Handfasting

    A marriage ceremony between Witches or Pagans is popularly known as handfasting, from an old custom of formally betrothing couples by binding their hands together-usually the left hands-with a garland or silken rope. This is where our current term "giving one's hand in marriage" is derived from. Handfasting among modern Witches usually marks the beginning of a formal commitment rather than a betrothal, and may be legally binding if performed by a licensed member of the clergy.

    Today's Witches and other Pagans still adhere to many of the ancient handfasting customs. Partners are asked to view their chosen mates as embodiments of the God or Goddess, and often ritual purification takes place ahead of time so that the couple may align themselves fully with their patron deities. Brides often carry bouquets of flowers or herbs that contain magical or symbolic energies. These might include myrtle or rue for love, wheat for abundance and fertility, ivy for fidelity, primrose for good luck and to garner the blessings of the fairy folk, and rosemary for health and sexual stamina. Both men and women might war circlets of flowers on their heads the way a king or queen en would wear a crown to show their connection. to a higher power and make clear that-at least for now-they are the representatives of the deities on earth.

    Extant legal codes from the late Pagan period in Ireland tell us that a couple came into a marriage as equals, each with their own property, which was returned to its original owner if the couple later separated. Token items of value were exchanged as a pledge of faith in a way similar to today's wedding ring. The origins of the simple, round wedding ring are sketchy, but is believed by many to represent the eternity of the union, similar to the Pagan view of the ring as a circle symbolising, the never-ending cycle of birth, death, and rebirth for the human couple and for the deities in whose image they were wed.

    Handfastings were once community events in which the entire clan or village participated. Tokens from the bride were given to unmarried girls as talismans of love in the same way portions of the,, wedding cake are taken home today and placed under the pillow to induce prophetic dreams of one's future mate. The earliest wedding cakes were made of grains, symbolic of fertility and abundance. Bread was used in some cultures to bless the couple's home by breaking the loaf. against the threshold or by burying it near or burning it in the hearth.

    A wedding drink popular among the Britons and Celts was mead. Mead is a rich honey-ale combining masculine and feminine elements, and it further underscored the handfasting as a symbolic union of the deities. Our modern term "honeymoon" is believed to derive from a combination of these concepts. The "honey" refers to the principal ingredient of the mead and the "moon" to the approximate period of time that would elapse between Beltane and the time a handfasting could take place.

    The Feast of St.John the Baptist

    Although the name Litha is not well attested, it may come from Saxon tradition -- the opposite of Yule. On this longest day of the year, light and life are abundant. At mid-summer, the SunGod has reached the moment of his greatest strength. Seated on his greenwood throne, he is also lord of the forests, and his face is seen in church architecture peering from countless foliatemasks.

    The Christian religion converted this day of Jack-in-the-Green to the Feast of St. John the Baptist, often portraying him in rustic attire, sometimes with horns and cloven feet (like the GreekDemi-God Pan).

    Midsummer Night's Eve is also special for adherents of the Faerie faith. The alternative fixed calendar date of June 25 (OldLitha) is sometimes employed by Covens.

    The name Beltane is sometimes incorrectly assigned to this holiday by some modern traditions of Wicca, even though Beltane is the Gaelic word for May.

    Midsummer

    Source: Cymry Witchcraft

    Litha: (also known as Midsummer, Summer Solstice etc.), June 21-23.
    The sun is at it's strongest, the longest day of the year. The first day of summer according to the Farmers Almanac, this is a time to get out and enjoy yourself with others. The seeds have been planted, and you are tending your garden, but also there is a break in the gardening as things have taken root, the harvest has not yet begun. Colours for this sabbat: Yellow and green.

    Technically, a solstice is an astronomical point and, due to the procession to the equinox, the date may vary by a few days depending on the year. The summer solstice occurs when the sun reaches the Tropic of Cancer, and we experience the longest day and the shortest night of the year. Astrologers know this as the date on which the sun enters the sign of Cancer.

    However, since most European peasants were not accomplished at reading an ephemeris or did not live close enough to Salisbury Plain to trot over to Stonehenge and sight down its main avenue, they celebrated the event on a fixed calendar date, June 24th. The slight forward displacement of the traditional date is the result of multitudinous calendrical changes down through the ages. It is analogous to the winter solstice celebration, which is astronomically on or about December 21st, but is celebrated on the traditional date of December 25th, Yule, later adopted by the Christians.

    Again, it must be remembered that the Celts reckoned their days from sundown to sundown, so the June 24th festivities actually begin on the previous sundown (our June 23rd). This was Shakespeare's Midsummer Night's Eve. Which brings up another point: our modern calendars are quite misguided in suggesting that 'summer begins' on the solstice. According to the old folk calendar, summer BEGINS on May Day and ends on Lammas (August 1st), with the summer solstice, midway between the two, marking MID-summer. This makes more logical sense than suggesting that summer begins on the day when the sun's power begins to wane and the days grow shorter.

    Although our Pagan ancestors probably preferred June 24th (and indeed most European folk festivals today use this date), the sensibility of modern Witches seems to prefer the actual solstice point, beginning the celebration on its eve, or the sunset immediately preceding the solstice point. Again, it gives modern Pagans a range of dates to choose from with, hopefully, a weekend embedded in it.

    Just as the Pagan mid-winter celebration of Yule was adopted by Christians as Christmas (December 25th), so too the Pagan mid-summer celebration was adopted by them as the feast of John the Baptist (June 24th). Occurring 180 degrees apart on the wheel of the year, the mid-winter celebration commemorates the birth of Jesus, while the mid-summer celebration commemorates the birth of John, the prophet who was born six months before Jesus in order to announce his arrival.

    Although modern Witches often refer to the holiday by the rather generic name of Midsummer's Eve, it is more probable that our Pagan ancestors of a few hundred years ago actually used the Christian name for the holiday, St. John's Eve. This is evident from the wealth of folklore that surrounds the summer solstice (i.e. that it is a night especially sacred to the faerie folk) but which is inevitably ascribed to 'St. John's Eve', with no mention of the sun's position. It could also be argued that a Coven's claim to antiquity might be judged by what name it gives the holidays. (Incidentally, the name 'Litha' for the holiday is a modern usage, possibly based on a Saxon word that means the opposite of Yule. Still, there is little historical justification for its use in this context.) But weren't our Pagan ancestors offended by the use of the name of a Christian saint for a pre-Christian holiday?

    Well, to begin with, their theological sensibilities may not have been as finely honed as our own. But secondly and more importantly, St. John himself was often seen as a rather Pagan figure. He was, after all, called 'the Oak King'. His connection to the wilderness (from whence 'the voice cried out') was often emphasized by the rustic nature of his shrines. Many statues show him as a horned figure (as is also the case with Moses). Christian iconographers mumble embarrassed explanations about 'horns of light', while modern Pagans giggle and happily refer to such statues as 'Pan the Baptist'. And to clench matters, many depictions of John actually show him with the lower torso of a satyr, cloven hooves and all! Obviously, this kind of John the Baptist is more properly a Jack in the Green! Also obvious is that behind the medieval conception of St. John lies a distant, shadowy Pagan deity, perhaps the archetypal Wild Man of the Wood, whose face stares down at us through the foliate masks that adorn so much church architecture. Thus medieval Pagans may have had fewer problems adapting than we might suppose.

    In England, it was the ancient custom on St. John's Eve to light large bonfires after sundown, which served the double purpose of providing light to the revelers and warding off evil spirits. This was known as 'setting the watch'. People often jumped through the fires for good luck. In addition to these fires, the streets were lined with lanterns, and people carried cressets (pivoted lanterns atop poles) as they wandered from one bonfire to another. These wandering, garland-bedecked bands were called a 'marching watch'. Often they were attended by morris dancers, and traditional players dressed as a unicorn, a dragon, and six hobby-horse riders. Just as May Day was a time to renew the boundary on one's own property, so Midsummer's Eve was a time to ward the boundary of the city.

    Customs surrounding St. John's Eve are many and varied. At the very least, most young folk plan to stay up throughout the whole of this shortest night. Certain courageous souls might spend the night keeping watch in the center of a circle of standing stones. To do so would certainly result in either death, madness, or (hopefully) the power of inspiration to become a great poet or bard. (This is, by the way, identical to certain incidents in the first branch of the 'Mabinogion'.) This was also the night when the serpents of the island would roll themselves into a hissing, writhing ball in order to engender the 'glain', also called the 'serpent's egg', 'snake stone', or 'Druid's egg'. Anyone in possession of this hard glass bubble would wield incredible magical powers. Even Merlyn himself (accompanied by his black dog) went in search of it, according to one ancient Welsh story.

    Snakes were not the only creatures active on Midsummer's Eve. According to British faery lore, this night was second only to Halloween for its importance to the wee folk, who especially enjoyed a ridling on such a fine summer's night. In order to see them, you had only to gather fern seed at the stroke of midnight and rub it onto your eyelids. But be sure to carry a little bit of rue in your pocket, or you might well be 'pixie-led'. Or, failing the rue, you might simply turn your jacket inside-out, which should keep you from harm's way. But if even this fails, you must seek out one of the 'ley lines', the old straight tracks, and stay upon it to your destination. This will keep you safe from any malevolent power, as will crossing a stream of 'living' (running) water.

    Other customs included decking the house (especially over the front door) with birch, fennel, St. John's wort, orpin, and white lilies. Five plants were thought to have special magical properties on this night: rue, roses, St. John's wort, vervain and trefoil. Indeed, Midsummer's Eve in Spain is called the 'Night of the Verbena (Vervain)'. St. John's wort was especially honored by young maidens who picked it in the hopes of divining a future lover.

    And the glow-worm came
    With its silvery flame,
    And sparkled and shone
    Through the night of St. John,
    And soon has the young maid her love-knot tied.

    There are also many mythical associations with the summer solstice, not the leaences not hitherto realized. Suffice it to say here, that I disagree with the generally accepted idea that the Sun-God meets his death at the summer solstice. I believe there is good reason to see the Sun-God at his zenith -- his peak of power -- on this day, and that his death at the hands of his rival would not occur for another quarter of a year. Material drawn from the Welsh mythos seems to support this thesis. In Irish mythology, Midsummer is the occasion of the first battle between the Fir Bolgs and the Tuatha De Danaan.

    Midsummer is a favorite holiday for many Witches in that it is so hospitable to outdoor celebrations. The warm summer night seems to invite it. And if the celebrants are not in fact skyclad, then you may be fairly certain that the long ritual robes of winter have yielded place to short, tunic-style apparel. As with the longer gowns, tradition dictates that one should wear nothing underneath.

    submitted by Sue aka Red





updated May 13, 2000


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