilet block where George Michael was
famously caught
in .agrante delicato.
It suggests the way gay men may seek to project an eminently respectable public image of their private life,
while privately living out quite a different sexual existence (ironically often
conducted in public spaces). I’m reminded of that fabulously camp term
"cottaging", with its connotations of wholesome, rural homeliness, while
actually denoting sex in public toilets.
In the culture of cruising physical intimacy and emotional
detachment go hand-in-hand. The double bed of the third gallery is
surrounded by letters spelling "THE HEART IS A LONELY HUNTER",
a statement that simultaneously suggests isolation, vulnerability and
aggression. A desire for anonymity is expressed by the triptych of men dressed
to camouflage with the surrounding bush. It is perhaps also suggested by
the silhouette of a male head that is repeated as a framing device in the
second group of prints. While this serves as a window for other images,
the figure himself remains a faceless shadow. It was somewhat disarming to be
confronted by my own reflection in a large scale mirror as I left the
gallery. Having viewed the images on display as a kind of voyeur, as possessor of
the gaze, here was a reminder (in the Foucaultian tradition) that I too
could be the object of scrutiny.
Emmerson has utilised the reproducibility of the
printmaking process to re-present the same images, allowing a residual sense
of subjectivity. The images of cruising spaces have been reprinted in
different colours, as if different perceptions of the same scene. This technique is
even more evident in the second series, where selected images have been
reconstituted into a variety of combinations. These draw on a myriad of
cultural references, from pornography to Aubrey Beardsley’s illustrations and
Maoist China. Once again Emmerson is questioning established binaries, such
as those between East and West, the totalitarian and the libertine. The
message seems to be that gay male identity is not singular and stable but
diverse and shifting. It’s not something that can ever be fully captured or
comprehended. The closest we can get are the various signs through which it is
constructed.
There is an interview with Neil Emmerson and an image from
his exhibition on Page 9.
rent – the rock opera
Review by Mike Wooliscroft
Leap of Faith Productions is Christchurch’s newest musical theatre
company which aims to provide quality productions of edgy new musicals. It
recently staged an outstanding production of Rent in
Christchurch which delighted audiences. The first night performance was dedicated to fundraising for the NZ AIDS
Foundation South Te Toka.
Rent , a musical,
was written by Jonathan Larson, a playwright who was determined to remake the American musical through
updating La Boheme. He also
wrote the music and lyrics. Sadly, Rent’s
lasting success was unknown to him for he died suddenly the night after
the play received a standing ovation at its .nal dress-rehearsal.
Rent was
originally produced by the New York Theatre Workshop and opened in 1996. The production had a brilliant three month
run before moving to Broadway. Rent’s
critical acclaim included a Pulitzer Prize, a Tony award and Grammy nominations. It was made into a
film
in 2004 with some of the original stage cast.
Rent "glorifies
artists and counterculture as necessary to a healthy civilisation" as Larson wrote in the statement of
concept for the musical. Gay, bisexual, lesbian and transgender roles
abound in this play set in the Big Apple in winter over Christmas and New
Year. As well as the sexualities, other key topics of drugs,
HIV/AIDS and poverty run throughout the play and provide the dramatic context
for the interrelationships of the eight main characters.
The Leap of Faith Productions’ show was stunning in
virtually every aspect. The huge stage set provided a variety of setting
with simple modifications. The band, on stage throughout, was a delight
as the performers showed much enthusiasm for the music they were
performing. And the cast mostly provided excellent performances with
Le Roi Kippen playing Angel (the fabulous transvestite), Elly Bucher
playing Mimi Marquez, Aaron Boyce playing Roger Davis and Ryan Carville
playing Gordon and Cop.
In a tough life of poverty and associated stressful
conditions one lyric gives the flavour of hope often reinforced: "There’s
only us. There’s only this. Forget regret or life is yours to miss. No other
road. No other way. No day but today."
For those who didn’t travel to see this production it
would be wellworth borrowing the DVD of the 2004 .lm Rent
for a dazzling up-tempo, edgy musical which grabs the attention from beginning to
end.
Queer Youth Unite At Camp
by Scott Franklin
Earlier this year, on the 26th-28th of January, Tapu Te
Ranga Marae in Wellington was the staging ground for New Zealand’s first
queer youth gathering, the Kaha Youth Hui. Organised by the Wellington
based OUT THERE Youth Development Project and co-ordinated by Nathan
Brown, the Hui brought together over 70 queer youth from centres
around New Zealand to meet, make new friends, have a great time, but most of
all to develop a nationwide support network between the youth involved
and to discuss issues which plague queer youth of today.
The Hui featured workshops on drug/alcohol issues,
sexuality and relationships, safe sex and HIV, discussed the issues of
dealing with bullying in schools, body image and depression, as well as issues
which many queer youth have avoided or not recognised in the past.
There was also a presentation and question and answer session held by MPs
Maryan Street and Charles Chauvel, which provided insight into the
political system of this country and how they are willing and able to provide aid
to youth support groups if needed. Also attending to lead a workshop was
the New Zealand AIDS Foundation’s chair Jeremy Lambert who discussed
activism and the media.
The Hui was kicked off at around 5pm on the Friday night
with a powhiri and ran through to early Sunday afternoon with team
building events and activities running all weekend, with everyone living and
eating together as one. The Saturday night featured a performance
extravaganza with youth standing up to perform, which was facilitated and
supported by New Zealand’s own Buckwheat. This, along with everything
else throughout the weekend, provided a chance for queer youth to "be
themselves" in a supportive fun atmosphere, something which many had not
experienced before.
One benefit of the Hui was that it featured a strongly
diverse range of participants from different age groups as well as
different identities - gay, lesbian, bisexual, intersex, transgender, fa’afa.ne and
takataapui. This provided an environment for the queer youth to experience
what they might not have before and to realise that they are not
alone and that there really are other people out there like them. For many it
was the first marae experience they had encountered and the cultural
experience was very special and, through it, they were able to draw many
parallels between homophobia and racism from the inclusion of the tikanga
into the process of the Hui. Participants felt that the whole event felt
natural and open, provided everyone with a sense of well-being and developed a
community within the youth participants, sparking a passion for supporting
queer youth and promoting acceptance of who they and those around them
are.
The weekend was a success overall with the main result
being a call from all the youth involved to develop a better nationwide
network of support and communication around the country with the aim to provide
queer youth with support and help in accepting who they are and how to
experience life to its fullest. Everyone attending had a fantastic time with
lifelong bonds and friendships formed and many still keep in touch and hope
that there will be more gatherings like this in the near future.
GLBTI DOMESTIC VIOLENCE PROJECT
Domestic violence is a problem in the GLBTI community.
I am currently looking for anyone to assist on a really worthwhile project. I am looking to set up a domestic
violence website as a resource for the GLBTI community and I’m looking to raise awareness of the prevalence of
this problem within the community.
If you can help out in any way or want more information,
then please contact Kim on [email protected]
or call 021-138-3226.
Southland Update … We Are OUT!!!
by Robyn Flowers
SGnLS (Southland Gay and Lesbian Support) has been
officially launched - and the website (www.sgnls.org.nz) and the
support-line (21sgnls – 217-4657) are up and running! The website is
regularly updated and whilst the phone line isn’t
"manned", once a message is left the service sends a text to a cell phone and the
caller is able to be rung back within minutes.
With the support of Wayne Harpur (Invercargill City
Councillor and Community Trust of Southland Board Member) and Lesley
Soper (Southland Labour Party List Member) we celebrated by holding a Pride Picnic in
February. We were delighted to have people from PFLAG South and UniQ Otago come from Dunedin and join us
for the day. A huge thank you to those who travelled down - it was lovely to meet you all and to have your
support! Brent Mitchell from Christchurch was here too with the NZAF stand and resources - thanks Brent for
withstanding the gusts of wind which played havoc!
Tony Milne (Young Labour) also joined us for the day travelling from Christchurch to support our coming out.
Local support and information available at the event included Public Health South and the Women’s support
line Rape Crisis.
Philip Patston provided the entertainment applauding Southland for "finally coming out",
something which he said the rest of the country had been waiting for and expecting for some time now!!!
The picnic was an inaugural event for Southland and we intend to make it a feature on the SGnLS calendar.
SO WHAT’S HAPPENING IN INVERCARGILL?
Youth meetings are held on the second Tuesday of each
month and the women’s coffee group (lesbians 25 plus) get
together fortnightly on Sundays. The men have decided it’s about
time they organised themselves so a men’s coffee group is
starting soon. Plans are to combine bi-monthly. Evening get
togethers are arranged from time to time as well.
We are also currently planning workshops which will
include topics such as safe sex and awareness around
"P", a drug which is affecting too many people in communities
throughout New Zealand.
If anyone is in Invercargill and wants to know what’s
on, just check out the SGnLS website or call the support-line.
Neil Emmerson: On Repression, Subversion And The Anzacs
by Anna Chinn
Late in April, the Blue Oyster Gallery was fleshed out by
the work of Neil Emmerson, who has been installed as HOD print media at
Otago Polytechnic School of Art for the past six months. The show, both a
retrospective and the Aussie artist’s Dunedin debut, aimed for a subtle
queering of the gallery’s three spaces.
Before it opened on the 17th, I asked Emmerson about a
quote pilfered from curator Ross Moore on printaustralia.blogspot.com. It
went: "Emmerson has sidestepped the tyranny of an Australian scene that no
sooner sees an evocation of gay desire, than it dumps it in a basket
named Gay Art and pops the lid back on."
Had he found the same tyranny presiding over the New
Zealand art scene? "I couldn’t really comment upon that because I’m
so new here and I don’tknow a great deal about it; I am developing that knowledge
of what is going on here. Well, I don’t like the term Gay Art because,
actually, "all art is homosexual" – according to Juan Davila, a very
important Australian artist. And I love that quote and I use it as much as possible [ laughs].
"But it is dif.cult not to be pigeonholed. And the
sort of things that you think about when you think about gay art is the epitome of
gay art, which is [Robert] Mapplethorpe, maybe, although Mapplethorpe
doesn’t really straddle that idea so much as Tom of Finland, for example.
Which is very,
very much
directed at a gay audience, and very overtly sexual - lots of penises, that sort of stuff. Penises aren’t really
in my image repertoire, although there’s a few in this show [laughs].
But they’re very discreet and they’re very, sort of, veiled. But that’s true; it’s
a way that people can pigeonhole you and then [your work is] sort of pushed
aside."
So is the discretion that Emmerson goes for a way of
avoiding that pigeonorifice?
"I think it is because I’m actually more interested
in affecting a straight audience and queering straight spaces. And I’m also
interested in semiotics, because homosexuals, lesbians, gay men, et cetera are
extremely good at code and sign. And so I like to slip things under the
radar, so that there’s a reading for the people that are in the know, and then
there’s this other reading and maybe some uncomfortable problematics for
people that aren’t in the know. So there’s a subversion thing happening
there." Publicity for his show described the Blue Oyster Gallery
as being a sidelined space, "hidden down a dingy alley, the smelly
arse-ends of restaurants and bars its only neighbours". Emmerson told the
Otago Gaily Times about a strong sense of repression, and the need to subvert it,
that he has experienced in Dunedin.
"There’s a repressive conservatism here and it’s
interesting; it’s like a time warp or a parallel universe. And there’s a lot of
homophobia, and there’s a lot of homophobia within
the gay scene. Not the gay
"scene", but amongst men that have sex with other men … And it’s partly to
do with the heavy Christian thing – this is definitely a bible belt around
here – and that Scottish heritage of repression as well.
"I was raised a good Baptist boy, so I’m completely
aware of all the signs of repression [ laughs],
and in a certain way I like to work to expose them and create juxtapositions of images and contexts that
look at the way the homosocial and the homosexual intersect, in terms
of masculine socialisation."
One such juxtaposition that Emmerson has conjured and
revisited in the Blue Oyster show focuses on the public park complete with Anzac
monument. Such parks are all about boys and blokiness and war, but
are also, at night, places where men cruise for sex. "The Anzac memorials usually have an obelisk or a
cenotaph – you know, a kind of phallic monument – and they’re in parks and
gardens, public areas. Children, playful stuff, picnics during the day, and then
in the evening there’s another whole thing that happens. So I just find that
conflict of constructions of masculinity really interesting."
Purple Passions Women’s Soccer
by Lisa Davis
NEW ZEALAND MASTERS GAMES FEBRUARY 2007
The Passions are riding high after returning triumphant
from their trip to the New Zealand Masters in Wanganui. The Passions did incredibly well, gaining
entry to the quarter finals and just missing getting through to the semi
finals.
As the coach I was privileged to be part of a team
environment that was second to none. The fun, laughter and huge hearts within the team were
amazing. Many thanks to the Purple Passions team, our sponsors and the lesbian community for making
this amazing experience possible.
2007 SEASON
On April 21 the Purple Passions kicked off the 2007 soccer
season at Forrester Park, North East Valley. Please note that this year the competition has moved to
Forrester Park. Also the earliest game will be 11am, much better than last season’s 9am frosty
morning starts!! The draw for each week is on the University of Otago
Unipol website (www.unipol.co.nz/outDoor_soccer_main.html) the Thursday before the weekend. If you
have any questions or would like more information about the Purple Passions, then contact
Lisa Davis on 021-279-5374 or 471- 8200.
ALL PLAYERS ARE WELCOME, YOUNG OR OLD, CURRENT OR NEW,
SKILLED OR UNSKILLED, FIT OR UNFIT!!! Supporters are also encouraged to come along
and cheer on the team.
Keeping It Safe Safer sex for lesbians and bi-sexual women
by Sarah Loftus, FPA Health Promoter
To some people this sounds like a non-issue, as
traditionally safer sex has meant contraception and condom use in heterosexual
relationships, or condom use for anal sex in gay male relationships. It is a common assumption that
women who have sex with women (WSW) don’t need to be concerned about their sexual
health. But, a new booklet from FPA (Family Planning Association) called "Keeping It
Safe" addresses a wide range of issues around sexual health for same sex attracted women.
There seems to be a cultural myth that lesbians, in
particular, are not vulnerable to Sexually Transmissible Infections (STIs) or are not
capable of transmitting infections to other women. But, the real-life experiences of women and
international research both tell us there are reasons to think again. All the known
STIs have been reported in women who have never had sex with men. Female-to-female
transmission of genital herpes, trichomoniasis, genital warts, syphilis and other STIs
have all been recorded. To prevent viruses and bacteria passing from woman to woman, the use
of oral dams, gloves and condoms on sex toys is recommended.
As well as prevention of STI transmission, the phrase
"safer sex" should also be used to include emotional safety, psychological safety and
aspects of general sexual health, and the booklet includes information on issues as
wide-ranging as homophobia, drug and alcohol use, menopause, sex toys, emotional health and
step-parenting. Women who have sex with women are also reminded that they
need to have regular cervical smears – every three years once they are
sexually active and over 20 years old (regardless of age of starting sexual activity and
including those who have never had sex with men).
FPA health promoter Sarah Loftus will be running a free
workshop for WSW wanting to find out more and discuss some of the issues in the booklet
on Tuesday 24 July (see below for more details).
Copies of the "Keeping It Safe" booklet are
available from Sarah at any time, or from the workshop, or by going to www.fpanz.org.nz
, clicking on
"resources", downloading the pamphlet order form and faxing it off for two free copies.
FPA offers free medical consultations for everyone under
22 years, $5 consultations for those with community services cards and a range of charges
for others. All members of the community are welcome at the FPA clinic.
Free workshop for WSW (women who have sex with women)
Tuesday 24 July
7-9pm
FPA, 95 Hanover Street (second floor), Dunedin
Facilitator - Sarah Loftus, FPA Health Promoter
Please phone 477-5850 to register or for more information
god and the gingerbread men
by Sue Thompson (PFLAG)
A friend told me a story. She and her three year old twin boys were making gingerbread men.
When the cut out shapes were laid on the tray she went to answer the telephone. After a longish
interval she rejoined the boys. They had been busy and were ecstatic at what they had made.
The 24 gingerbread men each had a penis (and probably in great variety)! A creator
delights in what he or she has created. Whatever has been made tells us something about its creator.
I think that God delights in each of us, his creations, straight and gay. We all have much in
common with the rest of humanity. However, we are each unique, whether in body or in our sense
of ourselves as a man or woman, or the way we express ourselves as a man or woman, or who we
are romantically and erotically attracted to. Unlike the gingerbread men, we also have been given the
power to love and to create change in the world by the way we love.
Another story from this week is about a church which commissioned a set of sculpted marble
stations of the cross (a set of 14 pictures depicting the events leading to the
crucifixion and death of Christ). The sculptor, with creative energy, produced a work that would appeal to a wide
variety of people - strong figures, different from the usual slender European Jesus. The church
people were upset though. The crucified Jesus was completely naked! No matter that
an old man thought it was "great that Christ had his tackle just like
us". The problem was that they were not at ease with such a sacred image being associated with sex.
Perhaps steeped in "tradition", they did not listen to the artist’s vision,
or they were not comfortable with their own sexuality, or they were afraid of how people would react.
The artist was asked to add a "drapery".
Perhaps this suggests how for the rainbow community and their
families, churches can be more of an obstacle than a help to finding God.
This Holy Week I still attended the services, albeit with faith tattered and
changed forever. As I focus on the gospel, it strikes me that Jesus would feel a huge
compassion for all his gay, lesbian, bisexual and transgendered brothers and sisters. He knew
what it was like to be rejected by community and church, betrayed by a friend, found outrageous for
keeping "bad company" and that some authorities were silent at his unjust treatment.
There are, however, some welcoming voices from within the churches. Here is one:
"Sexuality constantly escapes our biological planning, it leaps over "natural law" categories;
it dances faster than our religious doctrines. Devoted sexual love … is with its unexpected and
unearned delights, an echo of creation. In making love … in the touches and
strokes of sexual sharing we are revealed to ourselves: we are brought to see a loveliness in ourselves
that we had been incapable of imagining. Every lover gives thanks for this grace. And in our
sexual lives, we often .nd spiritual healing. These embraces of love soothe old wounds and make
forgiveness tangible. For many believers, it is in the intimacy we share with a sexual partner
that the reality of God’s goodness and promise finally become more than rhetoric. Gay and
lesbian Christians tell us that this is their wisdom too. From the life of Jesus we learn the criteria
of fruitful human love: mutual respect instead of coercion, a deepening of commitment and
.delity, the healing of injuries and the quickening of courage. Lesbian and gay Christians remind
us that these characteristics can describe homosexual as well as heterosexual living."
("The Shape of Compassion: Reflections on Catholics and Homosexuality" by James D. Whitehead
(pastoral theologian) and Evelyn Eaton Whitehead (developmental psychologist), Spirituality
Today, Summer 1987, Vol 39, pp 126-136)
I believe that we are all created by a God who loves us just as we are.
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