Title - Saying The Words (2/?) Author - Nicky Rating - PG Category - JMPR Summary - Jarod tries to say good bye, but ends up coming back to rescue Miss Parker and finds her in a surprising predicament. Disclaimer - The characters aren't mine. I'm just using them for my own entertainment purposes. * * * * * * * * * * The Centre Wednesday Morning Broots knocks nervously on Miss Parker's office door. He found something incredibly unbelievable in the Centre archives. Something she had to see right away. "Miss Parker?" he calls out, peeking his head inside the door. He looks around and sees that the office is empty. Which is strange considering how it's almost noon. Miss Parker should have been in by now. But it doesn't even look like she's been there yet. He turns around and closes the door behind him, heading towards Sydney's office. Maybe he would know where she was. "Broots," Sydney calls from down the hall. "I was just coming to see Miss Parker. Is she busy?" "I was just coming to see you, actually," Broots tells the man. "You won't have much luck talking to Miss Parker because she's not even in there." "Is she in a meeting with her father or something?" "I don't think so. It doesn't look like she's been in yet today. You don't think anything's wrong, do you?" Broots' voice takes on a concerned edge. He considered Miss Parker a friend, no matter how she treated him. He knew that deep down she cared. She just had a funny way of showing it. "Let's not jump to any conclusions. Call her cell phone and I'll call her home. If we don't get an answer, we'll go by and check on her," Sydney suggests. "She's got to be some where. I doubt she's disappeared." "I hope not. Although, anything can happen here at the Centre. I never underestimate them." Broots looks down at the folder of information he has for Miss Parker. It held the perfect example of what happened when the Centre was underestimated. It was a mistake he didn't intend on making as well. * * * * * * * * * * Sydney knocks on the door to Miss Parker's house one more time. He listens for signs of life inside, but doesn't hear anything. "Her car's still in the garage," Broots informs him. "I think she's in there." "Maybe we should go in," Sydney suggests, his worry now becoming evident. "Do you have a key?" Broots asks as he jiggles the knob. Surprisingly, the door opens. The men look at each other, not even trying to hide their fear. "The door's unlocked. Now I know something's wrong." "Miss Parker!" Sydney yells as they charge into the house. "Are you in here?" "Over here, Syd," Broots alerts him. He was standing by the fireplace next to an unresponsive Miss Parker. She was sitting on the floor, staring vacantly at a fire that had long ago been extinguished. "Miss Parker?" Broots gently taps her on the shoulder, but gets no response. "What's wrong with her, Sydney? Why won't she answer me?" "I don't know," the older man sighs. "Help me get her on the couch." The two men gently carry her to the sofa and lay her down. Sydney pulls the chair next to her and starts murmuring soft assurances to the young woman he's grown to love like a daughter. Soon, she squeezes his hand and a sob escapes her lips. But her eyes are still closed. It was almost as if she were trapped in a bad dream. "Miss Parker?" Sydney whispers. "Don't go, Jarod," she cries in her sleep. "Don't leave me. Not like this. I don't want to be alone." "Shh. It's okay," Sydney reassures her. "You're not alone." He tucks a few errant locks of hair behind her ear and her eyes pop open in surprise, unaware of her previous distress. "Sydney?" She stares at him with some confusion. "What are you doing here?" "You were late for work. Broots and I came to check on you." "Late? What time is it?" She sits up quickly and checks her watch. "12:45? It's already past noon? How did I sleep this late?" She gets up and makes a move to go upstairs when she notices the strange looks that pass between Sydney and Broots. "What is it? You two are looking at me like I grew a third eye or something." "Miss Parker, you weren't exactly asleep when we came in," Broots nervously stutters. "You were in some kind of . . . trance . . . or something." "We got you to the couch and you eventually appeared to go to sleep. But that lasted for only a few minutes. You started to cry out in your sleep. Something about Jarod leaving," Sydney gently explains. It all suddenly rushes back to her. The strange phone call and Jarod's subsequent visit. He came to say good-bye. He told her he was leaving - for good. She starts to go numb again, like she was before. "He's gone," she tells them. "Jarod's gone and he's not coming back. He said good-bye. He's never said that to me before." She looks down and starts messing with the tie on her robe. Out of all the late night phone calls, he was always the one to hang up first, but never once did he say good-bye. All those years ago when she was sent off to boarding school, they never said good-bye. But last night, he finally said it. And she believed he meant it. "Then I guess what I found really won't matter," Broots says. He hands her the file he's been trying to share with her since early that morning. "I came across this information earlier. I thought you might want to see it." "What is it?" Sydney asks curiously when her eyes skimming the file suddenly start to tear up. "A back up plan," Miss Parker explains to him, her hands starting to shake at what she's reading. "They have various genetic samples from Jarod on file. And they're ready to use them. This is an outline of the different phases they plan on going through, ranging from basic insemination to advanced cloning." "They want to make their own pretender," Sydney realizes. "We can't let that happen." "I won't let that happen," she says resolutely. "The Centre has played God for too long. This is going way too far." She closes the file and tosses it on the couch. Instantly Broots and Sydney notice the change in her. No longer is she numb from the shock of Jarod leaving. She's back to her old self. She didn't have time to grieve. With the icy gleam back in her eyes, she turns to go upstairs and dress herself in her war clothes. There was work to be done. * * * * * * * * * * Broots, Sydney, and Miss Parker peek around the corner leading to the vault. Jarod's genetic material wasn't stored with all the other medical records. It was in a separate storage space with a special freezer vault. Getting into the vault wasn't Miss Parker's goal. She just needed to shut off the freezer to ruin any samples they were storing. "All right. This guard is just about done with his rounds. After he leaves, we'll have about a 20 minute window to safely get in and get out. The video is looped, so anyone monitoring the room won't get suspicious." Broots says as he furiously types commands into the laptop he's carrying. "You two wait here just in case. I'm going in alone," Miss Parker tells them. The men gratefully agree with her plan. They didn't like the idea of her going on alone, but somehow it seemed safter for them all that way. "Okay. You should go now," Broots says after taking one last peek down the now empty hall. The guard was gone and the security cameras have been successfully taken care of. "Remember. 20 minutes," he whispers after her. She waves her hand to let him know she understands and keeps on down the hallway. Turning the knob, she's almost surprised when the door opens easily. But it makes sense once she thinks about it. Not many people were aware of what was stored in this room. So there wasn't much reason for the door to be locked. She walks around the room and finds the first vault. On the outside was a detailed description of the materials inside. This one held the basic DNA material probably used for cloning, she guesses. The second vault held sperm samples for reproductive purposes. She finds the plug for both the refrigeration units and cuts them. With a sigh of relief, she turns to leave the room, surprised at how easy the task was. She didn't notice a third doorway leading to a lab. And she didn't notice the independent security system and camera catching her every move. To be continued . . .