And now even if this is something which cannot be represented in art, let it be your comfort as it is mine that the highest and most beautiful things in life are not to be heard about, nor read about, nor seen but, if one will, may be lived.

I have nothing to reproach her for, it is I who have changed, I forgive her everything if only she can forgive me for being so imprudent as to let her take a step so decisive. I know indeed in my heart that so far from talking her into it I rather warned her against me.

I really have concerved a certain faith in the reality of romantic love, a sort of reverence for it, accompanied by some feeling of sadness....After all, is it not beautiful to imagine that two beings are meant for one another? How often one has felt the need of reaching out beyond the historical consciousness, a longing, a nostalgia for the primeval forest which lies behind us. And does not this longing acquire a double significance when with it there is associated the conception of another being which also has its home in these regions.

The lovers are sincerely convinced that their relationship is in itself a complete whole which never can be altered. But since this assurance is founded only upon a natural determinant, the eternal is thus based upon the temporal and thereby cancels itself.

The married man, being a true conquerer, has not killed time but has saved it and preserved it in eternity. The maried man who does this truly lives poetically. He solves the great riddle of living in eternity and yet hearing the hall clock strike, and hearing it in such a way that the stroke of the hour does not shorten but prolong his eternity.

Your misfortune is that you recognize love simply and solely by these visible signs.
SOREN KIERKEGAARD
    
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Vol. II:  THE AESTHETIC VALIDITY OF MARRIAGE

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