
The contraction of time in Ivan is also mimicked by the contraction of space. Like the concept of time, it too begins on a large scale and slowly narrows in on the more precise. Ivan begins his life moving from town to down, demonstrating a great deal of freedom and choice. As he reaches midlife, he moves to a city and settles down in an apartment. Closer to the end of his life, his illness confines him to his study, and later on he cannot even rise from his sofa. His previous physical freedom has been restricted to the point where he cannot even move himself without help.
Throughout this entire story, we
feel as though we are walking into a broad mouthed tunnel and slowly
being
forced towards a narrow, precise ending.
Ivan’s life also follows this pattern.
His life slowly contracts, each contraction bringing him closer to
death
and eternity. Figuratively speaking,
Ivan’s life is like a countdown, slowly but surely bringing him to
zero, which
is ultimately his death. Once his world
contracts enough that he reaches that hypothetical zero, Ivan’s spirit
is
finally able to escape physical boundaries.
It is at the point that he is able to be truly free. Not free as
he was at the beginning of his life
when he was slowly being forced towards death, but eternally free both
physically
and spiritually. Through his literary
technique, Tolstoy is able to bring that feeling a little closer to
us. His literary style in the Death of Ivan Ilych
mimics Ivan’s life, which can be seen as an allegory to the life of
every
human.
©
Bethann
Mclaren 2004
image
created by: Bethann McLaren
with: Photoshop CS
font: aquiline, 18th century