And now, on to a novelized version of an on-going chronicle,
Moonlight
slanted in through
the tall window in the
west, laying a pale
stripe on the dark carpet and the darker hangings. A golden glow lapped
over an antique desk against the neighboring wall, where Morgana slouched
in a tall-backed chair and graded papers. The wide mahogany surface was
scattered with papers and books, with a small, folded laptop sitting on
the back corner. A quill pen in an ink pot sat beside it, on a
half-relettered text written on cracking parchment. Her mass of dark curls
was pulled up into a loose knot, with a pencil stuck through it, and
dangling strands trailed over her shoulders and around her pale face. She
had discarded her professorial garb and wore black jeans and a red silk
shirt knotted over a leotard. The shoes that went with her narrow skirt
and turtleneck lay tumbled in a corner, where she had left them. One heel
was propped on the desk, and the other leg was crossed over it. A stack of
hand-written essays rested on her knee, and she was skimming briskly over
them, red pen in hand.
Someone rapped softly on the paneled door on the other side of the
room.
"Si?" Morgana looked up from her papers. The door opened slightly and
a
slight, elderly man looked in. His thin white hair feathered over his
scalp, but his eyes were still sharp. A manila envelope was tucked under
his arm.
"The report, my donna. Don Luis sends you his assessment of the town
you
wanted evaluated." He bowed stiffly and laid the report on the desk.
"Gracias, Jean-Paul. I'll read it as soon as I'm done here." He bowed
again and withdrew, closing the door behind him. She flipped through the
last paper and swung her legs down, pulling the envelope over to her. She
dug a stiletto out of her left sleeve and slit the flap open, then fished
out the papers within. They indicated no solid evidence to back up the
accusation of diablery that had been leveled against the Brujah primogen.
She was grateful for that, at least. Proving diablery was always messy,
especially at that level.
Morgana fished a pen out of a holder and dashed off a note to Luis,
telling him the identity of the accuser and suggesting further
questioning, and arrest if the story turned out to be a deliberate
fabrication rather than just rumor-mongering. Then she added the report to
the slender folder on the case and put it all away before getting up and
crossing to the tall window hung with velvet drapes. The heavy, dusty
cloth looked almost black in the leached light of the moon, deep red by
lamplight. Standing about the room were Queen Anne chairs and tables, and
a bookcase beside the door to her bedroom, which stood open now. Beyond
the door, an antique four-poster with canopy and curtains of the same
heavy velvet could be seen. A great wardrobe stood across from the foot of
the bed, and a vanity with a fragile chair was beside it. Over the vanity
table and it's scattering of scent bottles and combs and glittering cases
hung a huge, time-clouded mirror.
The moon lacked perhaps two hours of setting, giving maybe an hour and
three-quarters before dawn. Outside the window, the lawn stretched to the
empty road and the yellow-pink street-lamps which trailed out of sight.
Morgana turned back into the room and left it, slipping out through the
door by which the French ghoul Jean-Paul had entered and left. The
adjoining conference room was empty and dark, without windows, but the
darkness was no hindrance.. Beyond that, a second door led into the
high-ceiled library, with ten-foot bookcases and sliding, wrought-iron
ladders to reach the upper shelves. At this hour, most of the others were
out and about, so the library, too, was almost empty. The lone exception
sat at a reading table with a glowing lamp and a heavy volume of Tremere
history.
"Working late, Michael?" The ash-haired apprentice stiffened in
surprise
and rose hastily.
"Yes, Ma'am." Young Michael was slender for his height and had a
gangly,
ill-at-ease bearing. He also wore jeans, paired with a black tee-shirt,
but with the incongruous addition of a long velvet robe, open at the front
and unbelted. Michael was not yet comfortable with his new existence, and
Morgana, feeling responsible for the young man's misfit position, took
special pains with his education.
"Obviously, your historical studies
are going well, but how is your combat
training?" Morgana slipped into the opposite chair.
"Pretty well, I think. I mean, Agent Karen always looks for the
faults,
but I don't think I'm making as many mistakes." His sharp nose wrinkled
as he grimaced. Morgana nodded thoughtfully.
"Why don't you show me? The training room will be empty now, I think."
Michael blinked twice before getting up and following her out through the
Great Hall.
The high vaulted roof soared above the pair as they slipped through the
double doors in the north wall. Heavy hangings covered the stone walls,
providing a backdrop for clumps of chairs and slanted desks lining the two
longest walls. Against the back wall, to the east, a dais with three
semi-circular steps supported an ominous throne of jet-black, glossy wood,
with a bare sword lying across the arms and a pair of red velvet banners
bearing
Morgana's sigil hung on the wall behind, flanking a coat of arms. Her
personal
seal
used the motif from her medallion hanging over an alchemical rose. Above
the ring pattern, the circle-and triangle blazon of Clan Tremere was
displayed. The two vampires turned down the central isle of uncarpeted
stone that ran from the latticed grill in the floor before the dais to the
wide doors at the west end of the room. That end terminated in wood
paneling, a bizarrely normal backing for the ghastly potted "plants" that
flanked the door.
At the approach of Morgana and Michael, the enchanted vegetation began
to
hiss and writhe, lashing dagger-thorned tendrils out of the pallid foliage
that partially concealed them. Dark, fleshy blooms rippled and worked
like mouths as the tendrils "felt" the floor and whipped through the air.
The plants had sensed the vibrations of footfalls on the stone floor. A
second later, both plants realized their mistake. They, and the rest of
their ilk throughout the chantry, recognized the human and vampire
residents that shared the building with them. However, they could tell
that some-one was there before they could tell who, so there were many
false alarms on their part. The plants sulkily curled their feeder vines
back into their leafy mantles and lapsed into quiescence again. Morgana
frowned slightly at the watch-plants.
"Michael, has Apprentice Smithson been here lately? I haven't seen her
for the last couple of nights."
"I think Ivy was here two nights ago, to fuss over her 'rose-bushes'
again. I bet she just got wrapped up in one of those experiments again.
Betony might know."
"Hmmmm, yes. Betony does handle the requisitions. We'll see. I'd
like
to see if there's any reason why the watch-plants have been so aggressive
lately. It's been getting worse, and I'm a bit concerned that there might
be some kind of incident with a security guard." Morgana turned left and
lead the way down the stairs to the training room, Michael trailing at her
heels.
The training room was spacious, but much smaller than the Great Hall.
The
walls were mirrored on one side and padded on all the others. Floor mats,
folding chairs, staves, and wooden swords were stacked in the corners.
Just coming through the down-stairs door was a blond woman with a worried
expression and a folder under her arm.
"Ma'am, do you have a moment?"
"Certainly, Betony. What seems to be the problem?"
"I just got another requisition list from Ivy Smithson. Most of the
items
are easy, but she's asking for almost half of our current stock of
tricyclenes and inquiring about the availability of werewolf blood! What
is she up to, anyway?" Betony opened the folder and extracted a
dirt-stained sheet of paper and ran a pink-nailed finger down the side.
"Black and green candles, sulfur, cinnabar, Dragon oil, pyrite,
hexapthylene, and hypodermic needles. . . " Morgana read aloud. She
looked up from the paper.
"Go ahead and make up this packet for her, but tell her that I want to
see
her before she leaves the chantry. I have a few questions myself."
Betony nodded and left as she had come, heading for the rear storage room.
Morgana shook her head, thinking about the great joys of another
conversation with the arrogant, reclusive, and brilliantly gifted senior
apprentice.
While the conversation was going on, Michael had slipped out of his
robe
and draped it over a chair. Morgana turned back and looked him over
thoughtfully.
"Better take off the pendant too. In a fight, anything your opponent
can
grab is a liability." She remarked, unknotting her shirt and setting it
aside.
The two circled slowly for a moment, then Morgana darted in, aiming a
jab
at his ribs. Michael danced out of the way, then jumped sideways as she
threw a punch. For several minutes, Michael ducked, dodged, and blocked
while Morgana tested his defense. A few blows slipped through, but not
many. Finally, she broke and backed off, nodding slightly. Michael, ears
ringing slightly from an unblocked right hook, did the same.
"Good! You're doing much better, but you are also keeping your guard
too
low. I should not have been able to get at your head so easily. Now, you
attack me." She circled back again. Michael blinked and then closed in,
trying to pin her wrists. She spun free and faced him again. He made
several tentative attempts before Morgana stopped the fight. She was
frowning again. Michael was not someone that she would have Embraced,
given the choice, and the harsh realities of vampiric existence came very
slowly to him.
"You need to try harder, Michael! You aren't going to
hurt me, you know.
Now, I want that next try to connect!" They started again, and this time
Michael actually landed a few by the time practice ended.
On her way back upstairs, Morgana stopped by the front doors to check
on
the mortal security guard. He was where he should be, and nothing seemed
amiss. The plants twitched and quivered at her proximity, but they
behaved themselves. The American Tremere Justicar shrugged and walked
back through the library and the council room to her study, and then into
her bedroom. She turned and looked at herself in the foggy mirror over
the vanity. The reflection was indistinct, but it had slightly faded
olive skin
and midnight hair, and large dark eyes in a slender, aristocratic face.
Morgana narrowed her eyes slightly and invoked her second sight, gift of
her clan, and watched her pale, gold and blue aura fade into view.
Shifting patches of silver and threads of rose-red drifted through it, but
the head and shoulders were cloaked in a gray fog of boredom and
melancholy. She turned away impatiently and crossed the room to the door
in the opposite wall.
In the wide hall a dozen paintings hung, six to a side. Morgana
thought of them as a sort of capsule history. The first one showed a very
young-looking Morgana, wearing a thin habit of unbleached muslin and a
stiff wimple, with a rosary of dark wood swinging from her rope girdle.
She was standing before a crumbling stone abbey. The last ray of sunlight
pooled on the leather sandals on her feet. In the next painting,
candle-lit dancers of the French court swayed and twirled under the
glittering chandeliers, low lace collars and full satin skirts glowing in
the light. In the foreground, Morgana danced with a fair-haired nobleman,
pearls glinting in her piled curls. Beyond that, the next painting was
almost completely dark, with an eerie glow picking up the figure of
Morgana, in a long dark robe stitched with strange twisting glyphs. The
robe was tucked up slightly, showing her bare feet as she stood in an
irregular, splattered circle drawn with blood. An overturned and
extinguished candle lay on the floor beside her. She was actually
standing with her back to the viewer, but with her head turned to the
side, showing an expression of fierce determination. An indistinct,
vaporous form was barely visible beyond her.
Past that, a night-time view of the noble towers of Renaissance Italy
lit
by the full moon, and, on a marble bench by a cascade of pale roses,
Morgana sat looking out over the sleeping city. She wore a flowing,
vaguely Eastern-looking caftan and a turban of dark silk. She twirled a
white rose between her fingers, leaves showing dark against her hand. The
next one was by lantern-light, showing a dark, paneled study crowded with
ancient books, and a desk littered with parchment, crystals, and a single
polished skull. Morgana sat at the desk in a blood-red robe, silver medal
about her neck and a long quill-pen in her hand. She was copying an
arcane pattern onto a sheet of parchment, working from a silver tablet
beside her. A bronze astrolabe caught the light from it's place on the
Oriental carpet on the floor.
Then she stood in a stiff, midnight-blue gown with the stiff,
extravagant
ruff of the Elizabethan period. The wide skirt was divided in front to
show an under-gown of silver satin, and the bodice was stitched with seed
pearls. In the background, two slender pillars framed her, joined by a
drape of dark velvet that angled from one to the other. Her slender neck
rose from the wide ruff, accented by a single glowing ruby in the hollow
of her throat. Her mass of dark hair was drawn back and half-covered
with a lace cap. Facing this one from the opposite wall was an image of a
night garden under the moon, white flowers reflecting the pale rays and
framing a marble statue of a youth with a pitcher. To the left, Morgana
knelt by a border of herbs. A wide basket hung over her arm, with sprays
of leaves and blossoms in it. She wore a dark brown cloak and a paler
dress, and slippers on her feet.
In the next painting, Morgana sat on a pale rose divan, wearing a lacy,
high-collared gown of the Victorian period. Ecru lace trimmed the narrow
cuffs and boned collar, more lace covered the long, slim skirt. Tear-drop
pearls hung from her ears and lay over the throat of the gown. Her hair
was high again, twisted into a tight knot on the back of her head and
pierced by a long hairpin. An ivory fan lay in her lap, folded between
gloved hands. Beside this one was the Jazz era. Morgana in flapper gear,
layers of red fringe on the short, tight dress and a sequined cap in her
hair. The setting was some dance-club, and she sat at a table before the
band, sipping a drink and tapping long red nails on the tabletop. Other
dancers moved around the margins of the image.
Next was a modern or nearly modern evening party. Women in long
evening
gowns and men in suits glided around a long buffet table shining with
silver and crystal. Front and center, Morgana was wearing a white dress
with a cut-away back and a diamond choker. Her high-heels were white
also, and she held a glass of red wine. A rose was pinned in her curling
hair. With a shocking contrast, she wore black leather and heavy boots in
the next image, leaning beside a motorcycle in a tight leather skirt and
jacket, with a red kerchief knotted around her throat. She wore her hair
in a braid down her back, one boot propped on the rear wheel.
The final picture was no more than five years ago, in her modern garb
of
jeans and knotted shirt, and black leotard. She sat casually in the ebon
throne of the Great Hall, banner above her head and sword in her hand, one
leg propped over the arm of the throne and her back leaning against the
other arm. The silver medal showed plainly, seven rings and the
wand-and-blade motif. Over six hundred years of history in a single
private gallery. In her better moods, Morgana found the paintings
appealing, or at least amusing. On this evening, though, her tolerance
for nostalgia was unusually low. She shrugged and walked back to her
study.
On the desk, she got out the little laptop and plugged it in,
momentarily charmed, again, by the intricacy of the modern device's
construction. It's
screen blended blue glow with the gold lamplight as she typed her nightly
summary for her superiors, as well as her own records. The account read
much like a captain's log, a dry recital of inquiries confirmed or denied,
accusations, trials, accumulated evidence, and sentences. It also held
the account of the routine chantry affairs. Her personal journals were
far more interesting, but they were also not available for public viewing.
She smirked briefly at the thought. Morgana sometimes wondered
how the more senior elders ever got anything but reading done, if, of
course, they actually read all of the reports that they requested.
Perhaps private secretaries went over them and abstracted the important
parts. She finished the report, saved it, and looked out the window
again. The moon floated like a cork on the horizon, and the first paling
of the east could be seen from the opposite side.
The rest of the vampires were undoubtedly back, and probably preparing
for
sleep now. Both Michael and his younger fellow Josh would be in the
little cells below, Ivy would be herding her latest creation out of the
burning sun and back into the cave where she slept, and Luis, where-ever
he was, would also be going to sleep. Morgana looked thoughtfully into
the eastern light, and then closed the heavy shutters against it, drew the
drapes over them, and slowly returned to her inner bedroom. Another night
was over.
Fire licked the walls. The chantry was burning! Morgana tossed
restlessly on the white bed. Old memories surfaced in blood-hazed dreams
of fire and shadow. She was an apprentice again, robe smouldering around
her as she cowered back into the shadows. The walls against her back were
hot, the fire on the other side was spreading. The door out was just
ahead, but something worse than fire barred the way. The Cross, symbol of
a faith betrayed and lost, condemming, no! Take it
away! Get it away! Get it away!!
Morgana's eyes snapped open, staring sightless into the canopy. She
blinked and sat up, wrapping her arms around herself. Nothing. No fire,
no silver cross thrust towards her face. Just a terrible feeling that it
was all about to happen again.
"The Inquisition. . . . " She murmured and lay back down, hugging the
white sheets closer. Troubled dreams slowly gave way to an uneasy sleep,
and then to the classic sleep of the dead; or the undead.
The next night was a "court date", a night during which Morgana held open
audience as Justicar to hear complaints, accusations, defenses, and also
to carry out sentences. The drain grill in the floor was an ominous
reminder of executions past and potentially future, as was the sword upon
the throne. Morgana, seated calmly upon the ebon throne, laid the naked
blade across her knees and waited for the first arrivals. Within twenty
minutes of sunset, early-rising vampires were trickling into the hall.
This was unusual, indeed. The first, a young Gangrel, stumbled up the
hall with a stunned look on her face and reported in shock that her sire
was gone. His haven was ash, burned to the ground. Five minutes later a
Ventrue came in, reporting being attacked by day. Men in black, carrying
guns, stakes, and swords. Wearing crosses. Carrying torches. With only
minor variations, the same story was told by virtually every vampire that
came to the hall.
Sires, childer, brood members, friends were gone. Havens had been
broken
into, burned down, shot up. Individual survivors tottered into the
chantry charred, bloody, shell-shocked. Morgana called in Josh, the other
apprentice, and started compiling information. By midnight, it was
apparent that some four or five of the city's Camarilla vampires were dead
or unaccounted for. Another handful or so were hurt, some badly. Many of
the survivors reported large teams of hunters, reported killing one or
more. It became apparent that at least twenty Inquisitors, maybe more,
were still in the city, making this the largest single operation that
they'd carried out for fifteen years.
One vampire came in from his haven outside the city and reported an
attack
made on a lone werewolf. Upon spotting him, the party of Inquisitors had
promptly attacked. He'd killed them all, and discovered while so doing
that at least one was a hedge-mage of significant talent. A pyrokinetic,
probably native talent. Morgana groaned mentally. The Inquisition was
bringing in it's big guns, all right. They didn�t risk their psychic
talents unless they were mortally serious.
Someone knocked on the heavy outer doors and Morgana sent Jean-Paul to
let
them in. As the new arrival entered the hall, she almost gasped. Some
strange vampire, doubtless, but the man was perfect to an almost painful
degree. She had never seen anyone more beautiful. Exquisite features,
dark, seductive eyes fringed with long lashes, a graceful, muscular
build. . . She realized she was staring and forcibly regained her
composure. He advanced and bowed low, drawing a silver medal from under
his shirt. Offering it to her, he said
"My lady, I have the honor of being assigned to your chantry. My name
is
Victor de la Fontaine, childe of the Prince of Vancouver, and I am at your
service." Seven rings glittered on the medallion, empty-centered. A
seventh circle apprentice, then. And a charming one, Morgana added
mentally. Odd that no-one had mentioned a new assignment, but the report
had probably gotten lost somewhere between Knoxville and Canada. Or. . .
what if he was a plant? Her eyes narrowed slightly. With active Auspex,
she scanned him and found. . . nothing? His aura was uniform, spotless,
and light blue. Absolutely un-marked. Uncommon, but hardly threatening.
Certainly no
Inquisitor, and undeniably vampire and, apparently, Tremere, by the medal.
Morgana smiled graciously. She rose from the throne, setting the sword
aside. "Welcome to Knoxville. I regret that
you
have arrived at what seems to be the start of an Inquisition crack-down,
but we are glad to have you here." She waved Michael over and detailed
him to show Victor around the common rooms of the chantry, and to set him
up in one of the apprentice cells. Sitting down again, she watched them
go, the taller, auburn-haired apprentice trailing after Michael. Charming
though he was, there was something just a bit odd about him, she thought.
Morgana resolved to keep an eye on him for a few days before turning back,
reluctantly, to the next vampire in line.
By three in the morning, Morgana had sorted out the situation as
best she could, given the current disarray of her city. Some thirty-five
Inquisitors had entered the city during the last day, and, with a sureness
indicating inside information, had sought out and attacked a majority of
the city's vampires. However, they had avoided the city's one group
haven, all havens in public or common buildings, and the chantry. Only
vampires who slept alone had fallen in the first assault.
The Justicar was preparing to call a meeting of her Archons and
apprentices. The elderly Ventrue, Alan, had not yet reported to the
chantry, and she feared that the conservative vampire had fallen to the
Inquisition. She got up and paced the hall, now empty of petitioners.
Finally, she called in her youngest apprentice, Josh, and told him to go
look for Alan, both at his haven across the city and at the house of a
mortal bookseller that had befriended him. During the last invasion of
'holy joe' vampire hunters, Alan had been badly hurt, and survived only
through the intervention of the young witch who ran the Cedar Chest
bookstore and herbal center. The witch, Judith, was Alan's contact with
the city's population of mortal magi. It was just possible he'd gone to
ground at either her house or her shop.
Josh left obediently, directions in hand. Morgana decided to go
ahead with her work during his absence, and called in the city's senior
Nosferatu, who she gave instructions for the rest of the city. All
vampires slain so far had been alone and in isolated surroundings.
Therefore, it was suggested that all surviving Kindred move into the more
populated parts of the city and remain in the company of other vampires so
far as possible.
Orders given, Morgana retreated to the library computer room and
typed up a preliminary report for the Council. Her long fingers clicked
over the keys by the half-light of the glowing screen. Finishing with a
tally of those reported missing, she slumped back in the chair and brushed
loose tendrils of hair out of her eyes. In the silence of the library,
the clock on the wall chimed four. More 'rosebushes' twitched and
rustled, disturbed by the vibration.
Four in the morning! Morgana rose and returned to the hall, her
soft shoes whispering over the stone. Josh had not yet returned. She
folded her hands into the wide velvet sleeves of her robe and headed
towards the front doors. Suddenly the door was opened from the outside,
and Josh, dragging another person, staggered in. Morgana blinked in
surprise and hurried over to help, catching the other arm of the prostrate
vampire. Between the two of them, the third vampire was hauled into the
Great Hall and laid out on the floor. Tall, lanky, dark disheveled hair,
pallid skin, tattered, charred clothing gaping to show burned skin and
bullet holes. A bad case, Morgana thought.
"Where did you find him, Josh?" she inquired, arching an eyebrow.
The younger vampire bobbed his head nervously, light eyes meeting hers for
a moment before reverting to his feet.
"A, a back alley. By the Poet's Corner coffeeshop. There was a
couple of guys in black robes." She looked over at him sharply.
"Are you all right?" He shuffled his feet for a moment.
"Yeah. Think he got a couple of 'em first. Others were picking
up the bits." Josh grinned for a moment. "They didn't see me, so I nailed
one, grabbed him, and ran. Don't think any of 'em followed me."
"Well done. Were you able to find Alan?"
"Yeah. He's with the mage. Says he'll be here soon as he can."
Josh knelt over the wounded vampire and shook him slightly. His eyes
snapped open with a look of horror, and he lunged for Josh�s throat with a
snarl. Josh leaped back.
"You! Damn you, get back!" The vampire snarled, reeling to his
feet with fangs bared. "You think you've caught me, but I'll get you too!
Red robes. . . " He staggered and lunged at Josh again. Josh sidestepped
and wound up behind Morgana, clutching her arm. The new vampire swayed in
confusion as he re-oriented on her.
"Numbers won't help you, hunter! I got more than two of you last
time." Morgana looked him in the eye coolly. He was obviously too
injured and disoriented to be very dangerous to her, but he was also too
upset to reason with at the moment. Focusing all the command she could,
she said evenly, "Sit down." His knees buckled and he slumped back to the
floor, staring
at her in consternation.
"We are not hunters of vampires." she continued calmly. "We are
vampires ourselves. Tremere, in point of fact. You are in the Knoxville
chantry. "
"How do I know that?" The newcomer demanded sullenly. "Those
ones that jumped me, they were dressed like you, red robes and all."
"They were wearing black robes." Josh contributed, leaning over
Morgana's shoulder. The other vampire blinked and looked away for a
moment, striving to remember the details of the attack.
"Yeah. Yeah, they wore black. I'm sorry." He shook his head and
stood up again.
"I'm Valniero. I hang at the coffeeshop. Toreador." He brushed
a lock of black, jaw-length hair out of his eyes.
"I am Justicar DeVries, of the Tremere. You appear injured."
Morgana looked him over again. "You are welcome to remain at the chantry
for the duration of the crisis, but I must insist that you not wander
about unaccompanied. There are a number of traps for the unwary."
"Yeah. I guess they burned me worse than I thought. Thanks." The
Toreador still seemed unfocused, but Morgana supposed that was to be
expected.
"Take him down to the apprentice cells, Josh." She waved the two
off and returned to her suit of rooms, where she found and loaded a
little, deadly, handgun. She laid it carefully beside the bed before
retiring, nervously, for another day.
Bitter smoke twisted through her dreams, carrying the hot ash of
her former Regent's body. The hiss and crackle of a raging fire echoed in the
vaults of memory. The maddening scent of burning blood hung in her
nostrils. Again and again, a shining cross emerged from the smoke, and
she fled.
A distant sound cut through her nightmare, something urgent,
insistent. . . She struggled up out of sleep like a swimmer through murky
water.
"My donna! My donna DeVries!!" Someone was pounding on her door.
She shook her head violently.
"Intruders in the chantry! My donna!" She clawed free of
entangling sheets and slid out of bed, white gown floating ghostly around
her. Her hand raked across the bedside table and came up holding the
little gun. She cast about her in confusion. Where was the noise coming
from? The door. She reeled towards it, steadying herself against the
thick wood. She fumbled with the locks, with the frustrated urgency of a
dreamer. Her sleep-drugged body would not obey her. The last bolt slid
back and Jean-Paul thrust the door open, falling almost into her arms.
His white hair was wildly dissarrayed and his eyes were wide.
"Th-they came in the front doors! The guards are dead. . ." The
faithful servant stumbled aside and stared at her in consternation.
Morgana shook her head again, trying to shake off the day-time cobwebs.
"Right. Go out through the tunnel escape." she ordered, trying
to get a grip on the situation. She grabbed a red robe off the nearby
chair and dragged it on, then headed out the door as the old ghoul hurried
down the spiral stair to the cellar passages. Shouts and gunshots rang
through the rooms as she ran through the council room, bumping into
chairs. The library was even louder, and ominous light filtered in around
the doors to the Great Hall. She paused behind the door to flick off the
safety, then pushed the door half open and looked into the hall, squinting
painfully at the sunlight flooding in the ruined entry. The watch-plants
were hacked, charred ruins, but some two or three Inquisitors were
sprawled bloody on the floor beside them. More armed hunters were
crossing the hall, some towards the stairs to the apprentice quarters,
more to the library.
Morgana prayed that Jean-Paul had thought to rouse the neonates
and took aim at the nearest hunter. As the shots rang out, the hunters
recoiled with surprise. Two fell, and the rest massed and returned fire.
Morgana dodged back behind the door and felt the impact as one bullet
slammed into the frame. Other shots passed through the opening, and more
clinked off the stone walls. On the floor below, someone screamed in
agony and more shots were fired. Morgana leaned around the door again and
shot back, moving faster than any human could. Two more went down, and a
third screamed and dropped his gun as the bullet shattered his shoulder.
A return shot sang past her ear like a deadly fly and two more hit the
door. The disorganized hunters had figured out where the shots were
coming from. She ducked back again and slumped against the door, mind
racing. She raked a draggle of hair out of her eyes. How many left?
Three? Four? How many downstairs? Who had screamed, down below? Oh
God, were the apprentices awake? She shook her head again. Three left.
Three hunters. And they were getting closer to the door. She looked at
the gun she held. Yeah, she could do that. She leaned around the door
one last time and fired, and the Inquisitors fell like pins as her last
three shots hit. Another scream echoed up the stairs, gut-wrenching. She
stepped out and ran towards the stairs. . . And recoiled in shock as an
Inquisitor staggered back up them, wreathed in flames. The shrieking man
clawed helplessly at the sickly colored fire, marsh green, smoky red,
phantom blues licking at splitting skin and charred cloth. He reeled
across the last step and fell to the floor, unnatural fire eating through
his flesh and showing bone by now. Morgana froze. No-one below should
have been able to do that!
The sunlight through the doors hurt her skin, her eyes, as she
stared at the flaming heap that had once been a man. Morgana slowly moved
deeper into the shadows of the hall, trying to pin down the memory that
made that sickly hued fire familiar. Her day-fogged mind refused to
respond.
More footsteps thudded on the stairs, coming up. Her head snapped
up and she refocused on the door, checking the load of her gun.
Long-haired, pale, tall. . . . Victor. Not seeing her, the apprentice
emerged into the hall, seemingly undisturbed by the wash of sunlight. His
stunningly handsome face contorted in a snarl as he kicked aside one of
the fallen
bodies.
"Victor?" Morgana called, blinking against the light. He spun in
surprise, and then looked concerned.
"My lady?"
"Is everyone all right down-stairs?"
"Yes, we all made it through. I don't think they were expecting
resistance."
"Good." She rubbed a hand over her eyes, felt the sunlight,
indirect as it was,
stinging her skin. "I'm going back to bed. Is Jean-Paul down there?"
"The ghoul? Yes, he woke us up."
"Tell him to have something done about the doors, if you please."
Morgana turned and made for the blessed dark behind the library doors.
Night settled again over the city. Morgana awoke, feeling weary and
sandy-eyed. She suppressed a groan as she recalled what she had to look
forward to this night. Obviously, the inquisition had worked themselves
up enough to go after large groups of vampires. She slid reluctantly out
of bed and walked over to the mirror. Her translucent reflection peered
back at her. Sitting down in the fragile chair, she fished a comb out of
the array of antique and modern toiletries on the vanity. She tugged
tangles out of her black hair impatiently. As the last knots vanished,
she sat back and looked at her reflection again. Then she reached for a
brush and smoothed the hyacinth curls to a glossy black. Brushing her
hair helped her think. Now, where had she seen that odd fire before? It
wasn't a variant of the Lure of Flames path that she knew of, but she'd
seen it. . . . Fighting a Baali!
Morgana dropped the brush with a clatter. An Infernalist! Who was
down
there? Her apprentice and childe, Michael; the adopted Tremere, Josh.
Neither of them were likely, Michael less so than Josh. Victor, the new
apprentice, and Valniero, the (self-proclaimed) Toreador. Maybe. She
got up and began to pace urgently. Victor had no proof besides being a
vampire and bearing a medallion. It was just possible that he could be a
traitor, but that clean aura. . . . No, probably not Victor. The
Toreador, then. She'd never seen him before, had nothing to go on but his
word that he lived in the city. But, she had Josh�s word that he�d been
caught by the Inquisitors, and Josh had said nothing about any unusual
fire. I'll have to ask him, she thought. She flopped back into her chair
and tapped long, tapered fingers on the dark wood. Better to keep an eye
on them both for a while. Now, how do I do that? She suddenly snapped
her fingers and jumped up. Her thin white gown swirled down the hidden
stair behind her. In the private lab/ritual room at the foot of the
stairs, she rummaged through a dark, water-stained chest. At the bottom,
a small silk bag lay, tied with red cords. Morgana picked it up and
looped the cords over her wrist before closing the chest.
Back up in her room again, the elder vampiress spilled the bag's
contents out on the table: Two smallish, dark green stones flecked with a
glowing red. Bloodstones, a useful minor magic. Planting one on another
person made tracking them embarrassingly simple, and scrying them almost
as easy.
"If only all my problems had such simple answers." Morgana
slipped the stones into a pocket of her robe.
Early in the night, she looked to the reconstruction of the doors,
which was progressing well, checked in on the apprentices, who had all
survived in good order, but neither of whom had seen anything unusual that
day, and told Josh to help Jean-Paul get rid of the corpses. The neonate
shudderingly obeyed.
Morgana then sought out the Toreador, Valniero. He was below,
slumped on the cot in one of the apprentice cells. Still healing, I
suppose, Morgana thought. She paused in the doorway and scanned the
sleeping vampire. His aura was reduced to normal sleep levels, and
flecked here and there with pain from healing wounds, but showed no other
anomaly. Absence of proof not being proof of absence, she planted one of
the stones in his pocket anyway and slipped back out. On her way back
through the Great Hall, she paused where Josh was trying to scrape the
charred blood and bone off the floor without actually touching it.
"Josh, when you brough the vampire back here last night, did you
see anything unusual at the scene of the fight?" He let the scrub brush
slip back into the bucket of dirty water.
"Are dead inquisitors unusual?"
"No, not really. At least, not under these circumstances. I was
thinking of any burned patches, odd lights, anything like that." Morgana
pointed at the seared stone with blackened bones half-melted into it.
Josh swirled the brush in the froth of soap and splashed more onto the
stone.
"No, nothing like this at all."
"Hmmmm. . . . . Thank you." Morgana went on through to the front
doors again to talk to Jean-Paul. Having been downstairs at the time of
the attack, he might have seen the Infernalist in action, but would not
necessarily know that there was anything strange about it. Unfortunately,
he had been in Josh's cell, trying to wake him up, and had seen nothing
outside that.
On the street outside the chantry, Morgana noticed a rather
odd-looking man in a black cloak. Long, curling hair spilled over his
shoulders. The antique formality of his garb contrasted oddly with the
other people with him, most of whom wore tattered street clothes. He
waved the others back behind him and approached her cautiously.
"Greetings, Madam Justicar. Permit me to introduce myself. I am
Orpheus D'Avignon." A faint French accent gave away the derivation of his
last name. Morgana frowned thoughtfully. Orpheus. . . . Oh yes. The
name was familiar from the records that the last Regent had left. An
anarch leader who normally kept to himself and ran with a motley bunch of
neonates. The records were unclear as to whether said neonates were actually his childer, or adopted, but a majority of them appeared to Malkavians. Orpheus himself claimed to be Brujah, but most of the other vampires regarded this as a probable lie. Himself apparently fairly old, he'd been reported as
manifesting some sort of unknown ability. She'd formed an alliance with
the self-proclaimed 'anarch overlord' upon her arrival, but the two of
them had met only briefly before, during a fight against the Sabbat.
Morgana inclined her head in response to his slight bow.
"How can I assist you?" She asked. Orpheus, a rather grim
expression on his features, explained that his 'brood', as he referred to
the clutch of neonates, had been set upon by a large party of Inquisitors
and that he was seeking shelter for them. Morgana arched a narrow eyebrow
and invited him to bring them inside. He turned to the mob of vampires on
the far side of the street and waved them across towards him. Morgana
turned and preceded him into the public rooms of the chantry, through the
broken doors.
"As you may have noticed," she remarked "We have been having some
minor troubles of our own."
"I would imagine so." The French vampire replied. The young
anarchs flocked up in the Great Hall, gawking at the walls and throne.
"You are welcome to stay here for the time being, but I am afraid
that the chantry was not built with the expectation of having to
accommodate so many. I can have one of the laboratory rooms emptied for
you, if that will be adequate?" She glanced over at Orpheus. He quirked
an eyebrow and nodded.
"Also, there are a number of traps for the unwary or uninvited in
the passages. I would suggest that you ask one of the apprentices to
escort you." A yelp of shock interrupted her as one of the anarchs jumped
back from the 'watchplant' that had been moved to the top of the stairs.
Orpheus reached for a weapon which, apparently, he was not carrying and
then caught himself and returned to a calmer stance as the rattled neonate
returned to the center of the room, clutching melodramatically at his
garishly colored clothing.
"That was one of them." Morgana added dryly. "If you wander
around by yourself, there is a good chance that one or more of these
things will try to eat you." At this point, the Toreador, who had
evidently just gotten up, ambled up the stairs and recoiled in shock as
the plant made a grab for him. It hissed in frustrated hunger and whipped
it's tendrils as far down the stairs as it could. The anarchs stared at
the plant in consternation. Morgana hurried over and pushed the plant
back from the stair opening.
Valniero edged by behind her, eyeing the plant warily. Morgana walked
back into the room, noting that now, all of the anarchs were staring at
her.
"Josh?" Morgana waved him over as he re-entered the room,
carrying a chisel this time. "I need you to get Michael for me. You can
work with the burned spot later." Josh put the chisel down besides the
bone fragments and went back through the library. Michael came in a
moment later.
"Michael, I need you to go to the first laboratory and move all
the equipment into the rear room. I know the tables are bolted down, but
see that everything else gets taken out. Sir," she nodded to Orpheus,
"If you would care to supervise?" As she turned back, she scanned the
group, reading auras, and pausing abruptly at one young woman.
"But if I might have a word with you first?" She added, looking
back at Orpheus. He turned to face her, expression restrained. She
motioned him over to a side wall.
"Who exactly is the young woman with swarthy skin?" Morgana's
eyes were narrowed. Orpheus tensed, alarm rippling momentarily through
his featureless, grayed aura, before vanishing again..
"She is one of my childer." Calm, very calm, on the surface at
least.
"No, she is not. Must I explain why I am certain?"
"She came to me three years ago. I never inquired as to the
circumstances of her Embrace. We presumed she was Caitiff."
"I suspect that you knew otherwise, but that is your affair. I
will hold you personally answerable for her actions while she is here."
Morgana shrugged. Orpheus bowed again, more deeply.
"Thank you for your understanding."
"My, ah, understanding dates from some time back. Josh is also
renegade antitribu." She smiled slightly at the Brujah's bemusement.
Orpheus blinked, then bowed again. He turned and followed Michael, who
had paused at the top of the stairs.
Morgana returned to the library, meaning to see if any of the
books had further information to aid in catching her traitor. At the back
of the room, Victor sat with a volume on the history of the Inquisition,
flipping pages in the glow of a reading lamp. He looked up briefly as
Morgana passed him, one hand lying on the page before him. Morgana went
to one of the shadowy back shelves and began skimming the titles, glancing
once over her shoulder. His beauty was almost painful to look upon, and
harder to look away from. Built like a young god, face
half-hidden by long, damp-silk strands of dark auburn hair, and his long,
graceful hands stroking the pages as he turned them. Morgana firmly
brought her attention back to her books, reminding herself why it was
unwise to 'fraternize' with one's subordinates. A movement in the doorway
made her glance back up to see Valniero enter, keeping a careful eye on
the remaining watchplant. He had apparently found a katana somewhere,
probably hidden under his coat before, and was wearing it over his
shoulder. Once inside, he looked around the room and promptly zeroed in
on Victor. Morgana set the book in her hand back on the shelf and watched
closely, expecting violence. The Toreador stalked across the room,
glaring at Victor as he closed the gap. His dark hair was hanging in damp
tendrils around his face, and his eyes were wild.
"I don't know who you are, but you aren't what you say you are!"
The Toreador slammed his fist down on the reading table. Victor arched
his eyebrows, totally unruffled, and closed the book lying before him.
"It's just a little too convenient, you showing up right before
the city gets hit like this!" Valniero snarled. Victor looked across at
Morgana.
"Must I put up with these. . . wild accusations? I would think
that an outsider like this would have more to prove."
"I'm not the one throwing fire around, you freak!"
"Oh really?" Victor tapped his fingers together, gazing calmly at
the enraged Toreador. Morgana stepped in at this point.
"Throwing fire?" The Toreador ranted incoherently about Victor's
'evil magic', and then sort of ran out of steam when Morgana failed to
react.
"Check his blood! I don't know what he really is, but he's no
Tremere." Valniero finally demanded.
"It's a reasonable request, Victor. If you will permit me?"
Morgana seconded the statement. Victor rolled his eyes and then bowed his
head to her.
"Of course, my lady." He held out a wrist. She flicked a nail
across the vein and caught a trickle of blood in her palm. Dabbing a
finger in the pool, she lifted a drop to her lips. As a trained
thaumaturgist, the taste as the blood spread translated into clans and
lineages. Very familiar, definitely Tremere, but with something. . . .
indefinably wrong in a subtle way. Interesting.
"He's Tremere." Morgana stated flatly, at the same time slipping
the Bloodstone she had palmed into one of Victor's pockets as she laid a
hand on his shoulder. The Toreador's face was a study in confusion and
baffled rage.
"Now that that has been taken care of, may I go feed?" Victor
inquired. The Toreador snarled and made for him. Morgana stepped between
them and grabbed Valniero's arm.
"Stop right there!" She punctuated her statement with a tightened
grip. "Yes, Victor. You are, of course," glaring at the Toreador, "free
to go. Be back before dawn, please." Victor bowed coolly to her and
strolled past, robe flapping at his heels. Valniero, clearly on the verge
of frenzy, snarled again and tried to pull free momentarily. Morgana spun
him to face her and stared him down, waiting until Victor left the room.
"Quiet!" she hissed. "I know, there is something wrong with his
blood, but he doesn't need to know that. I have a way of tracking him
now, and I want to see where he goes." She let go of his arm with a final
warning look. The Toreador nodded, calming slightly. Then he turned on
his heel and headed out the door, evading the plant again. Morgana fished
a book off the shelf and sat down, planning to give Victor time to get
wherever he was going before tracking him.
Meanwhile, Orpheus D'Avignon was downstairs, carrying jars of
something he was trying not to look at too closely. Michael, behind him,
had an armful of books. The two had made several trips, aided by
Jean-Paul, who had the keys to the store-room. The first lab was almost
completely stripped, with only a single shelf of spell components and lab
equipment left in it. On his return to the lab at the base of the stairs,
he heard a sudden wail of fright and pain from above. The voice was
unmistakably that of the youngest of his group, a 14th generation Malk who
had been about 13 when her sire found her. He swore under his breath in
French as antique as his costume and raced up the stairs, hauling the
startled apprentice behind him. The young Malk was cowering on the floor
besides the plant, which the other apprentice, Josh, was waving away from
her. Orpheus scooped her up and held her for a moment. On the far side
of the room, the Justicar had appeared, an elderly text in one hand and a
look of alarm on her aristocratic face. Her dark hair was working it's
way loose from the heavy
twist she wore it in. She blinked as she scanned the room.
"D'Avignon, where are the others?" He put the child vampire down
abruptly
and looked around himself. The room was empty save for himself, the Malk,
and the three Tremere.
"Dear," he asked the Malk, "Where did the others go? Did you
see?" She was sucking an injured fingertip solemnly, big-eyed.
"I was going to look for you." she explained "The others said I
couldn't go along." Across the room, the Justicar made an abortive move
towards them, then caught herself and waved at him to carry on.
"Where were they going, that you couldn't go as well?" Orpheus
was being as patient as any elder this worried could be.
"To find the bad man." She shrugged. "The man with the funny
name told them all to come help if they wanted to, but they said I
couldn't go."
"What bad man, dear?"
"The inf. . .Infer. . . .In-fern-al-its." She smiled proudly at
having gotten it right. Across the room, the Justicar had frozen in
mid-movement. Orpheus looked from Morgana to the Malkavian and got a very
bad feeling.
"Th, thank you,dear. Go play with Josh, okay?" He headed towards
the Justicar little short of a run. "What is she talking about?!" He
hissed urgently. Morgana waved him back and turned to the Malk herself.
"Dear, can you tell me what the name of the man that the others
went with was?" The Justicar was barely concealing tension. The little
Malk narrowed her eyes thoughtfully.
"Va. . . Val-ni-ro. That was it." The Justicar put a hand over
her eyes and muttered something untranslatable under her breath.
"What is going on?!" Orpheus demanded. "Where are my children?"
<--!start proofreading from here !-->
"Come with me, if you please, and quickly. You too, Michael."
The Justicar turned on her heel, then paused and looked back at the
younger vampires. "Josh, stay here and keep her out of trouble and away
from the plants. And tell Jean-Paul that he is to take care of anything
that comes up for the next hour
or so." Morgana hurried through the library and the council room, sending
Michael to fetch some ritual tools and call her archon, Alan. She took
Orpheus into her study and swept papers and files aside, clearing the
center of her desk, explaining as she did the current situation.
"There is in fact an Infernalist somewhere in the chantry.
However, there are two likely suspects. One of them is the person your
childer are chasing, a Tremere named Victor. The other one is the
Toreador leading them." Orpheus went white and swayed slightly. My
children! The Brujah thought helplessly.
"However, I have a way to track both of them, which is what I'm
about to do. I hadn't planned for this to come to a head quite so
quickly, but we'll just have to deal with it. Ahh, thank you, Michael."
The apprentice trotted back into the room, piling an oddly engraved bowl,
two black candles, a pair of candleholders, and a length of red cloth on
the desk. Morgana quickly flipped the cloth out flat, set the bowl in the
center, placed a candle in each candleholder, set them on either side, and
directed Michael to put out all the other lights. She pulled a notebook,
a map, a pencil, and a box of matches out of a drawer and handed the
notebook and pencil to Orpheus.
"Here. As I see landmarks, I'll describe them. You may want to
write them down, as I at least do not have perfect recall. I personally
suspect Victor of being our culprit, but I'm going to look for Valniero
first. Don't say anything until I come out of trance. If you break my
concentration, I have to start over." The Brujah took the pad and nodded,
grimfaced. Morgana continued her rapid-fire dictation.
"Michael, go arm yourself, and open the garage door. D'Avignon,
you're a swordsman, right?" He nodded again.
"Get the French saber on the third shelf as well, and take it to the
garage with you. Thank you." Michael hurried out.
Morgana shot a glance at Orpheus, then fished a silver stiletto
out of her sleeve and opened a vein in her wrist. Blood spilled darkly
into the bowl. She wiped the knife on a fold of her robe, laid it aside,
and lit the candles. Cupping her hands around the silver basin, she gazed
into the dark pool and began chanting inaudibly in Latin. Orpheus
fidgeted, unwilling to wait, then forced himself to stillness. Morgana
slowly passed a hand over the basin, eyes unfocused.
"East of the chantry. . . An apartment building on the right. . .
. Crossing Laurel. . . Towards the manufacturing district. . . . Where's
Victor?. . . .There, up ahead. What place is this?. . . . The sign is
faded, but the windows are glowing. . . . Pentex Products, Inc." She
shook her head and sat back. After blinking for a moment, she pulled the
map over.
"Here," dotting it with red "Is the road your childer are on.
And here." Circling half a block, "Is where Victor is going." The road
led almost directly to the red circle.
"Let's go." Morgana said flatly. She blew out the candles and
led Orpheus out the back, down a flight of stairs and into a small but
cavernous area where Michael already stood, arms full of weapons.
"Can you drive?" Morgana plucked a set of keys out of a box,
glancing at Orpheus.
"Yes."
"Here. Catch." She flipped the keys at him, and pulled the sword
out of Michael's grasp. He took both, twirling the blade momentarily to
check the balance, and twitching a brow in approval. He swung into the
driver's seat, sliding the sword onto the floor between the seats.
Morgana pulled off her
long robe and draped it over a hook on the wall, as Michael did likewise.
Under the robes, the two dressed much alike, in black jeans. Orpheus
fired up the engine, and the two Tremere settled onto motorcycles and
flanked him as he tore out of the doors.
The city night was shattered by the roaring engines. Orpheus
drove as fast as he dared, followed by the two 'cycles. The Brujah
completely disregarded stoplights. Tail-lights flared as he braked to
make a sharp turn, headlights sweeping over the buildings. His tyers
screeched in protest, and the blackcar fishtailed wildly over the railroad
tracks. The lighter motorcycles bounced into the air, crunching back to
earth on the far side, broken glass glinting under the wheels.
Somewhere ahead of them, voices shouted and shots rang out.
Orpheus swung through a final turn and threw the door open as the car
screeched to a halt. A dark warehouse loomed up before him, flames
dancing behind the windows. In the gravel lot before it, a mass of
neonates were mobbing three hideous things. Eight feet tall and massively
deformed, the hairy brutes were shockingly fast. One of his childer
whipped a crossbow from under his garishly patched coat and sent a bolt
thudding into the chest of the closest one. The thing grunted and
staggered, but kept coming. The Ravnos blinked and retreated. Another
young vamp put a bullet into it's head and it reeled and fell. One of the
other wolf-beasts sank it's claws into a leather-clad youth and threw him
to the ground. The downed one started to get up again, and then the
werewolf who ran with the anarchs ripped it's chest open in a spray of
blood. Orpheus ran forward, blade swinging expertly.
Morgana swung her cycle around to the far side of the group and
fired half a clip of bullets into the other Black Spiral Dancer as it
lunged for another vampire. Valniero ran one through, then recoiled in
shock as it kept coming. Closer to the building, another figure emerged
from the flame-lit doorway. The last Spiral Dancer went down under
Orpheus's sword as Victor strode out of fire and darkness, a nimbus of
hell-fire lapping around him. His eyes blazed red, and foot-long talons
swept from his fingertips. Morgana went cold with rage and took careful
aim, hoping to slow him. The one bullet that might have hit splattered to
the earth as liquid lead. His return bolt of flame hissed past her as she
flung herself aside. Damn! I think I'm outclassed. She hit
the ground
and rolled, coming up four feet to the side and firing again. Molten lead
dripped to the barren ground. Sickly fire hit the earth and splattered,
flaring wide.
Morgana swore in Spanish and rolled again, lunging to her feet and
dodging his next cast. Behind Victor, Orpheus was running towards the
warehouse door. Two of his childer were at his heels. Michael aimed a
burst of gun-fire at Victor. He flinched slightly. Maybe one had made it
through, but guns obviously weren't working. The Ravnos was nocking
another bolt into his crossbow. Morgana dodged closer, willing her own
claws to grow. Four inch nails hooked from her hands. Maybe I can
slow
him up a little. She gathered herself and leapt at him, claws
outstretched. He sidestepped, but not quite fast enough. Her nails tore
through the leather of his coat,
drawing blood beneath. She landed beyond him, rolling again, and hissing
with pain. The fire playing about him clung to her hand and burned for an
instant before dying. Victor, too, hissed in rage and shock.
Hurts, does
it? About time something did. Another ball of hell-fire licked
past her.
Inside the warehouse, the babble of chants and shrieks reached a
new crescendo. She glanced aside for a moment as Michael dodged past,
picking off another attacker. Then Morgana gasped in pain as Victor's
claws slammed into her side. I let him get too close! He dragged her
upright, dagger-edged nails buried between her ribs. The nimbus of flame
flickered and died as she clawed at his arm, feet dangling above the
ground. He smiled cruelly, lifting his other hand.
Inside the warehouse, Orpheus staggered in shock as he dodged into
a corner. The cracked concrete was red with blood, and the bodies of the
unfortunate victims were tossed in heaps against the outer walls. A good
score of vampires and Black Spiral Dancers were leaping and yelling around
a central pit filled with flame. Sprawled on a massive, crudely shaped
altar before the fire, three mortals writhed and bled. Outrage flooded
through the old vampire�s mind. He drew his sword again and darted
towards the altar, hoping to save those who could still be helped. His
childer followed on his heels.
Most of the blood-soaked celebrants were completely oblivious,
working themselves up to a frenzy pitch. Orpheus pulled one man from the
altar, holding him up one-handed. His childer grabbed the woman beside
him and an older man. A handful of Infernalists noticed this and turned,
snarling, on the trio. Orpheus cut down the nearest and ran, the neonates
behind him. The remaining Infernalists gathered up, gaining as he reached
the door and turned, letting the mortal he'd taken slide to the earth at
his feet. The first, a young-looking man with a black dagger in his hand,
leapt at the elder, to be speared in midair on the dueling saber. The
sword flashed again as the vampire fell, and the corpse was headless by
the time it hit the earth. Gritty ash, soaked with blood, powdered into
the gravel underfoot. Two more huge malformities loped out of the
doorway, eyes blazing red and fangs dripping. Orpheus whipped the blood
off his sword and slashed at their eyes.
The leading Spiral Dancer growled and ducked under the blade. The
other faltered and fell behind, shaking it�s misshapen head. Orpheus
struck again, lopping off a ragged, bat-like ear. It was too fast! He
feinted and cut again, opening a long gash on the thing�s chest. It
howled in rage and lunged at him. He stabbed it, fell back under it�s
great weight, and chopped at the Dancer�s back as it fell. It twitched
and convulsed, and the wounds began to close as the second Dancer went for
the elder�s throat. His blade sang through the air, leaving tracks of red
hatching it�s matted fur, but it was driving him back. A burst of
gun-fire buzzed past his shoulder, slamming his current opponent back
against the warehouse wall. He slashed it�s throat open to the spine and
prepared to deal with the regenerating werewolf. Out of the corner of his
eye, a flicker of light and motion caught his eyes. He glanced aside,
then froze. The Justicar dangled like a broken marionette from the claws
of another, familiar vampire. She twisted, clawing at her opponent�s arm
as he lifted a hand.
A shocking growl snapped Orpheus�s focus back to the werewolf at
his feet. It was staggering back to a standing position. He swore and
stabbed it through the throat, jerking the blade sideways as it reeled.
It fell on the corpse of it�s erstwhile packmate. He scooped up the
wounded mortal and dragged him free of the fight zone, glancing
frantically at the center where his childer ran, ducking and firing.
Victor smiled like the edge of a knife as his claws grazed
Morgana�s throat.
"It�s almost a pity, you know. You could have made a fine Baali,
if only we�d gotten there first." He shrugged. "Too bad." Then he
jerked forward, lips frozen in a grimace of triumph and pain. A trickle
of blood bubbled out the corner of his mouth. He fell across her, muscles
locked. She ripped herself free of the agonizing talons, ignoring the
burning pain in her side. Blood-soaked and dazed, she pulled her body
free of his and reeled to her feet, the light of rage in her eyes. Victor
lay at her feet, the feathered butt of a crossbow quarrel protruding
between his shoulder-blades. A perfect shot. The Ravnos, ten paces away,
lowered his bow with a feral grin on his face. Morgana smiled back,
feeling suddenly reckless.
The warehouse was hemmed round, inside and out, with rusting drums
of chemicals. The Justicar got a dangerous gleam in her eye.
"Everybody get clear of the warehouse!" she shouted. One white
hand made a scooping motion, as if she were catching an invisible orb.
Fire spat between her fingers as she hurled the newly made fireball at the
pyramid of drums. Anarchs dove in all directions as the hissing globe
slammed into the barrels. A fountain of fire, spattered with chunks of
shattered metal, erupted against the creaking wall. Flames engulfed the
building at lightning speed. Shrieks of horror and rage mingled with the
roar of the inferno. The roof buckled and fell inwards, succeeded by a
gout of flame leaping a hundred feet into the night. The flame twisted
and writhed like a living thing, sculpting itself into a huge, insectile
mound that loomed overhead, fiery jaws working. It bent slowly over them,
eyes like the Pit sweeping the cowering vampires. Then it crumbled and
fell inwards in a shower of flame, dissolving into the central bonfire.
Far away, a siren began to wail. Morgana blinked and scanned the
surrounding area. Most of the anarchs were huddled in knots, at the
periphery of the parking lot. Orpheus was kneeling over the bleeding man
he�d dragged from the altar, staring up at the flames. Michael had taken
cover behind the chantry car, eyes wide. Off to one side, three of the
anarchs were rocking another car back and forth. The wheels left the
ground and slammed back down. Thud, screek, thud, screek. . . In the
front seat, a white-faced man huddled, clinging to the dashboard. Morgana
hauled Victor over to the chantry car and unceremoniously dumped him in
the trunk. She slammed it closed and stalked over to the other car,
waving the anarchs away from it. They reluctantly obeyed. The man
attempted to straighten up for a moment, then recoiled in panic as Morgana
drove a clawed hand through the door and ripped it away. She yanked him
out of the car and dumped him on the ground at her feet.
"Now, you're going to do what I say, right?" He nodded
frantically. "Good." Michael came over at her nod and took the man back
to the chantry car as well, pushing him into the back seat and sitting
beside him. Morgana slumped into the passenger's seat and closed her
eyes, feeling an incipient headache struggling to be born.
The car pulled back into the garage, beside Alan�s vehicle, which
had arrived in Morgana�s absence. Alan himself was pacing the floor in
the Great Hall. As Morgana appeared up the stairs, Alan hurried over.
Michael, behind her, was dragging Victor.
"What happened?" The normally reserved Ventrue was
visibly
perturbed. Morgana�s bloodstained, torn �work clothes�, along with the
panic-stricken mortal she held by the arm, indicated rather clearly that
something had gone seriously awry. This was a major blow to the
conservative ancilla�s preferred orderly existence.
"Apprentice Michael called me, but I was unable to learn where you
had gone. Why is there a Malkavian in the laboratory?" Alan was quite
rattled. Morgana smiled wearily.
"Come with us, and I�ll explain." She took the mortal prisoner
back into the second lab room and left him standing, grey and shaking, in
a corner while she and Michael shackled Victor to one of the tables. The
long, blood-red claws trailing from his hands fanned out on the metal.
"This is Victor de la Fontaine, posing as a Tremere apprentice.
It seems that he is actually a Baali plant, and an Infernalist." Alan�s
eyes widened. "This, on the other hand, is Mr. Scott Jones, a would-be
Nephandus. You might want to ask Judith Stewart about that." Morgana
scooped a sringe out of a drawer, and picked a pair of forceps off an
instrument tray. After a moment of probing, she was able to grip the butt
of the crossbow quarrel and jerk it free, broadening the wound in
Victor�s chest. He jerked reflexively, snarling with rage and then
dropping into a defiant, icy composure.
"A*s for you, sir, I believe I had better start more extensive blood
testing." She drew off a vial of blood. "Hmmmm. . . you are 6th
generation? And still test as a Tremere, which I find professionally
interesting. However, that does mean that I can�t Dominate you." She
shrugged. "There�s also a very odd taint, which I presume comes from your
netherworld contacts." Alan had sunk into a chair with a stunned
expression on his face. Normally an elderly lawyer, Alan was really not
prepared to deal with the more brutal realities present.
"Oh, Alan, could you go upstairs and see if Orpheus D� Avignon is
here yet? I need to talk to one of his childer." Alan nodded and left
gratefully.
"Meanwhile, I think my simplest course is to let the Council deal
with you. However, there are still a few answers I want." Morgana drew a
stiletto from her sleeve and laid it on the counter, then hunted up a
goblet in the cabinet beside it. "Much though I generally dislike
bloodbonding, I think it will save me a good deal of time and effort."
She pierced a vein and filled the cup, then approached the table, swirling
the blood gently. "I can inject this, or you can drink it. Your choice."
He smiled thinly, but complied when she tilted the cup to his lips. "Very
good. I�ll be back tomorrow." She bowed and departed.
Upstairs, Orpheus had just arrived after dropping the rescued
humans off
at the hospital. Most of his childer were already back at the chantry.
Morgana came up the flight of stairs and met him at the door, now
re-built. Alan was keeping an eye on the milling anarchs. The young Malk
skipped over and tugged on his sleeve.
"Hi, mister!" Alan blinked.
"Can I help you, little girl?" Alan tried to adopt an avuncular
tone.
"Wanna play marbles, mister?" Alan looked helplessly at Morgana.
Morgana shrugged and left him to his fate, turning to Orpheus.
"Thank you for your aid in this incident. You and your childer
are always welcome in my city. If ever I can do anything for you, let me
know." She smiled. Orpheus bowed, smiling faintly in return. "The
Inquisitors may be active again today, so. . . . " She motioned towards
the stairs. Orpheus shepherded his charges downstairs.
Over the next two nights, a handful of scattered attacks took
place, but with surprisingly little success. Some hit empty havens, one
or two actually brought down vampires, but more of them were killed.
Morgana, meanwhile, continued to feed Victor her blood. After the first
night, Orpheus and his brood moved back out. Alan received some
much-needed instruction on the darker side of vampiric existence, as
Morgana dug through old books and files for data on Baali and
Infernalists. The Ventrue was profoundly unnerved by her research, but
tried to keep his opinions to himself. Her other archon, a Brujah named
David, was occupied in the streets to cover up the inadvertent sightings
of vampires and suchlike.
The crisis, by and large, was over, and the city's vampires would
have breathed a collective sigh of relief had they still breathed at all.
Morgana's personal dilemma, however, was not yet resolved. What was she
to do with Victor? Having Blood-bound him, she felt a certain
responsibility for him, and also, she was anything but sure that he'd tell
her everything. Victor had already proven himself to be deceitful in the
extreme, and far more powerful than she'd expected. A summary execution,
much though he deserved it, was not the answer. After several nights of
questioning, and several restless days, Morgana decided to hand him over
to the Council of Seven, along with transcripts of the interrogation and a
full report of the incident. Despite the faint feeling that she was
passing the buck, Morgana was relieved the night Victor left, staked and
in chains. Luis, who had returned, was to escort the encoffined vampire
to Vienna.
This left her free to deal with her own moral concerns. The long
conversations with Victor had been disturbing, to put it mildly. Under
the influence of the Blood-bond, he had been eager to impress her with the
scope of his operations and the depth of his clan's evil.
---------To Be Continued.