- Q: How did you two (DjC & WennE) first meet?
A: We're cousins, so that pretty much means we've known each other our whole
life.
- Q: What prompted you to start writing music together?
A: A few years back, I think it was early '97 or something like that, we
began to hang out as friends. We found out that we had music as a common
interest. Andreas (WennE) was a whole lot better then me though, but we found
ourselves being pretty good at producing together as a team.
- Q: Why did you decide to put brackets in the middle of your band name
(trance[]control) instead of just being "trance control"?
A: Simply to make a difference. At first we decided to design our logo to
be used & viewed on any computer in regular textform. The result became
trance[]control, typed in Arial Bold. It was also a way to fetch the eye of
a page viewer, since it was different and somewhat new when we first used
it.
- Q: Could either of you have predicted that "Atomic Dance Explosion" would
have soared as high into the charts as it did?
A: Not in a million years! The effect of that single 3-minute track
took us totally by surprise!
- Q: Did you ever manage to produce any worthwhile sound from your old
Soundblaster AWE 32?
A: One thing that pissed us off the most was that we were able to produce
more worthwhile sounds with the AWE 32 than we managed to do with our first
synth, the Yamaha CS1x. But, then again, I believe it's all about
knowing how to use your gear.
- Q: What kind of response did you get to your show in Montreal, Canada?
A: Uhmm...I'd say we got a pretty massive response from those guys.
Even though we're barely known in Canada it all worked out really great. It
took us some time to get "warmed up" on stage but once that came together it
was a walk in the park. We also felt that our more nasty & hard tracks
where more suitable for our Canadian friends.
- Q: How do you overcome the challenge of reproducing your music live?
A: Like many other electronic music artists we had to reproduce most of the
set as playback, but with some extra elements such as synthlines,
arpeggiated riffs and FX sounds added on top of the playback mix.
- Q: Are you completely making a living off of your music or do either one of
you still have jobs?
A: Yes, it's a full-time job for the both of us. However, now we're forced
to apply for regular day jobs in order to get by, as MP3.com made some pretty
wild changes in the "Payback 4 Playback" system. Selling CD's & Vinyls
through normal record labels just isn't enough to provide a living for now.
The future looks bright on that behalf though.
- Q: Do each of you split duties, as far as mixing, writing, recording, etc.
or do you switch around all the time?
A: We mostly create the tracks on our own and that includes all the steps
of completing a track - arrangement, mixing, recording & final mastering.
- Q: How did "Deep-Minded" go from being an intro track to a full-length
song?
A: It's a piece that WennE made. It was meant to be an intro for one of
our sets, but I guess the man got a bit carried away and the intro leapt
into a full track by pure flow.
- Q: Were the twenty 18" sub-woofers you blew up in Colorado your own or the
establishment's you were playing at?
A: They belonged to the sound & lighting crew, but they didn't actually
blow up. The poweramps weren't able to provide enough power for the bass so
they clipped and voila - we were all out of bass for about 20 seconds.
- Q: Have you ever made what you consider a "great song" by sheer accident?
A: Most of our songs come out that way, though we don't really think of our
tracks as "great songs".
- Q: Do you ever get paranoid having a live studio-cam right over your head?
A: Nope, I've gotten used to it and I really don't care about it. It was
kinda crazy when my ex g/f came to stay with me for a weekend though. To
get used to or forget about public eyes aren't very good in some cases.
- Q: Do either of you dance or do you just like trance/dance music?
A: I think we're swirling on the outskirts of several genres with our
tracks. Some tracks may be more suited for "dance", others for "trance" and
others for "techno", but it's kinda hard to judge as the genre
classification doesn't mean the same in Northern Europe as it does in the USA.
- Q: What song of yours took the longest to nail down?
A: Oh gee, I've got no clue on that one, however "Distorted Minds" did take
quite some time to sort out, but to be honest I'd say it's one of our newer
tracks called "Out There" that will appear on our next album.
- Q: Do you make your own artwork for your CDs or does someone else?
A: I, Alex [DjC], create all the artwork for our CD's, as well for our
website, logo and everything else ;) Yeah - I'm the handy man!
- Q: Have you considered any vocals for your tracks?
A: Yes, many times, but it takes a bag load of knowledge to get proper
vocals laid into a track. It'd probably take at least 4 more years in order
to do a track with vocals at the same level of our instrumental ones.
- Q: How many hours a day do you typically work on your music?
A: That's very different since we can't just sit down and make music as
being ordered to. With the inspiration held high we probably do 5 sessions
a week each of about 15 minutes to 15 hours at a time. There's simply no
way to tell.
- Q: How did you come to Propellerhead's attention that prompted them to use
"Psychotic Chaos" for demonstrating their software REASON?
A: Well, the CEO of Propellerheads, Ernst, came to me asking us if we
wanted to participate in making a demo track for them...as I heard his son
was a great fan of ours. I believe he's got something to do with all this! ;)
- Q: Do the two of you ever get tired of seeing each other so often due to
working tirelessly on your music?
A: We actually live together in the same house, and yes, it can be a bit
frustrating once in a while, but then again, it's not that hard to take off
and do something else for a day.