1 NA 1
Director: Mladen Maticevic
Cast: Zoran Cica, Branislav Jerinic, Zoran Cvijanovic, Sonja Kolacaric, Ivan Jovic, Relja Milankovic, Branko Bojovic.
1 NA 1 is a gritty, urban basketball western. It is the story
of the young hardboiled streetballer Macak (The Cat in English) whose talents
are being picked and exploited by the local criminals. He tries to get away but
they go brutal on him which causes his flamboyant vengeance. His wrath upon them
is pure spaghetti western, something we rarely see in contemporary cinema. The
spine of the film is Macak, played by Zoran Cica, young Yugoslav basketball
player. He plays streetball and Second Division basketball in Yugoslavia but
he`s a first-rate actor. Too bad he appears to stick to balling. His character
and acting and how his character is designed and visualized are the strongholds
of this film. All around him can be subjected to criticism. There is too much
dialogue, a bit too much street-lingo, but these are all typical shortcomings of
Yugoslav cinema and the requirements of Yugoslav audience. Director apparently
decided to contaminate the film with such compromises but he kept the Macak
character clean, and strong. Mladen Maticevic, the director of 1 NA 1, is famous
for his orthodox taste. Such people are usually destined to be losers in times
when directors do POVs of birds. His approach of wide shots and rarely used
close-ups is the concept that is hard to find in today`s cinematic climate. But
in this movie, the concept works and doesn`t feel anachronistic at all.
Basketball duels are done with some quick-cutting, and energetic effects. They
feel more powerful than HE GOT GAME but still not as stylish like AMERICAN
HISTORY X. Of course, Yugoslav film NEBESKA UDICA can`t even be mentioned since
it was written by sports illiterates and directed by pedestrians. Other actors
are fine. Young rappers play Macak`s sidekicks and they are regarded as
weaknesses of 1 NA 1. Yugoslav superstar rappers Sunshine do a great job as
composers and actors, while Sonja Kolacaric delivers fine support as Macak`s
romantic interest. Battle-scarred veteran Branislav Ciga Jerinic and charming
Zoran Cvijanovic are 1 NA 1`s counterattacks delivered with a dunk. Some may
regard 1 NA 1 as a masterfully directed hommage to the African-American ghetto
cinema of the early nineties. But John Singleton and The Hughes Brothers are
influences only when it comes to writing of Srdja Andjelic of DO KOSKE and MUNJE
fame. Mladen Maticevic`s direction (while some parts were shot by Radivoje
Andric) is in the Budd Boetticher-Raoul Walsh vein. He captures the cleanliness
and machoism of their westerns and especially Boetticher`s star Randolph Scott.
Zoran Cica is his own Randolph Scott, his own icon to be shot with monumental
framing. His club scenes can be compared to club sets in Don Siegel`s COOGAN`s
BLUFF. Yet 1 NA 1 must be compared with APSOLUTNIH STO. It`s basically the same
film. These films are twins in a way. 1 NA 1 is the smarter twin, the
better-directed one, the low-budget one, the one that has ethical superiority.
The good twin. APSOLUTNIH STO is a fancy twin, the one liked by girls and
mainstream audience who use DIE HARD one-sheets instead of toilet paper. The
evil twin. Sadly, 1 NA 1 was made on digital tape and it had poor transfer so it
looks shabbier than his evil twin. I hope enough people will see this one. A
definite pick.