Fusion Music
�Fusion
Music� is a term usually used for combination musics*.
It has become a standard term used in the music industry. More importantly, it
has become a passion and life's work for many musicians. They find it
artistically stimulating to create music by integrating ideas of more than one
tradition. Still, there seems to be a lot of confusion in the meaning of the
term as well as the acceptability of �fusion music�. Let us try to analyze
�fusion music� to its best.
The Term
Fusion
is the noun form of the infinitive �to fuse�. �To fuse� means to melt
with heat, or blend by melting according to Webster. Oxford Dictionary also,
defines it as �to blend
or amalgamate into one whole by or as by melting�.
Music
is an art of arranging sound into pleasing or interesting patterns. It is used
to express feelings and ideas, for entertainment, as medicine, for divine
expression and understanding, relaxation and many other purposes. It is a part
of every culture and society.
So,
if we combine the two, �fusion� and �music�, we can say that any type of
integration or combination, of musics and/or music styles of different
traditions and/or cultures, can be termed as �fusion music�. It should be
remembered that it is not a mixture of two musics. There should not be any
confusion in the meaning of mixture, integration and combination. In a mixture
the two or more components can be easily separated, they do not blend to form
one whole. Whereas in a combination or integration, the two or three components
become inseparable and loose their earlier identity. 'Fusion Music' should bear
the qualities of combination or integration or blending, not a mixture. The two
or more forms used in the fusion should loose their earlier identities and gain
a new identity as a whole.
History
Looking
back in the history of fusion music, we see that though the term is quite new,
in the evolution of musics of the world, we can clearly see that fusion has
played an integrated role.
According
to the theory of evolution, there is a natural, internal creative force, which
causes nature to evolve itself into different or more complex forms.
Music is no exception to this theory.
It
is this creative instinct, which makes an artist try out different permutations
and combinations within the musics he has learnt and heard.
In
the history of music, all great musicians throughout the world have brought out
seeds of their own ideas in music. Musicians traveled to different lands and
spread the fragrance of their music style. Creative musicians picked up some
parts from the styles, that they liked, and tried to combine it with their own
traditional style. Some ideas got rooted and flourished as big and lasting
trees, some sprouted, spreading their fragrance just for a while, while some
seeds were lost.
Because
of this process, we find in all cultures that music styles, forms and even
morals have changed with the time.
If
we look back in history of the changing patterns, we find among many others, a
common factor of the non-acceptance of any new style by the society. It has
always taken many years of listening for a style to become accepted and gain
status. Sometimes the musicians were lucky to get this acceptance within a few
years, say only 20-30 years. But, we also see that some musical forms have taken
a few hundred years to become popularized and get social acceptance.
I
will give two examples of Indian Music. If we analyze these examples we will be
able to analyze and understand fusion music in a better manner.
The
most popular form of music of Maharashtra (India) is �Natyasangeet� or drama
songs. If we go through the old magazines and newspapers, we will come across
many articles and features, giving the proof of its total non-acceptance by
musicians and society. It has taken around 70 � 80 years for this form of
music to gain acceptance by society and more than 100 years to gain status and
get the acceptance by classical musicians in the classical music repertoire.
Today�s
most popular form of classical music is the �Khayal�. Its origin lies in the
13th century. It got popularized by the end of this century, though
it did not gain status then. Even during the period of Tansen in the 16th
century, Dhrupad had a status, which Khayal had not even tasted till then.
Khayal had a waiting period of 5 centuries to gain status. �Khayal�
owes its status to the two musicians Sadarang an Adarang of the 18th
century.
Natyasangeet � During the British rule in India, musicians lost their sovereign
and financial backing. Indian Classical music started loosing its economic
ground. At the same time Swarajya movement had gained roots and dramas became an
important vehicle for campaigning of this movement. So, a few classical creative
musicians started using classical music in the then prevailing drama music. In
its early years this music style was criticized and looked down by musicians and
society. It took a long period and lot of experimentations for it to gain
acceptance.
Now
this form is a combination of light music (where poetry or words have equal
importance) and classical khayal music. Musically, the verse is of usually only
4 � 6 lines. It is mostly (not necessarily), set in a
raga, though it does not
rigidly follow the rules of the raaga. The melodic lines or tunes can be based
on any form of music, from folk to classical. The rendering style, as accepted
as a form of music, has a classical background. Along with the music pattern it
also has a background of the situation in the drama and so has a responsibility
of showing a particular mood, i.e. �rasa�.
This form of music is grouped in semi-classical style.
Khayal - This form of music is the fruit of Muslim invasions in India. During
these invasions Indian and Persian musics exchanged ideas. Instruments like the
Tabla and Sitar were invented. Now, the then prevalent and popular vocal form of
music � Dhrupad, used pakhwaj or mridanga for its rhythmic accompaniment.
�Tabla� being a percussion instrument of a softer and different style than
the pakhwaj was not suited and accepted by the Dhrupad singers. Another reason
for non-acceptance was its �fusion� quality (it was a fusion of Indian
Mridang and Persian Tabl). Also, due to political, social and religious stigmas,
Muslims reverted from singing Dhrupads, which were praises or prayers of either
the king or Hindu Gods The Khayal form was thus born from experiments of
combining the heavy classical Indian Dhrupad style and Persian light style to
suit the accompanying instrument � tabla, and the behavioral style of the
muslims. Though it developed to a lighter pattern than the Dhrupad, it got
accepted widely as classical music.
Observation
When
we look through the phases of the evolution of any form of music, be it Indian
or Western or from any other part of the world we come across many common
factors.
1)
�Fusion� is a common factor used by all the musicians and composers
without exception, for a new style to develop.
2)
Creative musicians over rule political, social and religious stigmas. The
instinct of creativity is never afraid of criticism.
3)
Experimentation by trial and error method is an inevitable part of evolution of
music.
The
creative and musical instinct in a musician is very powerful. In spite of
economic, social, political and religious hardships, this instinct has remained
alive and kept on growing. Because of these hardships it has made music travel
from temples to immoral and/or illegal passages also.
Conclusion
Fusion
Music has to face a lot of criticism and non-recognition by the society and many
musicians. The most important reason for this criticism is that fusion music is
revolutionary. Musicians are afraid of loosing the traditional music, they have
learnt.
�Fusion�
is a path of creation and evolution, whether we like it or not, whether we
accept it or not. Any creative musician does fusion in one form or the other.
The difference can be of the level of using different elements. The creative
instinct is beyond the rational thinking pattern and the level of the instinct
is also subjective. The creative instinct is not afraid of the consequences.
The
creation, which will happen through a musician, will depend on his background.
The factors, which will influence the creation, will be his family, learning,
morals, economic, social, political, psychological background and many more
factors.
All these factors apply to music,
in the specified path of �fusion music�. As stated earlier, some ideas will
get rooted and flourish as big and lasting trees, some will only sprout,
spreading their fragrance just for a while, while some seeds will be lost.
The musician may be creating such music for �n� number of reasons and
with �n� number of influences. If any fusion music has to be good and
lasting, the creator, i.e. the musician, should be well versant with his music
style, should have studied the music to be combined and above all, he should
bear good moral and psychological qualities. In the journey of life and music,
the core values remain and the covering keeps changing. So, there is no need of
being afraid of the change.
�Fusion
Music� is a part of evolution whether we like it or not. �Fusion Music�
bearing all the above mentioned good qualities may or may not be accepted and
understood by today�s world. But, I am sure that such music will become a
foundation of the history of the future.
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