*** please take note the ones in red have yet to have quotes found to back them up but they seem to be used occasionally online so just for that sake right now they will be listed here but we don't call them actual positions or if in red they could be more actions then actual positions, just S/some choose to call them positions so for the sake of argument they are here in red***
The girl knelt before the desk of the slave
master. I sat to one side, in a curule chair. She knelt obediently, beautifully,
as a pleasure slave. she was in the presence of free men. I saw her
eyes briefly close, relishing the feel of the stone floor, as she knelt
back on her heels, on her knees and the tops of her toes; I saw her body
straighten itself, exposing itself, drinking in the atmosphere of the room.
Her eyes were very much alive, very blue. She
looked irritated.
"What about such things," I asked the slave
master, "as giving pleasure to men."
"We have shown her some simple things,"
he said, "about all she is now capable of."
"Have you taught her to dance?" I
asked.
"She is not yet ready to dance," said the
slave master.
I looked at the girl, to detect how
much of the conversation, in Gorean, she understood. Her grasp was imperfect.
"Stand Girl," I said to her in Gorean.
Gracefully she stood. I observed her.
"Bracelets!" I said in Gorean. harshly.
The girl snapped to position, hands behind
the small of her back, head lifted, chin up, turned to the left. In such
a posture she may be conveniently put in bracelets, and leashed.
"Kneel," I told her.
Again she knelt, in the position of the
pleasure slave. To one side, her arms folded, the quirt in her hand, leather
strips and halter, with collar and ring, with high laced sandals, stood
the large female slave, who had originally conducted the girl from the
room, and had brought her back today. She smiled
I pointed to the stones at my feet.
"Crawl," I said, in Gorean.
The girl slipped to her belly, and as a
slave girl, crawled to my feet.
She put her lips to my foot; I felt her
hair over it.
"Return," I told her.
On her belly, head down, she returned to
where she had knelt.
"Kneel," I said.
Again she knelt in the position of the
pleasure slave. Her eyes were angry
Tribesman of Gor page 78
Nadu
The first position a slave should learn, this
position is meant to be a proud one for the slave, her head high in the
honor of serving a Free Person. This is the position kajira(female
slave) or kajirus (male slave) uses to kneel before the Free Person. In
this position the slave kneels, head held high, eyes lowered in respect,
thighs widely spread, with her bottom nearly resting on her heels, shoulders
and back straight or arched in a subtle manner to move the breasts up and
outwards, her belly in, hands rest on the thighs with palms upwards.
"`Nadu!' he snapped.
She swiftly turned, facing him, and dropped
to her knees. She knelt back on her heels, her back straight, her hands
on her thighs, her head up, her knees wide. It was the position of the
pleasure slave."
Explorers of Gor pg 77
" 'come now, my pretty slaves,' said Ginger,
'kneel straight. Back straight, heads up. Back on your heels there! Spread
those pretty knees. Yes, that is the way men like it. Put your hands, palms
down, on your thighs. Good. good. Excellent!' The girls now knelt in the
coffle as pleasure slaves."
Savages of Gor pg 155
Tower Slave
a girl kneels the same way as in nadu except
with her thighs modestly together and her palms downward on her thighs.
This position can also be done with the arms crossed at the wrists in front
of the kajira, the hands holding something. It is typically reserved for
white silk slaves girls, Free Women including those in temporary service
to pay a debt, or slave girls who serve the Master in a non sexual
way. Free Women are typically served in this position except by silk slaves
who are also kajirus. Can represent a state slave girl in any of the cities
of Gor; her duties in the apartment cylinders are largely domestic; traditionally,
she kneels with her knees together and with her wrists crossed in front
of her, as if for binding.
"The position of the Tower Slave, in which
Vika knelt, differs from that of a free woman only in the
position of the wrists which are held before
her and, when not occupied, crossed as though for binding. A Free
woman's wrists are never so placed."
Priest Kings of Gor p 46
"The position of the Pleasure Slave, incidentally,
differs from the position of both the free woman and the Tower Slave. The
hands of a Pleasure Slave normally rest on her thighs but, in some cities,
for example, Thentis, I believe, they are crossed behind her. More significantly,
for the free woman's hands may also rest on her thighs, there is a difference
in the placement of the knees. In all these kneeling positions, incidentally,
even that of the Pleasure Slave, the Gorean woman carries herself well;
her back is straight and her chin is high. She tends to be vital and beautiful
to look upon."
Priest Kings of Gor pgs 46-47
From here down they are in
alphabetical order, the two forms of nadu was placed first where they are
the first positions a slave must learn
Bara
May be used as punishment, display or for
transporting a slave. On her belly, face down with her cheeks and breasts
to the floor, her face turns to one side and she crosses her wrists behind
her back, ankles are crossed as well, as if for binding.
"Bara, Kajira!" he said. She rolled
quickly to her stomach, placing her wrists behind her, crossed, and crossing
her ankles, ready to be bound.
Explorers of Gor pg 77
"Bara!" he snapped.
I flung myself to my belly in the grass,
putting my hands behind me, wrists crossed, and crossing my ankles, too."
Dancer of Gor pg 415
"Bara," said Mincon to Tula.
"Bara," said I to Feiqua.
Both slaves went immediately to their bellies,
their heads to the left, their wrists crossed behind their backs, their
ankles also crossed. It is a common binding position.
Mercenaries of Gor pg 145
Begging- see karta
Belly
A girl falls to her belly on the floor,
her arms are at her sides or behind her back. she may have her wrists
bound behind her back, she then crawls on her belly to the Master. This
might be used to show submission, part of an erotic dance or even for punishment.
"Approach
me on your belly," I said. She squirmed to the table, her hands still behind
her.
Renegades of Gor pg 75
"Now" I said, "for a third form of
obeisance. You may belly to me."
"I do not understand," she whispered.
"There are various forms of bellying, "
I said, and bellying may be suitably and pleasingly combined with other
forms of floor movements, approaching the Master on all fours, turning
to your sides and back, writhing before him, and so on. We will take a
very simple variation, suitable for an ignorant free female who has not
yet even begun to discover the depths of her sexuality."
She looked up at me. "On your belly," I
said. She backed off a bit , and went to her belly. her hair was before
her face, as she now on her belly before me looked up at me.
"Now inch forward," I said, " remaining
low on your belly, and when you reach my feet, once
again, as before, lifting your head a little, tenderly and humbly, and
beautifully, as though you were a slave , lick and kiss them. Good. Good.
Now take my foot and place it gently on your head. Very good. Now place
it again on the Mat, and kiss it again. Good. You may now belly back a
little, humbly. I have not yet given you permission to rise of course."
Mercenaries of Gor pg 411
"'Stop,' he said. 'To your belly.'
Then I was on my belly, on the tiles, my
hands at the sides of my head, prone, before his curule chair."
Kajira of Gor pg 427
Binding position (see Standard Binding Position)
Blanket
Whatever position a girl is in she must remain
motionless once a blanket is tossed over her, until the Master or another
Free Person removes it.
"I then threw the second blanket, the top
blanket over her, covering her completely. When a blanket, or cloak, or
covering of any sort, is thrown over a slave like this she may not speak
or rise. She must remain as she is, silent, until the master , or some
free man, lifts the covering away."
Explorer's of Gor p 94
Bound By Master's Will
refers to a slave being commanded to hold
position, as though bound, hands clasping opposite wrists until she
is released.
"She wore the `bonds of the master's will.'
Grunt had put her in them. She could not rise to her feet. Yet there was
not a rope or strap on her body. She was `bound by the master's will.'
She could not move from this position unless, at the word of a free person,
she was freed from it. To break the position otherwise is to be instantly
slain."
Blood Brothers of Gor pg 248
"You look well with your hands behind your
back," he said.
"Yes Maser," I said. I must now keep my
hands or wrists in contact with one another, and behind my back.
I was now "bound by master's will." I could not separate my hands
or wrists from one another now without permission. There are many
ways, of course, of "binding by mater's will." The behind-the-back
position is one of the simplest and loveliest. This exposes the girl,
frames the beauty of her breasts and makes her helpless. That the
bond is a "will bond," too, makes clear to her the power of the master
over her. Another common bond of this sort is when the girl must
kneel, grasping her ankles. Another is when she is forced to sit
and reach forward between her legs, passing the right arm from inside the
right thigh to outside and beneath the right calf, to grasp the right ankle
from the outside, the left ankle in the same way. In this position
she is helpless and cannot rise. Too, after a time, it becomes apparent
to her that she cannot close her legs. A girl may be kept in such
bonds for hours. Too, of course, different ways of decreeing such
bonds. For example, with the behind-the-back-hands-tied bond in which
I had been placed I could have been informed, but had not been, that my
shoulders were pulled back tightly, which, of course, forces the breasts
forward for the pleasure, or attentions, of the master.
Dancer of Gor pg 227
Bracelets or slave bracelets
This is used to place slave bracelets or manacles
on. she turns her head to the left with her chin up, places her hands behind
the small of her back. she also may be hooded, leashed or gagged
from this position. The position may be ordered as low, kneeling, or high,
standing, as in lesha.
He had removed a pair of light bracelets,
joined by about five inches of light chain, from his pouch.
"Slave bracelets," he said. "Turn around,
facing the door, your hands behind your back."
Kajira of Gor pg 132
"Stand Girl," I said to her in Gorean.
Gracefully she stood. I observed her.
"Bracelets!" I said in Gorean, harshly.
The girl snapped to position, hands behind
the small of her back, head lifted, chin up, turned to the left.
In such a position she may be conveniently put in bracelets, and leashed.
Tribesman of Gor pg 78
Capture Position (supine capture
position)
a girl lays flat on her back, sliding her
heels towards her bottom raising her knees
"On your back," he said, "knees raised,
heels on the floor." I then lay before him, in a standard, supine capture
position.
Kajira of Gor pg 422
Coin
Kneeling or standing the girl opens her mouth,
accepting a coin from a patron of the tavern or where ever she's serving,
she can't touch the coin with her hands, in turn she takes it to a coinbox
or her Master and opening her mouth deposits it into the box of His hand.
"Paga!" called the standing man. "Paga!"
A blonde girl, nude, with a strong of pearls
wound about her steel collar, ran to the table and, from the bronze vessel,
on its strap, about her shoulder, poured paga into the goblet before the
seated man. The fellow who stood by the table, scarcely noticing
the girl, placed a tarsk-bit in her mouth, and she fled back to the counter
where, under the eye of a paga attendant, she spit the coin into a copper
bowl."
Rogue of Gor pg 77-78
Collaring Positions
- (see submission)
Plus about reading the collar the quote below
In response to the "collar" command, the
slave approaches the male, that he need not inconvenience himself by coming
toward her. She then lifts her chin and places her hands behind her. It
is thus that a girl renders herself vulnerable for the reading of her collar.
Witness of Gor page 357
Crawl
The girl is gets down on her belly or sometimes
seen on all fours, palms and elbows flat to the floor, her hips pushing
up in the air. This approach allows a girl to display her body to the Master
in a variety of enticing ways. Usually upon reaching the Master's feet
a girl kisses His foot, showing respect and submission.
I pointed to the stones at my feet. "Crawl,"
I said, in Gorean. The girl slipped to her belly, and, as a slave girl,
crawled to my feet. She put her lips to my foot; I felt her hair over it.
Tribesmen of Gor pg 79
Gorean Bow
May be used in inventive serves, as an alternative
to table, and is part of the "Belt Dance."
She kneels in nadu position and bends her
body backwards, her head to the floor, she places her hands by her head
palms down and lowered to the floor, then pulls up into a back bend. The
position is painful and not maintained for longer than a few minutes. her
head then touched the furs, her body a cruel, helpless bow.
Assassin of Gor pg 185
Gorean Love Bow
a girl is arched backward and bound over an
object for usage exposing her fully to the Master.
"He thrust her two wrists, before her body,
into the ring he had cut from the Kur. He then tied them inside, and to,
the ring. He then, from his belt, took a length of binding fiber and doubling
it, looped it, securing it, at it's center to the ring, leaving two long
ends. He then threw her, on her back, over the body, head down, of the
fallen Kur. He took the two loose ends of the binding fiber and, taking
them under the body of the fallen Kur, dragged her wrists, elbows bent,
over and above her head; he then, bending her knees, tied one of the loose
ends about her left ankle, and the other about her right. It was the Gorean
love bow."
Marauders of Gor pg 261
Gorean Usage Position
The slave falls to the floor upon all fours,
hands clasped behind the back of her neck, keeps her head straight,
her eyes looking forward, with her buttocks thrust upward and her thighs
widely spread in preparation for the sexual use of the Master.
He knelt me there.
"Put your head down, to the floor," he
said. "Clasp your hands, firmly, behind the back of your neck."
"Yes, Master," I moaned.
He was then behind me. He put his hands,
under my arms, on my breasts, sweetly and firmly. Then he moved his bands
back, caressing my flanks. My head was down. My fingers were together,
behind the back of my neck. I was in his collar. It was steel, I could
not remove it. I belonged to him. My body hurt, from his whip, that of
my master. My head hurt, from my hair, where I had been conducted, unceremoniously,
to this location.
"Please, Master," I sobbed. "Not like this!
Not you, please!"
"The slave is pretty," he remarked.
"Oh!" I cried. "Oh!"
"You have a lovely ass," he said.
"Ohhh!" I said.
"You may thank me," he said.
Kajira of Gor pg 434
Hair Position
With her feet flat on the floor, she stands
and bends at her waist gracefully so that her hair might fall forward for
display, to be shorn, seized or any purposed the Master desires.
I looked at the girl. I nodded to
her to approach me. She did so. I held my left hand open, at
my waist. She stiffened, and looked at me angrily. I opened
my left hand once. I saw her training in Gorean customs had been
thorough. But she never thought such a gesture would be used to her.
She came beside me, and a bit behind me, and, crouching, put her head down,
deeply. I fastened my hand in her hair. She winced. Woman
are helpless in this position.
Beasts of Gor pg 409
Heel
she follows the Master to His left usually
and behind Him, following His every movement, when He stops she stops,
when He moves she moves, sometimes she is made to walk back a few feet
or closely behind. Almost always she is on the left, most Gorean's are
right handed so this is Their weapon arm and don't want the girl in the
way, a Warrior is always ready to defend Himself and what is His.
"These things vary, I learned from city
to city, and depend, also, on such matters as context and conditions. In
a market, in the crowding and jostling for instance, a girl may follow
so closely she pressed against the back of his left shoulder. Girls seldom
follow behind and on the right. If she is thusly placed it is commonly
a sign she is in disfavor. If more than one girl is involved, she who follows
most closely on the left is generally taken to be in highest favor; girls
compete for this position. In an open area, such a the fields in which
we trekked, the girl is placed some five or ten feet behind, and on the
left. If he must move suddenly she will not, thusly, constitute an impediment
to his action.
Slave Girl of Gor p 30
" A slave girl, in heeling her master, commonly
follows on the left. That she follows indicates that she is subservient,
that he is master and she slave; that she follows on the left is a cultural
matter probably indexed to the fact that most Goreans are right-handed.
Her presence on the left, thus, is not likely to interfere with his draw
or the movements of his sword arm.
Renegades of Gor pg 433
High Harness Position
her head is held high and as way back, kneeling
or standing and not moving till she's released from the position.
"Lift your head, " he said. "Higher. Higher!"
She looked up at him, her head far back,
the leash on her throat....
"You need not now keep your head in high-harness
position,", he said to the girl.
She moved her head.
Mercenaries of Gor pg 308-309
Karta
(Begging position) - a slave kneels
on the floor, her thighs spread widely to allow her to press her breasts
to the floor as she leans forward and places her forehead to the floor,
she reaches out with her arms extended, palms to the floor. Hips are pressed
into the air or sometimes on her belly. Ankles can be crossed or uncrossed.
This position shows the utmost respect and is used to beg for anything
a slave desires. Here again each Master will differ slightly as to how
they want Their slaves doing this position.
(the quote below is of obeisance but similar to what this position is taught as being)
"Now" I said, " and this is clearly
a form of obeisance, bend forward and put your head to the mat, the
palms of your hands on the mat. Good. Now
lift your head a little and come forward, substantially
keeping the position. Forward a little
more."
" But then my face will be at your feet,"
she said," My lips will be over them!"
"Yes," I said, "Good, now, put your
head down and lick and kiss my feet."
Mercenaries of Gor pg 410
Kneeling to the Whip
starting at the Nadu position, a girl crosses
her arms in front of her over her breasts, she then leans forward and places
her head to the floor, first sweeping her hair over her shoulders to expose
her back to the whip.
"I crossed my wrists beneath me and touched
my head to the floor, exposing the bow of my back. It is the submissive
posture of a slave girl who is to be punished. It is called Kneeling to
the Whip. I shook visibly, at his feet. I whimpered, I waited for
him to call the guard, to bring the lash."
Captive of Gor pg 200
"Kneel to the whip, Melpomene!' she ordered
her.
Melpomene then, sobbing, knelt, her legs
close together, her wrists held crossed under her, as though bound, her
head down, touching the floor, the bow of her back exposed, a slave girl
awaiting punishment."
Fighting Slave of Gor pg 284
Kneel to be Coffled
kneel one behind the other, extending an wrist
to be bound with wrist rings as ordered, then the slaves are ordered to
stand and lower their arms, thus the coffle
"Kneel to be coffled," said one of the men.
The girls knelt, closely, one behind the
other, there were six wrist rings on the chain
he carried. He placed the girl who
had been whipped by Lady Sabina first in the coffle line.
"Left wrist coffle," he said.
They lifted their left wrists, frightened.
Interestingly, the man snapping the wrist rings on the girls’ left wrists
did not put the first girl in the first ring, but the second. When the
four maids were coffled there was, thus, an empty wrist ring both at the
head and rear of the line.
"Stand, Slaves," said the man. "Lower chain."
The girls stood. Then, ordered, the lowered
their wrists. They were then in line, standing, coffled.
Slave Girl of Gor pg 127
Leading Position
The slave stands and moves behind her Master,
bending at the waist with her cheek resting by His waist, belt or hip.
This allows Him to lead her by the hair or collar easily.
I put my head down to his waist and he fastened
his left hand in my hair.
Kajira of Gor pg 134
"Her Master seized her from the circle then
and hurried her from the light, her head down, held by the hair, at his
left hip; This is a common leading position for female slaves being conducted
short distances; As the master holds her hair in the left hand, it leaves
his right hand, commonly the sword hand, free."
Magicians of Gor pg 46
"Leading position," he said.
Sobbing, she rose to her feet, and put
her head down, at what would be the height of a man's waist, her legs flexed.
A guard walked over and fastened his hand in her hair.
"Have her whipped," said Policrates.
"Yes, Captain," said the man. He then left
the chamber, pulling the girl, sobbing, at his side.
Rogue of Gor pg 288
Lesha
Used to attach a leash. she kneels in
a standard kneeling position, her back to the Master, her chin is lifted
and turned to the left, offering her collar to be leashed, her wrists are
extended behind her back side by side in a position ready to be chained
into slave bracelets if He desires or binding fibers.
Some girls beg to be leashed, sometimes
crawling to their masters, their leash held
between their small, fine teeth. Most masters
use the leash at one time or another. A gorean saying has
it that a leashed slave is a hot slave.
Fighting Slave of Gor pg 366
"Lesha," snapped the second officer to the
blond girl.
She spun from facing him, and lifted her
chin, turning her head to the left, placing her wrists behind her, as though
for snapping on the slave bracelets.
Explorers of Gor pg 76
Nestle Position
a girl nestled into the Master's arm
"Nestle," I told her.
"Yes, Master," she said. She nestled obediently
in the crook of my left arm.
Explorer's of Gor pg 279
Obeisance Position
There it seems are varied forms of this position.
1. slave submission - the slave knees, thighs
spread widely, back straight and breasts thrust out with belly in, she
lowers her head in submission....... similar to nadu
2. from nadu bend she bends forward
placing her head to the floor, palms of hands on the floor, she then lifts
her head slightly and moves forward placing lingering kisses on His feet
3. belly position - falling to the floor on
her belly, face down before the Master, she turns her head and gently kissing
the Master's feet in a gesture of love and submission, she rests her cheek
upon His foot. she may also lick them or dust them with her hair.
"There are many ways to perform obeisance.
"I said.
"I am a free woman," she said, " I know
none of them."
"I shall instruct you briefly in
three," I said.
"First kneel before me , back on your heels,
yes, with your knees wide, wider, your hands on your thighs, your back
straight, your breasts out, good, your belly in, good, and now lower your
head in deference, in submission."
"Like a slave!" she said.
"Do it," I said. She looked well.
"Now that," I said, " may not be exactly
a form of obeisance, for authorities do not all agree, but for our purposes
we shall count it as one. It is, at any rate, a beautiful position, and
it is, certainly, a common position of slave submission."
"Slave submission!" she cried.
"Yes," I said, "and you do it well. It looks natural on you."
"Now" I said, " and this is clearly
a form of obeisance, bend forward and put your head to the mat, the palms
of your hands on the mat. Good. Now lift your head little and come forward,
substantially keeping the position. Forward a little more."
"But then my face will be at your feet,"
she said," My lips will be over them!"
"Yes," I said, "Good, now, put your head
down and lick and kiss my feet."
"I am a free Woman!" She Said.
"You are a woman," I said," now softly
lingeringly, and lovingly, Good."
"I am not a slave," she said
"All women are slaves, "I said " Imagine
what this would be like if you were truly a collared slave." She gasped.
"Now" I said, "for a third form of obeisance. You may belly to me."
"I do not understand," she whispered.
"There are various forms of bellying, "
I said, and bellying may be suitably and pleasingly combined with other
forms of floor movements, approaching the Master on all fours, turning
to your sides and back, writhing before him, and so on. We will take a
very simple variation, suitable for an ignorant free female who has not
yet even begun to discover the depths of her sexuality."
She looked up at me. "On your belly," I
said. She backed off a bit , and went to her belly. her hair was before
her face, as she now on her belly before me looked up at me.
"Now inch forward," I said, " remaining
low on your belly, and when you reach my feet, once
again, as before, lifting your head a little, tenderly and humbly, and
beautifully, as though you were a slave , lick and kiss them. Good. Good.
Now take my foot and place it gently on your head. Very good. Now place
it again on the Mat, and kiss it again. Good. You may now belly back a
little, humbly. I have not yet given you permission to rise of course."
Mercenaries of Gor pg 409-411
Swiftly we assumed a common form of slave
obeisance, kneeling, the palms of our hands on the ground, our heads to
the ground. Many masters, though it tends to be rather associated
usually with given cities, require this position of their girls, usually
when they first enter his presence or find themselves, as in a room
which he has entered, in his presence.
Dancer of Gor pg 114
"At his entrance Susan put the palms of
her hands on the floor and lowered her head to the tiles, assuming a
position of slave obeisance common with her in the presence of her master."
Kajira of Gor pg 157
"You may do obeisance, my dear," said Kliomenes.
The girl rose to her feet
and went to Kliomenes. She knelt before him, on the dais, and put her head
down. Gently, softly, she licked and kissed his feet. She then rose again
to her feet, backed away, and then, on the tiles, again knelt. She put
the palms of her hands upon the tiles, and lowered her head to the tiles.
Then she straightened up, her back straight, assuming the position of a
pleasure slave, though keeping her head bowed, deferentially.
Rogue of Gor pg 299
Prostrate
Used frequently when waiting permission to
enter a room or to speak. she kneels, touching her head to the floor, stretching
her arms out before her with her palms down and fingers spread.
At his entrance Susan put the palms of her
hands on the floor and lowered
her head to the tiles, assuming a position
of slave obeisance common with her
in the presence of her master.
Kajira of Gor pg 157
Run
the slave runs toward the Master or where
ever He told her to run to, taking short rapid steps, with her legs nearly
straight, feet hardly leaving the floor, her back is straight, head is
turned to the left, and her arms are at her sides, palms facing outward
at a 45 degree angle to her body. Upon reaching the Master she drops gracefully
to her knees and resumes the position of Nadu.
"I was amused, for she had run as a slave
girl is sometimes taught to run, with rapid short steps, her legs almost
straight, her feet scarcely leaving the ground, back straight, head turned
to the left, arms at her sides, palms out at a forty-five degree angle,
more of a dancer's motion than a true run."
Assassin of Gor pg 45
She-Sleen Position
Also known as "assuming the modality of the
she-quadruped." the slave falls to her hands and knees, her head down on
the floor, her hindquarters thrust upwards for viewing and/or her Master's
pleasure. "Serving in the modality of the she-quadruped" is an instruction
whereby the slave performs her regular duties upon hands and knees, without
the benefit of the use of her hands. In this mode she may not rise to her
feet and may use only her mouth and teeth to grasp and manipulate objects.
a naked slave in sleen collar, was ordered
forth on her hands and knees. A sleen leash was attached to her collar
and she was marched, as a she-sleen, crawling, abused, to the rape-rack
in which I had been earlier confined.
Slave Girl of Gor pg 238
"In this form of slavery, which is commonly
used for disciplinary purposes, or for the amusement of the Master, the
woman is not permitted to arise from all fours; similarly she is not permitted
human speech, though she may signify needs and desires by such means as
cringing, and moaning and whimpering. Not permitted the use of her hands,
save as a means of locomotion, she must also eat and drink from pans set
on the floor, or, sometimes to satisfy her thirst, she must lap the water
permitted to her from puddles or lick pillages from the tiles; too, it
is no uncommon to chain her near her master's feet, while he dines, that
he may, if he wishes, throw her scraps of food. She will also be taught
tricks, through which paces she may be put for the entertainment of her
master's guests, such things as begging, lying down, rolling over, and
fetching his sandals in her teeth. And, needless to say, when her master
wishes to use her sexually, it will be a position common to the she-quadruped."
Guardsman of Gor pg 225
She-quadruped Position
"In this form of slavery, which is commonly
used for disciplinary purposes, or for the amusement of the Master, the
woman is not permitted to arise from all fours; similarly she is not permitted
human speech, though she may signify needs and desires by such means as
cringing, and moaning and whimpering. Not permitted the use of her hands,
save as a means of locomotion, she must also eat and drink from pans set
on the floor, or, sometimes to satisfy her thirst, she must lap the water
permitted to her from puddles or lick pillages from the tiles; too, it
is no uncommon to chain her near her master's feet, while he dines, that
he may, if he wishes, throw her scraps of food. She will also be taught
tricks, through which paces she may be put for the entertainment of her
master's guests, such things as begging, lying down, rolling over, and
fetching his sandals in her teeth. And, needless to say, when her master
wishes to use her sexually, it will be a position common to the she-quadruped."
Guardsman of Gor pg 225
Slave Bracelets - (see bracelets)
Slave Lips
the slave turns her head up to the Master,
she purses her lips in a sensual kissing position, remaining motionless
and quiet until kisses her Master or is kissed.
Similarly, I was not required to respond
to certain sorts of commands, for example, to make "slave lips," pursing
my lips for kissing, or to writhe slowly before my viewers.
Kajira of Gor pg 224
"A girl who is commanded to make slave lips,
or who receives the command, `Slave lips,' must form her mouth for kissing.
She then, commonly, is not permitted to break this lips position until
she kisses or is kissed. Needless to say, a girl can not speak when her
lips are in the unbroken, fully pursed slave lips position. The command
which commonly follows the `Slave lips' command is, "Please me."
Blood Brothers of Gor pg 111
Slave Rape
there are variations to this position - a
girl lays on her back, her head pushed back to the floor, arms to her sides
and thighs spread widely for Master's free use or the girl could be kneeling,
leaning forward to place her head to the ground, hands clasped behind her
back.
I went to the side of the room and picked
up my sea bag. I threw it to the center of the room. She looked down at
it puzzled. It was of heavy blue material, canvas, and tied with a white
rope.
"Lie down upon it," I told her, "on your
back, your head to the floor."
She did so. "No, please," she said, "not
like this."
It is a common position for a disciplinary
slave rape. In it the woman feels very vulnerable, very helpless. I then
took her.
Explorer's of Gor pg 202
"Do you wish to be whipped?" he asked.
"No, Master!" I said.
"Turn about," he said. "Kneel down. Put your head to the ground, clasp
your hands together, behind the back of your neck."
"Yes, Master!" I wept. I hastened to obey. This is a common position for
slave rape.
Dancer of Gor pg 457-458
Stand
a girl stands with her back straight, head
held high, belly sucked in and hip turned slightly
"He looked me over. I blushed, under Gorean
appraisal, I only wore my tether.
"Stand as a slave," he said.
I stood beautifully, back straight, head
high, belly sucked in, hip turned. No
woman can stand more beautifully than as
a gorean slave girl.
"Excellent," said Ladletender, smacking
his lips.
"Master is pleased," I said.
"Yes," he said.
"The slave too, is then pleased," I said.
Slave Girl of Gor pg 249
Still another version of standing in presentation:
"The auctioneer did not strike her with
his whip. He merely took her arms
and lifted them, so that the position chain,
attached to each side of the
sales collar, lay across her upper arms.
Then he had her clasp her hands
behind the back of her neck, so that the
chain, on each side of the collar,
was in the crook of her arms, and she was
exposed in such a way that she could
be properly exhibited."
Explorers of Gor pg 36
Standard Binding Position
a girl moves to a prone position, crossing
her wrist behind her back and her ankles, ready to be bound.
"Standard binding position," he said. I
was prone. When a girl is prone, the standard binding position is to cross
the wrists behind the back and to cross the ankles. I took this position
instantaneously.
Slave Girl of Gor pg 125
submission (position of female
submission)
The slave kneels at the Master's feet and
leans her body back, sitting upon her heels, with her arms extended upward,
crossed at the wrists, and her head beneath them lowered in supplication.
Can also be used with the wrists uncrossed, typically serving refreshments
from this position.
"Then, to my astonishment, the daughter
of the Ubar Marlenus, daughter of the Ubar of Ar, knelt before me, a simple
warrior of Ko-ro-ba, and lowered her head, lifting and extending her arms,
wrists crossed. It was the same simple ceremony that Sana had performed
before me in the chamber of my father, back at Ko-ro-ba- the submission
of the captive female. Without raising her eyes from the ground, the daughter
of the Ubar said in a clear, distinct voice: `I submit myself.'
Tarnsman of Gor pg 93-94
She winced, her back bent painfully. "Do
you wish me to submit to you now?" she begged.
"Do so," said he.
She fell to her knees before him, and lifted
her head to regard him. "I will be your slave," she said. Then, she
knelt back on her heels, lowered her head, and lifted and extended her
arms, wrists crossed, as though for binding. She was very beautiful. "I
am your slave," she said, "Master."
Hunters of Gor pg 16
He took his strap off her throat, and unbound
her hands.
"Submit," I told her.
She knelt before me, back on her heels,
arms extended, head down, between her arms, wrists crossed, as though for
binding.
"I submit to you, Master," she said.
I tied her hands together; she then lowered
her bound wrists; I pulled up her head. I held before her an opened collar,
withdrawn from my sea bag. I had had one prepared.
Explorers of Gor page 74
"There are many ways to perform obeisance.
"I said.
"I am a free woman," she said, " I know
none of them."
"I shall instruct you briefly in
three," I said.
"First kneel before me , back on your heels,
yes, with your knees wide, wider, your hands on your thighs, your back
straight, your breasts out, good, your belly in, good, and now lower your
head in deference, in submission."
"Like a slave!" she said.
"Do it," I said. She looked well.
"Now that," I said, " may not be exactly
a form of obeisance, for authorities do not all agree, but for our purposes
we shall count it as one. It is, at any rate, a beautiful position, and
it is, certainly, a common position of slave submission."
"Slave submission!" she cried.
"Yes," I said, "and you do it well. It looks natural on you."
Mercenaries of Gor pg 409
"She came and stood before me, and then
dropped to her knees, resting back on her heels. She lowered
her head and extended her arms, wrists
crossed, the submission of the Gorean female."
Raiders of Gor pg 92
Sula
(similar to Slave Rape) - In this one a slave
lays on her back, her hands at her sides with her palms upward, her legs
widely spread, to await her Master's inspection or desire. Sometimes
used to confirm white silk status.
"Sula, Kajira!" said the man.
She slid her legs from under her and lay
on her back, her hands at her sides, palms up, her legs open.
Explorers of Gor pg 77
Sula-Ki
Almost identical to the Sula position, except
once the slave has assumed the Sula position she slowly lifts her hips
up off the floor, as if beckoning him with her body, encouraging her sexual
use by him.
she lay on her back, her knees drawn up,
before me. She arched her back. Her breasts were lifted beautifully.
I observed their lovely rise and fall, correlated with the respiratory
cycle of her small lungs. Then she lay back, her shoulders in the dirt,
and pressing against the earth with her small feet, piteously lifted before
me, for my examination, and seizure, if I pleased, the deep belly of her,
the sweet cradle of her slave's heat.
Explorers of Gor pg 329
Supine Capture Position - see Capture Position
Table
This can be an uncomfortable position to hold
for a length of time. The slave gets down on all fours, head straight
with her eyes down, back level, elbows locked and ass in the air.
From this position she may be used as a table.
Whip Caress
this is more an action then actual position,
it's what an Auctioneer or Slaver might do to a slave to make her show
her heat and get a better price for her. or a Master might test a
slave this way.
Then, before I could realize what he intended,
he had subjected Miss Cardwell to what, among slavers, is known as the
Whip Caress. Ideally it is done, as Kamchak had, unexpectedly, taking the
girl unawares. Elizabeth suddenly cried out throwing her head to one side.
I observed to my amazement the sudden, involuntary, uncontrollable response
to the touch. The Whip Caress is commonly used among Slavers to force a
girl to betray herself.
Nomads of Gor pg 168
Her movements were wooden. The crowd was
not pleased. There was only a two gold piece bid. Then taking the whip
from the whip slave the auctioneer stepped to the disconsolate girl; suddenly,
without warning, he administered to her the Slaver's caress, the whip caress,
and her response was utterly, uncontrollably, wild, helpless. She regarded
him in horror. The crowd howled with delight.
Assassin of Gor pg 294
Walk
the slave turns in a graceful pirouette, her
hair swinging, gliding across the room as she walks, her feet hardly seem
to leave the floor, hips swaying sensually, her body erect and proud. When
she reaches the Master she halts and stands, body erect, shoulders back,
chest thrust forward, her belly in. She turns her hip out a bit, hands
at her sides, and points one foot, her head up and eyes are lowered.
a question of palms up
or palms down
"Position!" I snapped.
Swiftly she knelt again, as she had been
commanded earlier.
"You obey with the alacrity of a slave
girl," I observed.
"If I do not," she said, "I could be punished
as one, could I not?"
"Yes," I said, "and would be."
I walked about her, examining her, She
kept her back very straight, and her head up.
I was then again before her.
I noted that the palm of her hands, so
soft, so vulnerable, had turned on her thighs, so that they faced up. Among
slave girls this is a common ways of signaling need, helplessness, a desire
to please
Vagabonds of Gor pg 209
She knelt in the position of the Pleasure
Slave but her hands on her thighs had unconsciously, pleadingly, turned
their palms to me, and she no longer knelt quite back on her heels. It
was as though she begged to be allowed to lift and open her arms and rise
and come to my arms. But as I looked upon her sternly she turned her palms
again to her thighs, knelt back on her heels and dropped her head, holding
her eyes as if by force of will fixed on the plastic beneath my sandals.
Priest Kings of Gor pages 234-235
