NOTE: I was writing this scene of Thurman and Gary in the church and it didn't feel right as I was writing it. So I began the scene again and came up with what's in the final script. I'd thought it'd be cool for you all to see how the scene was going before I changed my mind. I add this because we do live in a DVD world, you know. A CREAK sounds through the sanctuary as the front double doors open. Gary and Thurman look up at the sound. GARY Well, it's about freakin'.... He stops as he sees the SHAPE standing in the doorway of the church. GARY (small voice) ....time. THURMAN Is that who I think it is? GARY He looks close enough like him that I ain't gonna stick around to find out. You can ask him if you want. THURMAN No thanks. The both get up and run to the other side of the church and try to open the doors. They're either locked or blocked from the other side. The Shape stalks towards them. The guys are frantic. THURMAN We ain't getting these doors open, man! The Shape stops where he is. To get out, they must go through him. Gary hits the door with his shoulder and gets nothing for his trouble save a sore shoulder. THURMAN What the hell are we supposed to do?! Gary leans over and speaks low to Thurman. GARY You run on one side, I take the other. He can't get both of us. THURMAN But he can still get ONE of us! Are you crazy?! GARY That's what we want him to think. Us, what we're really going to is act as though we're trying to get around him on the side of the church, and make for a window. We through them open, jump out and we're home free. THURMAN What about the girls? GARY We go to the bathrooms, get 'em, then get the hell out of here. THURMAN Better than nothing.... GARY GO! They both split up, Thurman to the right, Gary to the left. We follow Gary as he makes a dash down the left outer aisle, stops and throws open a window. He leaps out of it. EXT. CHURCH - NIGHT Gary lands on the ground, gets up and looks in through the window to see that the Shape was able to grab ahold of Thurman before he made it. END OF SCENE