Just before sunset on Sept. 11, Verdi's Requiem will be introduced in Liberty State Park. Against the painful backdrop of the Lower Manhattan skyline minus its majestic Twin Towers, the New Jersey Symphony Orchestra conducted by former music director Zdenek Macal, Princeton's Westminster Symphonic Choir and a superb cast of international opera stars will sing the nation to its repose.
At least that is the hoped for impact of a free outdoor concert at 7 p.m. at the Jersey City park, which will be produced by Thirteen/WNET, recorded, and broadcast over most of the country's PBS stations at 10 that evening. (Five thousand to 7,000 free tickets will be distributed for lawn seating at sites listed below; another 5,000 seats will be reserved for dignitaries, families of victims and rescue workers.) The event will be hosted by Bill Moyers.
The only other planned music for the performance is the national anthem, and judging by naturalized citizen Macal's profoundly moving version heard at the orchestra's opening performance last September, the evening will likely be poignant. The NJSO's official opening gala at the New Jersey Performing Arts Center in Newark takes place the following night, but NJSO president Lawrence Tamburri says the added rehearsal is a welcome burden.
"If we hadn't done this concert, we would have found something else to do," said Tamburri, who along with WNET producer David Horn chose the Requiem, which the orchestra hasn't performed since 1992. "Remember, our first rehearsal last year was on Sept. 11, and many of our musicians watched (the towers collapse) from the parking lot at NJPAC."
The concert is also the planned apex of a full slate of statewide commemorations of the first anniversary, co-sponsored by Gov. James E. McGreevey, who will at 5:30 p.m. narrate a special concert of patriotic music at the War Memorial in Trenton featuring the Orchestra of St. Peter-by-the-Sea conducted by the Rev. Alphonse Stephenson.
Thus, from river to shining river, New Jersey will ring -- literally, as McGreevey has asked all churches and places of worship with bells to ring out the times of impact of the four planes -- with the healing power of music.
But what can Verdi, a 19th century composer, offer a modern society struggling to make its peace with a thoroughly contemporary tragedy?
The same thing, says Horn, that Liberty State Park offers so spectacularly: perspective.
"There are several requiems we could have chosen," said Horn, who worked on the PBS series on Verdi's life that aired in the early '80s. "But many people feel that Verdi was not held back in this (choral) form, as he was in opera. Here, he searched for the drama in the (Latin) text, which he altered a bit to get to the basic depth of human feelings of sorrow and pain."
Dramatic, full of stirring choruses and beautifully articulated solo arias, the Requiem is often referred to as "Verdi's greatest opera" because of its profundity. A secularist and a nationalist, Verdi wrote the work in 1873 as a posthumous tribute to his hero, the humanist poet and novelist Alessandro Manzoni, and always intended it for the concert hall, not the church. He cribbed an earlier Mass movement he had written as tribute to another musical hero, the opera composer Gioachino Rossini, for the piece.
Fiercely patriotic and credited as a co-author of Italy's early nationalism movement, Verdi would seem eerily prescient in articulating the countrywide pain of Sept. 11. Looked at another way, one could say he offers the view that pain and suffering, war and loss, have always, sadly, been part of the human condition.
"He was an unbeliever, yet in his operas there are always references to God," Horn said. "He was a complicated man, and therefore it becomes a Requiem for everybody. It's not just a religious thing."
More practically, Verdi's Requiem, which was performed frequently in New York last fall, has become a favorite vehicle for the area's deep pool of classical talent searching for some way to help.
"We lend ourselves artistically, and hope that in some way it will give people, give myself a feeling that I'm doing something," said American bass Samuel Ramey, who will skip out of a few days of rehearsal with Chicago Lyric Opera in order to sing the Sept. 11 Requiem. Ramey will be joined by French soprano Sylvie Valayre, American mezzo-soprano Dolora Zajick, and Italian tenor Salvatore Licitra -- much touted as Pavarotti's successor -- at the concert. All of them were given only a month's notice, tremendously short time considering opera singers typically book three years in advance.
"I just feel, if I can lend my services in this way, it will mean something to somebody somewhere," says Ramey, who has sung the work with conductors Riccardo Muti, James Levine, Claudio Abbado, Colin Davis and Julius Rudel, but never with the NJSO. Performing in Paris at the time of the attacks, Ramey remembers watching the events of the day on a television in his dressing room, where singers had gathered after an opera rehearsal was canceled.
"I lived in New York a very long time," said Ramey, now living in Chicago, "and I just felt a personal need to partake in a commemorative event in some way."
Johnson & Johnson is underwriting $1 million of the $2 million cost of the performance; the Chubb Group of Insurance Companies and PBS are each kicking in $250,000. The other $500,000 hasn't been funded yet, and, as there is no admission charge, the event is a leap of faith for all involved.
"It's calculated into our regular budget," said Tamburri, but clearly the typical deficit concerns have been overridden here.
J&J, a longtime NJSO supporter, also underwrote the wildly popular Andrea Bocelli concert taped at Liberty State Park with the NJSO in 2000. That concert, which raised the ire of high-paying ticket buyers mired in traffic, was rebroadcast many times on PBS stations nationally during pledge drives, and perhaps reached an international viewership of 10 million people.
Expect no such repeats here, said Horn, who also produced the Bocelli concerts. First, WNET and the State Police have refined their crowd-moving tactics. "Come early," Horn said, as there will be more strict security screening.
Secondly, it's unlikely that this Requiem, so tied to a specific event, will be rebroadcast continuously. "It's such a moment in time," Horn said.
To protect against a rain-out, WNET will tape the dress rehearsal and has allowed three hours for weather delay on Sept. 11.
"If we have to, we can hold until we have to go live," Horn said. Conceived as a program for national audiences, Horn said Liberty State Park -- nexus of immigration for centuries but also a staging area for 9/11 rescue and salvage operations -- symbolizes what so many people feel, that it was an attack on all.
"Remember, it was a New Jersey tragedy, too," Horn said.
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