Nature ....
LINES
WRITTEN IN KENSINGTON GARDENS
Matthew
Arnold (1822-1888)
In
this lone, open glade I lie,
Screen'd
by deep boughs on either hand;
And
at its end, to stay the eye,
Those
black-crown'd, red-boled pine-trees stand!
Birds
here make song, each bird has his,
Across
the girdling city's hum.
How
green under the boughs it is!
How
thick the tremulous sheep-cries come!
Sometimes
a child will cross the glade
To
take his nurse his broken toy;
Sometimes
a thrush flit overhead
Deep
in her unknown day's employ.
Here
at my feet what wonders pass,
What
endless, active life is here!
What
blowing daisies, fragrant grass!
An
air-stirr'd forest, fresh and clear.
Scarce
fresher is the mountain-sod
Where
the tired angler lies, stretch'd out,
And,
eased of basket and of rod,
Counts
his day's spoil, the spotted trout.
In
the huge world, which roars hard by,
Be
others happy if they can!
But
in my helpless cradle I
Was
breathed on by the rural Pan.
I,
on men's impious uproar hurl'd,
Think
often, as I hear them rave,
That
peace has left the upper world
And
now keeps only in the grave.
Yet
here is peace for ever new!
When
I who watch them am away,
Still
all things in this glade go through
The
changes of their quiet day.
Then
to their happy rest they pass!
The
flowers upclose, the birds are fed,
The
night comes down upon the grass,
The
child sleeps warmly in his bed.
Calm
soul of all things! make it mine
To
feel, amid the city’s jar,
That
there abides a peace of thine,
Man
did not make, and cannot mar.
The
will to neither strive nor cry,
The
power to feel what others give!
Calm, calm me more! nor let me die
Before
I have begun to live.
LITTLE
THINGS
Orrick
Johns (1887-)
THERE'S
nothing very beautiful and nothing very gay
About
the rush of faces in the town by day;
But
a light tan cow in a pale green mead,
That
is very beautiful, beautiful indeed ...
And
the soft March wind and the low March mist
Are
better than kisses in a dark street kissed ...
The
fragrance of the forest when it wakes at dawn,
The
fragrance of a trim green village lawn,
The
hearing of the murmur of the rain at play-
These
things are beautiful, beautiful as day!
And
I shan't stand waiting for love or scorn
When
the feast is laid for a day new-born ...
Oh,
better let the little things I loved when little
Return
when the heart finds the great things brittle; A
And
better is a temple made of bark and thong
Than
a tall stone temple that may stand too long.
LONE
DOG
Irene
Rutherford McLeod
I'm
a lean dog, a keen dog, a wild dog, and lone;
I'm
a rough dog, a tough dog, hunting on my own;
I'm
a bad dog, a mad dog, teasing silly sheep;
I
love to sit and bay the moon, to keep fat souls from sleep.
I'll
never be a lap dog, licking dirty feet,
A
sleek dog, a meek dog, cringing for my meat,
Not
for me the fireside, the well-filled plate,
But
shut door, and sharp stone, and cuff and kick, and hate.
Not
for me the other dogs, running by my side,
Some
have run a short while, but none of them would bide.
O
mine is still the lone trail, the hard trail, the best,
Wide
wind, and wild stars, and hunger of the quest!
LOW-ANCHORED
CLOUD
Low-anchored
cloud,
Newfoundland
air.
Fountain-head
and source of rivers,
Dew-cloth,
dream-drapery,
And
napkin spread by fays;
Drifting
meadow of the air,
Where
bloom the daisied banks and violets,
And
in whose fenny labyrinth
The
bittern booms and heron wades;
Spirit
of lakes and seas and rivers,
Bear
only perfumes and the scent
Of healing herbs to just men’s fields.
MARCH
By
the Pacific
Ina Coolbrith
Hark,
from the budding boughs that burst of song!
And
where the leagues of emeralds stretch away,
Out
rings the meadow-lark’s ecstatic lay,
While
the green hills the liquid notes prolong,
The
slender callas shine, a saintly throng,
From
their broad leaves; and her slim stem upon,
The
royal rose unfolds her to the sun.
O
gentle March! O turbulent and strong!
The
dove, the tiger, in thy changeful mood,
For
while the larks sing, and the linnets brood,
Lo!
Sullen storm-clouds sweep the smiling dome;
And
roar of winds; and the mad tempest-wrath
Beats
on the blossomed plain, the forest path,
And
the vast ocean smites to seething foam.
THE
MOUNTAIN HEART'S—EASE
Bret Harte
BY
scattered rocks and turbid waters shifting,
By
furrowed glade and dell,
To
feverish men thy calm, sweet face uplifting,
Thou
stayest them to tell
The
delicate thought that cannot find expression,
For
ruder speech too fair,
That,
like thy petals, trembles in possession,
And
scatters on the air.
The
miner pauses in his rugged labor,
And,
leaning on his spade,
Laughingly
calls unto his comrade-neighbor
To
see thy charms displayed.
But
in his eyes a mist unwonted rises,
And
for a moment clear
Some
sweet home face his foolish thought surprises,
And
passes in a tear,
Some
boyish vision of his Eastern village,
Of
uneventful toil,
Where
golden harvests followed quiet tillage
Above
a peaceful soil.
One
moment only; for the pick, uplifting,
Through
root and fibre cleaves,
And
on the muddy current slowly drifting
Are
swept by bruised leaves.
And
yet, O poet, in thy homely fashion,
Thy
work thou dost fulfill,
For
on the turbid current of his passion
Thy
face is shining still!
PENNINES
IN APRIL
Ted
Hughes
If
this country were a sea (that is solid rock
Deeper
than any sea) these hills heaving
Out
of the east, mass behind mass, at this height
Hoisting
leather and stones to the sky
Must
burst upwards and topple into Lancashire.
Perhaps,
as the earth turns, such ground-stresses
Do
come rolling westward through the locked land.
Now,
measuring the miles of silence
Your
eye takes the strain: through
Landscapes
gliding blue as water
Those
barrellings of strength are heaving slowly and heave
To
your feet and surf upwards
In
a still, fiery air, hauling the imagination,
Carrying
the larks upward.
SAID
THE WEST WIND
Isabella
Valancy Crawford (1850-1887)
I
love old
earth! Why should I lift my wings,
My
misty wings, so high above her breast
That
flowers would shake no perfumes from their hearts,
And
waters breathe no whispers to the shores?
I
love deep places builded high with woods,
Deep,
dusk, fem-closed, and starred with nodding blooms,
Close
watched by hills, green, garlanded and tall.
On
hazy wings, all shot with mellow gold, I float,
I
float thro' shadows clear as glass;
With
perfumed feet I wander o'er the seas,
And
touch white sails with gentle finger-tips;
I
blow the faithless butterfly against
The
rose-red thorn, and thus avenge the rose;
I
whisper low amid the solemn boughs,
And
stir a leaf where not my loudest sigh
Could
move the emerald branches from their calm,--
Leaves,
leaves, I love ye much, for ye and I
Do
make sweet music over all the earth!
I
dream by
glassy ponds, and, lingering, kiss
The
gold crowns of their lilies one by one,
As
mothers kiss their babes who be asleep
On
the clear gilding of their infant heads,
Lest
if they kissed the dimple on the chin,
The
rose flecks on the cheek or dewy lips,
The
calm of sleep might feel the touch of love,
And
so be lost. I steal before the rain,
The
longed-for guest of summer; as his fringe
Of
mist drifts slowly from the mountain peaks,
The
flowers dance to my fairy pipe and fling
Rich
odours on my wings, and voices cry,
"The
dear West Wind is damp, and rich with scent;
We
shall have fruits and yellow sheaves for this."
At
night I play amidst the silver mists,
And
chase them on soft feet until they climb
And
dance their gilded plumes against the stars;
At
dawn the last round primrose star I hide
By
wafting o'er her some small fleck of cloud,
And
ere it passes comes the broad, bold Sun
And
blots her from the azure of the sky,
As
later, toward his noon, he blots a drop
Of
pollen-gilded dew from violet cup
Set
bluely in the mosses of the wood.
STOPPING
BY WOODS ON A SNOWY EVENING
Robert Frost
Whose
woods these are I think I know.
His
house is in the village though;
He
will not see me stopping here
To
watch his woods fill up with snow.
My
little horse must think it queer
To
stop without a farmhouse near
Between
the woods and frozen lake
The
darkest evening of the year.
He
gives his harness bells a shake
To
ask if there is some mistake.
The
only other sound's the sweep
Of
easy wind and downy flake.
The
woods are lovely, dark and deep.
But
I have promises to keep,
And
miles to go before I sleep,
And
miles to go before I sleep.
SUMMER
SUN
Robert
Louis Stevenson (1850-1894)
GREAT
is the sun, and wide he goes
Through
empty heaven without repose;
And
in the blue and glowing days
More
thick than rain he showers his rays.
Though
closer still the blinds we pull
To
keep the shady parlour cool,
Yet
he will find a chink or two
To
slip his golden fingers through.
The
dusty attic, spider-clad,
He,
through the keyhole, maketh glad;
And
through the broken edge of tiles
Into
the laddered hay-loft smiles.
Meantime
his golden face around
He
bares to all the garden ground,
And
sheds a warm and glittering look
Among
the ivy's inmost nook.
Above
the hills, along the blue,
Round
the bright air with footing true,
To
please the child, to paint the rose,
The
gardener of the World, he goes.
TO
AUTUMN
William Blake
O
Autumn, laden with fruit, and stain'd
With
the blood of the grape, pass not, but sit
Beneath
my shady roof; there thou may'st rest,
And
tune thy jolly voice to my fresh pipe,
And
all the daughters of the year shall dance!
Sing
now the lusty song of fruits and flowers.
"The
narrow bud opens her beauties to
The
sun, and love runs in her thrilling veins;
Blossoms
hang round the brows of Morning, and
Flourish
down the bright cheek of modest Eve,
Till
clust'ring Summer breaks forth into singing,
And
feather'd clouds strew flowers round her head.
"The
spirits of the air live in the smells
Of
fruit; and Joy, with pinions light, roves round
The
gardens, or sits singing in the trees."
Thus
sang the jolly Autumn as he sat,
Then
rose, girded himself, and o'er the bleak
Hills
fled from our sight; but left his golden load.
TO
A SEA-BIRD
Bret Harte (Santa Cruz, 1869)
SAUNTERING
hither on listless wings,
Careless
vagabond of the sea,
Little
thou heedest the surf that sings,
The
bar that thunders, the shale that rings,—
Give
me to keep thy company.
Little
thou hast, old friend, that 's new;
Storms
and wrecks are old things to thee;
Sick
am I of these changes, too;
Little
to care for, little to rue, —
I
on the shore, and thou on the sea.
All
of thy wanderings, far and near,
Bring
thee at last to shore and me;
All
of my journeyings end them here:
This
our tether must be our cheer, —
I
on the shore, and thou on the sea.
Lazily
rocking on ocean's breast,
Something
in common, old friend, have we:
Thou
on the shingle seek'st thy nest,
I
to the waters look for rest, —
I
on the shore, and thou on the sea.
TO
MEADOWS
Robert
Herrick
Ye
have been fresh and green,
Ye
have been fill'd with flowers;
And
ye the walks have been
Where
maids have spent their hours.
You
have beheld how they
With
wicker arks did come,
To
kiss and bear away
The
richer cowslips home.
You've
heard them sweetly sing,
And
seen them in a round;
Each
virgin, like a spring,
With
honeysuckles crown'd.
But
now, we see none here,
Whose
silvery feet did tread
And
with dishevell'd hair
Adorn'd
this smoother mead.
Like
unthrifts, having spent
Your
stock, and needy grown
You're
left here to lament
Your
poor estates alone.
THE
TYGER
William Blake
Tyger!
Tyger! burning bright
In
the forests of the night,
What
immortal hand or eye
Could
frame thy fearful symmetry?
In
what distant deeps or skies
Burnt
the fire of thine eyes?
On
what wings dare he aspire?
What
the hand dare seize the fire?
And
what shoulder, and what art,
Could
twist the sinews of thy heart,
And
when thy heart began to beat,
What
dread hand? And what dread feet?
What
the hammer? What the chain?
In
what furnace was thy brain?
What
the anvil? What dread grasp
Dare
its deadly terrors clasp?
When
the stars threw down their spears,
And
water’d heaven with their tears,
Did
he smile his work to see?
Did
he who made the Lamb make thee?
Tyger!
Tyger! burning bright
In
the forests of the night,
What
immortal hand or eye
Dare
frame thy fearful symmetry?
THE
UNNAMED LAKE
Frederick
George Scott (1861-1944)
It
sleeps among the thousand hills
Where
no man ever trod,
And
only nature's music fills
The
silences of God.
Great
mountains tower above its shore,
Green
rushes fringe its brim,
And
over its breast for evermore
The
wanton breezes skim.
Dark
clouds that intercept the sun
Go
there in Spring to weep,
And
there, when days are done.
White
mists lie down to steep.
Sunrise
and sunset crown with gold
The
pinks of ageless stone,
Her
winds have thundered from of old –
And
storms have set their throne.
No
echoes of the world afar
Disturb
it night or day,
The
sun and shadow, moon and star
Pass
and repass for aye.
'Twas
in the grey of early dawn,
When
first the lake we spied,
And
fragments of a cloud were drawn
Half
down the mountain side.
Along
the shore a heron flew,
And
from a speck on high,
That
hovered in the deepening blue,
We
heard the fish-hawk's cry.
Among
the cloud-capt solitudes,
No
sound the silence broke,
Save
when, in whispers down the woods,
The
guardian mountains spoke.
Through
tangled brush and dewy brake,
Returning
whence we came,
We
passed in silence, and the lake
We
left without a name.
WINTER-TIME
Robert
Louis Stevenson (1850-1894)
Late
lies the wintry sun a-bed,
A
frost, fiery sleepy-head;
Blinks
but an hour or two; and then,
A
blood-red orange, sets again.
Before
the stars have left the skies,
At
morning in the dark I rise;
And
shivering in my nakedness,
By
the cold candle, bathe and dress.
Close
by the jolly fire I sit
To
warm my frozen bones a bit;
Or
with a reindeer-sled, explore
The
colder countries round the door.
When
to go out, my nurse doth wrap
Me
in my comforter and cap;
The
cold wind burns my face, and blows
Its
frosty pepper up my nose.
Black
are my steps on silver sod;
Thick
blows my frosty breath abroad;
And
tree and house, and hill and lake
Are
frosted like a wedding-cake.
THE
WORSHIP OF NATURE
John Greenleaf Whittier (1807-1892)
The
harp at Nature’s advent strung
Has
never ceased to play;
The
song the stars of morning sung
Has
never died away.
And
prayer is made, and praise is given
By
all things near and far;
The
ocean looketh up to heaven,
And
mirrors every star.
Its
waves are kneeling on the strand,
As
kneels the human knee,
Their
white locks bowing to the sand,
The
priesthood of the sea!
They
pour their glittering treasures forth,
Their
gifts of pearl they bring,
And
all the listening hills of earth
Take
up the song they sing.
The
green earth sends its incense up
From
many a mountain shrine;
From
folded leaf and dewy cup
She
pours her sacred wine.
The
mists above the morning rills
Rise
white as wings of prayer;
The
altar-curtains of the hills
Are
sunset’s purple air.
The
winds with hymns of praise are loud,
Or
low with sobs of pain, --
The
thunder-organ of the cloud,
The
dropping tears of rain.
With
drooping head and branches crossed
The
twilight forest grieves,
Or
speaks with tongues of Pentecost
From
all its sunlit leaves.
The
blue sky is the temple’s arch,
Its
transept earth and air,
The
music of its starry march
The
chorus of a prayer.
So
Nature keeps the reverent frame
With
which her years began,
And
all her signs and voices shame
The
prayerless heart of man.
WRITTEN
IN THE EARLY SPRING
T.
Campbell
I
heard a thousand blended notes
While
in a grove I sat reclined,
In
that sweet mood when pleasant thoughts
Bring
sad thoughts to the mind.
To
her fair works did Nature link
The
human soul that through me ran;
And
much it grieved my heart to think
What
man has made of man.
Through
primrose tufts, in that sweet bower,
The
periwinkle trail’d its wreaths;
And
‘tis my faith that every flower
Enjoys
the air it breathes.
The
birds around me hopp’d and play’d.
Their
thoughts I cannot measure,
But
the least motion which they made
It
seem’d a thrill of pleasure.
The
budding twigs spread out their fan
To
catch the breezy air;
And
I must think, do all I can,
That
there was pleasure there.
If
this belief from Heaven be sent,
If
such be Nature’s holy plan,
Have
I not reason to lament
What
man has made of man?