JT THE BIGGA FIGGA




JT The Bigga Figga is the PHATTEST rapper in the Moe (FILLMORE) mayn.
JT THE BIGGA FIGGA, born in 1978 now he is only 20 and he is the CEO of GET LOW RECORDZ/PRODUCTIONS and STRAIGHT OUT THA LABB ENTERTAINMENT. Such rappers in his group GLP or GET LOW PLAYAZ are San Quinn, D-Moe, Brotha Moe, Seff Tha Gaffla, Bushy Moe, JD, Scat, A.O.D., Ive Low, OG, Rob Blow, Blake Nate. JT's father was shot and killed in the vietnam war and he had to grow up "without a daddy" as a young kid. His mom had no money and he couldn't afford a lot. He "lived in the progects" and didn't try to get out. He has gone through a lot at the age of 20 and he will continue to be PHAT.

Writen by: MOHAMAD


JT The Bigga Figga's "X-Filez" which is a tribute to KMEL, the station that helped launch the Fillmore rapper and his crew (The Get Low Playaz) to national fame and fortune. Jt the Bigga Figga's long awaited sophmoric album, "Dwellin' in tha Lab" offers much potential, but ultimately fails. JT's first album, "Playaz in the Game" introduced the Fillmore and Fillmore rappers San Quin, D-Moe, Seff tha Gaffla and other members of the Get Low Playaz. The success of his first album set ungodly expectations
for "Dwellin' in tha Lab." To say that the album fails, is only in relation to "Playaz in tha Game" which produced the Bay Area anthem "Game Recognize Game." Although "Dwellin; in tha Lab" is better produced, Jt did not produce a song with the stature of "Game Recognize Game." All is not lost. There are several tracks on "Dwellin..." that do stand out. "Scrilla, Scratch. Paper" puts SFC legends JT, Coughnut of IMP and Tay-da-Tay of 11-5 to form the new anthem for the City. I'm sick of niggas smiling in my face but don't like me jeolous of my game and my fame but won't fight me telling all my folks that they think a niggas shiesty because I'm clocking those and piling hoes cuz I come from the shoulder cuz i'm a soldier form the Bay and if you want to play make room for the AK Jt invites other Bay Area celebrities like Ray Luv, The Link, Mac Mall, the Deliquents, MasterP, Black C and E-40 on other cuts. Jt's style is different than other San Francisco sounds. The music of RBL and UDI seem to represent the SFC sound. Jt, although he helped put San Francisco on the map, has a unique sound. He usually laces his production with jazzy riffs and cuts. Jt's strongest assests is the ability to incorporate other rappers in his music. Although Jt's "Dwellin" does not come out of the box and hit immediately, his music has a way of oozing into your contiousness. Go get it and add it to your collection.

Writen by: Billy Jam


JT the Bigga Figga runs his own record company, Get Low Recordz, and operates a 48-track studio called the Labb. "My first tapes I made in my room, and then manufactured a couple thousand copies with my own money," he says of his not-so-long-ago beginnings. "I've learned how to create this music and generate my own financial statements. "His new disc, appropriately titled Dwellin' in the Labb, is full of lyrical acrobatics and sparkling production.

Writen by: Jason Fine, VIBE Magazine


Almost by necessity, hip-hop artists must possess the know-how to create and promote their products independently. It wasn't long ago that JT The Bigga Figga, Rappin' 4-Tay, and E-40 -- three of northern California's most recent sensations -- were selling their own self-manufactured tapes, promoting themselves as skilled artists and savvy entrepreneurs. JT's local success with his 1993 independently released and distributed LP Playaz N the Game got the major labels knocking on his door, and last April he signed a deal with Priority that gave him total creative control over his music while giving him the national distribution and promotion that will likely take his music to a wider-than-ever audience. Even with national recognition and support, however, JT still sticks close to his independent roots. He insists, for instance, on driving to all the local mom-and-pop record stores to personally present the first copies of his new CD, Dwellin' in tha Labb, which arrives in stores this week. "I just asked a lot of questions and E-40 was really humble about it," JT The Bigga Figga says. "He was giving me advice about different moves I should make, and I took it. It was effective for me." At 21, JT displays a mix of youthful street smarts and business savvy. Walking down Fillmore Street on a recent afternoon, he and fellow rapper San Quinn jump around and punch each other in jest. But when JT stops to buy hot dogs for himself and Quinn, he pulls out his stack of $20 bills, making it clear that he's far from joking around when it comes to business. In fact, with the help of his mother, Pearl, JT runs his own record company, Get Low Records, and recently built his own 48-track studio, which he calls the Labb, where he plans to record material by other local rappers, including San Quinn, Seff the Gaffla, and Playa P. In addition, he is working with some artists in Kansas City, Mo., to form a label there called Major Factor, and is helping to form another label, Fatt Sak Records, based in the Bayview/Hunters Point District of San Francisco. "I've been blessed to be in the position to extend the love that helped me to get to where I'm at," JT says.

Writen by Henry Kumagai


While KRS-One was blowing up the town last week, a whole lot of Bay Area artists have been doing the same thing with their new releases. First on the list is JT THE BIGGA FIGGA, whose new 14-song album, Dwelling in the Lab, is one of my favorites for '95. Standout tracks include "Scrilla, Scratch, Paper," which features raps from fellow Bay Area artists 11-5 and COUGNUT of ILL MANNERED POSSE. Another track to peep is "Bay Area Playaz," which features raps from almost everyone on the scene.

Writen by Dave 'Davey D' Cook







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