* prelims
* preface
MUWASHSHAH, ZAJAL, AND
THE EARLY EUROPEAN LYRIC
[Volume 2 - 2020]
Papers from two SOAS conferences on
the muwashshah and the zajal,
CONTENTS OF BOOK
[in alphabetical order of
authors]
______________________________________________
1. Patronage in the Arab Andalusian music of
Libya: transformation, growth, and politics
Philip Ciantar
[
2. The metrics of Andalusi stanzaic poetry and
their Castilian and further European imitations
Federico Corriente [
3. On a hopeless last stand for the
hypothesis of a Romance origin of Andalusi stanzaic poetry: homosexuality and prostitution in the kharjas
Federico Corriente
[
4.
The anthropology of song: some ‘hows’, ‘whens’,
‘wheres’, ‘whys’, and ‘whos’
Dina Dahbany-Miraglia
[
7. A proposal for new
methodologies for relationships
of lyric, dance and song forms in medieval al-Andalus
and Early
Ed Emery [SOAS, University of London] [PDF of paper]
6.
Accuracy of metre in the zajals
of Ibn Quzman's Diwan
Yousif Fakhr al-Deen [
7. Embellissement mélodique dans l’interprétation des muwashshahat
en Tunisie
[Melodic
ornamentation in the performance of muwashshahaat
in
Leila Habbachi
[ISAMM, Université de la Manouba] [PDF of paper]
8. The development of Lebanese zajal: genre, metre, and
verbal duel
Adnan Haydar [
9.
Medieval Arabic background material on the Andalusian
muwaššahāt
Alan Jones [
10.
The influence of the Andalusi zajal
on its Eastern counterparts
Hakan Özkan [University of Münster] [PDF of paper]
16. Musammaṭ, muwashshaḥ and zajal:
questions of origins and interrelation
Gregor Schoeler [University of
Basel] [PDF of paper]
17. Across the divide: spreading the song across the religious divide in
Al-Andalus
Sara Stowe [King’s College, London] [PDF of paper]
18.
Muwashshah as enacted in poetry and in dance
in the Yemenite tradition
Yosef Yuval Tobi [University of Haifa] [PDF of paper]
19.
Appendix No. 1: Future research agendas [PDF]
Website: Universitas adversitatis
Last updated:
15 July 2021