Martha E.S. Buchanan
P.O. Box 90502, San Antonio, TX 78209 • (210) 273-8122 ph • (210) 733-2823 fax • Email: Martha's Email
| On-Air | Production Facility | ||
| ARTS (recorded) | OWL RADIO |
KSTX sub-channel (Texas Public Radio) |
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| San Antonio Local - Metro (Live broadcast 10:00 a.m. w/ 8:00 p.m. recorded repeat.) |
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| Off-Stage: Title & Character | Production Manager | Production Company | Venue |
| ActOne Series XII ~ Director of "Storms, Sheets, and Showtunes" |
Jenelva Carter and Danelle King |
The Renaissance Guild: | Jump-Start Performance Co. |
| ActOne Series XI ~ Director of "The Visit " |
Jenelva Carter and Danelle King |
The Renaissance Guild: | Jump-Start Performance Co. |
| ActOne
Series X ~ Director of "Star Students" |
Jenelva Carter | The Renaissance Guild: | Jump-Start Performance Co. |
| ActOne
Series IX ~ Director of "The Last Son of the South" |
Jenelva Carter Ann Turner |
The Renaissance Guild: | Jump-Start Performance Co. |
| ActOne
Series VIII ~ Director of "The Drive" |
Ann
Marie Saunders Jenelva Carter |
The Renaissance Guild: | Jump-Start Performance Co. |
| ActOne
Series VI ~ Director of "Dear Mother" |
Ann Marie Saunders | The Renaissance Guild: | Jump-Start Performance Co. |
| ActOne
Series V ~Production Manager |
Ann
Marie Saunders Latrelle Bright |
The Renaissance Guild: | Jump-Start Performance Co. |
|
Milagritos by Sandra Cisneros adapted
by Linda Cuellar |
Chuck Squier | n/a | Jump-Start Performance Co. |
| On-Stage: Title & Character | Directed by | Production Company | Venue |
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Office Banter by Deon van Rooyen ~ "Martha" |
Patrick Donnelly | The Renaissance Guild: | Jump-Start Performance Co. |
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The Rocky Horror Picture Show ~ "Unconventional Conventioneer" |
Lee Marshall Don Fox Steve Underwood |
Actors Theatre of San Antonio |
Cameo Theatre |
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Lysistrata
adapted by Alegria Garcia ~ "Stratyllis" |
Mellissa Marlowe |
The Renaissance Guild & the Shoestring Shakespeare Company |
Jump-Start Performance Co. |
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The Basement by The Velvet Mariachi ~ "Roselina/Pepe" |
The Velvet Mariachi | n/a | n/a |
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Sentimental Journey by R. Montez ~ "Ruby Sanders" |
Rocky Montez | Red Curtain | Woodlawn Theater |
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Breaking Up is Hard to Do by Deon van Rooyen ~ "Woman" |
Leanna Rodgers | The Renaissance Guild: ActOne Series IV | Jump-Start Performance Co. |
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Elements
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Crystal Bratton | The Renaissance Guild: ActOne Series III | Jump-Start Performance Co. |
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For
Colored Girls Who Have Considered Suicide When the Rainbow is Enuf ~"Woman in Brown" |
Kathy Hornsby | Hornsby Productions | Josephine Theatre |
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Elvis’ Rock and Roll Reunion ~ "Patsy Kline" |
Rocky Montez | Red Curtain | Little Theatre Off-Broadway |
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The Rocky Horror Picture Show ~ "Unconventional Conventioneer" |
Rocky Montez | Red Curtain | Little Theatre Off-Broadway |
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Elvis’
Nightmare in New York ~ "Aretha Franklin" |
Rocky Montez | Red Curtain | Little Theatre Off-Broadway |
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Dearly Departed ~ "Hallelujah Girl" |
Joe Leard | Trinity University | Stieren Theater |
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Lovers, Fools, Crowns, and Farewells ~ "Queen Gertrude" "Bottom" |
Charles R. Jeffries |
St. Philip’s College |
Watson Fine Arts Center |
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Spring Frolic ~ "Poet" |
Joe Leard | Trinity University | Stieren Theater |
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Duck, Duck Moose ~ "Fanny: the Evil Scientist" |
Joe Leard | Trinity University | Attic Theatre |
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God: A Play by Woody Allen ~ "Doris Levine" |
Joe Leard | Trinity University | Attic II Theatre |
PHYSICAL
HEAD SHOT
Gender: Female Ethnicity: Hispanic
Eyes: Brown Hair: Brown Height: 5’4”
Body:
Endo
Mesomorph Flexibility: Medium Endurance: High
Stamina: High
Capabilities
On Stage Off Stage Other Technical (Avid Cinema) Technical (SoundBlaster)
Performance Costuming/Makeup/Wigs Movement Shot-sheet development Off-line editing
Improvisation Stage Combat Belly Dancing Time Code Burns Recording
Melodrama Set Construction Tumbling Off-line editing Audio Layering
Pantomime Lighting Yoga Post Synchronisation Production Effects
Alto Voice Hosting/ushering
MAIN WEBS INTERACTIVE RESUME STATIC RESUME
Web site developed and maintained by Martha E.S. Buchanan. Last update: 08/06.
All rights reserved .
