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|
Composer |
Film |
Work |
Page |
|
(b) James Horner |
Titanic |
`Take her to Sea Mr.
Murdock’ |
440 |
Context
This music was composed for the film ‘Titanic’
The film is based on the true story of the ship Titanic which was built to take
passengers across the North Atlantic ocean between Southampton in England and
New York in the USA. The Titanic
was advertised as the largest ship in the world and was designed to be
unsinkable. The ship was sunk on its maiden voyage by a large iceberg and most
of the passengers were drowned.
The film has characters with the same names as the
real characters and the set was modelled on the real ship down to the
furnishings and decorations. There
are shots of the real ship taken as it lies on the bottom of the Atlantic merged
into shots of the set. ‘Tale us to sea Mr Murdoch’ is the latest of the
extracts bringing film techniques into the late 1990s. The music shows a
masterly control over diverse moods and textures.
The traditional full orchestra is still used but initially with the
addition of SATB choir and later uses synthesised voices.
1.
Rudiments and identifying elements (also refer to GCSE vocabulary
www.musichelp.info
|
Element |
question |
Answer |
|
Pitch |
Write down
the part and the correct pitch of the lowest note in bar 19? |
|
|
melody |
In which
parts is the melody at bar 30? |
|
|
melody |
In which
parts is the counter melody at bar 30? |
|
|
tonality |
What is
the interval between the soprano and alto parts in bar 30 bets 2, 3 and 4? |
|
|
harmony |
1.
Describe the block chords
used in the synth part bars 37 and 38. ( The first 3 chords of bar 37 are
I, I, IVb ) 2.
Wich broken chord is played
by the harp in the last 4 bars of the work. |
|
|
rhythm (note values) |
What is
the meaning of the two diagonal lines through the note in the viola part
in bar 32? |
|
|
rhythm (metre |
Name a bar
with a 5/4 time signature? Fully describe what it means. |
|
|
rhythm (metre |
Name a bar
with a 6/4 time signature? Fully describe what it means. |
|
|
Tempo |
Describe
the starting tempo’ |
|
|
dynamics |
Describe
the dynamic changes in the horn part bar 12? |
|
|
articulation |
What is
the meaning of ‘pizz.’ and ‘arco’ in the double bass part bars 1
and 5? |
|
|
Structure |
|
|
|
instruments |
1.
Which two instruments will
sound an octave lower than written? 2.
What is the meaning of Unis.violins, bar 8? 3.
Where is the first example
of tremolo in the violin part? 4.
Bar 79 - 89 in the harp part
there is a diagonal wavy line. What is the technical term for this and
what does it mean? 5.
What is the term used to
describe using the voice without using real words as in the opening of
this work |
|
|
instrument groups |
What is
unusual about the choice of woodwind instruments? |
|
|
Periods |
|
|
|
styles |
|
|
|
Context |
What part
does this music play in the film’ Titanic’? |
|
|
transposition |
What is
the concert pitch of the highest note played by the trumpets at bar 8? |
|
|
range |
Where is
there an example of string writing where the parts are doubled at the
octave? |
|
|
Italian terms |
What is
the meaning of ‘andante’
at bar 1? |
|
|
Italian terms |
What is
the meaning of ‘poco meno mosso at bar 11?’ |
|
|
Italian terms |
What is
the meaning of senza sord. bar 22 violin part? |
Describe the texture in the first three bars
The work
opens with a canon at the octave wuth the first entry at bar1, the second bar 2
and the third bar 3. The theme has a scalic movement gently ri The parts overlap
at one bar intervals before moving into a new texture at bar 4 .
Give three reasons why the texture from bars 15 -17
give a feeling of a ship going to
sea.
1.
Four rising
and four falling quavers played in 3rds by the horns and 2nd violins
2.
Four rising
and Four falling broken chords moving as quavers with increasing and decreasing
dynamic clarinets and first violins
3.
Leaping crotchet octaves between double basses and
cellos 7 double basson and bassoons.
4.
Describe the differences in texture between bars 70
and bar 71?