HI BUDDY,, THIS IS A SIMPLE BIOGRAPHY
DJOKO PEKIK
PEKIK was born in Grobogan
Purwadadi,center of java on january 2nd 1937.his father name is
Kartodikromo Gariman.his mother
name is Sinem.Pekik
yell painter earned the nickname of one billion. That's because his pa
intings, Indonesia
1998 Hunting Boar, sold for $ 1 billion in a single exhibition in Yogyakarta,
1999. The boar hunting with two other paintings, Dairy King Boar (1996) and No
Interest and Condolence Telegram of 2000, is a trilogy. Among the 300 paintings
by artists emaciated, the trilogy is most memorable for him.
Then makmurkah homage to the realist-expressionist painter? Before the trilogy
boar, Djoko was fairly wealthy, rather than in previous years - which is full of
suffering, both in the post-prison inmates and the New Order. Now he occupies a
house that "integrates" with nature, with a large three-story building, complete
with private and public gamelan room, family room, galleries, and studios.
Thus, his aspirations as a kid - want to be rich and have a gamelan headman -
already half-answered. Although not so headman, he was able to buy two sets of
gamelan. But his appearance itself is simple, like using a white shirt and pants
komprang, and tail hair neatly braided.
Djoko yell-meaning, handsome young man is actually no blood inherited the art
from his parents. Happy painting since childhood, he calls himself a talented
stray. Father and mother of farmers, who are illiterate and live in the middle
of teak forests in the area Purwodadi, Central Java.
Djoko also loved to play little skits. When playing the character in the Yellow
Kelenting Ande-Ande Lumut, he drew his own clothes he played characters. Not
graduated elementary and secondary education, the youngest of 12 siblings,
nine-illiterate brother go to school in Indonesia Academy of Fine Arts (ASRI),
Yogyakarta, 1957-1962. "Maturity me in painting rather than on the ASRI but
Tarung Earth Studio. Because of the ASRI I consider only learn painting
techniques, "he said.
Sanggar Earth Tarung (tampered workers and peasants of the word) is a studio
artist whose members are affiliated with the Institute of People's Culture
(Lekra), organizations that shelter under Indonsia Communist Party (PKI). "I do
a lot of community activities while in the studio Tarung Earth," said Djoko who
now lives only of painting it.
"In 1964, I was already a famous painter," said Djoko. G30S events of 1965,
which makes PKI tertuding as the culprit, resulting in many PKI cadres and mass
organizations, including Lekra, was arrested and imprisoned. Djoko himself held
from 8 November 1965 until 1972 in Prison Wirogunan, Yogyakarta. "While in
prison, I vacuum painting," he said. He was still lucky not to die of starvation
and torture, until the ears are somewhat budek because often beaten with rifle
butts. Post-prison, even until 1990, he was ostracized by relatives, neighbors,
fellow artists and the other wing.
Married to C.H. Tini Purwaningsih in 1970, while still a prisoner of the city,
now Djoko father of eight children. With his wife, he closed to within 14 years
of age. They met in the Campus ASRI, because Tini campus neighbors who often
come to the ASRI. After marriage, 1970-1987, for a living, Djoko become a
tailor, making shirts, jackets, trousers. But the profession does not make
economic life of the family firm. "It's not every day I got orders, just
sometimes," he said.
Good fortune finally arrived. The works at one time used as research material
for a dissertation painter Astari Rashid, who then read by acquaintances from
abroad. In 1989, Djoko included exhibition in America, many artists who
protested Indonesia - because the status of political prisoners. News in the
newspapers and magazines, it just made him even more famous. "People realized
there was a painter whose name Djoko yell," he said.
Since then the collectors hunt for his paintings. Until one day he would not
sell it anymore, because the guests can see and admire it every time. "If
there's baseball, I mean poor. That's why this works I hold, not sold, "he said.
Paintings by many observers judged differently from each other. In fact, he
himself admitted that the painting technique from the beginning until now, yes,
so-so only. "I miss these people, stupid people, people who can not have a
remarkable painting techniques," he said modestly. "So, I'm not proud of the
others."
Because of the bitterness that had experienced as a painter, Djoko is not
directing his sons became painters. In addition, he felt that a painter's
father, when his sons also became painters, they would not be able to exceed his
father.
The example of his picture
Petruk nagih janji.420 x 300, Solo, in August-October 2009.