Hey, folks--I hope all of you are enjoying your summer. Several
people
have asked me about the newsletter; as you might guess, being a new
father
has made it hard for me to make the time (not least because my son is
obviously
much more interesting than any movie!) As you can see, I have finally
managed
to put one together...
ON SCREEN:
ATANARJUAT/FAST RUNNER (Canadian): Wow. For once, words really do
fail
me when I try to use some of them to describe a great movie. The late
author
Paul Apak Angilirq, a Canadian Inuit (also known as Eskimo, although I
understand that that term is now considered offensive), took a legend
told
to him in his childhood and made a script out of it. Then, he and
director
Zacharias Kunuk filmed it with an mostly-Inuit cast and crew on an
appropriately
foreboding (and beguiling!) location in their home province of Nunavut
in the far north. The result is an absolutely stunning cinematic
experience,
almost as overwhelming as Gandhi or
Lawrence of Arabia, and
a new audience and lease on life for an ancient story. The titular
character
(Natar Ungalaaq), a brave warrior with a difficult background, finds
himself
the victim of classic jealousy and rivalry in his small clan of three
families,
fomented by his rival Oki (Peter-Henry Arnatsiaq) and Oki's seductive
sister,
Puja (Lucy Tulugarjuk). If this plot line doesn't sound ground-breaking
to you, you're right--and the familiarity of the subject makes the
appeal
all the more universal. The climax is one of the most arresting
sequences
I have ever seen in a film, one which I dare not describe in any more
detail,
except to say that I will never forget it. Overall, this film is a
glimpse
of a very different culture from yours or mine that nevertheless
manages
to involve us to the point of immersion in the lives of its characters.
I recommend this movie heartily. RATING: 9.
ON TAPE:
BOYS AND GIRLS: This movie is almost perfect for a rating of 5,
because
it's not horrible, but it's not especially good, either. It is
essentially
a note-for-note remake of When Harry Met Sally, with a few key
aspects
changed--most notably, the sexes are reversed! Freddie Prinze Jr. plays
Meg Ryan (in other words, the
prissy-but-brought-out-of-his-shell-by-the-other-one
friend), and the gorgeous Claire Forlani plays Billy Crystal (i. e. the
bold-and-promiscuous-but-secretly-longing friend). There are also
changes
of coast (UC Berkeley and San Francisco instead of New York) and age
(college
instead of working-and-dating), but these aspects are obviously
superficial--deep
down, this is just a blatant retread. That said, there are worse
blatant
retreads out there; Forlani and Prinze aren't too bad together,
although
they don't have the chemistry of Ryan and Crystal. The best performer
is
Jason Biggs of American Pie fame, playing a cliched Crazy
Roommate
who steals every scene he enters! He is easily more entertaining than
the
two leads, and almost single-handedly makes the movie worth watching,
although
you have to be a fan of his (I suppose that means that I am one!)
Similarly,
I think that romantic-comedy fans (like myself) might enjoy this movie
more than other people, but I am guessing that many of them (like
myself)
revere When Harry... quite a lot, and would therefore be
bothered
by the unoriginality. (By the way, if you're a Blair Witch Project
fan like me, and you're curious to see someone from that movie in
another
role, BWP's Heather Donahue plays a small-but-important role in
Boys...,
and isn't too bad.) RATING: 5.
BUT I'M A CHEERLEADER: I suppose I was somewhat prejudiced in favor
of this film, since I have absolutely no respect whatsoever for the
idiotic
"ex-gay" movement, an idea deeply rooted in hatred of gay people. (For
those of you who don't know what I am talking about, some conservatives
around the country have advocated that gay people, instead of embracing
who they are, attempt to change themselves into straight people through
some combination of therapy, prayer, and self-flagellation. The gay
people
who supposedly succeed at this are called "ex-gays" by the promulgators
of this idea. If you are straight, and you disagree with me about this
idea's merits, think about this: can you imagine any amount of therapy
ever changing you from straight to gay?) A heavy-handed and didactic
attack
on this movement would have turned even me off, although I would have
agreed
with it anyway. Fortunately, But I'm a Cheerleader takes a very
different approach, opting for a broadly absurd, somewhat John
Waters-ish
satire. Natasha Lyonne (who was tiresome in American Pie, but
is
much better here) plays a star cheerleader and (possible) budding
lesbian.
She gets whisked off by her straitlaced parents (Mink Stole and Bud
Cort
from Harold and Maude, both of whom are perfectly and campily
cast)
to Camp True Directions, where the boys all wear blue and the girls all
wear pink. It's also where a hard-boiled drill sergeant of a camp
director
(Cathy Moriarity) and her weak-kneed assistant (RuPaul, seen here out
of
drag) drum every last bit of homosexuality out of their confused
adolescent
heads--or do they? The Watersesque (is that a word?) approach works
well
for the subject matter, using absurd humor to highlight the absurdity
of
its subject. Moriarity is a bit over the top (her performance reminds
me
a little too much of Faye Dunaway in Mommie Dearest), but most
of
the other players hit just the right note of camp, especially Lyonne
and
Clea DuVall from Girl Interrupted, who plays a camp veteran and
possible love interest for Lyonne. This one gets my recommendation,
although
you have to be willing to accept a large dose of silliness in your
humor.
Also, diehard advocates of the "ex-gay" idea will be affronted, but
personally,
that's just fine by me. RATING: 8.
I SPY RETURNS: I have been lucky enough to see a few reruns of the
old
1960's comedy/adventure series, I Spy, which is now best known
as
the show that introduced Bill Cosby to a wide audience. Cosby and
costar
Robert Culp spent most of that series snooping, surveilling, charming,
and joking their way around the world. In this reunion movie, they end
up going to yet another glamorous locale (Vienna) to keep an eye on the
old spy service's two newest recruits--their own adult children! Other
than that, the plot is typical defection-protection stuff that doesn't
hold up to close scrutiny, but that hardly seems to matter, because the
chemistry between the much-older Culp and Cosby is still so damned
entertaining
after all these years. On the minus side, George Newbern (playing
Culp's
son) and the very beautiful Salli Richardson (playing Cosby's daughter)
try hard to be as enjoyable as their elders, but don't quite succeed
(and
maybe to even compare them is unfair). The same has to be said for
Jonathan
Hyde, playing Cesar Baroodi, a standard-issue bad guy who seems to be
on
loan from a Bond movie. Overall, if you liked the old series (or if you
like Cosby generally), you will find this very enjoyable, and you may
be
surprised even if you've never seen it, although you really have to
like
the genre. RATING: 7.
APPENDIX: THE INFAMOUS TOP TEN LIST (LAST REVISED IN MARCH, 2009)
As a postscript, I thought that you might enjoy reading this Top Ten
list that I started keeping back in 1997, in response to a request by
"Uncle
Gutty," a critic from England who has his own movie review web page
(viewable
at geocities.com/guttysreviews).
I would, as always, be interested in any reactions that anyone has to
this
list, and I would also be interested in anyone else's top ten. I would
also be curious to know if anyone else finds it challenging to come up
with these kinds of lists. For me, it was a real project! (If there is
enough interest, maybe I could make a newsletter out of various top
tens
from readers.) By the way, this is not the same project as the favorite
scene list I made several years ago; that can be viewed at http://www.geocities.com/museumcataloging/movies1198.htm
(it is also updated periodically).
HONORABLE MENTIONS: This could be a very long list, but here are
some
that stand out (in alphabetical order, not in order of preference):
Aguirre Wrath of God, All the President's Men, Amistad, Annie Hall,
Balance, Battleship Potemkin,
Be Kind Rewind, The Bicycle Thief, The Blair Witch Project, The
Caine Mutiny, Central
Station, Chasing
Amy, Children of a Lesser
God, Close Encounters of the Third Kind, Cool Hand Luke, The Crying
Game,
Deliverance, David and Lisa, Dirty Rotten Scoundrels, Do the Right
Thing, Dreams, Duel, Eat Drink
Man Woman,
8 1/2, For All Mankind,
The Graduate, The Great Escape, Hannah and Her Sisters, Harold and
Maude,
Hoop Dreams, Hotel Rwanda, Indiana Jones and the Last Crusade,
Interiors (I think of
Annie
Hall, Interiors, and Manhattan as a kind of trilogy), Ju Dou, The
Killing Fields, The Last Waltz, Lilies of the Field, A Little Stiff,
Mean Streets,
Metropolitan,
Monty Python and the Holy Grail, On the Waterfront, Open
Doors, Pather Patchali, The Producers, Rocky, She's Gotta Have It, Star
Trek
II: The Wrath of Khan, The
Station Agent, La
Strada,
Stranger Than Paradise, Strawberry and Chocolate, Swimming to Cambodia,
Swingers,
Trainspotting,
West Side Story, When Harry Met Sally, and The World of Apu.
- - - -
Thanks as always for your interest, and see you at the movies (if
for
no other reason, because they're always air-conditioned!)
TONY