The author as deity

Not only does a printed book encourage us to view text as stable, books encourage us to see the text as something separate from the act of reading. The text is already complete, we passively enter into the world that is on the page. The author is the sole creator of this world, and the reader enters and accepts it. Bolter says, "In fact, taking the text as a heterocosm only enhances the authority of the author, who serves as a kind of deity for this world. It suggest a passive reading in which the reader 'loses himself' in the world of the story"(Bolter, 155).

Printed books also reinforce, through their form, the separation between writer and author. In a printed book, notes made by a reader in the margin are eternally resigned to remain just that: marginalia. Unlike manuscripts, where notes written in the margins have the same status as the writing itself (and may, in later copies, be incorporated into the manuscript), books differentiate between the author's words and the reader's comments. The author, then, is the source of all meaning. "By ensuring that the reader cannot enter into the space the text occupies, printing encouraged worshipful reading"(Bolter, 152).

While modern printing methods allowed more people to have access to books, it made it more difficult to get a text into circulation in the first place. According to Bolter, printed works "made authors special by providing them with a writing space not available to other literate men and women. It is no accident that the age of printing became obsessed with assigning authorship and verifying texts"(Bolter, 152).

The text as entity

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