About Baher
As some of you have asked here is a something about meters (bher) used
in urdu Ghazals. I hope it proves useful to some of you who write poetry
and for all the rest that enjoy reading it.
I have taken some care in preparing this and if by chance have stated
something that is not accurate please bring it to my attention.  If
something is not clear please let me know.  I'll do my best to expound
it again.


There are 36 meters used in Urdu poetry.  15 out of these have extended
forms which are permitted with the main form in the same ghazal.  The
meters themselves consist of feet. Only 20 feet are used to create this
36 meters.

Example of a meter:   MAFUL   FAILAT   MAFAIL   FAILUM

Here - MAFUL, FAILAT, MAFAIL AND FAILUM are the four feet of the meter.

(The name of the feet are derived from Arabic root 'fial' (to do) but
has no meaning. )

By using the number 1 (one) to indicate long syllables and the number 2
(two) to indicate short syllables the meter can be broken down as
follows:

MAF   U   L      FA  I  LA  T       MA   FA   E   L          FA   I  LUN
2        2   1        2    1   2   1          1     2     2   1           2     1     2

This meter also has an extended form.  In the last feet FAILAT is
acceptable in place of FAILUN

Examples of ghazals in this meter:

Mai     zindagi      ka     saath     nibhata     chala     gaya  .....(Sahir)

  2           2    1  2       1     2      1        1    2      2         1     2   1    2
MAI      ZIN d  GI     ka SAA  th       ni  Bha  TA       ch  LA ga YA

Words can span across  feet - Example ZINDAGI is spread across  MAFUL
and FAILAT
Long vowelled letters can be considered as short vowelled  as "KA" (a
common occurrence I have seen is with the word MERI (Mine)  where it can
be scanned as  2,  2 both with long vowels or as  1 2 with ME as short
and RE as long or as 1 1 where both ME and RE are shortened.)

ta phir na intezar mai neend aaye umar bher
Aana ka aahad kar gaya aaya jo khawb mei   .......(GHALIB)


  2      2          1       2    1   2    1       1      2         2       1       2    1    2
TA   PHIR    na     IN  ta  ZA  r      mai  EEN  DAAY   e     UM   r BHER

Here  D of NEEND is extended to 2 because of the AA sound following it
of AAYE.  We find this in a lot of verse.   Recent example was a ghazal
posted by Raj Sahib.

2      2     1       2      1     2       1    1     2    2       1         2     1    2
AA  NA   ka   AHA  d   KAR   ga  ya   AA YA     jo     Khaw  b  Mei

Here ya of gaya a long vowel has been shortened.   But say if we  had
words  like 'Phir' or 'hum'  they cannot be broken down  PH and IR (1 ,
1) because when we say the word we do it as one and not as two separate
letters.  Same holds true for hum.

In the same ghazal the sher "Muj tak kab unki bazm me aata tha daur-a
-jam" is an example of the extended meter.  Jam  is broken down as JA
(2)  and M (1) for the last two.

Other exampels -  guzara hai aaj ishq mei hum us makam se
                  Nafrat si ho gayi hai mohabat ke nam se-  Shakil(?)

                  Duniya ne teri yaad se begana kar diya
                  Tuzase bhi dil pharab hai gam rozgar ke -- Faiz

                  Milte hai zindigi mai mohobat kabhi kabhi
                  hoti hai dilbaro ki inayat kabhi khabi  -- Sahir

In my opinion this is a meter that has been extensively used.  This
meter is considered of medium difficulty. ( the 36 meters are classified
by some in terms of difficulty- Easy, medium, and hard)

Some other meters:

Easy meters:  (if there is anything like it!)
/ indicates extended form in place of ie 2/2 means 2 1 is ok to use in
place of 2  )

1 2 2  1 2 2  1 2 2  1 2 2/21  Mohobut ke rahoo mei chalan sambhal ke
                                         yahan jo bhi aaya gaya haat mal ke ....(Sahir)


1 2  2 2   1 2 2 2   1 2 2 2  1 2 2 2  -  Muje teri  mohobat ka sahara mil gay hota
                                                      agar tufa nahi aata kinara milgaya hota

1 2 2 2  1 2 2 2  1 2 2/2 1   -  kaha zalim ne mera haal sunkar
                                           wo is geene se mar jaya to aacha....(Daag)

2 1 2 2   2 1 2 2  2 1 2 / 2 1-  koi din gar zindagani aur hai
                                           hamne apna dil me thani aur hai ...(Ghalib)


2 1 2 2  2 1 2 2  2 1 2 2  2 1 2 / 2 1 - sab kaha kuch lalo-o-gul mai numayan  ho gayi
                                         khak mai kay surate hongi ke pinahan ho gayi....(Ghalib)
2 2  2 2  2 2  2 2  2 2  2 2  2 2  2   (paata paata bhutta bhutta... )--- (Meer)

I'll list all the meters in the next post. One interesting thing about
the last one.  Mir has used it with great success in many of  his
ghazals but Ghalab and Iqbal have not written any thing using it!!!  A
matter of temprament (did not suit their style), I think.

Notes by: PRINCE SYED BILAL ARMAAN
Presented by: NEHA SHARMA

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