MP3.com Home
RED 20
Interview Archives
Toby Emerson - September 23, 2001

    Toby Emerson
  • Q: You started playing the piano when you were twelve. Did you teach yourself or did you take lessons?
  • A: Well I started out taking lessons but I didn't really like it. Sort of had the same feeling as going to school which takes the fun out of everything so I quit after about a year or so. From then on I just taught myself.

  • Q: Who influenced you the most to start writing music?
  • A: Let's see...a bit hard to remember, but I think I first started to really get into music after listening to some Front Line Assembly ("Millenium" was the first song I heard.) When I first really got into music production, it was actually the Ejay program that influenced me (yes I know a lot of people hate it, and I do agree that it's more of a toy meant for kids than for musicians). It was pretty fun when I first started, but then I realized I wasn't actually making my own music, so that's how I got into Fruityloops and other stuff.

  • Q: What genre did your musical roots begin in and how did they lead you to trance/dance?
  • A: When I first started making music, I made some pretty corny techno and even made a few attempts at rock music. I realized that I wasn't going to get anywhere in those genres and that's when I started experimenting with trance and dance music. Cheezy but catchy melodies came pretty easily to me so that's why I stuck with it.

    Doomsday
  • Q: Many of your songs are one-word titles. Do you feel that you are more capable of expressing the emotion of your tracks with a single word?
  • A: I'm terrible with song titles, so usually the first thing that comes into my mind when I hear one of my own songs gets the title. I guess if I just have one word as the song title then it can be seen in many different ways and the listener interperets it how they want.

  • Q: Your song titles tell of success, failure and destruction. What do you think is the biggest element that affects a song�s direction?
  • A: Yes... hehe ...my songs are really more like "epic sound adventures". I guess what affects a songs direction to me, is what style I'm going for (dark, happy, sad), usually though the song just evolves into something else though. Like, for example, in "Stronger" I was trying to make some kind of darkish trance song and then out of nowhere comes this happy-wuss melody! I guess you could call it that. It's actually quite hard for me to control the exact direction that I want a song to go in.

  • Q: This is the question that I accidentally asked Antibreak and he thought I was smoking crack (rightly so). You won 4th place in a Fruityloops contest with your song "Hydrosphere". Where and when did that take place?
  • A: Hahaha! Crack does that to you..... Lemme see.... the contest was a long time ago (well not that long - I think 6 mon. - 1 year ago). It was just over the internet. I didn't go to some big Fruitylooper convention where people were walking around dressed in big fruit costumes or anything. I realized that my song was listed 4th (out of top ten) on the list but the songs were just the best songs in no particular order. So come to think of it my song could have been... no wait a sec. I'm positive that it couldn't not have be #1 hahaha! ... theres that crack again...

    Hydrosphere
  • Q: How long did it take you to write "Hydrosphere"?
  • A: I think "Hydrosphere" took me a few hours (it went pretty quick) to make. In the contest I was limited to using only a few (and very crappy) samples might I add, so I didn't have a lot of time to waste picking out which sounds to make.

  • Q: When you write songs what are some of the things you think about to achieve a particular sounds?
  • A: I try to get it to not make people's ears bleed. I guess that's the No. 1 priority :) After that I try to get something professional sounding, which isn't easy using software. I try to get an equal mix of sounds and frequencies (although a lot of my first songs had neither of these). I guess one of the main things I try to do is make it seem like it wasn't made in Fruityloops. I like it when people ask me what hardware/synths I use to make my tracks.

  • Q: You use Fruityloops quite a bit in producing your music. What did you do before you got your hands on that program?
  • A: Like I mentioned earlier I got a demo for Dance Ejay. I quickly threw together some random sounds and samples, put in a beat, and bam! I had myself one hell of a song. I listened to it thinking I was some serious hot stuff and then I listened to the demo song it came with...it sounded almost exactly the same! To anyone out there EJAY IS FOR KIDS!!! If you make your own loops and samples and use it as a sequencer then that's another story. Okay, enough bashing Ejay for now. After that I got some sort of demo for ACID. I wanted to make my own loops for it so I searched for a program to make loops with and that's how I found Fruityloops, which I now use to make almost all my complete songs.

  • Q: You were born in and currently reside in Vancouver, Canada. Have you, or do you plan to, visit America?
  • A: I went to Disneyland once. The people dressed up as cartoon characters were scary...some guy dressed as a monk tried to sell me a book about his religion. Maybe one day I'll return after I recover from the trauma of the first trip. Haha, just joking, I actually really enjoyed my time in the states!

  • Q: What�s one movie you wish you could have done the soundtrack for?
  • A: Well, I wouldn't want to wreck any already good soundtracks. I would like to do a soundtrack for a movie that's in production still. If I had to pick a movie that's already out to do a soundtrack to I guess I would like to do Gladiator (no it wouldn't be trance music.) I don't think it would suit the movie well if Russell Crowe was gettin' his groove on to some mad beats while decapitating barbarians and such.

  • Q: What movie are you most looking forward to this year?
  • A: The Lord of the Rings, of course! I like lots of medieval and sci-fi movies. I guess the Lord of the Rings will be some sort of combination of those (well not really).

    Stronger
  • Q: Have you received any feedback from listeners that were expecting "Stronger" to be a Britney Spear�s remix?
  • A: Britney Spears herself asked me to name that song after her own because she liked it so much, but then she told me I'd better say it wasn't a remix so people wouldn't get confused. So far the count is at 0 misguided people so I seem to be doing my job.

  • Q: How did you come up with the title "Infekt" for your CD?
  • A: Well, I was making a cd cover for a school project and I was trying to think of a corny, but cool sounding title. Somehow I came up with Infekt. I used Infe"k"t instead of Infe"c"t because everybody knows that K's are tougher looking than C's. Just trying to gain some street cred if you know what I'm sayin' - can I get a "Hell Yeah!!" Whoa, sorry I got a little excited for some reason.

  • Q: Are you currently working on any new tracks?
  • A: I'm always working on new tracks...too bad only about 5% of them I manage to finish. I probably have more than a hundred unfinished songs if you can believe it. I'm trying to put together some sort of "industrial trance" (kind of like VNV nation) or something. I just got a vocoder too so maybe I will add some tough vocals.

  • Q: On your website you describe yourself as "incredibly lazy". What is the most productive thing that you�ve accomplished this week?
  • A: Hehe...yeah I can get pretty lazy sometimes. This summer I'm averaging a sleep in time till about 1pm!! What have I done this week? Let's see...a couple of new tracks (actually that's pretty much all I do in my spare time now.)

    Homeworld
  • Q: "Homeworld" sort of sounds like a Japanese cowboy (if that�s possible). You really had quite an affection for using a pitch bend in the beginning. Do you use that technique quite as often now?
  • A: A Japanese cowboy? Hehe, that's actually a pretty good description. I sort of went a bit overboard on the pitchbend on that song because I think that's went I was first starting to learn how to use pitch bends. I used it quite a bit better in "Fireball" and "Dragonfly" but after that I haven't used it as much. Sometimes it can sound really corny if not used properly. A lot of people overuse it in Fruityloops and it makes me want to gouge my ears out sometimes.

  • Q: In your guestbook on your site some of the listeners referred to you as "their favorite floopster". What, exactly is a "floopster"?
  • A: Well, I use Fruityloops. I guess a user would be a Fruityloops user = floopster. It's just a play on words he was using it's not an official term. When you buy Fruityloops don't expect to get a pin or a badge that says "official floopster". Although I'm sure it would attract the ladies like a magnet!

  • Q: What kind of hobbies do you have outside of writing music?
  • A: I really (or at least use to) like to draw a lot. I haven't done a lot of drawing lately because I've been doing so much music stuff though. I plan to put up an artwork section on my webpage where I can put drawings and art and other stuff. Not that many would visit that section, but it would give myself an excuse to start drawing again.

  • Q: How close are you to completing your new CD, and do you have a title for it yet?
  • A: If I wanted I could have my second CD up now, but to be honest, I'm not really pleased with the quality of all the tracks I have made. My first CD didn't sell many (O copies ...haha don't pity me) so I want the second one to be of more professional quality. I have about 15-20 new tracks made and about 5 that I am happy with the quality. I want people to actually want to pay money for my music one day you know! I'll probably think of the title of my next CD in the matter of a couple seconds.



Back To Index

Back To Red 20

Hosted by www.Geocities.ws

1