Alice Walker, Author and Medium
(What a lousy day I�ve had.
I failed that quiz in English; I�m a week
behind in Algebra�. All I want to do is
sleep. Wait, I have that Psychology
paper due tomorrow. I should stay up
and do that. Nah�. Alice Walker and The Color Purple can
wait. I�ll get up early tomorrow
morning.) I set my alarm for 5:00am
and became unconscious in seconds.
A piercing
shriek shocked me from my slumber. My
pillow was soaked, my body in fetal position.
The sound of velvet words floated into the room, followed by a sharp
command. The velvet came closer, and I
began to uncurl in its presence. My
eyes opened to a small, strong figure with her arms around me.
�It�s okay,
my child. You�re with me now.�
Silence
followed the sounds of empty tears and pitiful sighs that entered my
thoughts. I tried to sort through my
memory of what had occurred before the initial scream.
The velvet came again, soothing my tears.
She smiled, introducing herself as �A.W.,
author and medium.�
�What�s that supposed to mean?�
�Never mind, dear.
You�re safe now, and that is what
matters.� She had a point.
The commanding tones had faded.
(I�m
going to have such a headache in the morning.)
I shook my head again in an attempt
to clear the cobwebs of fear and confusion.
�Who are you again?� I asked.
�Alice Walker, my dear- author and
medium.�
�What� happened to me?�
�Nothing, Celie.
You�ll be fine.
Trust me.�
�My name�s not Celie� it�s��
I couldn�t remember my own name.
�I�
I� I�.�
�Shhh-shhhh.
You�ll be fine.�
I drew a quick breath as I heard the sharp voice returning.
�Alice, help!�
The velvet floated away from me, and my avez peur seeped farther into my soul. Another scream ripped through my body.
I awoke with a start.
My pillow was soaked.
A velvet voice soothed my screams.
�I�m here now, Samantha.
It�s okay.�
�Who are you?�
�Alice Walker, author and
medium.� (Hey� maybe I should get a jump on my psychology paper�.)
�Alice? May I call you Alice?�
�By all means, dear, do.�
�Well, you see, I�m doing this psychology
paper on The Color Purple, and I was wondering if you�d� well, no.
Never mind.�
�What is it, Sam?
May I call you Sam?�
�Sure.�
�What is it you want to know?�
�Well� why did you write it like you
did?�
She smiled, and her teeth gleamed
ever so slightly. �There�s many small
things imbedded in that novel. Like
human sexuality.� She winked, her
chocolate eyes twinkling.
�Do you want to start with that,
Alice?
�The novel does.�
(Take a deep breath, Sam. This
is where this gets interesting.)
�Why did you open the book with Celie�s
account of her rape by Pa?�
�It draws the reader�s
attention. There is a cultural
obsession with sex that is violent and deviant. By using the rape in the beginning of the novel, I�ve easily
captured the focus of the reader so that I may divert it to more important
matters (Bloom 219).�
�I guess I still don�t
understand. You still could have
started with Celie being beaten by Pa.
That would have captured the reader�s attention.
Why use sex?�
�Starting the novel with sex allowed
me to reverse the role of standard pornography.
I was able to make a fairy tale stand on it�s head to my liking
(Bloom 219).�
�Make a fairy tale stand on it�s
head?�
�Yes. What�s characteristic of fairy tales?�
�That all depends upon the fairy
tale.�
�True. Try �Sleeping Beauty.��
�Um� evil witch, little fairies,
rescued by the prince?�
�Good. Now think about The Color Purple.�
�I don�t get it.�
�Well, who would be the prince?�
I had to think about that.
There was no fair maiden, no Prince
Charming. (When all else fails, guess blindly, right?) �Albert?�
�You�re catching on.�
�But Albert isn�t exactly Prince
Charming.�
�Precisely.
I allowed myself to take a fairy tale and
subvert it.�
�Why would you do that?�
�Life isn�t like a fairy tale,
Sam. You know that.�
�Yes, but why write it at all?�
�The novel, you mean?�
I nodded. �What was the intent?�
�I wanted to give a voice to those
�who have been silenced in life and literature� (Bloom 66).�
�But who exactly is that?�
�In general, black women.
However, I also wanted to give a voice to
those who have beaten the odds.�
�What odds?�
�There are �so many people like
Celie who make it, who came out of nothing.
People who triumphed� against all
odds.
Those people needed a voice. I
took on the task of giving them one (Bloom 67).� She stood, adjusting her drawstring slacks.
�Would you like a cup of tea?�
�Please.�
I stood, presuming the conversation was to proceed to the
kitchen.
�You don�t need to get up.
I�ll get the tea.
Is Earl Grey all right?�
I sat back down.
Her dreadlocks bounced gently as she walked
into the kitchen. I heard water running
and paper ripping as I glanced around at the sheer expansiveness of Alice�s
home. The fireplace was crackling
softly. I rose and made my way over to
the hearth. I poked at the fire.
It seemed to blend right in with the soft
red and brown tones of the living room.
I got the feeling she was a very earthy person.
I put the fire poker back in its holder just
as Alice returned with the tea.
�Oh, thank you, Sam.
I had been meaning to tend to that myself.�
�Yeah, sure.
No problem.�
Alice set the mugs down and took my
hand. �It was problem enough for you to
tend it for me. Thank you.�
�Thank you� for what?�
�You went to the trouble of turning
over the firewood, and I thank you for your trouble.�
I couldn�t quite grasp what she was
poking at. �You�re welcome.�
�Now, where were we?�
I consulted the notes I had
taken. �The reversal of fairy tales...
I suppose that applies to Celie and Shug�s relationship as well?�
�Yes, in part.�
�Which part would that be?�
�There is the obvious relationship
itself, and also, they allow their desires to alter social structure.
Desire does that.
It won�t �conform to social prescription� (Bloom 217).�
�Which means what, exactly?�
�It means that the love Celie and
Shug share changes the way things work at the house.
It changes their little society.
There are things in life that just don�t follow the preconceptions of
society. Desire and love are two of
those things.�
I nodded.
�What other deliberate reversals are there in the book?�
Alice had to stop and think about
that for a while. I felt as if I had
asked an inappropriate question and had made her feel uncomfortable.
But, deed already done, I sipped my tea and
awaited her response.
�Two more come to mind.
Albert and Shug�s affair contradicts the
sanctity of his and Celie�s wedding vows; and Shug�s affairs with many men
reverses the common thought of monogamy.�
�Why did you deliberately alter so
many things? Were you trying to upset people?�
�No.
I just wanted people to see that life
doesn�t come with an instruction manual.
There is no �right� or �wrong� way to write a book.
Or to be in love.�
�Are there
any other things to show that point? I
mean, Shug seems to be about as out of Life�s Manual as one can get.
And what does �Shug� mean, anyway?�
Alice
chuckled softly. �Shug is short for
Sugar. And the woman, like the
substance, provides excitement without true nourishment (Bloom 217).�
(Wow.
I would never have made that connection. I wonder if she�d melt in the rain.)
�What other
characters are representative?�
She sipped
her tea. �Celie is based upon my
grandmother.�
�You mean
all those awful things really happened to her?�
�Not
precisely. She was raped at the age of
twelve by her slave owner, my grandfather.
But she never overcame her life.�
�So Celie
is a sort of vicarious figure from your grandmother�s life?�
�You could
say so. It�s not precise, again, but it
is close. I made sure Celie became
content with her life. �I liberated her
from her own past. I wanted her to be
happy� (Bloom 67).�
�What about
you? Are you happy?�
Alice
smiled. �Yes.
�I�m as happy now as I was sad as a child� (Whitaker 5).
I love life.
I love to write. Writing
has been a life-changing experience. The
Color Purple has been a large part of that.�
I could
hear a faint ringing sound in the far corners of the house.
(I wonder what that is�?) I looked around,
trying to identify the direction of the sound.
Alice looked in the same direction, but I noticed that only one eye
seemed to focus. �Alice, may I ask a
stupid question?�
�There are
no stupid questions, my dear.�
�Well, then
may I ask a slightly inappropriate one?
You don�t have to answer it if you don�t want to.�
�What would
you like to know?�
�What�s
wrong with your eye?�
A maternal
look spread across her face. �When I
was eight, my brothers and I were playing Cowboys and Indian.
I had my bow and arrow; they had their BB
guns. One of them shot at me, and the
pellet hit me directly in the eye. They
scar tissue was removed, but I cannot see out of that eye (Jackson 2).�
I heard the
ringing again, louder this time, followed by that same sharp command.
�Samantha?
Sam!
Get up! You�re going to be late
for school!� (Mom?)
�Alice?
Just one more quick question.�
�Yes?�
�If you had
to sum up the message of The Color Purple in one statement, what would
it be?�
She
pondered the question for but a second.
��Each person [needs] to struggle against unjust oppression� be it in
the home, or the community, or in society (Bloom 69).
Good luck on your paper, Samantha.�
�Samantha
Marie! Get up this instant.�
�Yes,
Mother.�
�Don�t you
have a psychology paper due today?�
�Yes.�
�Well,
where is it?�
�I haven�t�.� I noticed a
piece paper sitting on my desk. �What
that over there?� My mother handed it
to me. I read the title page aloud:
�Alice Walker: Author and Medium, by Samantha.�
(But I never wrote the�I was
dreaming�wasn�t I?) Then I noticed
something I hadn�t seen at first. One
the next page was a Post-it note that read:
�Sam- I
thought you would appreciate the extra sleep. In peace, A.W.�
Works Cited
Bloom, Harold, et al. Modern Critical Views: Alice Walker. New York, NY: Chelsea House Publishers, 1989.
Jackson, Melinda. �Alice Walker - Womanist Writer.� (1995). On-line. Accessed 4/19/99. URL: http://wwwvms.utexas.edu/~melindaj/alice.html
Whitaker, Charles. �Alice Walker: Color Purple Author Confronts Her Critics and Talks About Her Provocative New Book.� Ebony. May 1992: 86+