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Course Title:  MUSC 103:  Introduction to Music, General Education—Core 1

 

Instructor:  Dr. Allen Howell, Heather Hall Room 115, Telephone 2507, [email protected]

                        Office Hours: MWF 11-12, Th 1-2 & 3-4

 

Texts:  The Musical Ascent of Herman Being, 1995 Edition, Danziger.

The Revelation of Music, 2000 (Third) Edition, Danziger.

The purchase price of a ticket and transportation to a professional orchestra concert, chamber music performance, or opera.

 

Purpose: This course provides a survey of musical elements, genres, forms, and styles. The growth and development of music through history from early times to the present will be studied.

 

Discussion Topics

An Approach to Listening

Materials of Music

Instruments

The Orchestra

Instrumental Forms

Opera

Voices

Vocal Forms

Styles

Composers

Recordings and Stereo Equipment

Concert-Going

Historically Authentic Performance

 

Grading:  The final grade in this course will be an average of those received in the following categories:

 

I.   Journal                                                                               15%

II. Paper/Composer Report                                                      15%

III. Exams                                                                                40%

IV. Class Discussion                                                                5%

V. Concert Attendance/Report                                                 25%

 

A                                             93-100%

B+                                            88-92%

B                                              83-87%

C+                                            78-82%

C                                              73-77%

D+                                           68-72%

D                                             60-67%

F                                              below 60%

 

Journal Entries—There should be 13 dated journal entries (1-3 paragraphs due each Friday) in which students discuss some aspect of a class meeting, a reading assignment, or a related topic (April 27 is the due date for the last journal entry). The first journal entry should be a brief autobiography. Please include (a) some of your musical experiences, (b) your favorite recorded music, and (c) a digital photo of yourself (send this first journal entry to [email protected] and attach the photo). Journal entries should not be class notes but rather brief diary-type entries (opinion pieces). Choose only one or two ideas to write about. Journal entries should be stored in a loose-leaf notebook or folder so that individual entries may be turned in separately from the rest of the journal. Entries must be turned in on time to be accepted (see schedule).

Paper/Composer Report—Students will write a paper about a character of their own invention. In the beginning, this character will be only somewhat acquainted with Western art music. The rest of the paper will describe the character’s initiation into the world of Western art music and will include the character’s feelings about this initiation. Papers must be written using a computer and should be 3-4 pages in length (10-12 point font double spaced). Papers shorter than 3 pages, not including title or title page, will be returned to students for revision. Papers should be in students’ own words and may not include information/opinions from other sources (particularly not from the Internet). Papers must be submitted on or prior to November 21 to be accepted. Students will choose one composer and give a brief report in class using recorded musical examples. Composer reports may be scheduled throughout the semester on or before November 28. You may choose a partner to research and make this presentation.

Exams will follow the class schedule. Exams will not be made up unless prior arrangements are made with the instructor or under extreme circumstances (at instructor’s discretion).

Class Discussions should be lively and relevant. It is important that students participate regularly in class discussions.

Concert Attendance: Attendance at one professional orchestra concert, chamber music performance, or opera between the beginning of the semester and April 30 will be required. Reserve approximately $25.00 to $50.00 for this purpose. Students will write a brief journal-type report (typed) of their impressions of the concert (include the ticket stub). Visit http://geocities.com/musc103/concertinfo.html for local concert venues.

AttendanceThree absences will be allowed with no grade reduction. If you have planned absences for which you will receive a Dean’s excuse, these need to be fewer than three in number to be excused. All subsequent absences will lower the final grade by 5 percentage points each. I will not excuse more than three absences regardless of the reason. These include medical problems with a physician’s written description, appointment with a physician (or dentist, orthodontist, veterinarian, chiropractor, etc.), death in the family, car trouble, repair people who are later than they say they will be, child care concerns, campus activities, field trips, fraternity/sorority functions, back surgery, appointments with your advisor, medical problems/appointments of parents/relatives, weddings, funerals, airline reservations, housing emergencies, military functions, sports events, etc. There are, of course, legitimate reasons to miss class and some absences will be unavoidable (hopefully fewer than three). The bottom line, however, is that it is necessary to attend class regularly to receive its full benefit. Your coursework needs to be a priority during the time you are enrolled.

 

Calendar

January 17, 19             Read This Syllabus (write down due dates, understand assignments)

 

January 22, 24, 26       Read pp. 4-21 of The Musical Ascent of Herman Being

                                    Read pp. 13- 48 of The Revelation of Music

Journal I due

 

Jan. 29, 31, Feb 2        Read pp. 22-48 of MAHM; Journal I due

Re-Read pp. 13- 48 of The Revelation of Music

Journal II due

 

February 5, 7, 9           Re-Read pp. 13- 48 of The Revelation of Music

Journal III due

                                    Exam I

 

February 12, 14, 16     Read pp. 48-108 of ROM; Journal IV due

 

February 19, 21, 23     Read pp. 109-138 of ROM; Journal V due

                                    Exam II

 

Feb 26, 28, Mar 2        Read pp. 48-72 of MAHM; Journal VI due

                                    Read http://geocities.com/musc103/dickinson.htm

 

March 5, 7, 9               Read pp. 139-192 of ROM; Journal VII due

                                    Exam III         

 

March 19, 21, 23         Read pp. 73-105 of MAHM Journal VIII due

 

March 26, 28, 30         Read pp. 193-211 of ROM; Journal IX due

                                    Exam IV

 

April 2, 4, RD              Read pp. 211-246 of ROM; Paper due; Journal X due

 

April 9, 11, 13             Read pp. 246-276 of ROM

Journal XI due

                                    Exam V

 

April 16, 18, PMEA     Read http://geocities.com/musc103/rauscher.html

Read pp. 276-310 of ROM

Concert Report due; Journal XII due

 

April 23, 25, 27           Paper, Journal XIII due; Deadline Composer Reports

                                    Exam VI

 

April 30, RD, May 4    No journal

 

May 9                          Final Exam 8-10:30 A.M.

 

Note—All written or typed assignments should be saved after they are returned so that you will have a record of your work.

NoteIf you need special accommodation in testing or presentation of class materials, please contact the instructor during the first week of classes to file a written request for a reasonable accommodation plan. Course requirements will not be waived but accommodations may be made to assist you to meet the requirements, provided you are timely in working with the instructor to develop a reasonable accommodation plan.

NoteIf you need special accommodation regarding the observance of a religious holiday or holidays, please contact the instructor during the first week of classes to file a written request for a reasonable accommodation plan. Course requirements will not be waived but accommodations may be made to assist you to meet the requirements, provided you are timely in working with the instructor to develop a reasonable accommodation plan.

NoteCheating is prohibited. Any acts of cheating or plagiarism will result in failure of the course. The disruption or prevention of the peaceful and orderly conduct of classes, lectures, and other University functions is prohibited. Disruptive students will be requested to leave class and will be counted absent. N.B. Cell phones are disruptive. Turn them off. Do not leave class to take a call Please refer to the University Policy Manual at http://www.edinboro.edu/cwis/studaff/judicial/code_conduct.htm

NOTE—The disruption or prevention of the peaceful and orderly conduct of classes, lectures, and other University functions is prohibited. Disruptive students will be requested to leave class and will be counted absent. Please refer to the University Policy Manual at http://www.edinboro.edu/cwis/studaff/judicial/code_conduct.htm

 

NOTE: Only work that has been evaluated by me will be used in grade calculation.

CAVEAT: The above schedule and procedures are subject to change in the event of extenuating circumstances.

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