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Shallow Grave
Blue Juice
The Pillow Book
Deserts
Night Watch
Rogue Trader
Anno Domini
South From Hell's Kitchen
The actor's breakthrough in motion pictures came with Shallow Grave (1994), a stylish, \\noir-influenced feature directed by Danny Boyle, in which McGregor essayed the role of Alex, a journalist who finds himself in a horrendous position after a murder. He quickly went on to appear in the British surfing parable Blue Juice and Peter Greenaway's The Pillow Book before losing almost 30 pounds and shaving his head for his turn as heroin addict Mark Renton in the critically acclaimed Trainspotting, working once again with Danny Boyle. Having gained the attention of critics and audiences worldwide with this performance, McGregor proceeded to take something of a stylistic left turn by taking the role of Frank Churchill in the elegant \\historical comedy Emma (1996).
McGregor continued working at an impressive pace after Emma, appearing in Brassed Off (1996), Nightwatch, The Serpent's Kiss (1997), and yet another feature for Danny Boyle, the 1997 \\fantasy A Life Less Ordinary. This latter film concluded on a raffish note, with an animated puppet of McGregor dressed in a kilt, apparently in the McGregor tartan. In 1998, the actor began his work on the Star Wars prequels and appeared in Todd Haynes' Velvet Goldmine, in which he played an iconoclastic, Iggy Pop-like singer during the \\glam rock era of the 1970s. In 1999, along with his role in The Phantom Menace, McGregor appeared as infamous financier Nick Leeson in the biopic Rogue Trader, and had a full slate of projects before him. Some of these projects included several for his own production company, Natural Nylon, which he co-founded with fellow actors Jude Law, Sean Pertwee, Sadie Frost, and fellow-Trainspotter Jonny Lee Miller.
In 2000, McGregor could be seen in one of Natural Nylon's projects, Nora. Based on the real-life relationship between James Joyce and Nora Barnacle, it starred McGregor as Joyce and Susan Lynch as the eponymous Nora. The actor stayed in period costume for his other film that year, Baz Luhrmann's Moulin Rouge. Set in 1899 Paris, it starred McGregor as a young poet who becomes enmeshed in the city's sex, drugs, and Can Can scene, and enters into a tumultuous relationship with a courtesan (Nicole Kidman).