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| A hot new comedy by David Zellnik Directed by Dave Mowers Scenic Design by Murker54 Lighting Design by John Finen and Guy Smith Costume Design by Charles Schoonmaker Sound Design by Ian Murphy Production Stage Manager: Amy Podgurski Assistant Stage Manager/Technical Director: Robert Prentice With: Michael Irby, Steven McElroy, Andy Paris and Grant James Varjas |
| MICHAEL IRBY (ADDISON/ROD/CARMINE) most recently appeared in STUCK, a new play by Jessica Goldberg, and in Terrence McNally's CORPUS CHRISTI at MTC. He can be seen in the upcoming independent feature film Pinero. Sem, thanks. Peace + Love. |
| STEVEN MCELROY (PUPPY) New York Theatre: CAMP HOLOCAUST (Present Co.), LET A HUNDRED FLOWERS BLOOM (All Out Arts), HAMLET (TNE), THE CHERRY ORCHARD and THE JUBILEE (LITE/Chekhov Now!), HOTBED (Miranda), SUITS (Twilight), and others. Also a director, he has directed several TNE productions including PIG, HOSTAGE, AND THE SKIES WERE OPENED and ROMEO + JULIET. Film: Bamboozled. |
| ANDY PARIS (SAMPSON/AL) has performed in Europe, New York and on tour in the US. Most recently, THE LARAMIE PROJECT. Andy worked with Moises Kaufman on the development of GROSS INDECENCY: THE THREE TRIALS OF OSCAR WILDE and performed in the original production. Other credits include THE QUIET ROOM (Dir: Lucie Tiberghien), TWELFTH NIGHT (Pearl Theatre/John Rando), RED NOSES (Dir. Melissa Kievman), and others. Film: A Tissue of Secrets, A Bird in the Hand. |
| GRANT JAMES VARJAS (JAKE) Theatre: TESLA'S LETTERS, SOCKDOLAGER and KILLING HAND (by David Zellnik) all at Ensemble Studio Theatre; TWELVE DREAMS (Lincoln Center Theatre); WOLF AT THE DOOR; END OF SUMMER; LET A HUNDRED FLOWERS BLOOM (original production at All Out Arts). Television: Sex and the City. Film: Parallel Lives, Paradise Framed. |
| Winner! All Out Arts Best play 2000!!! |
| Winner! OOBR Critic's Choice Award 2001 |
| February 16 - March 10, 2001 |
| The Cast: |
| For Staff Bios, click here. |
| To return home, click here. |
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| RIGHT: Steven McElroy, as Puppy, addresses the audience in the opening of Let A Hundred Flowers Bloom. |