9
Spies


I emerge from the tunnel into a space between an inner and outer wall of an  apartment, or so I have been told.  It looks a little like the space between Kyra's  walls, but there are slight differences here and there, like how the insulation is pink  instead of yellow.

Raymond and Antoine hop out behind me.  Earl isn't along for this one.  Antoine  takes a second to catch his breath, and then gives us our final briefing.

"Okay, so you guys have been wired.  Wear your wires at all times; they work even  when you're asleep, and many times we've picked up vital conversations when a  giant one thought no one else could hear.  You also each have three sticky mikes.   Place these in strategic locations around the apartment.  That way, we'll be able to  listen in on places where you aren't."

"Remember, you are just two new arrivals.  This woman has so many men that she  probably won't notice you, but you have to keep your heads down and your mouths  shut.  You can't pull any of that individualist heroic crap here, you'll be found out.   But, provided you guys roll with the punches, things shouldn't be that hard."

Raymond snickers under his breath.

"I'll choose to ignore that," says Antoine without breaking the flow of his  conversation.  "Now, extraction.  We'll extract you guys in one week's time.  By then  we'll expect you to have the sticky mikes planted.  You meet back here, any hour on  D-Day, and there'll be a team waiting to take you back.  Remember where you came  from, and keep track of the days.  It's not that complicated.  Any questions?"

Raymond and I raise our hands.  Antoine rolls his eyes and points at Raymond.

"How do we keep in contact with you?" asks Raymond.

"You don't," says Antoine shortly.  "Unless you talk into a sticky mike, we have no  way of what's going on with you.  We simply trust that you stay alive.  If you don't  make it out on extraction day, we assume you've been killed.  It's simple as that."

"And what if she happens to have seen one of us before?" I ask.

"Keep a low profile," Antoine replies. "And it's unlikely she'll even see your face."   He shoulders his pack.

"So, that's it?" I ask.

"That's it," he confirms. "You're on your own."

With that, climbs back into the tunnel, vanishing into the darkness.  Raymond turns  to me. "So," he says.  "Think we should meet our new mistress?"

We climb out of the wall, and I look around.  An ordinary but elegant living room.  The  furniture is clearly expensive.  I guess I really shouldn't be surprised: this is the  home of a member of the Establishment, and that means wealth and power.

I look around, trying to see where all the other men might be.  Raymond grabs my  arm, and uses it to point to an area behind me.  There, just a few hundred feet from  us, is a massive box missing its front and ceiling.  "That must be where she keeps  them," Raymond whispers.

We walk towards the box cautiously, making sure there aren't any giants in the area.   Lucky for us, the coast stays clear.

The box is even larger up close than it seemed from afar; about two stories high and  a good square mile of space within that.  "There must be at least three hundred men  in there," I say breathlessly.

Raymond nods grimly. "Let's go make friends with the natives," he says.

I climb up over the box's ledge, and quickly dash into the crowd.  I have to blend in,  look like I always have been here.  There are so many of us that I doubt this giant  will notice, but if someone tells her I snuck in...

I look around, and see that Raymond has successfully found his way over to the  other side of the container without being spotted.

There's a muted buzz of conversation around the area, although most of the men are  silent.  Probably the training they were given in the Plant system.  Those that do talk  do so in whispers.  There's a sense of danger in the air, and it makes me nervous.

I lean against one of the walls, and try to calm down.  I try to tune out my  surroundings.  I close my eyes, I let the droning conversations melt into the  background.  I ignore the rumbling beneath my feet...  The rumbling...

My eyes snap open.  There, moving toward us, are two huge, fair calves, sloping  down into amazingly large, smooth bare feet.  There's a familiar shade of scarlet on  the toenails.  The conversations all instantly come to a halt.

The woman stands over us, blocking out the light, and I can't see her face.  She  bends over, looming over us, beautiful and threatening.  Waves of ginger hair fall  about us, hanging over some of the men's heads.  It feels like her green eyes are  locked on me.  I feel like I could collapse, the bones inside me crumbling, leaving me  in a puddle on the floor.  She puts her purse down on the floor besides the box.

"Hello, little darlings," she says, her voice soft and purring, but with a hint of the  commanding tone it's capable of hiding just beneath the surface.

Cheryl smiles.

"I hope you've had a nice rest," she says.  "That meeting took ages."  She yawns as  she says the word 'ages', stretching out the 'a' sound. "It was so boring, I'm so glad  to be back."

On my right, there's a man who looks to be a few years younger than I am.  He sits  curled, almost like he wants to fold in on himself, and disappear.  He mumbles to  himself, saying the same thing over and over.  It sounds like a prayer.

Cheryl stops crouching over us, and instead shifts into a position where she's  half-lying next to us.  "You know, boys, my daughter won't be home for another few  hours." She says breathily.  The intent in her voice is clear.

"Please no, please no pleaseno," murmurs the boy next to me.

"I was thinking that a few of you might like to... entertain me."  She grins, showing off  massive white teeth that are slick and shiny.

"Like we have any choice," mutters another man who is on my left.

Cheryl's voice becomes commanding, turning into the voice I heard at Kyra's house.   "Everyone stand up."

All the men come to a rigid, straight standing position.  They all have perfect posture.   I struggle to stand up as straight as I can.

Somewhere above, a voice cries out. "It's not our turn!" The man howls.   Cheryl  looks surprised, and displeased.  "The bedroomers are supposed to go today.  We  went just yesterday.  You can't do this!  You can't!"

There's a collective gasp from all the men, without anyone intending it.  Even I, an  outsider, know what he just said was unforgivable.  "Who said that?" says Cheryl,  her voice cold as steel. "Bring him to the front."

I crane my neck, trying to see what's happening on the second story.  There's a lot of  commotion, people moving about.  Then one man is shoved to the front.  He's short,  pale, and looks as if he'd rather be anywhere but here right now.  His cheeks are  flushed, and suddenly his eyes blaze with anger.

"Yeah, I said it!" he yells, suddenly finding new confidence.  "What are you going to  do about it?"

"Poor suicidal bastard," the man to my left mutters.  The boy on the right has  stopped praying, and now stares ahead with morbid interest.

Cheryl reaches forwards with one tremendous pale hand and plucks the man off the  floor, quickly spinning him head over heels until she's holding him upside down by  his feet.  I hear a cracking sound, and realize she's probably broken his ankles.  She  brings him close to her face.

"You impudent little jerk," Cheryl says. "You know full well the punishment for  questioning me.  You have to die.  Slowly and painfully."

The short man seems like he's about to say something, then abruptly spits in her  face.

Cheryl doesn't even wipe the tiny amount of spit off her face, simply sneers, then  opens her mouth terribly wide, tilting it so all of us can see.  Then, slowly, she  begins to lower the short man in.  He doesn't scream, but simply yells, cursing and  screaming with anger.  Shouting into the abyss of her throat.  I wonder why he isn't  terrified at the idea of the journey towards her stomach he's about to take.  Then I  understand.  "He wants this," I say under my breath.

Just as the man's feet are about to disappear from view, Cheryl abruptly removes  him from her mouth.  He stops yelling.  "On second thought," Cheryl says with subtle  cruelty, "I don't think I'll swallow you."

The man looks panicked.  Things are no longer going to plan.

"No," Cheryl sighs. "I think I'll just give you to Toni."

The kid on my right groans.  "Poor bastard," repeats the guy on my left. "I don't envy  him.  That daughter of her's is a nightmare."

Cheryl drops the man, who is now screaming from fright, into her purse.  I can still  hear him, barely, as though he's coming from a great distance away.  Cheryl turns  back to us.  "Now, which one of you wants to volunteer?" she asks, her voice clearly  more hostile than before.

No one raises their hand.  Cheryl's piercing green eyes pass over us in turn.  She  focuses hard on one spot in the group, then says, "You, the one in blue.  Step  forward." A man in a blue T-shirt steps out of the crowd.  She carefully plucks him out  of the group, places him in her palm, then continues to search the crowd.

Her eyes come towards my section.  I close my eyes, still standing straight.  Don't  notice me.  I'm not here.  I'm no one.  You don't remember me.

"You!" She says. My blood freezes.  I open my eyes.  She's looking right at me.   Don't move.  Maybe it isn't you (Of course it's you.  Who else would it be?). "You  aren't standing up."

I allow my eyes to shift sideways, to where the boy was sitting.  Sure enough, he's  still curled up on the ground.

Cheryl leans in closer, until I can feel her hot breath rustling my clothes.  She stays  there for a moment, looking at the kid next to me, and when she speaks next it's in a  different tone. "Don't be scared," Cheryl says, and it's weird, but she sounds honest.   "I'm not angry with you.  I'm not going to hurt you.  I just want you..."  Her voice, that  warm voice that peeked through, is becoming throatier.  "I want you.  Stand up, little  man.  You have a job to do."

And crazy as it is, the boy stands up.  He holds his head higher.  He looks Cheryl in  the eyes.

"Yes, you know what you have to do," Cheryl says softly, seductively. "Will you do it  for me?"

I want to yell out at him not to, it's not safe, she's fooling you!  But after a moment's  hesitation he nods, quietly.  He's accepted it.  She holds out her hand, before us all,  and the young man steps forward and sits crosslegged in her palm.  The man on my  left shakes his head slowly.  And I know why the young man goes.  He can't resist.   I'm not sure I could either.

Cheryl picks one more man, from a group further down.  This one goes quietly as  well.

Then, with obviously practiced steadiness, she lifts them into the air, coming to a  standing position as she does so.  With the men in her left hand, she unzips herself  with her right.  Slips out of the business-like dress, the starched white blouse, pink  silk underwear.  And, in full view of all of us, that pale hand slips down her curves,  between her legs, and Cheryl begins to please herself.

I watch, with a horrible fascination (I can't look away) as she begins to make little  noises of arousal.  With fluid motions, she begins to sit down on the sofa, right hand  still working away, left still creating a level plane for the three men.  Then she's lying  down, and she's spread her legs, and she moves her left hand slowly down, over  herself, to drop them right before her gaping pussy.

"I want you, all three of you, inside of me, now."

Some of the men continue to watch, but I can't stand it.  I turn my head, and look  away.


After Cheryl is finished with the men, the last of her moans and yells fading, she  leaves without another word, leaving her clothes in a heap on the floor.  Instantly, the  tension in the room dissolves.  The men begin talking again, still quietly but much  less gloomily.  I walk over to the man who was on my left before, but who's now  talking with someone else.

"Hey, are the ones she took ever coming back?" I ask.

"Oh, you mean the ones who, uh, entertained her?" He asks.

"Yeah."

"Probably not," the man confirms, and I feel a sinking sensation in my gut. "Usually  one or two of 'em die in there.  Either they're crushed inside, or they suffocate.  The  ones that survive, she takes 'em somewhere else.  My idea is, they've passed a  test, and they become her personal sex toys."

I struggle to hide the horror on my face as I thank the man and turn away, diving into  the crowd.  I've got to find Raymond.  We've got to do our job, and then figure out  some way of getting out of here.  I won't last the full week.  I move through the crowd,  and for a second I see a glimpse of a half-familiar face which quickly blends back in  with the rest of the people.

Finally, I see Raymond.  He's leaning against the wall, talking to a man who's about  average height, blond and slim.  Raymond waves to me as I approach.  I take a place  between him and the person he's talking to.

"...horrible, can't believe she does things like that.  Oh, Dustin, this is my friend  Adam.  Adam, meet Dustin." Raymond says.

Dustin holds out his hand for me to shake, and I meet it.  His grip is fairly strong, and  his eyes meet mine.  I look deep into them and see that he seems honest.  I can  probably interact with him safely, if not fully trust him.  "Nice to meet you," he says.  "Welcome to the club, we're all in this mess together."

Suddenly, someone taps me on the back.  I turn to see a tall, gaunt man with dark  hair and gray eyes.  "You two.  I haven't seen you around here before.  She didn't  drop you in."

Raymond motions to me, and I nod.  Together, we each take one of the tall man's  shoulders and pin him to the wall.  Raymond covers the man's mouth with his hand.   "You don't know anything about it," Raymond says.

The man tries to struggle, but he's thin and lightweight, and seems to lack the  muscle to shake us off.  He tries to say something, and Raymond moves his hand so  he can speak.  "Hey, hey, I wasn't trying to be hostile.  I just wanted to show you  somebody who could help you out, get you the lay of the land..."

Raymond looks at me, doubt in his eyes.  I nod, to show him that we should follow.   "The information could help us," I whisper.

Raymond flips him around.  "Lead the way."


The thin man leads us out of the box and around it, to a small rope ladder leading up  to a high desk.  He climbs, and we follow him up.

Finally, we reach the top of the desk.  Below us, the living room floor is spread out  like a bird's eye view of a city.  I can see into the box, see all of the inhabitants on  the second floor, like looking down into an ant farm or a dollhouse.

"Well, where is this guy?" I ask.

The thin man turns around and smiles.

Suddenly, I feel a great blow to the back of my head, and I see sparks.  I look to my  right as I hit the ground, and see Raymond falling next to me.


My head hurts like hell.  That's the first thing I think as I open my eyes.  My hands  and feet hurt too.  They're bound tightly to one another, with what feels like torn  strips of clothing.  I tug against them, but they hold fast.  I'm lying flat on my  stomach.  Still on the desk, way up high.  Somebody's standing in front of me.

I look up, and curse.  "Second familiar face I've seen today," I mutter.

"Nice to see you too, 718," Jude replies.

"You're looking a little worse for the wear, buddy," Raymond says.  It's true; Jude's  face, once round and fleshy, is looking haggard and sagging.  His rictus of a smile  has been replaced by a sneer.

"Shut up," Jude says curtly. "You two, you've been causing me a lot of trouble.  They  sent me after you.  I had to follow you.  Across the sidewalks.  Through those  stinking tunnels.  I waited for THREE DAYS, without food, near those headquarters of  yours.  Then I followed you all the way here.  Carefully.  Without you spotting me.

"But boy, was it worth it.  You see, I have so many things I can tell them now.  I'll  say to them, 'You want to know the location of the Underground Headquarters?  I've  got it.  All you have to do is do me a few favors...'"

"You bastard.  You traitor."  I spit.

"Mind your manners, 718," Jude says chidingly.  "And let me finish.  Because before  I even get to that, there's the matter of you two.  I know exactly what to do with you.   You see, Cheryl knows me.  We're on close terms.  You might call us friends.

"And when she sees me, with you two spies, she'll be overjoyed.  She'll want to  reward me for what I've done.  She'll want me back."

"You're turning us in just so you can do her?!" Raymond shouts, outraged.  "That  bitch is so oversexed she'd probably screw you as soon as look at you."

"No, no," Jude shakes his head like he would at a child. "I don't just want the sex.  I  want her to want me.  And she will.  Oh, she will."

Jude turns his back to us, looking out at the living room.  "Any minute now, she'll  come walking in."

Just as Jude is beginning to turn back to us, something comes out of nowhere to his  left.  Another man collides with Jude, knocking him to the table, surprising him.  They  scuffle soundlessly, just out of my range of sight.

Then, suddenly, I hear a sickening smack.  It sounds like someone's skull hitting the  polished wood.  I wonder whose it is.

My question's answered when I feel my bonds loosening, then slipping away.  I  stand up, rubbing my wrists.  Then I turn to face the man who saved me.

Dustin rubs his knuckles, two of which are bleeding. "I saw you two slipping away  with that guy.  His name's Rick.  I don't trust him."

"Well, neither do we any longer," says Raymond.

"What are we going to do with the body?" Dustin asks.

Just as he says, this, Jude suddenly staggers to his feet.  Under my feet, I feel  tremors.  Cheryl's entering the room once more.  "You!" Jude snarls.

Before I know what I'm doing, I lunge at Jude.  He doesn't expect this.  I make  contact, and he slips.  He loses his balance.  And then, suddenly, he's gone.

I look over the edge, and see him tumbling to the carpet below.  He lands without a  sound, a puddle of red slowly seeping into the carpet fibers around him.

"Quickly!" Raymond shouts. "Down the ladder, she's coming!"

We race back down, and manage to make it back in time as Cheryl comes around.   She doesn't even pause at the box, merely gathers her clothes up and returns to her  room.  I don't even want to think about what she could be doing there.


That night, I lie awake, my stomach queasy.  Thoughts of guilt and disgust run  through my head.  I don't know how I'll be able to live in this place.

Raymond is lying a few spaces away from me.  He turns over, and whispers, "Can't  sleep?"

I nod.  "I just don't understand it all," I say.

"Understand what?"

"Why do they all act like this?  Why do they kill us without a thought.  And Cheryl,  one minute she's a vengeful bitch, the next she's comforting a man.  It doesn't make  sense."

"Cheryl is different," Raymond says. "I think deep down she probably has some  sense of what is right.  But she seems like the kind of girl that was brought up in the  Establishment.  They view us as property, Adam.  They can do what they like with us.   And if one of us is disobedient, the rest have to know there will be hell to pay.   Otherwise we'd all rebel."

I nod, and lie thinking about this for some time.  I still can't sleep.  Raymond  eventually turns to me again.  "I remember you saying at one point that you had  some sort of mission," he says. "You never told me what it was."

"Yeah," I say, "I guess I didn't."  And then suddenly, without prompting, my history  comes pouring out.  What I see in my dreams.  My search for the woman with the red  shoes.  And I realize how far I've strayed from my path.

When I finish, Raymond lies silent for a moment.  Then he speaks again. "It's what I  thought," he says.

"What?" I ask, confused by his tone.

"Your city and my city... They're the same.  We were there at the same time."

I gasp. "No way."

"There's more," Raymond continues slowly. "You see, I know you.  You remember  back when you found me, in the Plant?  I recognized you?"

"Yeah."

"I mistook you for your father.  I didn't really know it was you.  But I know who you  are.  You're Adam Baker.  Mitch Baker's boy."

I lie back, my heart stopping.  Yes, that's my last name.  I have a name again.  It  feels like coming back from the dead.

"Adam," Raymond says, his voice filled with seriousness. "The man in your dreams,  the one that led you away?  The one that saved you?  It's me."
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