CM3.0: Crimson Moon Over Clear Lake
							
"CRIMSON MOON OVER CRYSTAL LAKE" written by Cody Hamman, revised into "CRIMSON MOON 3" by Jeff Long

We don't fade in right away. In the darkness we hear 
a pack of wolves howl. 

FADE IN ON:

EXT. LAKE - NIGHT

We look out at the calm surface of a lake. There's a 
full moon in the sky and it reflects off the water.

CUT TO:

EXT. THE WOODS - NIGHT

A tent has been set up in a clearing and a campfire 
is smoldering in front of it.

CUT TO:

INT. THE TENT

A young couple, early to mid 20s, are laying in the 
tent, making out.

We hear the sound of a wolf howling in the woods and 
the couple stop making out, the girl, TERA, pulling 
away from the guy, PHILLIP.

				TERA
			Was that a wolf?

				PHILLIP
			Yeah.

				TERA
			You don't think it'll come around
			here, do you?

				PHILLIP
			Nah.

Phillip leans in to kiss her again, but at the same 
time there's a rustling sound outside the tent and 
Tera turns her head away.

				TERA
			Phillip, I'm still feeling a little
			uneasy about being out here.

				PHILLIP
			Come on, don't tell me that old guy's
			‘monster-in-the-woods’ talk is getting 
			to you. He was crazy. And drunk, from
			the smell of it.

				TERA
			It's just that we're pretty close
			to that place he was talking about.
			
				PHILLIP
			We're halfway around the lake from
			it! We’re a…

Phillip kisses her.

				PHILLIP
			...long...

Another kiss.

				PHILLIP
			...long…way away.

They kiss again and Tera starts to relax back into "the mood".

				PHILLIP
			There's nothing out in these woods but
			you, me and the harmless animals.

				TERA
			Alright. Just as long as you can keep
			my mind off all that other stuff, we
			should be fine.

				PHILLIP
			I can do that.

Phillip sits up to take his shirt off.

As soon as he gets the shirt off, a clawed hand comes 
ripping through the side of the tent and smashes through
Phillip's head, going in the back and out the front.

Tera screams as blood splashes across her face.

The clawed hand withdraws from Phillip's head and his body 
slumps over. The hand is then pulled back through the 
rip in the tent.

Tera rushes over to the tent flap and begins unzipping it.

Two clawed hands reaches in through the rip in the 
side of the tent and rips the side of the tent open even 
more, revealing-

Tera gets the tent flap unzipped.

The hands reach for her, but it's too late. She's 
crawling out of the tent.

EXT. THE TENT - NIGHT

Tera crawls out of the tent, hurries to her feet and 
starts running into the woods.

The creature, covered in darkness, stands up and watches her 
run. It begins to follow her, blood-dripping from one of its 
hands. It begins to shrink and change shapes.

EXT. THE WOODS - NIGHT

Tera runs through the woods, screaming, crying, falling, 
Getting back up, continuing to run.

Elsewhere in the woods, the trees and bushes are rustling as 
something big and fast runs through them.

EXT. A DIRT PATH - NIGHT

Tera bursts out of the woods and onto a dirt path that 
runs through the middle of the woods. A few yards to 
her left is the car she and Phillip came in on, 
pulled off the side of the road.

She hurries over to the car, going to the driver's 
door.

She stops at the door, realizing something-

				TERA
			Oh, God. The keys...

INT. THE TENT

The keys are attached to a belt loop on the jeans 
worn by Phillip's dead body.

CUT TO:

EXT. THE DIRT PATH - NIGHT

Tera lays her head on the roof of the car, sobbing.

The leaves on the low-hanging limb of a nearby tree 
shake.

Tera looks up at the tree.

TERA'S P.O.V. - We can't see anything in the woods.

A wolf howls nearby.

Tera turns around, leaning her back against the car, 
trying to locate where the howl came from.

Suddenly a large dark shape enters the frame from the 
left side, slamming into Tera, knocking her down.

CUT TO BLACK.

The main credits play, in the same way as the main 
credits of PULP FICTION played. As they do, "Werewolves 
Of London" by Warren Zevon plays.

Once the credits end, we:

FADE BACK IN ON:

EXT. A ROAD - DAY

Five motorcycles roar by, being driven by five large, 
menacing-looking men. Women ride on the backs of the 
three of the motorcycles.

We turn to watch the cycles roar down the road, past 
a sign that reads: WELCOME TO CLEAR LAKE

As we watch the bikers go we notice that on the backs 
of all of their jackets is a picture of a wolf with 
bloody fangs.

CUT TO:

EXT. A BLACK CAMARO - DAY

It's driving down the same road.

CUT TO:

INT. THE CAMARO

Driving is LANCE, a jock-type looking guy. Riding 
shotgun is his girlfriend, a redhead called GINGER. 
In the back seat is a guy with his hair dyed green 
wearing a Dawn of the Dead T-shirt, C.J., his brother 
TRIPS and Trips's girlfriend JEZZY. They're all in the
19-22 age range.

				C.J.
			I'm going to rub it in Dusty's
			face every time I see him, making
			fun of him for not being able to
			come on this trip.

				TRIPS
			Don't you think the pain of not
			being able to come is bad enough
			for him, you sadist?

				C.J.
			No. There's always a way.

				JEZZY
			It was miss the trip or have to
			drop out of school for him...

				C.J.
			So, drop out of school. I bet he
			ends up dropping out anyway. There's
			no way he'll go through with a
			career in psychology.

				LANCE
			You're right about that much.

				TRIPS
			Psychology's cool, though.

				GINGER
			Oh, shit...

				LANCE
			What?

On the floor between Ginger's legs is a small cooler. The lid
is open and she's looking into it.

				GINGER
			We're out of beer.

				LANCE
			Oh my God. We have to stop at the
			next store.

From seemingly out of nowhere, the roar of motorcycles 
is suddenly upon them.
 
The kids look through the back window to see five 
motorcycles speeding toward them, coming around a 
curve.
 
The motorcycles are heading straight for the back of 
the car and seem to be speeding up.

				JEZZY
			What are they doing?

The motorcycles turn away from the back of the car 
just in time, the first few going around both sides.

Two of the motorcycles ride right in front of the car, 
one cycle rides right behind, one cycle rides on each 
side.

Lance now has to drive within a sort of box.

				LANCE
			Jesus Christ.

				GINGER
			What is their problem?

				C.J.
			Just hit the brakes, Lance, that'll
			fuck 'em up.

				TRIPS
			No, don't. Just keep driving.

The biker riding on Lance's side knocks on Lance's 
window.

Lance looks at him and the biker smiles, waving.

Lance waves back with his middle finger.

The biker loses his smile and punches Lance's window, 
breaking it, showering Lance with glass.

				LANCE
			Shit!

The motorcycles finally start pulling away from the 
car and driving on down the road.

The kids watch the cycles speed away. The biker Lance 
flipped off returns the favor as he drives away.

Lance leans his head out his broken window and yells-

				LANCE
			Assholes!

				GINGER
			Don't yell at them.

				LANCE
			Why not? They could've killed us.

				GINGER
			I don't want them to come back and
			finish the job.

				LANCE
			Pricks...

				C.J.
			Biker gangs still exist?

CUT TO:

EXT. THE ROAD - DAY

The motorcycles drive out of sight.

CUT TO:

EXT. THE WOODS - DAY

Sitting in a deer stand, rifle slung over his lap, 
Wearing camouflage clothes, drinking a beer, is 
BRUCE, 38.

CUT TO:

EXT. THE WOODS - DAY

In another area of the woods another hunter in 
camouflage clothes, JEFF, 37, is walking with 
his rifle in hand.

There's a rustling sound nearby and Jeff stops, 
listening.

Another rustling sound.

Jeff goes over to a tree, stands behind it and looks 
in the direction of the rustling.

JEFF'S P.O.V. - Through the leaves of a nearby tree, 
we see something moving on the other side.

Jeff raises his rifle.

The "something" moves through the leaves.

Jeff is ready to fire as soon as whatever it is comes 
through the leaves and into plain sight.

The "something" does this. It's another man in ripped 
camouflage, KEVIN MILLER, from Crimson Moon 2.

Jeff lowers his rifle.

				JEFF
			Jesus, Miller. You're going to end
			up getting shot one of these days.

Miller, oblivious to the fact he was just almost shot, walks up
to Jeff.

				MILLER
			How's it going?

				JEFF
			Have you heard any shots fired?

				MILLER
			No.

				JEFF
			There you go. It's going shit.

				MILLER
			Don't feel bad, I haven't gotten
			anything in the last couple years.

				JEFF 
              I'm not surprised. So where the hell 
		     have you been since last night? You 
			just took off.

				MILLER
              I saw a deer and followed after it. 
			Where's Bruce?

				JEFF
			Probably still up in the stand.

				MILLER
			Ah...

Miller takes a small drink from his canteen. Jeff, who 
had been drinking a beer, finishes it, belches, and throws 
the empty can away.

It hits the ground a couple yards away, at the edge of a 
small hill. It rolls down the hill and stops when it hits
a big black boot.

We look up to see that the boot is being worn by a man that 
has twin holsters with twin pistols in them, and a sword tied 
to his back. He looks to be in his late 20’s or early 30’s. 
He kneels down and looks at some tracks on the ground. 

He stands up and begins following the trail.

CUT TO:

EXT. A GAS STATION/CONVENIENCE STORE - DAY

The Camaro pulls up to the pumps and stops. Lance and Ginger get
out, followed by C.J., Trips and Jezzy.

Lance goes to the pump, prepares to gas up the Camaro and every-
one else walks toward the gas station.

We cut to a shot looking around the corner of the gas station as
Ginger, C.J., Trips and Jezzy open the station door and walk in.
Once they disappear into the building, we look over-

Parked beside the gas station on this side, near the back of the 
building, are the motorcycles. The bikers aren't around.

CUT TO: 

INT. THE GAS STATION/CONVENIENCE STORE

Ginger and C.J. go to the beverage refrigerators in the back
of the store while Trips and Jezzy head for the restrooms.

One of the bikers is standing in the middle aisle of the
convenience store section, watching the kids. They don't see
him.

CUT TO:

EXT. THE GAS STATION - DAY

Lance is pumping gas into the Camaro.

There's a thump behind him and he looks back to see the biker
he interacted with earlier leaning on the pump. We'll call the
biker BIRD.

				BIRD
			Well fuck me runnin', look who it is.

CUT TO:

INT. THE GAS STATION - THE LADIES ROOM

The door opens and Jezzy enters. Two of the biker women are
in the restroom, standing at the sink.

Jezzy tries to ignore the bikers, hoping they'll ignore her
as she goes to one of the stalls.

When she goes to open the closed stall door, it swings open
and the third biker woman comes out. Jezzy turns to go to 
another stall, but the other two women are blocking her way.

CUT TO:

INT. THE MENS ROOM

Trips is using one of the urinals when a stall door behind
him opens and a biker comes out.

CUT TO:
INT. THE CONVENIENCE STORE AREA

C.J. is holding a case of beer as Ginger looks over the 
snack foods. She grabs a large bag of chips and turns to 
C.J. C.J. turns around so they can walk out of the aisle, 
and he runs right into-

Not a biker, but a crazy looking old man.

				OLD MAN
			Stay out of the woods.

				C.J.
			What?

				OLD MAN
			Stay out of the woods, or you might
			not come out alive.

				C.J.
			OK, thanks for the advice.

C.J. steps around the old man and walks away. Ginger tries 
to pass, but the old man grabs her by the arm.

				OLD MAN
			Death stalks the woods! Don't go into
			the woods!

Ginger pulls her arm away from the old man and hurries after C.J.

EXT. THE GAS STATION - DAY

Lance and Bird are facing off.

				LANCE
			Hey. You know, I was sort of hoping 
			we'd come across each other again.

				BIRD
			Yeah?

				LANCE
			Yeah. Since you broke my window, you 
			can pay for it.

				BIRD
			Sure.

				LANCE
			Pool together some money with your
			buddies if you want. I guess you're
			all responsible in a way.

				BIRD
			No, I'll take care of it myself.

Bird steps away from the pump, going to the back of the 
car, then walking around to the other side.

				BIRD
			You know what, better than paying for
			the window, I'll even fix the problem
			myself. You can't have a broken window
			and three that are still intact. It
			just doesn't match...

Bird smashes the back window on the passenger side.

CUT TO:

INT. THE GAS STATION - THE LADIES ROOM

Jezzy is circled by the three biker women.

				JEZZY
			Look, I don't want any trouble.

				WOMAN #1
			Neither do we.

				JEZZY
			Could you let me pass then?

				WOMAN #2
			Maybe. Depends.

				JEZZY
			On what?

				WOMAN #3
			How nicely you can ask us.

CUT TO:

INT. THE MENS ROOM

Trips is finishing up at the urinal when the biker walks
out of the men’s room, passing behind him. As the biker 
passes he pushes Trips forward into the urinal.

				TRIPS
				(disgusted)
			Fuck...

CUT TO:

EXT. THE GAS STATION - DAY

Bird shatters the front passenger side window as Lance 
rounds the back of the car, going after him.

				LANCE
			That's enough, asshole.

				BIRD
			No, I've got 3 windows to go.

Bird jumps up on the car's hood and begins slamming a foot
into the windshield.

				LANCE
			Son of a bitch!

Lance grabs Bird's leg, Bird turns and kicks him in the face.

CUT TO:

INT. THE LADIES ROOM

Scene's the same.

				JEZZY
			Will you please let me pass?

				WOMAN #1
			Will you please let me pass, ma'am.

				JEZZY
			Will you please let me pass, ma'am?

				WOMAN #2
			That's good.

				WOMAN #3
			That's real nice.

				WOMAN #1
			Not good enough yet.

				JEZZY
			Come on...

CUT TO:

EXT. THE RESTROOMS

Trips comes out of the bathroom, looking at his wet clothes.

				TRIPS
			Unbelievable.

				JEZZY
				(O.S.)
			Help!

Trips looks at the ladies room door.

				TRIPS
			Jezzy?

He leans against the door.

				TRIPS
			What's going on?

CUT TO:

INT. THE LADIES ROOM

Woman #1 has shoved Jezzy against the nearest stall and has 
a hand over her mouth now.

				TRIPS
				(O.S.)
			Jezzy?

				WOMAN #1
			Aw, now you've ruined our fun.

Woman #1 shoves Jezzy backwards and she falls, landing sitting 
on the toilet.

				WOMAN #1
			Maybe we can have more fun later.

The women walk out of the restroom.

CUT TO:

EXT. THE RESTROOMS

Trips steps back from the ladies room door as the three women 
come out.

CUT TO:

EXT. THE GAS STATION - DAY

Lance gets to his feet, his mouth and nose bleeding.

Bird has moved on to breaking the back driver's side window.

Lance runs toward Bird.

At the same time, Ginger and C.J. come out of the gas station
carrying a couple bags of stuff. They see what's going on and 
C.J. puts his bag down so he can run to help Lance.

Before C.J. can go, though, the other bikers burst out of the
gas station and one of them grabs him in a bear hug from behind.
Another does the same to Ginger.

				C.J.
			Hey! Let go of me!

Lance reaches Bird as he smacks his hand down on the rear window,
causing a spider web break.

Lance punches Bird, with almost no effect.

Bird punches Lance in the face and Lance falls to the ground hard.

				BIRD
			Let me finish.

Bird hits the rear window again and it shatters.

He then kicks Lance in the stomach as he walks away.

				BIRD
			Glad to help.

The biker holding C.J. lets him go and he runs to Lance.

				C.J.
			Are you alright?

				LANCE
			Just dandy...

Lance groans as C.J. helps him to his feet.

				LANCE
			That motherfucker...

Lance gets his breath back and starts to go after Bird, who's
walking toward the gas station. C.J. holds him back.

				C.J.
			Whoa. Just let it go.

				LANCE
			Just let it go? He broke all of my
			fucking windows!

				C.J.
			So we'll call the cops or something.

				LANCE
			I want to kick his ass.

				C.J.
			Lance, there's no way. You won't
			kick his ass any more than you
			already have, you'll just get hurt
			more.

				LANCE
			Shit...

Lance realizes C.J.'s right.

Ginger has been let go and comes running up to them.

				GINGER
			Lance, baby, are you alright?

				LANCE
			Do I look alright?

Trips and Jezzy come walking up.

				TRIPS
			What the hell happened?

				C.J.
			Those asshole bikers.

				LANCE
			They guy who broke my window finished
			the job.

				JEZZY
			They attacked me in the restroom.

				C.J.
			Bastards.

				TRIPS
			We need to go to the police.

				LANCE
			Fuck the police, let's just get out
			of here.

CUT TO:

EXT. THE WOODS - DAY

Miller is again walking alone through the woods, beside a row
of shrub trees.

On the other side of the shrub trees, the mysterious man is 
walking, matching Miller's steps. We watch them walk along 
this way from an aerial shot just above the shrubs. After a 
few steps, Miller stops walking. The mysterious man stops walking.

Miller turns to the shrubs, the mysterious man turns to the shrubs. 
Miller pulls his canteen out and unscrews the top. He raises it to
his mouth and starts to gulp the water down.

The mysterious man suddenly bursts through the shrubs. 

				MYSTERIOUS MAN
			Miller!

Miller turns to the man and sneers an evil sneer at him. One we 
would never expect from Miller.

The man unslings his sword and rams it forward, stabbing into the
bottom of the canteen and going through it, ripping it apart. The
sword goes into Miller's mouth and continues through until it rips 
through the back of Miller's head.

Miller's hand drops away from the canteen and his body stands
there, stuck on the sword, quivering. The man pulls the sword 
out of Miller's head and his body falls to the ground. He takes 
the sword and swings down, decapitating Miller.

CUT TO:

EXT. THE GAS STATION - DAY

Ginger brushes the glass off her seat, and then gets into the Camaro.

CUT TO:

INT. THE CAMARO

Everyone is back in their seats and Lance has started the car.
He starts to drive away from the pump, headed for the side of
the building that the motorcycles are on.

				TRIPS
			What are you doing, Lance?

				LANCE
			I just want to say goodbye to our 
			friends.

				GINGER
			Lance, no.

CUT TO:

EXT. THE GAS STATION - DAY

The motorcycles are still parked, the bikers standing around them,
getting ready to leave.

The Camaro comes driving up, headed right for the motorcycles.

A biker is sitting on the motorcycle closest to the Camaro, and he
sees the Camaro coming toward him. He jumps off the motorcycle and
runs out of the way.

CUT TO:

INT. THE CAMARO

				GINGER
			You're going to hit them!

CUT TO:

EXT. THE CAMARO - DAY

The Camaro hits the first motorcycle, knocking it over. It hits the
motorcycle and there's a domino effect, knocking all of the cycles
down.

The Camaro then turns, running over the back half of the motorcycle.
Lance then steps on the gas and speeds off onto the nearest road.

CUT TO:

INT. THE CAMARO

				C.J.
			I don't think you should've done
			that, Lance.

				LANCE
			They had it coming.

				GINGER
			I just hope they don't come after
			us.

				LANCE
			What, are they gonna chase us down
			and kill us? 

				JEZZY
			Don't even say that.

CUT TO:

EXT. THE WOODS - DAY

Jeff is walking along. There's a rustling behind him and he stops
beside a tree, turning around.

JEFF'S P.O.V. - There's nothing behind him.

He turns back around and-

JEFF'S P.O.V. - A person quickly comes around the side of the tree,
stepping in front of him.

It's Tera, looking dazed, barefoot, her clothes ripped and covered 
with dry blood. She startles Jeff, making him jump and yell. Tera 
does the same, she didn't know anybody else was out here.

Jeff realizes it's a girl in bad shape and becomes concerned.

				JEFF
			Are you alright?

				TERA
			Help me.

CUT TO:

EXT. THE WOODS - DAY

Bruce is still up in his deer stand.

				JEFF
				(O.S.)
			Bruce! Miller!

CUT TO:

EXT. THE LAKE - DUSK

Just a shot to establish the fact that the sun is beginning to go down.

CUT TO:

EXT. THE CAMARO - DUSK

The paved road it's driving on abruptly changes to dirt.

CUT TO:

EXT. THE WOODS - DUSK

Jeff and Bruce are walking through the woods, helping Tera walk between
them.

				BRUCE
			What happened to you?

				TERA
			I was camping with my boyfriend...
			this creature... it killed him...

				BRUCE
			What creature?

				TERA
			A werewolf...

Jeff and Bruce look at each other.

				TERA
			I tried to run from it, but I couldn't
			get away... Phillip had the keys. Then...
			then I can't remember. I can't remember
			what happened.
				(beat)
			I woke up this morning in the woods. I
			couldn't find my way out.

				BRUCE
			Well, we're getting you out now. We'll
              take you to the hospital. I really don’t think  
              a werewolf did this, but there are stories of 
              oversized wolves in the area. You might have 
              been camping in the territory of one.

				JEFF
			Miller!

Jeff's voice echoes through the woods.

				JEFF
			Where the hell is he?

				BRUCE
			Miller, we're leaving!

About 20 yards ahead, a rusty red pickup truck is parked in a clearing.

				TERA
			Who's Miller?

				BRUCE
			A friend of ours.

				TERA
			Maybe the wolf got him...

Bruce and Jeff glance at each other, worried.

				BRUCE
			Alright, just keep calm. We’ll go and 
			bring her to the hospital and then go 
			to the sheriff’s officer and get a 
			search team for Miller.

They're now 10 yards away from the pickup.

The mysterious man suddenly drops down in front of them from out of
nowhere, raising his sword. 

				MYSTERIOUS MAN
			You have a werewolf in your midst. 
			Hand it over.

Bruce, Tera and Jeff step back, shocked, not knowing what to make 
of it. The man is about to swing his sword when Jeff fires his rifle, 
knocking the sword out of the man’s hands.

				JEFF
			Run!

Bruce runs for the truck, pulling Tera along and Jeff follows.
The mysterious man reaches into his holsters and pulls out his two guns.

Bruce reaches the truck and opens the door, stepping aside and
letting Tera climb in. Once Tera's in, Bruce gets in and shuts
the door just as a couple shots hit it.

Jeff reaches the truck, going over to the passenger door. Tera 
opens the door for him and Jeff gets in.

The man fires again, shattering a window as Bruce gets the truck 
started and they speed away. Jeff pulls his door closed as they go.

The man turns and watches the truck go.

				MYSTERIOUS MAN
			Shit.

CUT TO:

INT. THE TRUCK

Bruce, Tera and Jeff are recovering from the attack.

				JEFF
			Holy shit...

				BRUCE
			Who the hell was that guy?

				JEFF
			We've got to get her to a hospital,
			then get the police.

				BRUCE
			Miller must be dead. I mean, if he
			wasn't he would've answered us, right?

				JEFF
			We couldn't stick around to find out.

CUT TO:

INT. THE CAMARO

The kids are riding along, the wind coming through the broken windows
and blowing their hair around.

				GINGER
			It's getting cold out.

				LANCE
				(angry)
			Yeah, let me just roll the windows up.

We hear the roar of motorcycles off in the distance.

				JEZZY
			Oh, Jesus.

Trips, Jezzy and C.J. turn around in their seats and look out the 
back window.

We don't see anything behind them but dark road.

				GINGER
			Is that them?

				TRIPS
			Don't see anything.

				JEZZY
			But they're out there.

				C.J.
			Should've chosen a busier road.

				LANCE
			How am I supposed to know what these
			roads are? I didn't know we'd end up
			on a fucking cow path in the middle
			of nowhere.

				GINGER
			Let's just get off this cow path as
			quick as we can.

Lance steps on the gas.

CUT TO:

EXT. THE CAMARO - NEAR DARK

It speeds down the dirt path that cuts through the middle of
the woods.

CUT TO:

INT. THE PICKUP TRUCK

Jeff is talking to Tera.

				JEFF
			Are you hurt at all?

				TERA
			I don't think so.

Tera looks at her blood-covered clothes.

				TERA
			This must be Phillip's blood. It’s not 
			mine. I don’t have any cuts or anything

CUT TO:

EXT. THE PICKUP TRUCK - NIGHT

It speeds down the dirt path, going in the opposite direction from
the way the Camaro's going. They're going to pass each other eventually.

INT. THE CAMARO

The Camaro is still speeding along, those in the backseat keeping
a watch out the back window as the roar of motorcycles continues,
sounding closer now.

Jezzy grabs Trips' arm.

				JEZZY
			I'm really scared.

				TRIPS
			I'm not exactly happy about this
			situation myself.

C.J. squints, looking into the shadows on the road behind them.

C.J.'S P.O.V. - We can't see anything but darkness behind the car.

The roar of the motorcycles is getting louder and closer.

				C.J.
			It's so loud... They have to be right
			there.

				TRIPS
			I still can't see anything.

				C.J.
			I know. I don't und...

C.J. drops off when a motorcycle is briefly glimpsed in the red
glow of the taillights.

Jezzy looks at Lance.

				JEZZY
			They're right behind us!

The bright headlights of four motorcycles come on behind the car.
Lance messed up the fifth motorcycle by running over it, so it's
rider has to ride on the back of one of the others.

				GINGER
			Oh God, oh God, oh God...

Lance speeds up some more.

The motorcycles speed up as well, coming up to the back of the car.

CUT TO:

EXT. THE PICKUP TRUCK - NIGHT

It speeds around a curve in the path.

CUT TO:

EXT. THE CAMARO - NIGHT

It speeds around a curve in the path, going left of center.

CUT TO:

EXT. THE CURVE - NIGHT

The pickup truck and the Camaro come around the curve, speeding toward
Each other. They're going to meet in the middle of the curve - head on.

We see quick cuts of the people in the truck and Camaro reacting to
the fact that they're about to collide.

The pickup and Camaro collide, the driver's side of the Camaro hitting
the driver's side of the pickup. This causes the Camaro to spin
around, slamming into the side of the pickup. They then both spin off
the edge of the road, the pickup flipping over. The Camaro crashes
head on into a tree.

The bikers react to the collision in time and just speed off down
the path. The roar of the motorcycles eventually fade away and 
become inaudible.

We linger on the wrecked vehicles, the natural sounds of the woods
the only sound. After a while, there's a squeal of metal. It's coming 
from the pickup, the passenger door is opening. 

Tera climbs out, her head bleeding. Jeff and Bruce are moving around
inside, hanging upside down.

Over at the Camaro, all of the kids are moving around.

				C.J.
			Jesus Palomino.

				LANCE
			Is everyone OK?

				GINGER
			Yeah.

				JEZZY
			I think so.

				TRIPS
			Yeah.

Tera stands up and starts walking toward the Camaro.

Lance unbuckles his seat belt, opens his door and gets out of the
Camaro. He looks over and sees Tera walking toward him.

				LANCE
			You guys alright?

				TERA
			Yeah, but we have to get out of here.

Lance looks at the front of the Camaro. It's totaled.

				LANCE
			We're not going anywhere in this.

They look over at the upside down pickup as Bruce and Jeff crawl out.

				LANCE
			Or that, from the looks of it.

				TERA
			But we have to! He's out there!

Tera gestures at the woods.

				LANCE
			Who?

				JEFF
			Some psycho killer. There’s also some big 
			wolves in the area that are pretty territorial. 

Bruce gets to their feet and walks toward the Camaro.

Ginger, C.J., Trips and Jezzy get out of the Camaro.

				BRUCE
			You people alright?

				LANCE
			Yeah.

Bruce and Jeff reach the Camaro, look at the front of it.

				BRUCE
			Your car's fucked.
	
				LANCE
			I noticed. I'm sorry about this, those
			bikers, they've been terrorizing us
			all day. They were chasing us...

				BRUCE
			Those bikers are the least of our worries 
			right now. We were just attacked by a psycho
			out in the woods. We have to get to the police.

				GINGER
			How far away are they?

				BRUCE
			About 50 miles.

				C.J.
			Great. We've encountered so much hospitality
			since we got into this town, I think I
			might be moving here.

				JEFF
			We have to get out of here.

				LANCE
			Where can we go? How can we get there?

Tera points at something off-screen.

				TERA
			Where does that go?

Everyone turns to look at what Tera's pointing at. Another dirt
path branches off from the one they're on.

CUT TO:

EXT. THE OTHER DIRT PATH - NIGHT

Tera, Jeff, Bruce, Lance, C.J., Ginger, Trips and Jezzy walk down
the path. Jeff and Bruce are carrying their rifles.

				C.J.
			So how did you guys come to be out here?

				JEFF
			The Cliff's Notes version, me, Bruce and 
			our buddy Miller were out hunting and we 
			stumbled upon her, who had been camping 
			with her boyfriend when they were attacked 
			by a wolf. Since then our friend has gone
			missing and we’ve been attacked by a psycho.

We look at Tera as she walks. Her fingernails seem to have grown and
starting to grow sharp points. Her arms are getting pretty hairy.

CUT TO:

EXT. CAMP STERIGAN - NIGHT

It's not in very good hshape, but someone has been keeping it up over
the years.

The kids, the hunters and Tera come walking up to the main house.

				TRIPS
			What is this place?

				BRUCE
			Camp Sterigan. It was a summer camp up until
			1992, when the funding for building new 
			buildings ran out. Ed McRae, the son of the 
			original owner, keeps it up. I'm hoping there's 
			a phone in here.

They walk up onto the porch.

CUT TO:

INT. THE MAIN HOUSE

It's very dark in here. The door opens and Bruce enters. He feels
the wall for a light switch, finds it, flips it on.

Light comes on in the main room and Jeff, Tera, Lance, C.J., Trips
and Jezzy enter, looking around.

				BRUCE
			Look around for a phone.

Everyone splits up and starts looking around the place. As they
look around so do we. The living room area has three comfy couches, 
a fireplace, and a big table along with a small coffee table.

CUT TO:

INT. THE DINING ROOM

C.J. enters and immediately spots an old rotary phone sitting on
a small table beside the dining table.

				C.J.
			Hell yeah.

C.J. goes to the phone, picks it up, puts it to his ear... and
looks very disappointed.

				C.J.
			I found a phone!

The others crowd into the doorway, looking at him. He hangs the
phone up.

				C.J.
			But there's no dial tone.

Everyone's spirits were raising at the sight of the phone, now
they're deflated again.

				TERA
			What do we do now?

CUT TO:

EXT. THE LAKE - NIGHT

The full moon is rising in the sky, surrounded by dark clouds.
Lightning flashes in the clouds. Thunder rumbles.

CUT TO:

INT. THE HOUSE - THE LIVINGROOM

Everyone's standing around the livingroom. Ginger looks really
cold, hugging herself and rubbing her arms.

Jeff goes to the door and looks out at the lake beyond the porch
and a large hill leading down to a beach.

Tera is sitting in a chair beside the staircase, staring at the
floor. She appears to be growing man-ish facial hair.

C.J. is looking at her, Trips standing beside him looking else-
where. C.J. nudges Trips and directs his attention to Tera. C.J.
motions to his chin, using his own sign language to tell Trips
to check out Tera's facial hair.

Trips gives C.J. a "duh" look and looks away.

Jeff turns away from the door.

				JEFF
			Well, looks like we're going to be
			together for a while, so I guess we
			should at least know each other's names.
			I'm Jeff.

				BRUCE
			Bruce.

				LANCE
			Lance.

				C.J.
			Cory, but everyone calls me C.J.

				JEZZY
			Jezzy.

				GINGER
			Megan, everyone calls me Ginger.

				TRIPS
			Trips.

				JEFF
			Trips?

				TRIPS
			Yeah, it's a nickname. Adam Aaron
			Anderson, Triple A, became Trips over
			time.

Everyone looks at Tera, who's still staring at the floor, spacing
out.

				BRUCE
			What's your name?

Tera looks up.

				TERA
			What?

				BRUCE
			What's your name...

				TERA
			Tera.
						
We notice that Tera's eyes are starting to look wolf-like. Nobody
else notices.

				JEFF
			Now, either we go out and walk a few 
			miles into town, or we're stuck here.

				TRIPS
			I say we chance the walk then. One serial
			killer, there's eight of us, we should
			be able to handle him if he comes along.

				BRUCE
			Not this guy. Plus there’s the wolves…

				LANCE
			And if the bikers were to come along
			while we're walking...

Ginger pulls the sheet covering the couch off and wraps it around
herself.

				GINGER
			It's really cold in here.

				LANCE
			Yeah, it is.

				C.J.
			I think it's too risky to go out there.
			I say we just hunker down here for the
			night, start a fire...

				TRIPS
				(interrupts)
			"Hunker down"? Dork.

				C.J.
			Fuck you.

				LANCE
			Let's drop the sibling bickering for
			a while, guys.

				C.J.
			Yeah, well I've given my vote. Now
			I've got to find a bathroom and take
			a leak.

CUT TO:

EXT. THE WOODS - NIGHT

The mysterious man is walking through the woods, not far from a 
dirt path/road. 

We can hear the motorcycles somewhere in the distance.

CUT TO:

INT. THE HOUSE - A SMALL BATHROOM

There's no bathtub in this one, just a toilet and a sink. Above
the toilet is a window that looks out across the driveway at
some of the small cabins.

C.J. is finishing up at the toilet. He flushes and looks out the 
window.

We look through the window and see a quick glimpse of the mysterious 
man walking behind one of the cabins.

C.J. blinks and goes to the sink. He was obviously looking at
something other than what we were. He washes his hands. As he's
doing this we look through the window again. The mysterious man has
walked around the back of the cabin, and is now walking toward the 
house.

CUT TO:

INT. THE LIVINGROOM

Everyone's still standing around.

				TRIPS
			Staying here is stupid. It's pointless. We've
			got rifles, if the bikers or this psycho guy, 
			or any wolves come along we just blow the 
			fuckers away.

				JEFF
			The psycho has guns as well. He already fired 
			at us. 

				TRIPS
			We don't have to stay together. Those who want
			to stay here, stay, those of us who want to 
			leave, let's leave. I just hope one of you
			that's armed decides to come with me. If not, 
			hell... if I hear the motorcycles, I'd run into
			the woods. Either way, I'm getting out of here.

There's a squealing sound somewhere in the house, like a door
swinging open. Everyone ignores it, figuring it was just C.J.

CUT TO:

INT. THE HOUSE

The bathroom door opens and C.J. comes out. He turns to walk
back into the livingroom and walks right into the mysterious man, 
who's standing there with his guns drawn, his sword in its 
sheath on his back.

				C.J.
			Jesus Christ!

				MYSTERIOUS MAN
			Tell me where the wolf is.

				C.J.
			Who? What?

				MYSTERIOUS MAN
			The wolf. I want it. You have it. Bring it
			to me.

				C.J.
			Dude, I have no idea what you’re talking…

Without warning, the mysterious man whips the two guns up and 
aims them at C.J.

				C.J.
			Oh, fuck!

C.J. dives back into the bathroom. The man fires a couple
shots into the door frame.

				MYSTERIOUS MAN
			Bring me the wolf!

He puts his guns away and takes out his sword, walking over to 
the bathroom doorway.

				LANCE
				(O.S.)
			Holy shit!

The man turns around to see the others standing in a nearby doorway,
looking at him. They had been drawn by the sounds of the gunshots. 
Jeff and Bruce are in the back of the group so they couldn't shoot 
at him even if they wanted.

				BRUCE
			That's the guy that attacked us in the
			woods!

				TRIPS
			C.J.! Are you alright?

				C.J.
				(O.S.)
			Just get the fuck out of here!

The man looks over into the bathroom to see C.J. has opened the
window and is crawling through it. The man turns back to the group
and opens his mouth to say something, but before he can, they 
turn and run.

CUT TO:

INT. THE DINING ROOM

The group runs through the dining room.

When the first person, Ginger, reaches the doorway to the livingroom
and goes through the mysterious man is just entering the dining room.

CUT TO:

INT. THE LIVINGROOM

Ginger reaches the front screen door, throws it open and goes out onto
the front porch. The others follow.

CUT TO:

EXT. THE HOUSE

The group runs out onto the front porch. Ginger leads them to the
stairs off the porch, runs down.

When the group have all gone down the stairs, the five motorcycles
come roaring down the driveway.

				TRIPS
			Oh, fuck.

The group looks back at the front porch. The front door of the house
is closed and the man is nowhere in sight.

				JEZZY
			Where'd he go?

The motorcycles stop in the driveway, shut off, and the eight bikers 
get off of them.

				TRIPS
			Shoot them!

Bruce and Jeff raise their rifles.

				BRUCE
			Don't come any closer.

				JEFF
			Just stay where you are.

Thunder rumbles. The bikers are walking toward them, Bird in 
the lead.

				BIRD
			What was that? Couldn't hear you
			over the thunder. There's a storm
			coming in, you know. We thought we
			should seek some shelter.

				JEFF
			Don't feed us that bullshit. Just
			get back on your bikes and get out
			of here.

The bikers stop about 10 feet in front of the group.

				GINGER
			What do you want from us? Why won't
			you leave us alone?

				BIRD
			This is just an amazing coincidence
			actually. We thought we were done
			fucking with you once you crashed
			your car. We came for her...

Bird points at Tera.

				BIRD
			The one that was chosen last night
			to join our numbers. But if you don't
			give her to us, it'll just be an extra
			bonus that you're the ones we get to
			rip through to get to her.

The group glances at Tera, who's standing in the middle of the
group with her head down and has gotten even hairier since the
last time we looked at her.

				TRIPS
			Do you know these guys?

Tera shakes her head.

We see a quick series of flashes- Tera laying on the dirt path,
screaming as a giant wolf chews into her shoulder. Her being drug
through the woods by a two-legged werewolf. The werewolf transforming 
into an over-sized wolf and running away from her unconscious body 
at dawn.

Then we're back to the scene.

				BRUCE
			You're not getting her. Just leave.

				BIRD
			Give her to us, or you'll soon be
			wishing you had.

				TRIPS
			Fuck off.

				JEZZY
			Look, we really don't need this
			right now...

				WOMAN #1
			Aww.

				JEZZY
			There’s a psycho in the house!

Bird shrugs.

				BIRD
			Really? There’s some psychos out here.

Bird turns to the other bikers.

				BIRD
			Let's do it.

The bikers look at the group of people, their skin rippling 
like there's something underneath it. The biker's fingernails 
grow into claws as hair pops out all over their hands. They all 
take off their jackets and drop them on the ground.

At the back of the house, C.J. is leaning against the back edge
of the building and watching all this going on, a shocked look
on his face.

Bird walks toward the group, his eyes changing into the eyes of 
a wolf.

				JEFF
			What the fuck's wrong with them?

				JEZZY
			Don't let him get close!

Bird stops less than a foot away from the barrel of Jeff and Bruce's
rifles. He looks at Bruce.

				BIRD
			Just give us the girl and we'll go.

As Bird talks his teeth turn from normal human teeth to sharp, wolfen 
fangs.

ECU: THE BIKER'S WOLF-LIKE EYES

ECU: BRUCE'S FACE - He is staring into Bird's eyes, drowning in them.

				LANCE
			Shoot him!

Jeff looks at Bruce, nervous.

				JEFF
			Bruce...

Bruce is still staring into Bird's eyes.

				BIRD
			Give us the girl.

				BRUCE
				(spaced out)
			Maybe we should give them the girl.

Tera looks up from the ground.

				TERA
			No!

Trips lunges forward, grabbing Bruce's rifle.

				TRIPS
			Give me the fucking gun, I'll shoot
			him!

This jolts Bruce out of it and he fires his rifle.

The shot hits Bird and he falls to the ground. We rack focus to
the bikers standing in the background.

				GINGER
			What the hell...

The bikers are standing there, growling, covered with so much hair 
you can't see their skin through the fur. Their faces are elongating
into snouts. Their clothes lay ripped on the ground.

				JEZZY
			Shoot!

Jeff and Bruce open fire on the bikers, shooting them all in their
chests and stomachs, knocking them to the ground.

As soon as all of the other bikers are on the ground, Bird gets up,
now fully changed into a werewolf.

The other bikers, also fully werewolves now, start getting up.

				BRUCE
			Holy shit!

				LANCE
			Back in the house!

Everyone turns and runs up onto the front porch.

The last person to reach the porch, Bruce, is suddenly grabbed from 
behind by a werewolf as soon as he steps from the top step onto the 
porch. He drops his rifle as the werewolf turns and tosses him to 
the ground.
				
Bruce is immediately surrounded by the other werewolves, who begin 
to claw and rip into his stomach. Bruce screams, watching the werewolves
tear his guts out.

The scream is cut off when one of the werewolves bites into his throat.

While the others are running into the house, Lance has gone back and
picked up Bruce's rifle. He points it at the werewolves.

				LANCE
			Fuck you!

He pulls the trigger. The rifle does nothing.

				LANCE
			Shit!

Lance turns and runs to join the others going into the house.

CUT TO:

INT. THE HOUSE

Lance enters, joining the others in the livingroom. Jeff slams the
door behind him, locks it.

				TERA
			I hope that psycho’s not in here
			anymore.

				TRIPS
			You people have some fucked up shit
			in this town.

				JEFF
			I've never heard of this before.

Trips goes to a window and looks outside.

				TRIPS
			Where the hell did C.J. go?
				(beat)
			God, I hope he's getting away from
			here...

CUT TO:

EXT. THE WOODS - NIGHT

C.J. is running through the woods, breathing heavily. Growls,
rustling sounds and the snaps of breaking twigs come from all
around him.

A wolf suddenly leaps on him from the left, dragging him,
screaming, to the ground.

CUT TO:

INT. THE HOUSE - LIVINGROOM - SCENE'S THE SAME

				JEZZY
			What are those things?

				MYSTERIOUS MAN
				    (V.O.)
			Werewolves. What else?

Everyone turns and begins to run again, but the Mysterious Man 
continues talking, and they stop for a second.

				MYSTERIOUS MAN
			I don’t mean to hurt you. Please.

				JEFF
			Then why did you kill my friend?

				MYSTERIOUS MAN
			Let me start at the beginning. My name is 
			John Slater. My little brother was working 
			at a diner one night when the Bunker Brothers – 
			I’m guessing everyone in the States remembers 
			them – showed up and all hell broke loose. 
			Dozens of people ended up being killed, but not
			by the Bunker Brothers like the police said. No. 
			My brother, Willam, managed to sneak away from 
			the carnage and reach a pay phone and called me 
			and told me what was going on. About how there 
			were werewolves killing everyone. I knew my 
			brother better then anyone and he has never 
			lied to me. He died that night and it tore my 
			mom apart. She ended up killing herself. The 
			werewolves took my family away from me and I’ve
			spent the last half a year tracking them down 
			and killing them. I heard about an ‘over-sized’ 
			wolf in these parts and when I checked into it, 
			I found that Police Chief Miller was on vacation 
			here.

				JEFF
			You killed Miller…

				JOHN
			Miller was the sole survivor of a police station 
			massacre half a year ago. He’s been in the hospital 
			ever since and just recently was relieved from it. 
			My guess is he came here with you guys to relax. 
			Did a little background information into that. The 
			police station was not attacked by some crazed psycho. 
			It was attacked by a band of werewolves. Then after 
			Miller gets out of the hospital and comes here, there 
			are reports of a giant wolf attacking people. I put 
			the pieces together and headed on over here to take
			him out, just like previous hunts. Of course, he did 
			leave behind a legacy. He got to someone first. Bit
			them. Now they are turning into a werewolf, and they 
			are among you. I do what has to be done to destroy the
			werewolves and stop them from multiplying. I swore on 
			the graves of my family that I will not stop until 
			every last one is dead. 

John looks past everyone at Tera.

				JOHN
			Now hand her over.

Everyone looks at Tera and notices her changes more. She begins to
look scared.

				JEFF
			We can still use her for now. I mean there’s an 
			entire pack of werewolves out there, and when they
			come in here, we’ll need all the help we can get.
			One of two things can happen with Tera. Either she 
			helps us and the werewolves kill her, in which case,
			we didn’t loose anything, just gained extra help, or
			she helps us until she turns, in which you can kill 
			her then. Either way she’s gone, so what’s the point
			in killing her now when she can help us before she 
			goes?

				JOHN
			Fine.

John puts his sword away.

				GINGER
			Werewolves. Wow. Scary thing is, that actually 
			makes sense. How are we on guns?

				LANCE
			This gun's out of bullets.

				JEFF
			So is mine...

Jeff pulls a box of shells from his pocket and puts it on a nearby
table.

				LANCE
			That all the bullets we have?

				JEFF
			Yeah.

				LANCE
			How many is that?

Jeff reloads his gun.

				JEFF
			After the guns are reloaded, four
			in each gun, six in the box.

				LANCE
			Damn.

				GINGER
			Why won't those things die? You shot
			all of them!

				JEFF
			So I noticed.

				JOHN
You don’t need silver bullets. You need to separate
the body from the brain. Blowing up their heads and 
decapitation works fine.

Jeff gets his rifle reloaded, hands it to Lance. Lance hands him 
the other rifle, Jeff begins reloading it.

Thunder rumbles, lightning flashes. Thumping sounds start coming 
from off-screen.

				TRIPS
			The back door!

Lance, Trips, and John run for the back door while Jeff finishes 
reloading the other rifle. Jeff looks over at Ginger and Jezzy.

				JEFF
			You might want to search around for
			other weapons.

				GINGER
			Just what I was thinking.

Ginger pulls Jezzy out of the room.

				GINGER
			Let's check the kitchen.

Tera is sitting in a corner, visibly scared to even move. She 
doesn’t like the idea of knowing she’s going to die, no matter 
what happens.

Jeff finishes reloading the rifle and puts the box of shells back
in his pocket.

				JEFF
			Are you alright?

				TERA
			I feel really strange...

CUT TO:

INT. THE HOUSE - THE BACK DOOR

The back door is opening and a werewolf is starting to come in 
when Lance, John, and Trips run up. Trips goes to the door, 
jumping and slamming himself against the door, shutting it hard 
on the werewolf.

The werewolf howls, starting to swipe its claws at Trips. Trips 
yells as he tries to keep the door shut on the werewolf.

It claws him along the side of the face, hitting the door over
and over, nearly knocking Trips away from the door every time.

				TRIPS
			Shoot it! Kill it!

John takes the rifle from Lance, who was in shock, as Trips slides 
as far away from the werewolf as he can while still keeping the 
door shut on it.

John fires the rifle.

The shot hits the werewolf in the top of the head, blowing brains
and blood all over Trips and the wall.

Trips groans in disgust. The werewolf falls to the floor, apparently
dead.

Trips and Lance look at the werewolf, then look at each other. John
sighs and hands the rifle back to Lance.

				LANCE
			You killed it.

				JOHN
			Never hesitate to shoot. It’ll cost you 
			your life or the life of a friend.

As Trips and Lance watch, the dead werewolf with a large hole in its
head turns into a dead person with a large hole in his head: One
of the bikers.

				LANCE
			Wow...

John bends down and starts dragging the body into the house so they 
can close the door.

				JOHN
			Help me.

Lance and Trips bend down and helps Trips drag the body into the house, 
out of the way of the door.

John then stands and goes to shut the door. We see another werewolf
outside, running toward the door.

				LANCE
			Shut it!

Lance and Trips run over and help John shut the door at the same 
second that the werewolf reaches it. The werewolf slams hard into 
the door. A second later the werewolf's fist bursts through the door,
right beside Trips face.

It claws five scratches across Trips' face as it pulls back out
of the door.

				TRIPS
			Motherfuck...

The werewolf slams itself against the door again. Trips turns around,
looking at John.

				TRIPS
			These are some determined...

Trips trails off.

TRIPS'S P.O.V. - Lance is standing between Trips and the open bathroom
door. A werewolf had snuck through the open bathroom window and was 
stepping out of the bathroom, behind Lance.

				JOHN
			Duck!

Lance takes the advice, just as the werewolf swings a clawed hand. 
Instead of taking Lance’s head off, the claws get stuck into the wall.

Lance drops to the floor, rolls over and aims the rifle up at the werewolf.

The werewolf frees its hand and slams it down at Lance before he gets 
a chance to pull the trigger. Lance rolls over and the claws stick deep 
into the floor right where Lance's stomach had been. During all this, 
John quickly runs around into the bathroom and shuts the open window.

Lance kicks the werewolf in the side of the head while it's bending over, 
trying to rip its claws out of the floor.

The werewolf stands back upright, pulling its claws out of the floor.
Lance scrambles to his feet and joins Trips at the door. The other werewolf
is still beating on the outside of the door.

The werewolf starts walking towards them. There's a gunshot and it stops. 
It slowly turns around. John is standing in the doorway of the bathroom, 
guns aimed at the werewolf. Jeff comes from around another corner, aiming
his rifle at the werewolf as well. It is now surrounded.

The werewolf swings its head down at Jeff and bites the fingers of the 
hand holding the rifle. Jeff screams, falling back against the wall, 
looking at his hand, which is now missing two fingers, the stubs squirting 
blood. The werewolf steps towards him and swings at him. Jeff dodges just 
as Lance and John both start firing at the werewolf, causing its head to 
explode.

The other werewolf's fist bursts through the door. 

				TRIPS
			This werewolf ain't gonna give up on
			this door.

John looks over at Trips as the clawed hand swipes around through the hole.
John puts his guns away and takes out his sword.

				JOHN
			Want to try something crazy?

				TRIPS
			Think we can get out of the way?

				JOHN
			Like I said, we can try.

				TRIPS
			Let's do it.

Trips turns around, grabbing the doorknob.

Trips pulls the door open. Trips and Lance flatten themselves against the 
wall, using the door as a sort of shield.

The werewolf charges into the house, growling. It heads towards the first 
person it sees: John. It charges forward, then jumps at him.

The werewolf slams into John, knocking him to the ground. The 
werewolf goes to bite John in the face, but he blocks it by
sticking the blade of his sword in it's mouth, sharp side up.

The werewolf continues snapping at John's face with the blade in
its mouth. The blade cuts up its tongue, blood and spit pouring
out onto John's face.

John grabs the back of his sword’s blade with his left hand, holding the 
handle with his right, and shoves the sword upwards hard, through
the werewolf's mouth, cutting through the back of it's head.
The top of the werewolf's head falls off, landing above John's head.
The bottom half stays in his face, squirting more blood all over
his face.

CUT TO:

INT. THE LIVINGROOM

Tera is still sitting in the corner. She looks up at the ceiling,
her face covered with fur. Her face starts to elongate into a
snout and she starts screaming. Once the snout gets into typical
werewolf length, the scream turns into a howl. So much for her helping
the others.

CUT TO:

INT. THE HOUSE - THE BACK HALL

John gets to his feet and walks toward Jeff, who's still leaning
against the wall, holding his bleeding hand.

At floor level, John's boots walk past the top half of the werewolf's
head. Its eyes turn, watching the boots go past.

Jeff fires the rifle at the severed head, blowing up what was left of 
it. John jumps back, not expecting the shot, and definitely not expecting 
it as he walked by. As he jumps back, he stumbles and trips, falling 
backwards out the door. As he lands at the bottom of the stairs, he hits 
his head hard, getting knocked out.

CUT TO:

EXT. THE HOUSE - NIGHT

Lightning flashes, thunder rumbles, and rain finally starts to pour.

Trips and Lance stand in the back doorway, looking down at John.

				LANCE
			John! John, wake up, man!

John remains unconscious.

				TRIPS
			John!

Howls are heard close by.

Lance sets the rifle aside and runs down the steps, grabbing John's
arms and starting to pull him up the steps.

				LANCE
			John, you really need to wake the
			fuck up. And Trips, you could give 
			me a hand here.

Trips begins to move towards them to help, but suddenly catches some 
glowing eyes coming out of the bushes and turns and runs back inside. 
Lance looks at Trips run inside and then at what he had been looking at.
				LANCE
			Shit. John, wake up!

In the background we see Jeff reloading his rifle as a werewolf growls 
and moves in on Lance and John. 

Jeff is having trouble re-loading with his injured hand. The werewolf 
reaches John’s body and Lance, and seeing Lance as a moving, target,
decides he’d be best to go after. It reaches out and down and grabs 
him by the legs, standing up, holding Lance up, upside down.		

				LANCE
			Someone help me!

The werewolf looks down at Lance’s face and snarls.

				LANCE
			Let go you fuck!

Jeff steps up, rifle aimed at the werewolf.

				LANCE
			Shoot him in the head!

Jeff fires, but the werewolf moved, so the shot hit it in the chest, 
sending it stumbling back. It regained its footing, still holding Lance.

				LANCE
			Shoot him again!

The werewolf moves Lance’s body in front of him, so Jeff can't get a 
clear shot.

				LANCE
			Shoot...

Lance is interrupted when the werewolf rams its hand through his back, 
out his front, grasping his heart in its hand. It drops the heart and 
pulls its hand out, dropping the body. 

				JEFF
			Lance!

Jeff opens fire on him. He only gets two shots then the rifle goes empty.

Screams come from behind and Jeff turns and looks back.

CUT TO:

INT. THE HOUSE - BACK HALLWAY

Ginger and Jezzy come running into the hallway, followed by the
werewolf that once was Tera.

Ginger reaches the bathroom doorway, grabs the doorframe and
swings into the bathroom. Jezzy continues running down the hall,
the werewolf right behind her.

Jezzy reaches the doorway to the outside, sees that another 
werewolf is right outside. She stops and turns around to face 
the werewolf coming toward her from inside.

The werewolf jumps and right before it would've slammed into Jezzy,
Jeff pulls her out of the way.

The werewolf flies out the door, landing on the ground right in front
of the other one. Jeff slams the door shut as Trips comes around the
corner.

				TRIPS
			You alright, Jezzy?

				JEZZY
			Yeah.

				JEFF
			How about you, Ginger?

Ginger comes out of the bathroom.

				GINGER
			As alright as I can be in this
			situation.

				JEFF
			Have any of you been bit?

				JEZZY
			No.

Ginger shakes her head.

				TRIPS
			No, but...

Trips motions to his scratched-up face.

				TRIPS
			I've been scratched. I don't know...
			I think, in some of the movies you
			can be infected by a scratch.
				(beat)
			John would know, but he’s as good as dead now.

Jeff motions to one of the naked, dead bikers on the floor.

				JEFF
			How did that happen?

				TRIPS
			John shot it in the head. As he said,
			destroy the brain or sever the brain 
			from the body.

Trips motions to the werewolf with half a head just beyond the 
dead, naked biker.

				JEFF
			Thank God the silver bullet
			thing is bullshit.

CUT TO:

EXT. THE HOUSE - NIGHT

In the pouring rain, John sits up, dazed. He looks around and 
sees one werewolf moving off, away, around the corner of the 
house, and sees the Tera-wolf moving towards him. John stands up.

The werewolf slashes at him with its claws, but misses. It was a 
warning slash. They circle each other as John takes out his sword 
again.

The werewolf rushes forward and punches John in the chest.

John flies backwards through the air. He slams into the front of 
one of the cabins, going through the wall.

CUT TO:

INT. THE CABIN

John crashes through the wall and falls to the floor. Pain shoots 
through his body and we can tell this by the expression on his 
face.

CUT TO:

EXT. THE HOUSE - NIGHT

Three of the other werewolves are beside the house, the other four 
are moving around the side of the front porch.

CUT TO:

INT. THE HOUSE - THE BACK HALLWAY

The dining room table has been tipped over and propped up against
the back door.

CUT TO:

INT. THE HOUSE - THE LIVINGROOM

The couch has been moved up against the front door. Ginger is sitting 
on the floor in front of the couch, crying silently. Jezzy is sitting 
on the stairs, leaning her head back against the wall. Trips is making
a fire in the fireplace using the sheet Ginger wrapped around herself 
earlier, and the broken legs of the table that was once in this room. 
Jeff is loading one of the rifles, part of the sheet wrapped around 
his injured hand.

CUT TO:

EXT. THE HOUSE - NIGHT

The Tera-wolf has joined the other three werewolves that are at the
side of the house.

CUT TO:

EXT. THE CABIN JOHN WAS THROWN INTO - NIGHT

John limps out of the cabin through the hole in the wall.

CUT TO:

INT. THE HOUSE - THE LIVINGROOM

Trips stands up from the fireplace, a good fire going within now.

Jeff hands him Lance’s old rifle.

				TRIPS
			How many bullets do we have?

				JEFF
			Two in yours. Three in mine.

				TRIPS
			Wonderful. And how many of those
			things outside?

				JEFF
			At least seven or eight.

				TRIPS
			We're fucked. No other weapons in the
			house?

				JEZZY
			Nothing but things that could be turned
			into clubs.

				TRIPS
			Yeah. Get close enough to use a club
			on these things and you're probably
			going to die anyway.

				JEFF
			Still nice to have something.

Through one of the front windows we see a werewolf jump up onto the
porch railing, then jump up onto the porch roof.

The people in the livingroom don't see this.

We see another werewolf do the same thing.

Ginger stands up, wiping her eyes. She turns and looks out the
window we've been looking out.

Ginger sees as a third werewolf do the porch jump.

				GINGER
			Oh my God...

Ginger turns to the others.

				GINGER
			They're on the porch roof!

CUT TO:

INT. THE UPSTAIRS HALL

We watch as Trips and Jeff run up the stairs toward us.
We hear glass breaking and Trips and Jeff speed up.

CUT TO:

INT. A BEDROOM

The door is kicked open and Jeff swings into the doorway.

A werewolf is crawling into the room through the frame of a broken 
window. Jeff fires his rifle and the werewolf's head explodes.

The werewolf's dead body falls backwards onto the porch roof, rolls
down the porch and falls off the edge.

				JEFF
			Got one!

We hear more breaking glass off-screen.

There's a huge walk-in closet in this bedroom and a werewolf comes 
running out of it, grabbing Jeff's arm.

Jeff yells. The werewolf turns and throws Jeff across the room. He
hits the wall beside the broken window and falls to the floor.

CUT TO:

INT. ANOTHER BEDROOM

Trips is looking around the room. The window is broken but there
doesn't appear to be a werewolf in here.

Trips turns and walks out of the room.

As Trips walks out, a werewolf appears in the window, looking in. 
Seeing Trips walk out of the room, the werewolf walks away along 
the porch roof.

CUT TO:

INT. THE 1ST BEDROOM

Jeff gets to his feet and raises his rifle as the werewolf rushes
toward him.

The werewolf slaps the rifle barrel up as Jeff fires. The shot goes
into the ceiling, causing plaster dust to rain down on Jeff and the 
werewolf.

The werewolf punches Jeff in the face and he flies backwards - through
the broken window.

CUT TO:

EXT. THE HOUSE – NIGHT 

Jeff flies through the broken window and over the porch roof, screaming. 
He starts to descend when he's over the hill leading down to the beach.

He drops down onto the hill, disappearing from sight in the overgrown
grass, weeds and small trees.

CUT TO:

INT. ANOTHER BEDROOM

The door opens and Trips looks in. This room appears to be empty,
too, and the window is intact.

A growling sound comes from behind him and Trips turns to see the
werewolf that fought Jeff coming out of that bedroom.

The werewolf runs toward him and Trips raises his rifle. At that same
second, the werewolf we saw on the porch roof comes bursting through
this bedroom's window.

CUT TO:

INT. THE LIVINGROOM

We hear Trips scream off-screen.

Ginger and Jezzy look up at the ceiling nervously. Jezzy has armed
herself with a table leg.

				JEZZY
			Trips...

Suddenly there's a crash as a werewolf comes dropping down the chimney,
landing in the fireplace. Burning pieces of wood scatter all over the floor.

The werewolf jumps out of the fireplace, on fire and growling. Ginger 
and Jezzy scream.

CUT TO:

INT. THE UPSTAIRS HALLWAY

Trips is punched by the hallway werewolf and goes flying down the hall,
losing grip of his gun. He hits the ground a door-length away from
the end of the hall, his gun sliding across the floor and hitting
the wall.

The porch werewolf comes out of the bedroom and joins the other as it
walks down the hall toward Trips.

CUT TO:

INT. THE LIVINGROOM

The burning werewolf rushes at Ginger and Jezzy.

Ginger grabs the chair from beside the stairway and breaks it over
the werewolf's head.

This has no effect on the werewolf. It backhands Ginger and she goes
flying through the doorway into the dining room.

The werewolf snaps at Jezzy. She shoves the table leg into its mouth.
The werewolf roars, shaking its head, the leg flying out of its mouth
and across the room.

Jezzy turns to run, but the werewolf runs forward, grabbing her by
the arms. It bites her on the shoulder. Jezzy screams.

The werewolf continues to run forward, dragging Jezzy's feet across
the floor as it continues to gnaw into her shoulder.

It finally rips its teeth from Jezzy's shoulder and tosses her
forward. Jezzy goes through a window and falls out onto the front 
porch.

CUT TO:

INT. THE UPSTAIRS HALLWAY

Trips scrambles along the floor, going for his rifle.

One of the werewolves starts running toward Trips.

Trips grabs his rifle as the werewolf jumps toward him. Trips 
rolls over, aiming the rifle in the general direction of
the jumping werewolf and fires.

The shot hits the werewolf in the stomach. It lands basically on 
top of Trips. He jams the rifle into it's stomach as it's landing 
and uses it's momentum to flip it over his head and through the 
window at the end of the hall.

CUT TO:

EXT. THE HOUSE - NIGHT

The werewolf comes flying through the 2nd story window and falls to
the ground, howling.

CUT TO:

INT. THE HOUSE - UPSTAIRS HALLWAY

The second werewolf is on top of Trips immediately after the first has
gone through the window. It slashes him across the face with it's
claws, adding to his scratch collection.

Trips points the rifle up at it and fires. The shot hits the werewolf 
in the bottom of its chin, blows out the top of its head. Brains splatter 
across the ceiling.

Trips climbs to his feet as brains drip down around him. He 
walks away from the werewolf's body.

We stay behind and watch it turn into Bruce.

CUT TO:

EXT. THE HOUSE - NIGHT

On the front porch, Jezzy is in alot of pain as she uses the porch
railing to pull herself to her feet, facing the lake.

She turns to the house, and finds that her way is being blocked by
three werewolves. A lot like what happened to her in the gas station 
ladies room.

The three werewolves crowd around her.

				JEZZY
			Please... no...

The werewolves move in on her and proceed to tear into her. One werewolf 
grabs one arm, bites into it, another werewolf grabs her legs, lifts them 
up and bites into a thigh. The third werewolf stands at her mid-section 
and slams it's claws into her stomach. Jezzy screams.

CUT TO:

EXT. THE LAKE - NIGHT

The full moon shines in the cloudy sky as Jezzy's scream echoes
through the night.

CUT TO:

EXT. THE HOUSE - NIGHT

The rain has stopped.

The werewolf Trips knocked out the window stands up, shaking broken
glass off of it.

Standing right behind it is John, sword in hand.

The werewolf senses that someone is right behind it and turns around just
as John swings the sword. The blade slashes across the werewolf's throat.

It grabs its throat, blood gushing out, trying to howl but all that
comes out is a gurgling sound.

John takes one hand off the sword to take out one of his guns, fire it at 
the werewolf. It hits the werewolf dead center in its head and it steps 
backwards, off balance. John, while the werewolf is distracted, puts his 
gun away and runs at the werewolf with his sword, screaming. He swings it, 
cleaving the werewolf in half at the chest.

The two halves hit the ground.

The werewolf keeps one hand to its throat while reaching down to its
severed chest with the other. Its hand touches its still beating
heart. John looks down at it.

				JOHN
			Enjoy that, motherfucker?

John steps over the werewolf's top half as he walks away. The 
werewolf swings it's claws at his legs as he goes, but misses.

CUT TO:

EXT. THE HOUSE - NIGHT - THE FRONT PORCH

The three werewolves feast on the messy remains of Jezzy's body. They
growl and snap at each other over it. There's not much left of her
to turn into a werewolf.

CUT TO:

INT. THE HOUSE - THE LIVINGROOM

Fire is burning all over the floor and the couch. It starts to catch 
on the curtains.

Trips is coming down the stairs and sees all this.

				TRIPS
			Holy fuck.

CUT TO:

INT. THE HOUSE - THE DINING ROOM

The fireplace werewolf is walking through the room, in a full blaze now.

Ginger is backed into the kitchen, watching it walk toward her.

				GINGER
			Trips! Jeff!

CUT TO:

EXT. THE HOUSE - NIGHT - THE FRONT PORCH

John rushes up the porch steps upon hearing Ginger cry out.

The three werewolves are still feasting on Jezzy and they don't notice 
him coming.

CUT TO:

INT. THE HOUSE - THE KITCHEN

Ginger backs up to the doorway to the back hallway as the burning
werewolf reaches the kitchen doorway.

				GINGER
			Trips! Jeff!

The werewolf starts walking across the kitchen. Ginger continues to back up, 
eventually backing up into the hallway wall.

When the werewolf is halfway across the kitchen, something comes smashing 
down into the top of its head.

The werewolf collapses to the floor.

Trips is standing behind it. He used his rifle as a club to hit it
in the head.

				TRIPS
			We've got to get out of here, this place 
			isn't going to last much longer.

Trips walks forward, stopping when he reaches the burning werewolf's
body. He then jumps over the body.

As he's going over the werewolf it springs back to life, grabbing his
leg.

He yells as the werewolf's burning hand holds his leg, causing him
to fall to the floor and drop the rifle.

Ginger picks up the rifle, holding it with both hands and starting to 
club the werewolf in the head over and over.

				GINGER
			Die!

Hit.

				GINGER
			You!

Hit.

				GINGER
			Mother!

Hit.

				GINGER
			Fucker!

CUT TO:

EXT. THE HOUSE - NIGHT - THE FRONT PORCH

John runs up to the three feasting werewolves. 

				JOHN
			Hey, now if it ain’t my lovely bitches. 
			My, you guys really have gotten a bit 
			hairier. You can have my razor if you 
			think it’ll help.

They turn their heads to look at him and he jams the sword down 
into the back of one of the werewolves, impaling it.

The werewolf howls, falling forward into the mess that was Jezzy.

The other two werewolves turn on John, growling.

He pulls the sword out of the third werewolf and takes a step back, 
holding the sword in one hand and taking out a gun with his other.

CUT TO:

INT. THE HOUSE - THE DINING ROOM

Trips crawls away from the burning werewolf's body, his pants leg
on fire. He pats it out.

The werewolf's body goes limp and Ginger stops clubbing it in the head.
She turns to Trips and he stands up.

				TRIPS
			Thanks.

Ginger nods, looking at the werewolf.

				TRIPS
			Where's Jezzy?

				GINGER
			I don't know. I heard her scream not too 
			long ago though…

Trips sighs, rubbing his face.

				TRIPS
			Damn it.

He takes a second, stares down at the floor.

				TRIPS
			Alright. We've got to get out of here.

				GINGER
			How can we with all those things out
			there?

				TRIPS
			I don't know. But we don't have any
			choice.

CUT TO:

EXT. THE HOUSE - NIGHT - THE FRONT PORCH

The three werewolves walk toward John. He takes a step back every
time they take a step forward, watching them, waiting for them to 
make the next move. 

One of the werewolves lunges toward him, slashing it's claws at him.
John swings his sword, cutting it's arm off at the elbow, and fires 
a couple shots into it.

The werewolf howls, pulling back and grabbing its arm. The other two 
werewolves close in on him at once.

John manages to slash one across the snout with his sword, the other 
grabs his left arm and lunges it's mouth forward to bite him. He shoots
it once, causing it to let go and snarl, and when it does, he moves his
arm away and then moves it back forward with the sword pointed out. He 
spears the werewolf right between the eyes, using the blade to shove its 
head back away from him.

The other werewolf recovers from its snout slash and punches John in 
the face.

John flies backwards off the porch, screaming, and into the side yard, 
losing grip of his sword. The sword stays in the werewolf's head as the
werewolf falls to the porch floor, writhing around.

John lands hard on the ground in the side yard, moaning.

				JOHN
			I really wish they’d stop doing that.

The werewolf with the slashed snout hurries down the porch steps, heading
towards him.

CUT TO:

INT. THE HOUSE - THE BACK HALLWAY

Trips and Ginger are walking toward the back door. Trips has gotten
his empty rifle back.

CUT TO:

EXT. THE HOUSE - NIGHT - THE SIDE YARD

John climbs to his feet as the slashed snout werewolf runs up to him.

The werewolf swings a fist at John, but he catches it. He twists the
werewolf's arm around and takes out one of his guns with his free hand 
and fires, shooting the werewolf in the eye. It howls a howl of great 
pain as it steps back from John, scratching at where its eye had been. 

				JOHN
			Didn’t like that much, did ya?

John takes out his second gun as he walks towards the werewolf as it 
begins to regain attention towards him.

On the porch, the werewolf with the sword stuck through its head is
still writhing around on the floor.

The one-armed werewolf walks past it on its way to join the slashed
snout werewolf in the fight against John, the Werewolf Hunter.

Slashed snout werewolf is ready for John as he walks up to it. It lunges
forward before he can fire, smacking him hard in the side of the head.

John stumbles and goes to punch the werewolf back with one of his gun-hands,
hoping to hit the werewolf with his gun. 

The werewolf blocks the punch, grabs John's arm with both hands, then
does a move like something out of a video game - the werewolf
jumps into the air, does a flip above John's head, and lands on
its feet behind him, facing away from him. It pulls hard on John's
arm, flipping him up over its head and slamming him down into the
ground in front of it.

John cries out in pain, but still manages to let go of his guns an grab 
the werewolf's arms and pull its top half down to his level. 

				JOHN
			Fuck You. I’ve been saving this for a group of you, 
			but you get to keep the present all to yourself.

John reaches into a pocket in his jacket with his free hand and pulls 
out a grenade. He pops the pin of and slams it into the werewolf’s mouth 
and uses his hands to close its mouth. John turns and runs, just as the 
werewolf’s head explodes in an array of blood and brains. John looks back 
and sees that not only is the head gone, but so it everything from the 
chest up.

John climbs to his feet just as the one-armed werewolf is coming up to him.

CUT TO:

EXT. THE HOUSE - NIGHT - THE BACK DOOR

The back door opens and Trips looks out.

Lance's body is still laying on the ground not far from the back
door.

Trips looks back at Ginger.

				TRIPS
			Close your eyes for a while, I
			don't want you to see this.

Trips steps out onto the back steps and Ginger follows, her hand
over her eyes.

CUT TO:

EXT. THE HOUSE - NIGHT - THE SIDE YARD

The one-armed werewolf slashes at John and catches him across the chest.

While John is reacting to this, the werewolf jams the claws of it's
left hand into his chest. 

John screams as he reaches up to the werewolf’s head, and musters every
strength fiber in his body that he can and lets out one, loud, shattering
scream as he grabs the werewolf on either side of the head and uses his 
adrenaline to twist the werewolf’s neck into an odd angle, causing it to 
yip and howl and fall to the ground.

John sighs, wiping some of the blood away from his chest with his hand. 
Suddenly the werewolf stands back up, it's head at an odd angle. It turns 
its head back into place with some sick snap, crackle, popping sounds.

John turns around to see what that noise is, and catches the
werewolf's fist with his face.

John flies backwards over the hill to the beach, going through
the air above a long stone stairway. 

John hits the stairway back-first about halfway down and starts
rolling down the stairs.

The werewolf looks at the sky and lets out a celebratory howl.
The howl is cut short when a bullet smacks into its throat and
tears out the top of its head.

The werewolf falls to the ground, dead.

We turn around to see where the shot came from-

Jeff is and crawling out of the overgrown grass and weeds at the top 
of the hill. He's in bad shape, both legs broken and a sharp stick
sticking through his right side, but he's alive.

				JEFF
			Loudmouth bastards.

CUT TO:

EXT. THE HOUSE - NIGHT - THE BACK

Trips and Ginger are cautiously making their way around the back
of the house, though they seem happy to have just heard a gunshot.

				TRIPS
			Someone else must still be alive.

They round the corner and look out across the side yard. There are 
no live werewolves in sight, just the naked bodies of dead bikers.

Jeff is crawling farther out of the grass and weeds.

				TRIPS
			Jeff! Are you alright?

Jeff looks up at Trips and Ginger as they walk across the side
yard, still being somewhat cautious.

Jeff gets a very serious expression on his face.

				JEFF
			Watch out!

JEFF'S P.O.V. - A werewolf is walking right behind Trips and Ginger.

They look behind them, and the werewolf grabs Trips by the throat.

Jeff raises his rifle, looking through the sight.

JEFF'S P.O.V. - We look at the werewolf through the sight, its head 
In the crosshairs. But before Jeff can fire the rifle, the werewolf 
lifts Trips into the air, holding him in front of it. Trips' head 
now blocks Jeff's shot.

				JEFF
			Son of a bitch!

Trips raises his rifle over his head, the barrel pointed down at
the werewolf. He shoves the rifle down, jamming the barrel into 
the werewolf's left eye.

The werewolf howls, grabbing the rifle and ripping it out of its eye,
tossing it aside.

Ginger starts beating on the werewolf, punching and kicking it as hard
as she can.
				GINGER
			Drop him, you fucking...

Ginger is cut off when the werewolf backhands her across the face,
knocking her against the side of the house. She falls to the
ground, dazed.

Blood starts running from Trips' mouth. He reaches up and starts
hitting the werewolf's arm, but it has no effect.

The werewolf grinds Trips' throat into mush with its claws, then
tosses his body aside.

JEFF'S P.O.V. - Through the rifle sight, the werewolf's head once
again comes into view.

				JEFF
			Two shots... Two bullets...

Jeff's finger tenses on the trigger.

The rifle is suddenly jerked upwards as Jeff's finger pulls the
trigger, the shot going wild into the sky.

Another werewolf is standing over Jeff, pulling the rifle from his grasp. 
It holds the rifle and slams butt down toward Jeff, crushing his chest 
into pulp.

Jeff screams.

The barrel slams into his chest, breaking it, and then going through him. 
With his last ounce of life, as the werewolf begins to lean down to start 
its snack, Jeff reaches up and pulls the trigger, blowing the werewolf’s 
head up, killing it.

Jeff's dying body kicks and writhes, stuck to the ground with the rifle, 
like a butterfly pinned to a board.

Ginger stirs on the ground, and the werewolf is looking at her.

The werewolf then hears a noise and looks over to see John walking 
towards it.

The werewolf decides to go for John first and starts walking toward him.

Cut to a wide shot as the werewolf rushes John.

The werewolf and John collide, and the werewolf immediately starts slashing 
at John with its claws. John does his best to avoid as many slashes as he 
can. He then stomps on its foot as hard as he can, causing it to let go of 
him, allowing him to step back.

As the werewolf is bent over, howling, John brings his foot back and swings 
it forward as hard as he can, kicking the werewolf in the gut.

The werewolf climbs to its feet, extremely pissed off. It uppercuts John, 
causing him to fly ten feet up into the air, and another teen feet through 
the air.

He comes down on his back in a large mud puddle.

The werewolf walks toward John as he starts to climb to his feet.

When John is halfway to standing, the werewolf starts to run. It then
jumps and slams into John before he's standing all the way, knocking
him back to the ground.

The werewolf lands on top of John, and goes to bite his shoulder. John, out
of reaction more then anything, blocks the shoulder bite with his arm, which 
just means that the werewolf bites in his forearm. John screams as the pain
shoots through his body.

The werewolf gnaws into John's forearm, growling, shaking it's head
back and forth, causing John to scream even more.

John reaches down to his leg with his other hand and takes a dagger out from
a holding belt for it that was tied to his leg and reaches up and slams it 
into the throat of the werewolf. It howls as it lets go of his arm. 

John shoves it deeper into its throat.

The werewolf is hurt and really angry now. It lets out one long, loud howl 
as John pulls the dagger out of its throat.

				JOHN
			Take that, you giant hairball.

The werewolf then grabs John by the shoulders and opens its mouth,
bringing its head down to bite John in the head.

Just before its teeth would clamp down on John's skull, John rams the dagger
up into its chin, causing the werewolf to howl in pain more as it loosens 
its grip.

John puts all his weight forward, causing the two to tumble to the ground, 
but in a way so that John is on top. He then rams the dagger down into the
neck again and begins to slice sideways. The werewolf roars in pain.

John uses a bit more strength as he brings the dagger all the way through, 
severing the head from the body. John stands up all the way, tired, exhausted, 
beaten up, and in lots and lots of pain. 

CUT TO:

EXT. THE LAKE - DAWN

The sky is lightening up and the sun is starting to appear on the
horizon.

CUT TO:

EXT. THE HOUSE - DAWN - THE FRONT PORCH

John walks up to the front porch, going to the werewolf with the sword
stuck through the head. It has stopped writhing, and is starting to
turn back into a human.

				JOHN
			Finally, something easy to kill.

John grabs the sword handle, rips the sword out of the werewolf's
head and then swings down, decapitating it. Then he turns and walks away.

We stay behind, lingering on the werewolf's head as it changes into Tera's
head, a large sword wound in her forehead.

CUT TO:

EXT. THE HOUSE - DAWN - THE SIDE YARD

John walks away from the house, toward the body of werewolf that appears
dead, but still has a head. He goes to it just as it begins changing back. 

The werewolf's snout pulls back into it's face, causing the face to start 
looking human again. The fur starts to pull back in, and we see that it 
was - Bird. Bird moves his eyes and looks up at John. Before he can say 
anything, John swings down, chopping the head off. Bird's severed head 
goes bouncing across the ground. It reaches the top step of the stone 
stairs that go down the hill, rolls over it, and starts bouncing down 
the steps.

John looks down at Bird's headless corpse. It's been a long, hard
night but John's done his job.

Suddenly from behind John we hear-

				GINGER
				(O.S.)
			John!

John turns around as Ginger runs up and hugs him.

				GINGER
			Its over.

				JOHN
			For me it is.

They stop hugging so they can look at each other.

				GINGER
			You mean you’re going to stop hunting werewolves?

John points to his scratches and bites, and to his bloodied arm.

				JOHN
			I’ve been bitten Ginger. I know there are other 
			werewolves out there. Some in clans like this one,
			others going solo, but there are more. And as long
			as there are werewolves in the world, no one is 
			safe. I can’t continue on with my hunt. I knew 
			this day would come one day. You are the only 
			other one that knows about these and can do 
			something about it. It’s up to you to carry on 
			with my work.

Ginger has tears in her eyes. She sniffs her nose.

				GINGER
			I can’t do this alone. I’m not experienced enough.

				JOHN
			Neither was I when I started. Here, take my sword.
			Its sharp enough to sever any werewolf head. Now 
			before you go, I want you to do me a favor. It’ll 
			be your first kill as a Hunter and it is something 
			that must be done to prevent this clan from continuing.
			You must kill me.

Ginger still has tears in her eyes.

				GINGER
			I can’t…

				JOHN
			You must. Or else I’ll turn tonight, and I’ll kill 
			people, and turn more people into werewolves, and
			then it just makes your job harder, and more innocent 
			people will die. You have to. Please Ginger.

John stretches his hands out, offering her, his sword. She cries 
as she takes it from his hands and he leans forward, exposing his 
neck, closing his eyes. 

				JOHN
			Remember, always sever the connection of the 
			brain from the body. It’s the only real way to 
			be sure of its death. Now do it, Ginger. Just do 
			it. One fast, single slice with all your strength. 
			It’ll be over for me in a second and I won’t feel 
			a thing. Now DO IT!

Ginger, crying, raises the sword, closes her eyes, and swings down. 
A second later she opens her eyes to find John’s head on the ground. 
She wipes the tears from her eyes. She takes the sword sheath from 
the back of John’s body and slings it over her back, reaching back 
into it to put the sword away.

“Bad Moon Rising" by Creedence Clearwater Revival begins to play as 
we zoom out from an aerial shot of Ginger walking away from the 
summer camp, the sword on her back.

Fade to Black. 

The song continues to play as the end credits role.

				THE END