Holy moly, bloggy, did I get into big
trouble, and Mommy says it’s because I spend more time with Rambunctious Rhine
than I do with Perfect Plato. Anyway, it was just a little itsy bitsy prank!
See, our science teacher, Brother Sparks, is really dull – heck, he makes beige
look like an exciting colour. So me and Rhine put a Whoopie Goldberg Cushion ™ on his chair, and when he came
in and sat down it went off, and you should have seen Sparks fly! But everyone
was looking at me and Rhine, so we got sent to prevention in the principal’s
orifice. And Mommy got mad and told me I was grounded for a whole week – just
because I’m such a live wire. Bummer.
We didn’t even go anywhere for March Break! Other people went away: like Cousin
NessaKait went to Dizzyland
in California, and Auntie TreedCat visited the George
W. Bush Gardens in Florida, and Cousin Roaring walked through the entire West
Edmonton Mall in Alberta to watch our navy in its annual manoeuvres
(the red team lost to the green team), but I stayed home and watched Mommy walk
on her dreadmill. Sheesh, I
would have liked watching the grass grow better than that, but I haven’t seen
any grass in a long time – well, except for the stuff Pappa
smokes.
I figured I might as
well tackle the assignation Sister Windy gave her classh:
“Examine the progressive thematic underpinnings of The Kilts, Enya’s first album even though Enya
was her first album, and they both have the same tracks.” What all this has to
do with pinning or unpinning your underwear remains a mystery to me though. I’ll
just casually forget that part – maybe she won’t notice, what with all that Pepto-Brennan ™ she gulps down. But she also said we had to
have a “thesis” at the very beginning, so here is mine:
In this album, Enya is recording (in more
ways than one) who the Ancient Scottish Kilts were, why they arrived in Scotland,
and why we need to take up arms against these knobby-kneed warriors in skirts.
See, I listened to The Kilts over and over the whole dang week. And guess
what, bloggy! I decided that Enya
had wanted to change the name of the album to The Kilts because more
people could pronounce that than Enya; and,
even more impotent, after I heard this CD for the very first time I knew that Enya and me had a lot in common – like the ability to
babble-on in incomprehensible tongues and cater to countless Kats!
Anyway, this CD was
created at the Royal Command of the BBC. Mother BBC (as I oft
call her, as opposed to Mommy CBC, who is singing in the shower right now and
derailing my train of thought entirely). You see, the BBC was going to film
an entire series of shows about old kilts and needed a soundtrack. Right on
track came Enya, mightily pushed
along by the Roma and Nicky Ryan Railway, and she blew the BBC away, along with
Surrey, Kent, Cornwall and Devon Cream. A national State of Emergency was then
proclaimed – it was wedged between Norfolk and Suffolk, but no longer exists as
they found out that The Kilts were NOT going to invade after all.
The CD begins with a
track called “The Kilts” and this is why the album is now called The Kilts
in case you don’t see the oblivious connection. The Kilts, according to Mommy, were
a bunch of people in the Far North who were so imperviant to cold that they wore nothing but skirts when
roaming around really cool places. In hot places, they just wore nothing, which
saved a lot of laundry detergent and thus was good for the environment. And as
they roamed, they sang their fearsome warrior anthem:
Hi-ri,
Hi-ro, Hi-ri.
Hoireann
is O, ha hi, ra ha, ra ho ra.
Hoireann
is O, ha hi, ra ha, ra ha ra.
Hi-ri, Hi-ra, Hi-ri
No wonder all those who heard this fled in terror – some
even ended up on the planet of Loxia, but that’s a
tale for another album.
Mommy told me that what they are really singing is this:
Life of lives,
Beginning to the end.
We are alive
Forever.
Life of lives,
Beginning to the end.
We are alive
Forever.
See, that’s why a State of Emergency was created:
they are Immortals, and thus are even
higher than the Royals! Kilts are
forever high – for everything low, there’s Camillas
and other wilted flowers.
Well, after this over-the-stove-top dressing up of these Kilted
Immortals, we find out, in the next track in fact, where they originally came
from: Aldebaran, which is a place far and
away, where no human had gone before Enya. And she
got there only because her Ryan Air flight got diverticulated
into a Worm Hole. These particular Immortals had been sent to Scotland so they could
unfiltrate British waters
and create whisky. This was the BIG idea of their Immortal Ruler, Al the Baron,
who was once a humble Count but rose to Supreme Power in a bloodless coup (which
was easy as the Aldebarans have no blood, just liquid
heather in their veins).
Big Al’s theme song (which he wrote all by himself) went
like this:
Codladh fada,
Codladh domhain.
Éirigh! Amharc síos
Aldebaran.
Siúil liom tríd an réalta
dearg.
Deireadh, deireadh an turas.
Réaltóg, réaltóg dearg,
which scared the BeeGees out of me,
until Mommy told me it meant:
Long sleep,
Deep sleep.
Rise! Look down
Aldebaran.
Walk with me through the red star.
The end, end of the journey.
Star, red star.
I have no idea what this means but I am not travelling to any
red star in the near or far future! Even though Mommy seems eager to send me, having already packed my
red suitcase.
Having introduced The Kilts and their Supreme Ruler, we find
out in the next track what they want: Tomorrow!
Yes, the next track is called I Want Tomorrow
and talks about men from “the sun” (I bet it’s a red sun!) who plan to take
over the British Aisles and then the rest of Earth (which, in the Aldebaranian language, is called “To-Morr-ow”) by evaporating all automobiles, which they think are the
highest form of life on Earth! What is
really scary is that they might be right! These invaders disguise themselves as
scruffy-looking bums and wander about the British Aisles to gather what passes
for intelligence for Big Al.
Then comes The March of the
Kilts. the actual invasion, which is accompanied
by their Officious Marching Invasion Song (OMIS):
Hi-ra-U-O
Beo go deo.
Ole ole ole,
ole ole ole ole ole ole
ole,
ole ole ole,
ole ole ole.
Hi-ri-U-O
Marbh go deo
(“Ole,” by the way, is the name of their mascot, a rather
large Aldebaranian pit bull.)
This, according to She-who-has-raised-me,
means:
Alive forever
Dead forever
Once more, they stress their Immortality, while also
revealing themselves (as they lift up their kilts) as Vampires! Hey – maybe
they’re called “The Kilts” because they’ve been kilt in more ways than one.
I’ll ask my friend Buffy about that.
As if that were
not more than enough, the next track is called:
Deireadh An Tuath, which translates as “End Of The Tribe” – and
which has a lot of ho-ing going on:
Hoireann is O Ho O Ho ro Ho.
Hoireann is O Ho O Ho ro
Ho.
But Mommy won’t let me research that on Wicked-Pedia. She says I’m
too young to ho. But I LOVE garden work!
In any case, someone’s tribe may be about to end, and that’s
what is called an “ominous.”
Then comes The Sun in the
Stream - which is instrumental to the attack about to be launched by The
Kilts. They don’t play fair: they’re gonna put our tiny,
sweet yellow star in a huge galactic stream and then steam it away, away, away.
But they have their own star if they just wanna
press their kilts! I guess it’s just more fun to create ecological mayhem on
the planet of Tomorrow, and Big Al has made it so. So get ready for humungous
climactic change, something my Auntie TreedCat worries
about a lot – so much so that I call her Auntie Climactic. When she’s not here,
that is.
You know, I wonder what they plan to do with our moon – maybe
sell it to some Aldebaranian shepherd?
Whatever, it looks like curtains for our small blue planet and its very blue
moon. So let us go beyond, right to the next track, To Go Beyond.
Mommy says that “To
Go Beyond (I)” is a preclude to “To Go Beyond (II),” though
if there’s a reason I don’t know why. But Mrs. Ryan says this tune is a
reflection of the future, but it’s awfully short, and I sure hope our future
lasts a little longer than this track. Like, when are The Kilts coming? Do I
have enough time to graduate from Roma Ryan’s High School and Petting Zoo? Do I
have enough time to pack an overnight bag (no, Mommy, I’m not talking about you
again)? Or am I too late already? I’d hate being the late OperaKait.
Even though Mommy says it’s fashionable to be late – and have you seen what she
wears as “fashion”? I rest my case.
So I’m gonna go beyond to the next musical offering, which is
called Fairytale. Now, I love
fairytales: my Uncle Frodo is full of wonderful stories about elves and entyas and habbits. And Mommy
looks like an orc, so there you go! Anyway, this tune
is supposed to be about a Fairy King’s love for a beautiful princess, who is
banished for poisoning Cousin Salmonella and is turned into a pool of water –
like we all do when we eat really bad potato salad. But the princess comes back
like Mommy’s pepper stew, and becomes a Butterball – my favourite
brand of turkey. This is a very dense track because it lulls us into a false
sense of security in the face of the eminent Aldebaranian
attack; we must not be dreaming of fairies when our planet is looking at
extinction! Or maybe Mrs. Ryan just went out for a smoke and Enya decided to become a Fairy Queen who lives in a castle;
or maybe you had to be there to understand?
Whatever the case
may be (and may it be), who will protect our planet from Big Al and his super
troupers? Aha, I say: the answer is not blowing in the wind, but in the next
track!
For next comes a
musical ode about Camilla Parka Bowler: Epona,
the horsey woman. Well, Epona was a Goddess, so there
is an important difference because Camilla is an orc
like Mommy. Anyway, Mrs. Ryan says that Epona was a
loner who liked horses and birds better than human beans. And she always
carried a bean-bag of corn, so she was a bag lady like Camilla too. They say
that her birdie friends were supposed to put the living to sleep and to wake up
the dead, but I have a different opinion on that: I think the songs of my cat
put people to sleep, and that her sex life wakes the dead. Bet I get prevention
if Mommy reads this.
Will Epona ride to our rescue though – that is the question!
Well, all we have to do is listen to the next track, which has three parts, so
it’s called Triage. Triage starts with “St. Patrick,” whose day I
celebrated last week by eating three tons of raw spinach, followed by a large
bottle of pink Pepto-Brennan ™. Now, we all know who
St. Patrick was: the kool dude who scared the snakes
out of Nova Scotia (except for certain relatives who I won’t name here, though
Mommy calls them the Lounge Lizards).
But did you know, bloggy, that
Paddy converted all the rice grown in Ireland to Christianity? Under the name
of Uncle Ben! And that because of him all the Celtics lost their beliefs, and their basketballs as well. So he is one of them
“seminary” historical figures my history teacher, Mrs. Erin Go Blah, talks a
lot about, even if no one is listening. I think he is also the patron saint of
the Green Movement, which I always have after eating tons of spinach.
But what does this
all mean, Sister Windy will ask? Well, I think Epona
is going to ho up her wagon to Paddy in an all-out armageddon thingie with the
invaders. But it will be a bloody affair, and so triage will be very much
needed. Good thing Paddy has a Secret Weapon of Mass Destruction: an Irish hero!
And that is what the next part of “Triage” is all about.
Since this second
part involves a dog, my cat got up and left when it came on, and went to eat
some green Enyabits ™ instead. But, dear bloggy, Cu Cku-cku killed the
hound of Cullan the Smith, who always forged ahead in
life, so my cat should have stayed to enjoy that part at least. Anyway, since
he killed the dog of Cullan, he told Cullan that he himself would now guard the Smith’s bungalow
in Killiney from raging fans and cake bearers – which
I think is really way too much in compensation for a chiwawa,
but it’s not my call, eh? So, Cu Cku-Cku became a
great hero and invented a new sandwich. I think Epona,
Paddy and Cu Cku Cku put
the “trio” in “Triage,’” don’t you? And I hear their lucky mascot was an eagle
scout who once found Enya under a keyboard. And got a gold badger for it.
Now, if you think
all this is weird, wait till you hear the third part: Oy-vey-sin.
Oy-vey-sin was a guy who travelled a lot and always lost
his luggage. He went to the Land of Youth, where they sell Oil of Oldbay, and stayed there 300 years!!! And he never ever
aged – Cousin Roaring has been there, too, so no one knows she’s really 300
years old. Just don’t tell anyone, bloggy, ok? Cause they may make her graduate from preschool if they
knew. Anyway, Oy-vey-sin finally returned to Ireland,
aged well from all the Guinness he consummated, threw in his lot with Epona, and then died from eating Mommy’s fruit cake. And
that’s where this Triage thing ends.
Then comes Portrait
right out of the blue – no warning at all that a big picture is about to fall
on your head! I keep telling Mommy to use nails instead of Scottish tape to
hang them but she’s too cheap, er, thrifty. But I
don’t know whose portrait this one is, maybe one of St. Patrick on the day
after, looking even greener than usual? Maybe I should ask Uncle Frodo, but I
think he’s still very busy googling kilts.
So next comes my
very favourite song in The Kilts – I really wish
there was a Pole I could vote in, but Chopin died a while back – the song is
called Bodice Ea, and may be related to my Auntie Hiding’s Cloak of
Invisibility. See, Queen Ea of the Icemen people lived in East Angles, figuring
out that A squared plus B squared = C squared, well, that’s what Uncle Ahab
told me. She was very rebellious cause her Bodice was
always in a knot, and when the Roman Ryans came she
was revolting. She even took London, driving out Uncle Frodo who was there to
watch a bunch of Celtic Women play basketball as they sang. But Queen Ea lost
the game (and London) and, not being a good sport at all, killed herself by
tightening her bodice. This is a really really sad
song – no wonder Mommy refuses to wear a bra bra streisand.
Then we come to
the Board Dance, a kool tune about merry
executives, called CEOs, who get such humungous bonuses for ripping off the
share croppers that they dance the night away. This is one of them socially
subconscious songs that Pete Seaweed used to write before he got sued by Enron.
See, they needed his money real bad. My Uncle Skipper is a board too, and he
goes to all kinds of meetings to see people who are as thick as planks.
Well, by now, the Aldebarian Immortals were well aware that they really didn’t
want anything to do with Earth/Tomorrow and its motley crew of denizens. I
think the dancing CEOs were the last nail in their coffers. But the tail does
not stop wagging quite yet, as they still have to meet the very famous hero, Danny
Boy.
The next song is
very very deep cause it’s about a town in Whales that
was sunk when an evil prince pranced by with his harry
horse. The song is called Danny’s Dour cause
the people there weren’t very happy about this, especially Danny Boy, who vainly
put his finger in the dike to try to stop the water. You probably heard the
song they wrote about him: “Oh Danny Boy, the pipes, the pipes are coming, from
glen to glen, right into your town square.” But The Kilts tries to put a
positive spinning electron on all of this by ending with To Go Beyond (II), in which the salvation of our planet is celibated. See, the message here is that we must move, or
swim as the case may be, forward in life, no matter how wet we are. Like those
salmonellas always trying to go upstream to visit my cousin, even if she’s not
home. Of course, if they went downstream they’d end up at my house and would
have to eat tons of spinach, so I can’t blame them for going the other way at
all. Maybe I should learn to swim too?
And so, dear bloggy, that’s all there is to say about
The Kilts. Now I gotta run and hand this assignation
in to Sister Windy, and I bet it blows her away! So TTYL, bloggy!