editorial
Happy New Year! Welcome to the first issue of the Otago
Gaily Times for 2006 and welcome to all those who are new to Dunedin. Let’s
hope that this year is a positive one for our community – locally,
nationally and internationally.
As we started to work on this issue of the OGT and we
thought about possible copy to include, we decided that it would be
useful, especially at this time of the year with new people coming to
town, to dedicate some space to the local resources and groups that
provide support and assistance to and social events for the LGBT/queer
community. This proved to be an interesting but also slightly
disappointing exercise as I soon learned that several groups that once
existed had recently folded. I know it’s the nature of groups made up
solely or predominantly of volunteers that their existence or popularity
frequently goes in cycles and at some stages they’re strong and vibrant
and then they go through a rough patch and so on. Some groups survive the
low points and are later resurrected and re-energised (often by a new
group of people), while others simply vanish.
Local groups that I understand have recently stopped
functioning include LIPS (Lesbians in Pubs), the queer radio show on 91FM,
the Dunedin Rainbow Labour Branch and Rainbow Connection (an
Invercargill-based group). Also, Pride Dunedin Youth is currently not
offering its groups because it needs some more people to get involved and
give some time and energy to the organisation before this can happen once
again.
On a more positive note, though, groups such as Rainbow
Families, PFLAG, Ascent, the Purple Passions soccer team and UniQ continue
to go from strength to strength and are looking forward to offering
support and social activities for members of the LGBT/queer community, our
families and friends in 2006. There are also various other groups/services
that are available - see pages 6 and 7 and the Gayzette/Dykrectory on page
12 for more information.
In addition, it’s wonderful to see that there are still
people out there who are willing to try and set up groups. This is perhaps
one of the strengths of our community. There are also informal groups that
often arise from a number of people with similar interests or needs or
concerns. If you’re involved with a group that isn’t currently listed
in the OGT, then please let me know if you’d like us to promote your
group.
2005 ended on a sad note for many in our community with
the sudden and tragic death of Konrad Kahuroa who lived, until quite
recently, in Dunedin. Konrad contributed significantly to our community
and he is remembered as someone full of energy, enthusiasm and creativity.
We will be printing a tribute to Konrad in the next issue of the OGT and
everyone is welcome to contribute to this in any way they wish - photos,
letters, poetry, stories, etc. Contributions can be sent either to the OGT
(PO Box 6171, Dunedin or [email protected]
) or to UniQ ([email protected]).
Finally, just a reminder that the OGT always welcomes
contributions – articles, letters to the editor, poetry, reviews,
photos, creative writing, blurbs about upcoming events, etc. etc. etc.
Please remember that this is "our" paper and that there’s
space for everyone’s voice.
I hope that you enjoy this issue of the paper and the rest
of the summer.
Tor Devereux, Editor
Marriage (Gender
Clarification) Amendment Bill
by Tor Devereux
In December last year the Marriage (Gender Clarification)
Amendment Bill was, thankfully, defeated by 73 votes to 47. The Marriage
(Gender Clarification) Amendment Bill was a Private Member’s Bill
sponsored initially by Larry Baldock MP (United Future) and then taken
over after the election by Gordon Copeland MP (also from United Future).
The purpose of the Bill was to change the Marriage Act to
make it clear that marriage in New Zealand can only be between a man and a
woman and to amend the antidiscrimination protections in the New Zealand
Bill of Rights so that measures which "assist" or
"advance" marriage would not be considered discriminatory. It
also specifically stated that "a person may not marry a person of the
same gender" and prevented the recognition of same-sex marriages from
overseas.
The vote on the first reading of the Bill was a conscience
vote. All Labour MPs except 1 (Taito Philip Field) voted against the Bill,
as did all the Green Party MPs, all the Maori Party MPs, the Progressive
Party MP, 12 National MPs and 2 NZ First MPs. In commenting about the
Bill, Dunedin’s National List MP Katherine Rich said it would add
nothing to the Marriage Act. "The law, as it stands, is that marriage
is between a man and a woman. The law is already settled on this
matter," she said. "This Bill is a cheap political stunt. It
will be used as a platform for every banjo-playing redneck homophobe who
wants to stand up and make comments about the way other people lead their
lives."
NZ AIDS FOUNDATION WELCOMES
QSM FOR ITS RESEARCH DIRECTOR
Press Release from NZ AIDS Foundation, 31 December 2005
A Queen’s Service Medal in the New Year Honours List is
a fitting recognition of a man whose dedication and work commitment has
directly contributed to New Zealand having one of the lowest rates of HIV
in its at-risk populations of any country in the world, the New Zealand
AIDS Foundation said today.
NZAF Research Director Tony Hughes (Auckland) has been
awarded the QSM for services to the community. He lobbied for and helped
initiate the first Government-funded NZAF HIV/AIDS prevention campaign in
November 1985 and has worked for the foundation for just over 20 years.
"On a recent visit to New Zealand," said NZAF
Executive Director Rachael Le Mesurier, "Dr Peter Piot, Executive
Director of UNAIDS, applauded this country for maintaining an HIV
prevalence among men-who-have-sex-with-men (MSM) at one of the lowest
rates in the world. A large part of that success is attributable to
Tony’s political strategising, policy guidance and an emphasis on
research-based practice."
Tony Hughes was also involved in lobbying for and
supporting the establishment of other organisations in New Zealand that
have helped this country achieve very low rates of HIV among other risk
groups, most notably the national needle exchange system and the New
Zealand Prostitutes Collective. As a result less than 1% of injecting drug
users in New Zealand have contracted HIV, and HIV transmission among sex
workers in New Zealand is one of the lowest in the developed world.
"This award also gives appropriate recognition to
Tony for his advocacy work in the area of Human Rights law reform, which
has gone hand-in-hand with creating the conditions to allow MSM, needle
users and sex workers full access to information and services around the
prevention of HIV and other health needs without the fear and stigma of
criminalisation and discrimination. As such, this work, while enormously
important in its own right as an issue of human rights for minority
groups, has also directly contributed to the success of our HIV prevention
campaigns.
"Tony’s strength was his ability to frame these
issues in ways that the public could relate to and feel that they had a
stake in, even though they were issues affecting, predominantly, minority
groups," Ms Le Mesurier said. "The result has been
internationally acclaimed human rights and health promotion initiatives
that have benefited all New Zealanders."
THREE RURAL
TRANSGRESSIONS
by Stewart Main
Otago in drought. A gravel road, humpbacked, stitched with
grass and thistle. I rattle along in my rent-a-wreck, looking for .lm
locations. Views right and left strike equally strange to my citified
eyes, but a moment of particular incongruity stands out: beyond a wire
fence, cutting between paddock and road, a common two-tone bull and a ram
keep company. The bull stands proprietarily over the ram (perhaps to shade
the sun), in a proximity that proclaims A COUPLE, and reminds one of
Genet-like unions between men of one race who are intoxicated only by
those of another. So, I wonder if this pair, too, have slipped the common
herd for a further field where to indulge the bliss each finds in the
other, or are they Shakespearean lovers driven off by their beastly clans
for a passion not meant to be? (Whatever’s going down, man, it’s not
Disney.)
Now, a farmer on his tractor, going my way - the owner, I
assume, of the paddocks and wayward stock. I slow to overtake, smile and
wave, hoping he’ll wave right back (it’s oft the kindness of strangers
makes up a budgetary lack), but when he takes no notice of my politesse I
begin to wonder if he’s lost in thought of the outlaw pair - and with
what degree of disgust or empathy?
Or could it be some inner distraction blinded him to them
in passing, as he seems to be blind to me? Or had he simply chosen to
ignore them, not quite in an attitude of live and let live (he’s a
farmer after all), but willing, in nature’s broad swing, to look the
other way? Then again, perhaps to strangers only this rhyme strikes odd,
one from a path if everyday trod would seem without distinction.
As I roll over the brow of the hill, leaving all behind, I
wonder how best to co-opt the farmer’s stock to be my official .lm
mascot.
I figure a midsummer game of rugby must rate quite a bit
of tongue-wag, so it’s cautiously I draft a letter to the local school
rugby teams, which I hope to enlist for my film’s set-piece match. With
no other card up my sleeve if these guys give me the heave-ho, I don’t
want to blow my one and only chance, deciding the best parlance is to
delay the time they come to know the central theme of my show is just a
weensy bit gay, you might say. I tell myself it’s enough to parley up
front the novel’s name (by a local, well known I assume) from which I’ve
adapted the screenplay, and hope (even as I seal the envelope) my ethical
fudge of keeping mum won’t boomerang later to bite me in the bum. I know
that shifting responsibility from disclosure by me to self-enlightenment
by them only postpones the time when they will need to know what I know
must be made known, before I can be sure my game is secure.
The letter seems to have got me a foot in the door, though
any other advantage won by my literary moderation is obscure, as I arrive
at the home of one team coach. Handshakes over, this burly bloke
introduces his pride and joy, who plays for one of the teams, and his
friendly wife, who puts the kettle on. The other coach comes with a
boy of his own and we start the talk. These are not guys you muck around
and I don’t want, on a later day, any parent to say I took them for a
ride. So, as we sound each other out, I look for a way to play that three
lettered word, which to keep faith (with myself as much as them) I feel
‘tis time ‘twas heard. However, imagining the passage of that sound
(irretrievable once out) from throat to room (now abuzz with sporty
enthusiasm) I hesitate, but my scene is at stake and, though it risks a
blue, I’ve no choice but to come clean and speak true.
I muster my resolve. But then, by slight of hand beyond my
ken, I sense the need for that small sound (which takes big breath to
make) inexplicably evaporate; as the coaches let it be known, with tactful
allusions (the kids are present) to boys who are a bit different, that
they’ve read the book and have my news in hand. Before I can gather my
wits, we’re in the backyard - coaches, kids, wife and doggy too -
tossing a ball and sketching plays we’ll shoot a month down the track.
As I try to avoid the ball (fumbled when not), I’m surprised and
grateful, relieved and impressed by the discreet, finessed wherewithal
with which these ham-.fisted guys pulled off their happy trick, on
everyone’s behalf, of making everything known yet nothing said. In my
mind I backtrack to pinpoint the moment decision in my favour was writ,
but neither nay nor yea can I recall in signpost glance or nod, till it
slowly dawns (I’m a bit of a plod) that the decision was shod well
before my prance through their door. And I’m left to ponder a set of
prejudices I did not expect to find - my own.
Friday night the .lm crew descends on the country pub to
unwind - not quite a takeover because plenty of locals enjoy a drink too.
By 9pm, when I call in, the bump and grind of us to them is roughly equal
- sixty men and women all up maybe, from the geriatric to the only just
legal, questionably. The evening’s revel is at a stage when cool gives
way to the bonhomie of lilt and phrase that rings pure country - a
pleasure to see, undeniably, though I’m not a big talker myself, and I
quickly find a wall where I can stand quietly and observe. The buck at the
bar is a well built sort, sandy haired, young twenties, a farm hand I
guess, and he’s stripping with the ease of someone changing out of
dungarees after a day mucking out the shed - although here, at this
moment, it’s elastic-waisted stubbies his thumbs hook and drag to the
floor, with underpants along for the ride and tee-shirt skied to give the
total look, the lot then socked at the bar fender, and forgot. So, it’s
naked now he lifts his glass with tipsy grin to the mate alongside (a dark
haired twin - alas still clothed).
I gag, I blink - you don’t get this when you drink in
gay bars on K Rd, unless you pay extra at the door, and, even if you do,
the draught served up lacks the full-bodied favour of this potent home
brew. Glancing about into a stew of alcoholic hilarity attached to
gesticulating limb, I try to ascertain my neighbours’ take on this
riveting view, but the few who note it turn away, rolling eyes which seem
to say it’s been a long day already. Even mine host behind the bar gives
the impression of willful ignorance as he finds employ at the far end of
the room, leaving my boy to enjoy his joke and nakedness, unmolested.
I zoom in, but before my closer inspection the happy
chappy (sensing my attention?) sidles off to pay his respects to a group
of local gals (his sister’s friends? an ex school mistress? the lass
from the shop where he buys his chips?) who turn up their noses in mock
dismay at the wares splayed out on their table top, all the while taking
their .ll, till it’s got, and would seem stretching it not to ask why he’s
waving his thingy under their noses. Then they send him (share and share
alike) on his way quick trot to the next in line, who bide time patiently
waiting for their ganderful.
No one beats a breast, complains outright, nor demands
short shift. It’s as though everyone accepts this guy’s right to his
night’s entertainment and judges it best ignored if it’s not their cup
of tea, or coffee as the case may be, until (it looks set he’ll stir her
drink) one gal cries enough! – she flicks her lighter (she’ll .fight
fire with fire) and threatens him with the flame. He guffaws, withdraws
tail flapping, back to his mate at the bar who’s not the sort (it
arouses my faith in human nature to see) to leave a matey in the lurch,
and so he (yahoo!) is now strip teasing too. But better is yet to come
(top shelf rum we’re drinking here) ‘cause rather than be outdone, or
perhaps wary of the competition, my fair friend takes himself in hand,
working up the full extent of his stick (it’s swell, I tell you), but
‘tis a trick mine host deems going too far as he advances with a cue of
his own (chalked but moments ago) and gives a whack to my beauty’s glow
that cools it. He takes the hint that the show’s over and, with a hop,
skip and a jump, the clothes go on and his pride and my joy is tucked to
bed for the night - which then proceeds AS THOUGH NOTHING HAD HAPPENED.
A Seminar On Gay
Spirituality
by Aelred Edmunds
"I have been asked if there is such a thing as ‘a
gay spirituality’, and my answer is a resounding ‘yes’."
(William Schindler)
Is there such a thing?
The Theosophical Society in Dunedin will be hosting a
seminar on this question on Wednesday 22nd February, 7.30pm, at the old
RSA building 469 Moray Place (opposite First Church). This is a
controversial subject, and so I think we can predict a lively evening!
While Schindler’s answer is "yes", others will answer
"no". Some commentators go so far as to claim that even the
terms "homosexual" and "gay" have little meaning -
that they are only historically recent social constructs.
Let’s see if we can get to the bottom of some of this.
It was Fr. John McNeill who famously (or infamously)
advised the gay devotee to "invite God into a deep and passionate
homosexual relationship". I have sought to do this, but have found it
very difficult in a Christian context. Years ago I turned towards an
exotic god-form who is openly celebrated as erotic - Krishna. Of course,
as a gay man I have given this eroticism a gay twist! (Would that I could
have successfully eroticised the figure of Jesus Christ. Sadly, so far as
I can see, the Christian traditions have robbed Jesus of any sexual
allure.)
And what of the following passage?
"At the end of 1995 during a Quaker Meeting for
Worship in Santa Cruz, California, I had a vision of the immanence of God,
in which we danced together naked in the center of the Silence Meeting,
swirling, twirling around each other ecstatically holding hands, our eyes
laughing in bliss. And although I am usually sceptical of such mystical
phenomena, I somehow knew that this god with whom I danced in vision was
the Faggot-God. So beautiful, so male, and so very, very gay... I found
myself cycling back toward a theology (in that this God of my devotion is
male), although it is now more of a homotheology into which I incorporate
gaiaology as well... " (Catherine Lake (ed), Recreations:
Religion And Spirituality In The Lives Of Queer People,
1999)
Is this a manifestation of "gay spirituality",
or is it merely another aspect of queer "social constructs?" And
what of the unique spiritual insights and visions of lesbian, transsexual,
transgendered and intersex members of our community?
I really hope that we can make this a special and powerful
sharing experience. So far as I am aware, there has been no initiative
quite like this in Dunedin - at least not in the time that I have been in
the city. So, please join us.
Pride Flag History
by Kare Grayson
The Rainbow Flag is perhaps the most widely recognisable
contemporary symbol of gay pride. The flag was created by San Francisco
artist Gilbert Baker in 1978 for the San Francisco Gay and Lesbian Freedom
Day Parade.
The Rainbow Flag originally consisted of eight stripes
with each colour symbolising an aspect of gay culture:
• pink for sex
• red for life
• orange for
healing
• yellow for sun
• green for nature
• blue for art
• turquoise for
harmony
• violet for spirit
Baker hand-dyed all the material for the 1978 flags, but
for the next year’s parade he opted to get them commercially printed.
However, hot-pink was not a commercially available colour, so the pink
stripe was dropped from the design. I can’t help thinking that the
exclusion of the symbolic colour for gay sex was more than a coincidence.
Why hadn’t the technology for the production of the gay male colour been
developed? Perhaps this oversight was a reflection of society’s control
through industrial means. Baker approved the seven striped design anyway.
I can only imagine that the sacrifice of pink was, for him, justified by
the flag’s positive potential for visibility.
By the end of 1979 the Rainbow Flag lost another stripe.
This time it was turquoise after harmony was disrupted by the
assassination of Harvey Milk, the first openly gay supervisor of San
Francisco and the man who had first challenged Baker to create a pride
symbol. The decision to edit out the turquoise stripe was made by
the Pride Parade Committee. It appears that the decision to alter the
design was a technical one - the Committee wanted to be able to divide the
stripes evenly, with three stripes of the flags flown from the lamp posts
on either side of the street. I would hope that the main reason for the
six-striped version was respect; that the flag distribution was a
demonstration of the violent disruption which the killing effected on the
gay community; the act of marching, a statement of solidarity,
symbolically "bridging the gap".
The six-striped version of the flag became the most widely
used and it is recognised by the International Congress of Flag
Makers. I personally prefer the original eight-stripe version for
its authenticity and comprehensive symbolism. Baker also reverted to the
original design for his 25th New York Stonewall Anniversary Flag in 1994,
producing a 1.25 mile-long banner reaching from the Atlantic Ocean to the
Gulf of Mexico. After the parade, the flag was cut into sections and
distributed to Pride Organisations around the world, including New
Zealand.
Between 2004 and 2005 I created a piece entitled
"Community Pride Construction Project". The work consisted of
736 portraits (92 of each of the 8 original pride flag colours), which
were then hung in the format of the Pride Flag. My intention was that the
individual elements, after being shown united, would be dispersed, as
Baker’s anniversary flag had been, and as we as individuals do.
Each painting is from a blind drawing of a person or
persons, producing a caricature of their physical identity. Some of the
images are recognisable as specific individuals, while others are not so
obvious. This reflects the in/visibility of the queer
community. Working from blind drawings is also reflective of how we
as queer people construct our individual images of community. We do not
necessarily know anything about the people we include in our
constructions, their purpose is simply to provide us with an abstract
context in which to place ourselves. The queer "community" is a
fiction, but a necessary one - without it we would not know
ourselves.
To view a catalogue of the remaining portraits, or to
commission your own portrait, please contact: Kare Grayson, phone 021 11
67 927 or email [email protected]
Diversity Liaison Officers
Within The NEW ZEALAND Police
Diversity Liaison Officers (DLOs) were formerly known as
Gay and Lesbian Liaison Officers, but the name was changed to be more
inclusive of bisexual, transgender and intersex communities.
The DLO role is an initiative of the New Zealand Police as
part of the inclusiveness policy. It sits alongside the Iwi, Asian and
Pacific Liaison roles. Many Police forces around the world already have
some form of a gay and lesbian liaison officer, including the New South
Wales Police and the London Metropolitan Police force.
These roles specifically are to build trust, honesty and
understanding between the Police and the gay, lesbian, bisexual,
transgender and intersex (GLBTI) communities. Overseas studies and
local anecdotal evidence show that there is a great deal of distrust held
by these groups about how they will be treated by Police Officers, leading
to a large number of crimes against individuals and organisations going
unreported. Some of these unreported crimes are extremely serious
incidents, including domestics, rape, robberies, same-sex sexual assaults
and burglaries. Many of these crimes will also sit under the newly
legislated hate crime category. There is evidence too that many youth
suicides, and much youth offending, may have as a direct or indirect cause
sexuality issues.
The second half of the DLO role is to ensure that GLBTI
staff within the NZ Police have a safe and supportive environment in which
to work. Only by doing this can the Police ensure that it retains
valuable, highly trained staff. There is much evidence which suggests that
the organisation has lost many experienced staff at all levels due to
sexuality (or perceived sexuality) issues. By providing a truly inclusive
workplace, the Police can recruit from more varied communities to enrich
the organisation and better reflect the communities that we serve.
The Police are committed at all levels to this initiative.
There are currently 32 DLOs throughout NZ with 7 of those within the South
Island. These are portfolio roles - that is, positions that are done in a
part-time/voluntary basis over and above normal duties.
Training is held annually at the Royal New Zealand Police
College over a four day period, and it provides an intense and candid look
into all aspects of the GLBTI community. A large part of this course
includes training in Hate Crime Legislation - the same training that is
delivered at the Detective’s Qualifying Course. In addition, all new
Police Recruit Wings undergo inclusiveness training. All existing front
line Constables have also been through this training. The New Zealand Navy
already undergoes this training and the Justice Department has also taken
up the initiative and training for its own staff. The Department of
Corrections is also likely to commit to this training.
There is a semi-regular newsletter issued by the Office of
the Commissioner called "Ten Percent". The newsletter is
accessible to all NZ Police staff via the police intranet and it covers a
wide range of material relating to the many areas affecting the GLBTI
communities and Police throughout NZ.
Dunedin and Otago’s Diversity Liaison Officer is
Sergeant Matt Scoles who can be contacted via the Dunedin Central Police
Station (phone 03-471-4800).
Invercargill and Southland’s Diversity Liaison Officer
is Senior Constable Eru Loach who can be contacted via the Invercargill
Police Station (phone 03-211-0400).
Part of the DLO role is to be visible within the
communities and available to assist people with any queries, difficulties
or complaints that they may have. For our DLOs to build relationships with
our GLBTI communities and with individuals, and more importantly vice
versa, we as individuals must start to gain rapport and subsequent trust
with them. Then we can begin to work together to make OUR community safer
for us all.
LOCAL LGBT/QUEER GROUPS
& RESOURCES
Support In The FAR South
Public Health South and the Invercargill Police Diversity
Liaison Officer are hoping to assist in re-establishing a support and
social group for members of the Invercargill non heterosexual community.
The previous support and social group, Rainbow Connection,
dissolved in June 2005. It was the most recent in a series of such groups.
Previous support and social groups shared similar characteristics - a
telephone line, informal and larger social gatherings and opportunities
for networking.
Rainbow Connection was also involved in awareness raising
activities around the Candlelight Memorial and World AIDS Day. Rainbow
Connection was the result of collective action by a group of friends, who
had themselves benefited from similar social and support groups. People we
have spoken to still see a need for such a group.
What we propose is that a steering committee of people
interested in supporting the proposal gets together in February, and
together develops a plan to form a support and social group that will not
only meet the needs of the community, but be sustainable over the long
term. The challenges faced by an informal group such as Rainbow
Connection are matters such as responsibility falling on a small number of
people who have to make use of their own private resources – this not
only stretches their capacity but can also be unsafe for the individuals
concerned.
A potential solution is the formation of an incorporated
society or charitable trust which would serve to share the responsibility
and open up the potential of external funding to underwrite services such
as the telephone line, training for those answering the telephone and so
on. Ultimately the main resource of any group that emerges will be the
committed and capable people it is comprised of and it will be this group
of people determining its characteristics.
Public Health South and the Invercargill Police Diversity
Liaison Officer see their role as simply being one of support and
encouragement.
If you are interested in taking part from the beginning,
in whatever capacity, please do not hesitate in contacting Stephen Jenkins
at Public Health South on (03) 211-0900.
Ascent Dunedin
Last Labour Weekend ASCENT Dunedin celebrated its
twentieth birthday in Dunedin (twenty six years since our founding in New
Zealand). Over fifty people coming from as far away as Australia and
Wellington attended the various events over the weekend. The weekend was
full of fun and the renewing of friendships.
ASCENT Dunedin meets monthly from February to December and
is hosted by various members in their homes. It is a Catholic-based group
of gays and lesbians, which has opened its membership to other gay and
lesbian Christians who wish to nourish their spirituality. The activities
are varied and the programme attempts to fulfill all the aims of the
group. One of our major aims is to provide a supportive community for all
gays and lesbians. The group is especially conscious of offering support
to people who are newly experiencing their sexuality. We explore and share
spiritual insights in an attempt to offer one another ways to understand
what it means to have a spirituality. This offers us a challenge to build
a bridge of understanding with churches and their members so we can
reconcile with one another. Important within the programme is the
opportunity to meet socially and build friendships, and to educate
ourselves in matters of justice, law and our acceptance within
society.
There is a policy of privacy for all involved in our group
with no questions asked.
For an opportunity to join a friendly non-stressful
discussion and social
group, with an ecumenical flavour, or if you wish to
receive a programme for 2006, please make contact with us at: ASCENT
Dunedin, PO Box 5328 Moray Place, Dunedin, or by ringing Yvonne on
476-7395.
RAINBOW FAMILIES
The Rainbow Families group exists for all those in the
LGBT/queer community who have, want or are trying to have children to get
together for support and social activities.
The Rainbow Families group has been running for over three
years now and there’s a range in the ages of the children – toddlers,
pre-schoolers and older school-aged children. The group runs very
informally, but provides those who are part of a rainbow family with the
opportunity to talk about issues and share ideas and information. It’s
also great for the children to grow up knowing that there are other
families like theirs.
The group meets monthly, generally on the first Saturday
of the month. Below are listed the events that have been planned for the
next few months.
For more information about the group, contact Barb on [email protected]
or 453-1108.
Are You Feeling Left Out?
Glenaven is a Methodist Church with an ecumenical
congregation and a special ministry to the gay and lesbian
community. Theologically, Glenaven is at the cutting edge and our Sunday
sermons are followed by some pretty lively dialogue.
On Sunday mornings we have coffee and cookies from 10:40am
and our service is from 11am to 12pm.
Glenaven is located in Chambers Street, North East Valley.
PFLAG South Parents,
Families & Friends of Lesbians and Gays
Welcome - Support - Information - Confidentiality
Understanding - Love - Acceptance - Pride Finding it hard to be young and
gay, or questioning?
1. Everyone assumes you are heterosexual.
2. You hear negative things about gay people.
3. You feel afraid that if someone knows they will reject
or bully you.
4. You worry whether your family and friends will still
love you if they know.
5. You keep it quiet and need accurate information, but
don’t know how to find it.
Realise that you ARE an okay person, valuable and worthy
of respect. Take time to find more information about being gay.
Parents and families
1. Parents usually go through a time of real grief, fear
and confusion when they first find out that their daughter or son (or
family member) is gay.
2. They usually don’t know who they can trust.
3. They need to find support and accurate information.
Attitudes in the community can make parents afraid to love
and accept their gay children, and often divide families. Parents need
support and information.
When young people have the love and support of their
families it helps them to develop a sense of self worth.
How can PFLAG help?
Understanding and Experience Although we have all
"been there" in our own families, we recognise that each person,
each family situation is different and will need different kinds of
support. Look at our website for lots more information – http://au.geocities.com/pflagsouth
or phone us on 025-686-9304 if you would like to talk or for more
information.
(We always offer to ring back on a landline.) You can
email us at [email protected] and
we can also meet people individually for a coffee and a chat.
Confidentiality is assured.
PFLAG also has a library that includes books, leaflets and
videos. These are available at all meetings. PFLAG has monthly meetings:
4th Monday of the month, 7.30pm
Community House, Moray Place (opposite the
"Woolshed")
We welcome mums, dads, grandparents, uncles, aunts,
brothers, sisters and friends at our meetings, as well as gay, lesbian,
bisexual and transgender people themselves. We find that gay people and
parents talking together can help families to understand each other.
Trans Support
There are no formal support systems for trans people in
the Otago area. A small number of guys who are trans or herm get together
socially, reasonably regularly, and we welcome contact from others who are
trans, herm, gender queer, trans butch or questioning gender in their own
lives and who would like to meet up or talk by phone.
We can be contacted through the OGT ([email protected]
or 0274-793-113) or Agender in Wellington
(0800-AGENDER).
WE ARE NOT IN KANSAS NOW, DOROTHY (JUST ASK MY BROTHER
PEARL)
Brokeback Mountain And Other Stories
by Annie Proulx
(HarperCollins Publishers, 2006)
Review by John Z Robinson
A branding iron features as one of the symbols on the
Wyoming State Flag. The unkindness of humans features in the eleven
stories that make up this collection by Wyoming author Annie Proulx. Wyoming is
far from the sea. It is ancient mountains and vast plains. A harsh land with
a harsh climate. It is small towns, like Casper and Laramie and Cheyenne. The
entire population is less than half a million.
Proulx creates suitably tough (and believable) characters
- ranchers, cowpokes and ne’er-do-wells - to inhabit this
unforgiving physical environment. Most stories are set in the twentieth
century, some the century before. "It was thirty four degrees below zero, the
wind shrieking along the tracks. ‘It sure can’t get more worse than this,’
he said. He didn’t know anything about it." This is from "People In Hell
Just Want A Drink Of Water". Proulx is introducing us to Ice Dunmore. He has just
bought a ranch and calls it the Rocking Box. His wife Naomi produces, in quick
succession, nine sons - Jaxon, the twins Ideal and Pet, Kemmy, Marion, Byron, Varn,
Ritter and Bliss. Of course the Rocking Box fails to prosper and she leaves
them all, running off with the cook-pan tinker.
"The Mud Below" is the tale of a doomed would-be
rodeo star, Diamond Felts, who is a mere five foot three and really does have a brother called Pearl. "All his
life he had heard himself called Half-Pint, Baby Boy, Shorty, Kid, Tiny, Little Guy, Sawed-Off. His mother never let up,
always had the needle ready, even the time she had come into the upstairs hall
and caught him stepping naked from the bathroom, she had said, ‘Well,
at least you didn’t get short changed that way, did you?’"
There is, however, an element of tenderness in Brokeback
Mountain. Gentleness amongst the betrayals and
violence. "Brokeback
Mountain" is, of course, the gay cowboy love story that has been recently
made into a movie (and won first prize at the 2005 Venice International Film
Festival, as well as Golden Globe Awards in 2006 for Best Film (Drama), Best
Director, Best Original Song and Best Screenplay).
Brokeback Mountain ,
the book, is made up of people with psychologies shaped by a wild landscape, people who shock and
infuriate, disappoint and violate, but people who will never be strangers to us.
White Lies Or The Truth And Nothing But The Truth?
By Mike Wooliscroft
The publication of a new book by Edmund White is deservedly regarded as quite an event
as aficionados rush to buy their own or place holds on library copies. White’s latest volume of
memoirs, My
Lives, is no exception. White has
certainly achieved an admirable publishing record with fiction, essays, biographies and memoirs
amounting to 17 well-regarded publications over 25 years - enough to make him a major twentieth
century literary figure and I am not only referring to gay literature.
A Boy’s Own Story (1982),
The Beautiful Room Is Empty (1988)
and The Farewell Symphony (1997)
have generally been regarded as autobiographical novels. However, there are
those who have been able to compare closely White’s life with his fiction, including White’s
nephew Keith Fleming, the author of Original
Youth: The Real Story Of Edmund White’s Boyhood and his
memoir The Boy With The
Thorn In His Side. Fleming
came to live with White when he was an adolescent, and suggests some caution
is needed. Likewise, White’s principal biographer, Stephen Barber,
suggests that the "semi autobiographical"
novels have sprung from certain events or situations White experienced but do not
closely mirror his life, though Barber also notes that the narrator in The
Farewell Symphony comes closest to being White.
The imaginist, the crafter, the "teller of tales" raunchy, sensuous and certainly sexually
explicit are evident in White’s writing. Nowhere is this more so than his latest volume of memoirs
My Lives. What
storytelling! What seemingly openness and honesty! And also what caution and
what interpretation!
In spite of some explicit accounts of many
of White’s relationships, his close sustained partnerships of recent decades - those with Hubert
Sorin, architect turned illustrator, and Michael Carroll, writer - are spared intimate revelations in
this memoir. We already have first-hand insights of the former in Sorin and White’s collaboration
in the whimsical and insightful memoir Our
Paris: Sketches From Memory which
was embarked on as a memorial to Sorin shortly before he died.
In My Lives
White has taken a number of relationships and written seemingly frank accounts
of his "shrinks", his mother, his hustlers, his women friends, his experience of Europe (mostly
Paris), his "master" (an intense loving
infatuation and sexual connection with a young man while in partnership with his latest lover of ten years),
his blonde young sexual partners over the years, and researching and writing the biography of Jean
Genet. All accounts are revealing - in some his candour is startling.
White is highly sexually driven in life and this is
reflected in his writing. What is also apparent is his response to the allure of physical beauty.
"Invariably, I’d fall in love with a pretty boy [meaning young man], a boy younger and more
delicate than I. If I should succeed in seducing such a boy, I scarcely knew what to do with him.
By nature I was as passive as these boys were supposed to be; if I was lucky the pink-cheeked,
full-lipped, flaxen-haired boy would have a sadistic streak; the foolish bride would become the
infernal bridegroom. I fell in love with pretty boys, but I was aroused by masculine, demanding men."
The intense feelings of lust and desire which overwhelm and give vivid colouring to many of
the relationships White has formed with men are major drivers. His lust for young men as he
advances through his mid-60s shows a triumph of hope over adversity while he takes a reality check
of himself - "physically, I had nothing to offer –
I was old, fat, winded, impotent most of the time, hairy and with big breasts and a small dick. I was
huge – only five-foot-nine inches but 260 pounds."
White is conscious, too, that "youth boosts
the appeal of even quite mediocre fare". In this he echoes the experience of many gay men when
looking with pleasure on young men of taut skin and fresh looks at the same time being able to
discern the harbingers of the aging person they will become. Without the support of
fine bone structure and good strong features we realise that when everything becomes less "trim, taut and
terrific" if they lack attractive personalities our delight in them will be diminished indeed.
In the section describing his infatuation with his "master", White writes frankly of their
sexual acts and his intense pain when he concludes that there is no way of keeping even a dysfunctional
partnership going. Although some readers may regard this chapter as "too much information"
or merely self-indulgent, White’s account of the intense preoccupation with another is both
painfully and well wrought.
In 1993 White published his award-winning biography of Jean Genet – over 700 pages of text
with a further close on 80 pages of notes and a comprehensive index. In my view, this is the book
that will remain White’s outstanding achievement – perhaps a strange thing for a man whose
reputation among many has largely been based on his novels. Barber, in his biography of White,
states that it was common opinion amongst the gay community in the United States that White
should move from researching and writing on Genet and turn instead to AIDS activism as Genet
was regarded as irrelevant. White, however, sees Genet as an "enduringly
significant presence".
White’s account of the sometimes frustrating process of researching
Genet’s biography is fascinating as scarce resources are suddenly opened up by almost
chance encounters with key figures and those able to access previously closed
files. The relationship between the author and his publisher, the latter eager for a publishable manuscript, and White’s
own need for thoroughness alongside the pursuit of his intense sexual life, reminded me of Truman
Capote being similarly pressed by his publisher for further chapters of his manuscript of In
Cold Blood
while he fobbed the publisher off because little had been achieved.
White’s Genet
brought him further measures of academic respectability, but his intention to
write a similarly dense biography of Proust ended up as a concise treatment of the writer. But, while
not in the same league as Genet,
it remains by far the best short English language introduction to Proust.
My eager reading of My
Lives produced a need for a context into which to insert these latest
memoirs. This led me to re-read Stephen Barber’s
Edmund White: The Burning World. A Biography
(1999). Barber provides an excellent analysis of White’s life and his work in relation to that life.
There are significant commentaries on each of White’s published works relating them to his
life where appropriate. There are also sensitive accounts of White’s partnerships including that
with Hubert Sorin. The section on Sorin’s last days when they were travelling in adverse
circumstances in Morocco (Sorin was dying with AIDS) is nothing short of harrowing. But there are
also some conclusions which might be overdrawn – he likened New York in the 1980s becoming "a
desperate landscape of absences" akin to Berlin in 1945.
The major flaw of the biography is the lack of an index. There is so much of interest in this
scholarly biography not only pertaining to White but also to his friends – Neil Bartlett, Bruce
Chatwin, Derek Jarman,
Robert Mapplethorpe, Marina Warner. But do not let the lack of index
stop you from reading the biography for it is an excellent, insightful and largely objective account.
These two books - Edmund
White: The Burning World. A Biography and
White’s latest memoirs, My
Lives - read together provide a
most satisfying experience. I hope this will encourage others, as well as me, to re-read White’s
masterly novels, short stories and essays.
DOUGLAS WRIGHT’S "BLACK MILK"
In March 2006 acclaimed New Zealand choreographer Douglas
Wright will premiere a new full length production, Black
Milk, the culmination of 25 years
of making dance theatre. The tour will start on 25 March 2006
in Invercargill and proceed to Dunedin, Christchurch, Auckland and Wellington.
Not only has the internationally lauded choreographer
produced some of this country’s most memorable and confronting dance theatre,
but Wright has also demonstrated an exceptional .air with the written word
winning the Best First Book Award (non fiction) at the 2005 Montana Book Awards for his
memoir Ghost Dance.
The desire to create a new performance began to haunt
Wright as he was working on a new book, an insight into his creative process and
his recent life. "After Inland
in 2002, I intended to focus exclusively on my
writing," Wright said. "I didn’t think I would make another large-scale dance-theatre work.
However, the central idea for
Black Milk wouldn’t
leave me alone, and in the end I had to give in to it."
Black Milk is an
exploration of the boundaries of love, fear and memory, expressed through Wright’s uniquely physical language
and trademark earthy black humour. This is the first major new work since 2002 from
Douglas Wright and will showcase the gifts of some of New Zealand’s leading
dancers. Sarah-Jayne Howard and Claire O’Neil are both returning from overseas for
the tour. Leading male dancer Craig Bary also had a planned performance at the
Opera House in Australia rescheduled in order to be available, commenting:
"When I heard Douglas was creating a new work I knew it would be because he was intensely inspired. This a rare and
precious opportunity to be part of that experience." The
ensemble will also feature the talents of local dancers Helena Keeley,
Tai Royal, Alex Leonhartsberger and Jessica Shipman.
The 2006 season of Black
Milk will coincide with the release of Douglas Wright’s second book, Terra
Incognito.
John Z Robinson: "29 Nudes"
Moray Gallery, Dunedin, December 2005 – January 2006
Review by Ralph Body
The artist describes 29
Nudes as "An imaginative
work. A kind tribute to the beauty of men." Indeed, his exhibition offers a
masculine counterpart to the celebration of female sensuality that was Ralph
Hotere Figurative Works (DPAG, August-September 2005). Like Hotere, Robinson uses
seemingly economical means to achieve a sense of energy and spontaneity. His
approach, however, is markedly different.
Using a high-keyed palette, Robinson sets his figures
against equally vivid areas of colour. Whilst his simplified forms divest his men
of specific identities, the architecture of their limbs conveys a sense of their
dispositions. Some figures are captured in moments of athletic exertion whilst others
lounge. The splayed legged "Barberini Faun" pose appears frequently,
perhaps a reference to the centrality of the male nude in the history of Western art. Even at their
most langorous, however, Robinson’s colour and brushwork charge his figures with a
latent energy. In all cases his figures appear at ease with their own bodies,
comfortable and confident in their nakedness.
Robinson’s loosely suggested forms evoke the transience
of human experience. Although captured in paint, they seem more like memories
of an encounter rather than an immediate presence. The paintings’ small scale,
which recalls a postcard or snapshot, adds to this intimate quality. In a number of
instances works have been brought together in groups of three to form triptychs. The
individual panels seem to gain an energy when viewed cumulatively. One is more
attuned to the variations in treatment as one image is played off against another.
Robinson has worked in a broad painterly style with his
lush, fleshy paintwork an essential part of the picture surface. This treatment
is by no means restricted to the figures, and is perhaps most fully realised in the
background abstractions. Indeed, in their sensuality of texture and pulsating
chromatic vibrancy, these passages of intense colour serve as visual analogies,
evoking the same qualities as the figurative subject matter. It is almost as if the
atmosphere has been rendered physically palpable – crystallised in these exquisite
morsels of sumptuous colour.
"Go Girl" Exhibition
Review by Garth Frew
Go Girl , Fiona
Clark’s ongoing photographic project, recently showed at the Southland Museum and Gallery, Invercargill.
The subject of this performance documentary is gender, and the exhibition is as important as social document as it is art
practice. For three decades Fiona Clark has photographed and
recorded the gay community of Auckland. As she stated in a recent
interview with Greg Burke, "I was just photographing the life I
had, the parties I went to and who was around and who was
interesting."
Built over time from 1970 to the present day and open to continuation, Go
Girl is comprised of photographs,
videos, interviews and artefacts. The depth of exposition and
substantive realism of this work makes the transgender/gay experience manifest. Realised with empathy, the relationship between
artist and subject is honest and direct. This work is about real
people in real time. It is thoroughly engaging and poignant, full of
beautiful images, powerful expressions of individuality and it is
populated by complex personalities. The clarity and consistency of
Clark’s photographic practice combine with and facilitate the
performance of the complex reality of individual gender identity. She
maps and articulates cultural space. The intangible nature of
culture, where the sum of the parts is greater than the whole, is
expressed and experienced as the socially real.
Most images are large format colour photographs, both
recent and historical. They are displayed uniformly along both
sides of the space and complemented by the "Dance Party"
series and a comprehensive collection of performance video. The
uniformity of display functions to refuse any hierarchical ordering or
the privilege of aesthetic over documentary function. The exhibition can
be accessed from any point.
The images are the product of a photographer who registers
patterns in the real but refuses a reading in terms of
myth. Clark applies her skills in a self-effacing manner and uses
colour, form, line and space as objective anchors for the realisation of
individual presence. The early "Ian Geraldine At Home"
(Auckland, 1975) appears prosaic but is a subtle symphony of cream and
green, a 1970s context, a stage for the performance of gender
identity.
Imaging "what she knows" and focused upon
recording that reality in all its nuanced complexity, in the
artist/participant performance pieces of the "Dance Party" series
Clark captures transgender sensibility. Controversial at the time, the
work challenged the cultural gate keepers. It is a project
which continues to challenge. Not a package of entertainment (apparently
not Te Papa’s cup of tea), it demands from its audience
participation in the recognition of a larger, more inclusive concept of New
Zealand society. This material is not documentation of
"outsiders", it is no window on a cultural other that might be kept at a
distance. This project is an insider’s service to the task of
legitimising cultural experience.
Throughout the works, Clark’s camera takes a variety of perspectives on the lives of
her subjects. In the likes of "Sharon At Mojos" (Auckland, 1975) the camera looks up and
emphasises the stage. The pictured context is characterised by simplicity and clarity
and is compositionally rigorous. Line, shape and colour allow Sharon to declare herself
with direct gaze. Many of the photographs employ portraiture from close and medium
distance. They function as classical portraits facilitating the expression and representation
of cultural being. These are real personalities documented living interesting lives. Many of
the later images are almost "conversation pieces", context and gender performance expressed in
a maturity of context and outlook. They realise the deeper and more comprehensive self that is life experience. "Pat Robb
At Home" (Auckland, 1984) is different again. The backlight
illuminates and casts shadow. The closeness of the shot, the level and direct engagement with photographer and audience insist on
the recognition and engagement with a psychological presence.
The video performances, open and honest monologue/ dialogue between artist and subject, relate three decades
of personal experience from a variety of perspectives. They
produce an ether of subjectivity and give insight and connection
to individuals elsewhere in the exhibition. The artist is
present as participant and the real is shaped as a phenomena of
participation. Functioning as a powerful complement to the stills they
are integral to the cultural matrix this project realises.
This project functions as a contribution to the
substantiveness of our cultural room. Go
Girl is the cultural room made
beautiful by courage, passion, love and empathy by all the values we
know are integral to the art of individuality. Our cultural
space is lit here with the strength and beauty of real people. Fiona Clark’s
project documents the real and in so doing affords the opportunity
to shape our own reality.
poetry
Do You Believe
by Jane E Libeau
Somewhere in the
Soft twilight
Between end of day
And start of night
The eyes do see different hues
Softened pastels
Of greens and blues
The whimsical notion
Of fairy worlds evolve
Dancing flying
Ancient
Old
Eyes play tricks?
Or senses change?
Reach out to touch
But cannot engage
Could it be in
The belief
They do not exist
Have we forgotten
Fairy bliss?
If you believe this to be true
And the land of fairies
Is not for you
Shut out the twilight
Of end of day
Ignore the .uttering
Wings o’ fey
Just remember
The flicker of the eyes
And not believing
Will make them die
Until the next twilight
Comes by
You may see them again
And breathe out a sigh
I believe in fairies
That come out to play
Bringing colourful endings
To my day.
Embossed Images
by Jane E Libeau
Embossed images
Pressed within the mind
Like wetted paper
I remold
Stories become memories
As memories
Unfold
I soak in my life
And forge my being
True self emerging
From the sights I am seeing
The deeper I go
Into the abyss of me
The warmer I feel
To the knowing of me
Transformations
On levels abound
Truth of the being
Ever resound.
WORLD WATCH
World Watch acknowledges the source of these stories as
365Gay.com , gaylesbiantimes.com, GayLinkContent.com, GayWired.com, rainbownetwork.com and pinknews.co.uk
GAY MUSIC LABEL
United States
Sony Music has launched "Music with a Twist",
the first major music label dedicated to nurturing lesbian, gay, bisexual and
transgendered artists. The label will collaborate with Sony’s other
labels including Columbia Records Group, Epic Records, Sony Nashville and
Sony Urban Music in order to cross promote gay artists with
mainstream appeal. The label is a joint venture with gay media company
Wilderness, led by Matt Farber, the founder of MTV’s gay entertainment
channel, LOGO, which reaches 20 million homes across the US.
GAY BLOOD NOT WANTED
South Africa
South Africa has followed many other countries in banning
gay men from donating blood. The country’s leading gay rights
group, South African Gay and Lesbian Rights Advocacy Group, has argued
that potential donors should be screened according to whether
they have had unprotected sex, not on the basis of their sexuality.
"I understand that the blood transfusion service needs some sort of
social indicator to derive the safety of blood but the use of gay in a blanket
way indicates this is not fair," said a spokesman for the group.
GAY MARRIAGES NOT AN OPTION
Australia
Australia’s right-wing Prime Minister, John Howard, has
ruled out ever recognising gay marriages. Howard claimed he is not
seeking to discriminate against gay people but believes "very
strongly that marriage is exclusively a union for life of a man and a
woman to the exclusion of others".
POLICE RAID GAY CLUB
India
Police have raided an underground gay club and arrested
four men on charges of perpetrating homosexual activities. According
to the police the men are members of Talaash (Search), an internet-based
group with over 100,000 members. "These people haven’t
been accused of having sex, just of running an organisation that puts
other gay people in touch with one another. This isn’t even illegal in
India; the law criminalises the act of gay sex, not being gay
itself," said a spokesman of the British gay human rights group OutRage!.
POLICE SHUT DOWN GAY ARTS FESTIVAL
China
Police have shut down the opening of a gay and lesbian
cultural arts festival in Beijing, an action participants say highlights
deep-rooted intolerance toward homosexuality. The festival was to be a
weekend of films, plays, exhibitions and seminars on the issue of
homosexuality. Police claim the organisers did not have permission to
hold the event, while participants say the real issue was the subject
matter. "The attitude in China is still very conservative," a
student said.
PARLIAMENT BACKS GAY ADOPTION
Belgium
The lower house of Belgium’s parliament has voted 77–62
in favour of allowing same-sex adoption. Final approval by the upper
house is expected in March, making Belgium the third EU country,
after Sweden and Spain, to grant gay couples the same rights as
heterosexual couples, including the right to adopt children from
anywhere in the world. In Germany and Denmark homosexual adoption is
limited to the partner’s biological children. Belgium campaigners
had argued that many children are currently cared for by homosexual
couples, but are without adequate legal protection. Since Belgium approved
same-sex marriage two years ago, some 5,000 ceremonies have taken
place.
SEXUAL CLEANSING CLAIMED
Nepal
Human Rights Watch, an international human rights
organisation, has joined United States LGBT activists in accusing the
government of Nepal of trying to wipe out gays and transsexuals. "Human
Rights Watch is gravely concerned by a continuing pattern of arbitrary
arrest and police violence against metis (men by birth who identify as
women, and might in different cultural circumstances be called transgender
people), men who have sex with men and activists for sexual rights in
Kathmandu," a spokesman for the group has said. The latest reported
incident occurred on 3 January when four police officers reportedly spotted a
group of metis on the street in Kathmandu and shouted, "Metis!
Kill them!" All three metis were beaten severely. The Nepalese
government has refused to comment.
CINEMA OWNER BANS FILM
United States
A cinema in Utah owned by a Mormon has pulled out of
screening the gay cowboy movie Brokeback
Mountain. "It’s just a
shame that such a beautiful and award-winning film with so much buzz about
it is not being made available to a broad Utah audience because of
personal bias," a gay rights campaigner has said. While the
cinema’s owner could not be reached to comment, a spokeswoman of the
right-wing Utah Eagle Forum said it was right not to show the .lm,
"I just think [pulling the show] tells the young people especially that
maybe there is something wrong with this show."
CIVIL PARTNERSHIPS IN SCOTLAND
by Andrew Metcalfe
Along with New Zealand and other parts of the world,
Scotland now has in place a system for recognising same sex partnerships.
However, there are some significant differences. Surprisingly, one of these has
been the lack of public pressure, antagonism and the need for the GLBT community
to rally around to make sure that the measures went through. In a country
that is still essentially conservative when it comes to matters of sexuality (until
1981 sex between men was illegal in Scotland, even in private), there has been
very little fuss.
On the 5th of December 2005 the Civil Partnership Act came
into being, allowing same sex couples to register their partnership
and gain entitlement to the same rights and responsibilities as married
couples. I’m not sure why there has been such a lack of public controversy. Perhaps
because in this case Scotland chose to follow what was being legislated in the
whole of the UK, rather than enact its own law through the Scottish Parliament.
There often seems to be a difference in how things get dealt with in the
smaller (5 million) population base here, and what happens in the whole of Britain.
The other difference is that this legislation is primarily
for same sex partners, and does not give an option of "civil
union" for others who may not want traditional marriage and all its trappings, as is the
case in New Zealand. Civil Partnerships will be carried out by registrars
within all of the various local authority areas. Each area must ensure that there is
someone available to perform them, especially as there have been mutterings
from some individual registrars that they are not keen to do this. As you could
imagine, there is a fairly consistent resistance from the Church of Scotland
and other religious organisations to have any part in these ceremonies,
although one would hope that there would be a number of rebels in the ranks.
At the date of writing this, there have been 59
applications (34 male and 24 female) in Edinburgh, 30 in Glasgow, 18 in Fife … and
9 in Perth and Kinross, where I’m currently based. Perhaps this is an indication
of the areas where most same sex partners are choosing to live and work. Another
interesting feature is the age profile of applicants - they tend to be older
people who have been with their partners for a while and who need to have issues
addressed like pension arrangements, next of kin, access to social security,
support of children, tax benefits and inheritance rights.
So, "viva la difference". Here’s hoping that
the lack of fuss is not because people don’t care, or have not fully realised the
momentous change that has happened here. But it is this way because Scotland and the
whole of the UK recognises that it is the decent and right thing to do.
WHY THE PM OF SPAIN IS A GAY ICON
Many have been wondering how Spain, which has been
perceived as a hardline Catholic country, came to legalise same-sex
marriage and adoption in June last year. Here are excerpts from the now-famous
speech delivered by Spanish Prime Minister Jose Luis Rodriguez Zapatero at the
time. (Translation by Rex Wockner.) It’s probably the most affirming speech
ever delivered by a head of government, anywhere, so we thought it’d make nice
summer reading…
"We are not legislating, honourable members, for
people far away and not known by us. We are enlarging the opportunity for
happiness to our neighbours, our co-workers, our friends and our families. At the same
time we are making a more decent society, because a decent society is one that
does not humiliate its members.
"Today, the Spanish society answers to a group of
people who, during many years, have been humiliated, whose rights have been
ignored, whose dignity has been offended, their identity denied and their liberty
oppressed. Today, the Spanish society grants them the respect they deserve,
recognises their rights, restores their dignity, affirms their identity and restores
their liberty.
"It is true that they are only a minority, but their
triumph is everyone’s triumph. It is also the triumph of those who oppose this
law, even though they do not know this yet, because it is the triumph of
Liberty. Their victory makes all of us (even those who oppose the law) better people;
it makes our society better. Honourable members, there is no damage to marriage
or to the concept of family in allowing two people of the same sex to get
married. To the contrary, what happens is this class of Spanish citizens gets the
potential to organise their lives with the rights and privileges of marriage and
family. There is no danger to the institution of marriage, but precisely the opposite -
this law enhances and respects marriage.
"Today, conscious that some people and institutions
are in a profound disagreement with this change in our civil law, I wish to
express that, like other reforms to the marriage code that preceded this one, this
law will generate no evil and that its only consequence will be the avoiding of
senseless suffering of decent human beings. A society that avoids senseless
suffering of decent human beings is a better society.
"With the approval of this Bill, our country takes
another step in the path of liberty and tolerance that was begun by the democratic
change of government. Our children will look at us incredulously, if we tell
them that many years ago our mothers had less rights than our fathers, or if we tell
them that people had to stay married against their will even though they were
unable to share their lives. Today we can offer them a beautiful lesson: every right
gained, each access to liberty has been the result of the struggle and
sacrifice of many people that deserve our recognition and praise.
"Today we demonstrate with this Bill that societies
can better themselves and can cross barriers and create tolerance by putting a
stop to the unhappiness and humiliation of some of our citizens. Today, for many
of our countrymen, comes the day predicted by [Greek gay poet] Kava.s one
century ago: ‘Later ‘twas said of the most perfect society / someone else,
made like me / certainly will come out and act freely’."
|