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An undead that rises from the grave during the night to drink
the blood of the living in order to stay "alive". Generally the
word "undead" refers to a creature that should be dead but is
still active within the realm of the living.
The word "vampire" comes from the Slavic word obyri or obiri,
which evolved into the Bulgarian word "vampir". Although sources
differ greatly, some say that the Greek word nosophoros (which
means "plague-carrier") that evolved into the Old Slavonic word
"nosufur-atu" is a synonym for the word "vampire". In our
culture, the words "vampire" and "nosferatu" are interchanged
often.
Birth of a Legend
The vampire is truly a global creature, with myths related to
the dead which rise to drink the blood of the living coming out
of cultures all around the world. From Africa to Japan to Spain
and the UK, the vampire has held humans enthralled for
centuries. Nowhere, however, do we see more vampire folklore
than in the stories of the Slavic people. Perhaps the reason for
this is the historically high population of gypsies in that
area. The migration of the gypsies has been traced back across
the continent to northern India, where the religion had a cast
of certain bloodthirsty deities (such as Kali) and creatures
(such as a bhutu). It has been theorized that with this as a
base of folklore, the gypsies picked up bits and pieces of other
legends as they migrated toward the north-west and as a result,
altered the folklore of the Slavic nations.
According to legend, the victims of a vampire either dies or
becomes a vampire. Vampires could also be made in a variety of
ways: a child born under certain omens, a cat or other animal
jumping over a dead body, someone who committed suicide, and
practising witchcraft are some activities thought to be the
cause of vampirism. Even inanimate objects and animals were
thought to be able to become vampires: pumpkins, watermelons and
other fruit that was left out past a certain amount of time,
latches that were left unlatched too long, dogs, horses, sheep
and snakes are among the objects with vampiric potential in
older superstitions of the Slavic gypsy community.
Vampires were thought to be able to take the form of a bat, or
many other animals, as well as a mist. They were able to control
creatures like rats and wolves, and the elements were at their
command. Some kinds of vampires were thought to be endowed with
the ability to fly. Most all vampires of legend slept either in
coffins, or returned to the earth to sleep in their grave. Among
other superstitions, vampires were supposed to need to return to
the earth from their homeland each night, could not cross
running water, could not see their reflection in a mirror, could
not enter a place uninvited, and could not tolerate the symbol
of the Christian crucifix.
In order to protect yourself from a vampire, the cross or
crucifix was thought to be very powerful in the Christian
countries. Little is known of how holy symbols were used as
vampire protection before the Christian era, however, folk-cures
were often employed. Garlic was the most popular vampire
repellent, as well as hawthorn and the mountain ash (rowan).
Another defense was scattering seeds - vampires were supposed to
become so involved in counting every single seed that they would
either lose interest, or be caught counting even as the sun came
up. Surprisingly, silver was not as traditional a protective
metal as supposed in popular fiction - iron was the material of
choice. Iron shavings were placed beneath a child's cradle, a
necklace with an iron nail was worn, and other iron objects were
placed strategically around the place needing protection.
Once a vampire was discovered, it could be destroyed by
cremation, cutting off its head, exposing it to sunlight or by
driving a stake through its heart. Other superstitions told that
a vampire could be destroyed by touching it with a crucifix,
drenching it in holy water and garlic, stealing his left sock,
filling it with stones and throwing it in a river, or using a "dhampir",
or a vampire's child. Dhampirs were allegedly the only people
who were able to see invisible vampires, and they often took
advantage of this by hiring out their services as vampire
hunters.
In Literature
Vampires were popularized by the Irish author Bram Stoker with
his story of Count Dracula, a Transylvanian vampire, in 1897.
The story was probably based on Vlad Tepes, a medieval character
of exceptional bloodthirst. He supposedly impaled his enemies
(hence his nickname Vlad The Impaler) and cut off their heads.
He ruled Walachia as Vlad III in the 15th century, which is now
part of Romania. He signed his letters with Vlad Dracula, which
can be translated as Vlad, son of the dragon or son of the
devil. His father was called "Dracul" because he had a dragon
depicted on his coat of arms.
Before Stoker, vampire literature was rare, but existent.
Perhaps the most popular pre-"Dracula" stories were "Carmilla",
by J. Sheridan Le Fanu; "Varney The Vampire", by James Malcolm
Rymer; and "The Vampyre; A Tale", by John Polidori.
Modern Vampires
Vampires today, as they are often portrayed in modern day
literature, are much different than the vampires of old. They do
not necessarily have the same limitations the vampires from
legends had. Garlic and crosses offer no protection against
them, they are supposed to be able to walk during the day, and
sometimes are not considered to be undead, but another species
of humans. They usually still have extraordinary powers: their
strength and speed surpasses that of humans, and their senses
are heightened to a preternatural level. The need for blood,
however, has not diminished, in spite of how we have seen in the
last twenty years a trend toward a conscientious vampire who is
tormented by his/her own humanity.
Credit for many of the modern innovations with the vampire myth
must go to Anne Rice, who is the author of the immensely popular
"Vampire Chronicles", a five book series concerning a vampire
named Lestat. The first book from the series, "Interview with
the Vampire" was made into a movie in 1994, and joined the ranks
of many other vampire movies made over the decades. Bela Lugosi
will always be remembered as the first Count Dracula on the big
screen, and he is primarily responsible for the popular wealthy
aristocrat appearance, black cape, fangs, widows peak, and
Transylvanian accent that is so characteristic of the vampire
stereotype.
Breathing un-life into the vampire culture recently has been
"Vampire: The Masquerade", a role-playing game published by the
company White Wolf. Done in a Dungeons & Dragons fashion, people
gather to develop vampire characters within the guidelines, and
then successfully carry their character throughout a "story"
according to the rules. "Masquerade" enthusiasts often gather in
small groups or in large organized story-telling sessions to
actually become a living part of the vampire legend.
Source -
Encyclopedia Mythica |