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| Momoko Tanno | |||||||||||||||||||||||||||||||
| Reviews of Past Performances | |||||||||||||||||||||||||||||||
| In Figaro: | |||||||||||||||||||||||||||||||
| "The Count's target is young Susanna, beautifully sung by soprano Momoko Tanno." - Elizabeth Weir, Talkin' Broadway |
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| "Tanno finds both darkness and coquettishness in Susanna." - Rohan Preston, Star Tribune, Minneapolis, MN |
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| "Momoko Tanno brings a strong and tender sensibility to her performance of Susanna." -Ed Felien, Pulse of the Twin Cities, Minneapolis, MN |
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| "It's especially impressive when led by the vibrato-laced lyricism of Jennifer Baldwin Peden (as Countess Almaviva), and soprano Momoko Tanno as young Susanna.� Their Act 2 duet is a lithe feat of ingenuity that just might be the calm before the storming of the Bastille." - Dylan Hicks, CITY PAGES, Minneapolis, MN |
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| In Pacific Overtures: | |||||||||||||||||||||||||||||||
| "Momoko Tanno shines as the Shogun's persistent and duplicitous mother in this scene." - Elizabeth Weir, Talkin' Broadway |
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| In Carmen: | |||||||||||||||||||||||||||||||
| "... and Momoko Tanno shine as Carmen's friend (Frasquita)." - Elizabeth Weir, Talkin' Broadway |
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| "Other strong performances are offered by ... and Momoko Tanno." - Michael Anthony, Star Tribune, Minneapolis, MN |
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| In The Walleye Kid: | |||||||||||||||||||||||||||||||
| "Momoko Tanno gives lovely voice and elegant manner to the second-act narrator (Omani)." - Graydon Royce, Star Tribune, Minneapolis, MN |
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| "A narrator, rich-voiced Tanno, persuades a family theater troupe to enact a legend for Annie that tells of Korea's ancient divisions, the lot of women, love, birth, loss and hope." - Elizabeth Weir, Talkin' Broadway |
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| "Momoko Tanno is in fine voice." - Quinton Skinner, CITY PAGES, Minneapolis, MN |
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