This study consists of two parts, the first actually being A Guide to Science Fiction Operas. Each part is made up of 5 chapters. The guide itself is divided into tree chapters, each of which represents a period in the course of the sf opera history. It could be observed that, Part I schematically represents the vertical dimension of my investigation, while Part II portrays the horizontal one.
The operas are generally presented in chronological order. Each heading includes the opera�s original title, the date of completion (or of the first performance) and the name of the composer. Information about the studies and influences of the composer, a brief synopsis of the libretto, as well as a musical example, as sampling evidence of his/her individual musical style and personal means of expression, are given when are available. Each subchapter ends with comments upon and an appreciation of the composer�s opera. Part I closes with a special, separated chapter concerning the children�s sf opera.
Part II begins with an appraisal of the place of sf opera in the history of opera. Then, novel developments in music technology are traced to the extent they intermingle with sf opera. In chapter 3, sf literature is illustrated as a valuable source that feeds opera with librettos, cinema with scenarios and ballet with plots. In the next chapter, the author courageously makes his proposals towards the Academic Community.
I would like to express my grateful thanks to the composers Paul Barker, Dave Meckler, David Chesworth, Kristi Allik and Meredith Monk who generously provided me with valuable material and information about their recent works.