Jill Grove mezzo
In SFO 2005-2006 Season
La Forza del Destino
2003 ARIA Winner
Biography
CD/ R. Strauss: Die �gyptische Helena
Composer: Richard Strauss
Conductor: Leon Botstein
Performer: Deborah Voigt,
Jill Grove, et al.
The beauty and power of her voice and the range of her repertoire have not escaped notice by today's great conductors and the world's major houses.
Mezzo-soprano Jill Grove sounded strong and articulate. (Review-SFS Janacek's "Glagolitic Mass")
The part of Gioconda�s blind mother La Cieca emerges as a star role in the sumptuous tones of American Jill Grove. (Review La Gioconda)
Debutante, Shirley Close, was a charming Gutrune and she, along with Bishop joined their voices with that of the strikingly powerful mezzo, Jill Grove, as a harmonically appealing set of Norns.-Review-Dallas Opera- G�tterd�mmerung
Mezzo-soprano Jill Grove is impressive, especially in her primary role as Anne Kronenberg, who became Milk's campaign manager. Grove has a strong voice and an authoritative stage presence. (Review-Harvey Milk)
Jill Grove, as the schoolteacher Mary, was sweet and ingratiating -
SFS Dutchman
Member of the Merola Program
SFO History
The Mother of Us All - 2003-04
Harvey Milk* � 1996
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OPERA DATABASE
As Enzo, Marcello Giordani nearly brought the house down at the end of �Cielo e mar�, having sung with an open-throated, even, ringing tenor. As Laura, the Bulgarian mezzo Mariana Pentcheva had too much vibrato for my liking but the Act II duet with Gioconda was riveting. Jill Grove sang beautifully as La Cieca, and the big voices of Eric Halfvarson as Alvise and Alexandru Agache as Barnaba lent a growling sense of menace to the entire performance./ La Gioconda-Review
Another singer who wooed us was Jill Grove, as Preziosilla. A Gypsie fortune-teller-slash-prostitute, Preziosilla came on stage in a full Matrix garb, outfitted like Carrie-Anne Moss's Trinity. She sang her part gamely, confidently and without the affectation of a prima donna./ Review-Forza

Of the supporting roles, Jill Grove was an outstanding Preziosilla, enlivening scenes which frequently seem too long in the opera house. Vocally varied, she phrased naturally without distorting the rhythm, which is so necessary in that part./ Review
Jill Grove (Preziosilla) and friends -- San Francisco Opera Supernumeraries
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