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| A Girl's Best Friend. Oil 12 x 9 ins. | ||||||||||||||||||
| Carroll's Corner, Fortitude Valley, Brisbane. acrylic and oil 30 x 16 ins. | ||||||||||||||||||
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| Since this is my page I'll take the opportunity to voice my opinion. Through more than 30 years of painting my tutor has been Experience. The development of any techniques or personal style has at times been an agonisingly slow and frustrating process with many failures but the legacy of such an approach is individuality. It disgusts me to witness the proliferation of so many un-original "art-works", many no more than blatant copies of works by celebrated artists, being force-fed to the public these days in the quest for the almighty dollar. This fraudulent practice is far more prevalent than most people would realise. |
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| Now that's off my chest! For what it's worth I'd like to offer some advice and encouragement to all fellow painters, remembering of course I don't claim to have all the answers. Besides, there are as many correct ways to paint as there are painters. I did however, conduct private art lessons for about 6 years and I learnt something about teaching in that time. Learning is commensurate with your capacity to produce paintings. It's that simple - there is NO substitute for sustained hard work. The limiting factor is Time. If we are really determined to succeed in this game we spend every spare moment painting. I start each painting with the desire to learn something new. If that doesn't eventuate, one of two things has occurred (perhaps both!) : I wasn't thinking deeply enough about the job at hand or I wasn't breaking new ground. Paint applied mindlessly or in desperation is very unlikely to produce good results, and even if it does will we fully understand and remember why it was so? Clearly some concept as to how we wish the paint surface to appear is of considerable benefit. To evolve, to improve, we must change. I see subjects everywhere, I continually strive to test the limits of my knowledge and ability. I find new ground and endeavour to break it and will never permit galleries or public opinion to dictate the terms! Set your sights high and don't labour over your work. Be prepared for failures and ruthlessly discard any work which does not reach your lofty expectations. I am accustomed to seeing such "failures" for what they really are: evidence of another lesson learned and paint not wasted but well-spent! |
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