..
They
say the
music
of our youth
becomes
the sound
track
of our lives.
|
.
|
.
But
who really
keeps
the score?.
.
.
.
. .. |
.
This
question came up after my daughter and her teenage friends watched the
video of George Lucas's 1973 hit movie, "American Graffiti," with its sound
track evoking the world of pre-Beatles pop music. There are about 40 songs
on the soundtrack, with the Doo-wop groups of the late 50s dominating.
--DP
. "How'd you like the
music?" I asked. "Cool. But why aren't your old records
more like that?" my daughter wanted to know. We'd rescued some of my old
LP's and 45's from my parents' basement years ago, but in the present context
they seemed such a miscellaneous hodge-podge. Only Buddy Holly passed muster
as 'real 60s,' his death in 1959 notwithstanding. Johnny Cash? The Kingston
Trio? Bo Diddley? Peggy Lee? Nat 'King' Cole? Dave Brubeck? They were all
ruled out as either 'not Rock' or stuff 'nobody ever heard of.'
.
. As with other things
about the 1950s and 60s, the musical image that dominates in public is
often the one shaped by the media, deliberately or otherwise. So of course
I tried to explain that music of all kinds really was popular
when we were their age, and it did make the top of the charts
at the time. George Lucas just picked what fit his recollection of the
period (1955-62, apparently) and the mood of the film he was making.
.
What got left out? Well, there's nothing with a Latin beat (no Perez Prado
or Ritchie Valens), no folk-revival (Kingston Trio, etc.), no wacky novelty
songs (no 'Flying Purple People Eaters'), and no romantic ballads, show
tunes, or jazz / pop instrumentals (no Johnny Mathis, 'Petite Fleur' or
'Autumn Leaves'). And no tracks by superstars, like Elvis --too pricey
for a low-budget film with (then) unknown young actors?
..
An interesting discussion followed, about popular music then and now, with
the kids concluding that if I was right, 'almost anything
could make the charts in those days--even TV theme songs? (Yep, 'Bonanza'
and 'Davy Crockett' f'r instance.) --or Doris Day, for God's
sake!?' (For sure.) "I guess people buying records then must have been
much older," someone teased. "Well, they are now if they
weren't before," I assured them. But would they still remember or care
about that music?
.So
I said I'd ask my 'old' friends and classmates:
Did I have it right? Was the music we listened
to at the time as eclectic as I remember it now?
.
What kind of music do you hear in your own mental
soundtrack evoking that time in our lives?
.
And the 'American Graffiti' soundtrack? Do we
still remember and identify with that music, those songs and the groups
who recorded them? . . .
* * *
If
so, here's a chance to test your memory of some of those. How many of the
following songsters can you match with the hits they performed on the 'American
Graffiti' soundtrack?
| 1. |
"Rock
Around the Clock" |
a.
The Platters |
| 2. |
"Love
Potion # 9" |
b.
The Silhouettes |
| 3. |
"Only
You" |
c.
Bill Haley & His Comets |
| 4. |
"I
Only Have Eyes for You" |
d.
The Crests |
| 5. |
"Who
Wrote the Book of Love?" |
e.
The Cleftones |
| 6. |
"Maybe
Baby" |
f.
The Monotones |
| 7. |
"Since
I Don't Have You" |
g.
The Clovers |
| 8. |
"Little
Darlin' " |
h.
The Skyliners |
| 9. |
"Heart
and Soul" |
i.
The Flamingos |
| 10. |
"Ain't
That a Shame" |
j.
The Del Vikings |
| 11. |
"Sixteen
Candles" |
k.
Buddy Holly |
| 12. |
"Get
a Job" |
l.
The Beach Boys |
| 13. |
"Runaway" |
m.
The Diamonds |
| 14. |
"Come
Go With Me" |
n.
Fats Domino |
| 15. |
"All
Summer Long |
o.
Del Shannon |
(Correct match-ups
at the bottom of the page. And you can check out the playlist of all 40
songs in the original sound track at:
The
Unofficial American Graffiti Home Page: Discography. [linkupdated
7/23/0]
.
Your
thoughts? Tell us what you remember, using e-mail or the "Comments" form
above. Or propose a different topic to test our long-term memories.
|
| . |
-
RESPONSES TO DATE -
Stopped to read the music section for the first time. One of my great
frustrations in life (well, perhaps it's minor) is that I purchased a "Best
of the Del Vikings" CD, expecting to be able to once again listen to "Come
Go With Me". No such luck! There are twenty-two other songs, but
not that one.
Another of my favorites was "You" by the Acquatones. They had a female
lead singer, but the others were men. Turns out one of them was a guy named
Dave Goddard, who was a member of the fraternity I joined at Rensselaer.
They were a high school group on Long Island who made a few records, had
a few local hits, and then went on with the rest of their lives.
You failed to discuss the teenage "death" songs that were popular back
then. "Endless Sleep" is a title I remember (about someone drowning). There
was also one about a car/train wreck where the girl friend ran back to
a stalled car to retrieve a high school ring. --Paul
Cherecwich
.
My first impression on reading the piece was that, yes, our music was
diverse. But you have to consider that we lived through a great transition;
the birth of Rock & Roll. Now it happens that I still have a box of
45's that I somehow managed to hold on to since I bought my first one,
"Shake, Rattle and Roll" by Bill Haley and the Comets, in 1953. So I took
a look and Dennis is correct.
Many of the AG tracks are present; "Rock Around the Clock", "Love Potion
# 9", "Little Darlin' ", and "Come Go With Me" to name a few. But to support
Dennis' observation, there were also a number of the Pop tunes from 'crooners'
that were the remnants of the prior generation. In fact, I don't even remember
buying many of them, but they include; "Mambo Italiano", Rosemary Clooney
(do the kids even remember that George had a singing aunt?); "Ko Ko Mo",
Perry Como; "Black Denim Trousers and Motorcycle Boots", Vaughn Monroe;
"Memories are Made of This", Dean Martin; and "Ain't That a Shame" by Pat
Boone. Then there were Country singers that made some pop songs. I found
"Sixteen Tons" by Ernie
Ford and "Just One More Chance" by Les Paul & Mary Ford in the
box. How about the left over Big Band hits of the 50's? I have "Unchained
Melody" by Les Baxter. You didn't mention the Caribbean influence. There
are a number of these; "Day-O" and "Waterboy" by Harry Belefonte for example.
To the best of my memory, most of these songs made it to the top of
the charts during the 50's. But we tend to remember the 'revolutionary'
component of that time which was certainly the R&R that American Graffiti
memorialized.
--Herb
Swain
Answers:
1.-
c., 2.- g., 3.- a., 4.- i., 5.- f.,
6.-
k., 7.- h., 8.- m., 9.- e.,10.- n.,
11.-
d., 12.- b., 13.- o., 14.- j., 15.- l.
.
.
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last updated July 23, 2002
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