| Pacific Northwest Graduate Music Students' Conference Hosted by the School of Music, University of Victoria, Victoria, British Columbia 12-13 October, 2001 Program Friday, 12 October, 3:30-4:00 pm: Registration School of Music Lobby (MacLaurin B-wing) in front of the Lounge Session 1: The Romantic Era 4:00-5:30 pm (All sessions will take place in the Phillip T. Young Recital Hall) "Metric Dissonance in Brahms' Intermezzo Op. 119, No. 1" Geoff Wilson, University of British Columbia "Clara Schumann, The (Wo)Man and her Music: An Examination of Nineteenth Century Female Virtuosity" Jennifer Caines, University of Alberta "Songs Without Words: Text and Interpretation in Franz Liszt's Transcriptions of Schubert's Lieder" Charles Madsen, University of Oregon Saturday, 13 October, 8:30-9:00 am: Registration School of Music Lobby Session 2: Music in the Eighteenth- and Early Nineteenth-Centuries 9:00-10:00 am; 10:15-11:30 am "J. S. Bach and the two versions of Fantasia super Komm, Heiliger Geist Herre Gott BWV 651a and 651: Which came first?" Nancy Kern, University of Washington "Musical Chinoiserie: Eighteenth- and Early Nineteenth-Century European Musical Representations of China" Hayoung Heidi Lee, University of Washington (10:00-10:15 am: Break) "Retroactive Cymbals: Turkish Traces in Mozart's Theme and Variations, K. 331" Jill Brasky, University of Wisconsin "Don Giovanni: Mozart's Catholic and Masonic Opera" Robyn Cathcart and Lindsay Moore, University of Victoria 11:30 am-1:30 pm: Lunch Session 3: Opera and Film in Modern and Post-Modern Times 1:30-2:30 pm; 2:45-3:45 pm "Riding the Valkyrie: (En)Countering Wagner in Ingeborg von Bronsart's Hiarne (1891)" Melinda Boyd, University of British Columbia "Determinism and Humanity in Alban Berg's Wozzeck" Gwynne Kuhner Brown, University of Washington (2:30-2:45 pm: Break) "Time Management with 'Twelve-Tone Lizzie:' Metric and Dramatic Design in a Scene from Elisabeth Lutyens's The Numbered" Laurel Parsons, University of British Columbia "Music as Fantasy: Lynch, Zizek and Lacan on The Lost Highway" Gene Willet, University of Texas at Austin 3:45-4:00 pm: Break Session 4: Students and Teachers�Amateurs and Professionals 4:00-5:30 pm "Who Wants to Practice? Relationships Between Gender, Self-Determination, and Motivation" Cherilee Wadsworth Walker, Oklahoma University "At home in Exile: The Conservatoire Am�ricain de Fontainebleau's American Exile During the Second World War" Kendra Preston Leonard, University of Cincinnati "The Portsmouth Sinfonia Revisited: The Aesthetic and Social Implications of 'The World's Worst Orchestra'" Eric Hing-Tao Hung, Stanford University |