Mass Communication
MCOM
4102: The Canadian TV Market in the New Millennium
Winter
2004
Instructor: Mr. Mark Allen E-Mail:
([email protected]) Phone:
724-5723
Time and Location: Wednesday, 6PM – 9PM; Room 118 Leeds
Office hours: 9PM-10PM; Room 118 Leeds (by appointment only)
Course website: http://ca.geocities.com/mcom4102
NEW! FINAL MARKS
About the Professor
Mr. Allen is currently the Manager, Industry Analysis in the Strategic Planning Directorate at the CBC, where he advises senior management on industry issues of relevance to the Corporation. Prior to joining the CBC, Mark was a corporate strategy consultant at PricewaterhouseCoopers. He worked in their entertainment and media practice, advising clients in the broadcasting, cable and television production sectors on various strategic issues relevant to their business.
Mr.
Allen holds an M.A. (1998) and B.A. (1996) in Mass Communications from the
School of Journalism and Communications at Carleton University.
Course
Description
This course will provide an overview of the television
industry in Canada, focussing on current issues in each segment of the
industry. Areas of the TV industry to
be covered include: the audience; the role of advertising; broadcasting policy
and regulation; programming strategy and its impact on production, broadcast
and cable/satellite sectors; technology trends and the future of broadcasting
policy regulation in a globalized world.
Course
Structure
The course is designed to provide the class with advanced
knowledge of the TV industry in Canada.
It is organized in four sections:
1.
Introduction
·
Weeks 1 and 2 will provide the students with an overview of
the course and the topics to be covered.
A brief history of the television industry in Canada will be provided to
explain the interrelationship between technology, audience demands, business
considerations and public policy and how they have influenced the evolution of
broadcasting in Canada.
2.
Driving Forces of Canadian TV
·
Weeks 3 through 6 explore three of the driving forces
shaping the television industry in Canada: the demands of audiences; the
demands of advertisers and the demands of public policy.
3.
Programming, Industry Structure and Current Trends
·
Weeks 7 through 10 will introduce you to the strategies and
delivery methods of TV’s key product – television programs. We will explore some basic programming
concepts, the sub-sectors of television (i.e. television production, broadcast
and distribution) and current trends and issues.
4.
The Future of TV in Canada
·
Weeks 11 through 12 will explore what the future holds for
TV broadcasting in Canada, taking into consideration the development of
technology and the viability of current broadcasting policy in a globalized
world.
Class Assignments
There will be three assignments during the course: two
essays and a take-home exam.
Essay #1 – Public Policy
Students will be required to critically assess one
recommendation in the Standing Committee on Canadian Heritage’s report to
Parliament entitled “Our Cultural Sovereignty” (June 2003) related to the
television industry (available at www.parl.gc.ca). Students are expected to research the
topic, explain its rationale and critically assess the recommendation. The essay should be between 6 and 8 pages
double-spaced (approximately 1,500 and 2,000 words).
Essay #2 – Television Programming
Students will be required to write an essay on an aspect of
programming strategy. The scope of the
essay could be as narrow one program or as broad as explaining a broadcaster or
specialty TV channel’s entire programming strategy (i.e. a cluster of
programs). The program(s) can be
Canadian and/or American. Students are
expected to research the program(s) origin, intent and success or failure. The essay should be between 6 and 8 pages
double-spaced (approximately 1,500 and 2,000 words).
Take Home Exam
Students will be required to complete a take-home exam based
on material presented in the course.
Evaluation
The evaluation is based on four elements as outlined in the
table below. All three must be
completed in order to receive a final grade.
All assignments must be submitted at the Mass Communications
office (SP 310) by 4PM of the due date. LATE ASSIGNMENTS WILL BE PENALIZED ONE
LETTER GRADE FOR EACH WEEKDAY AFTER THAT DATE.
Failing to hand in the following piece(s) of work (even if late) results
in automatic failure. Late work results
in a lower grade until the grade reaches zero.
|
Assignment |
Value |
Deadline |
Drop-off
Location |
|
Essay #1 |
30% |
February 11 |
310 SP |
|
Essay #2 |
30% |
March 24 |
310 SP |
|
Take-home
Exam |
30% |
April 28 (Deadline extended!) |
310 SP |
|
Group
Participation |
10% |
N/A |
N/A |
Required
Readings
Required readings are listed by week and available to
photocopy in MacOdrum library or on the Internet. If no reading is listed, then no reading has been assigned.
Administrative Matters
1) For your own
protection, always keep the original of all your essays and hand in a
photocopy. In case of loss, theft, destruction, dispute over authorship, or any
other eventuality, it will be your responsibility to provide a copy of your
essay.
2) Please note
Carleton University's policy on plagiarism and other instructional
offences available online (http://www.carleton.ca/cuuc/acadregsuniv.htm, #14)
and in the Undergraduate Calendar supplement.
3) Students with
disabilities requiring academic accommodations in this course are
encouraged to contact a coordinator at the Paul Menton Centre for Students with
Disabilities to complete the necessary letters of accommodation. After
registering with the PMC, make an appointment to meet and discuss your needs with
me at least two weeks prior to the first in-class test or itv midterm exam.
This is necessary in order to ensure sufficient time to make the necessary
arrangements. Please note the following deadlines for submitting completed
forms to the PMC : November 1st for fall and fall/winter courses, and March 7th
for winter term courses.”- from the Paul Menton Centre for Students with
Disabilities
4) In cases of
illness, family death, etc., accommodations relating to course requirements
can only be made with the submission of official certification (original + one
copy).
5) In the case of
requests for religious accommodation, Carleton University's Religious
Accommodation Policy will be followed. Arrangements will generally be made for
students to fulfill their specific course assignments before the specific
period of religious observance.
6) Pregnant students requiring academic
accommodations are encouraged to contact an Equity Advisor in Equity Services
to complete a letter of accommodation.
The student must then make an appointment to discuss her needs with the
instructor at least two weeks prior to the first academic event in which it is
anticipated the accommodation will be required.
7) In case of grade
appeals or reviews, please state the basis of the appeal or review and
please provide the original work as graded by the instructor.
Resources
Standing
Committee on Canadian Heritage, “Our Cultural Sovereignty”
http://www.parl.gc.ca/InfoComDoc/37/2/HERI/Studies/Reports/herirp02/01d-toc-e.htm
History of
Canadian Content (Heritage Report, Appendix 8)
http://www.parl.gc.ca/InfoComDoc/37/2/HERI/Studies/Reports/herirp02/30-Appendix08-e.htm
CRTC and Canadian
Content (CBC Archives)
http://archives.radio-canada.ca/IDD-1-68-1150/arts_entertainment/canadian_content/
Lecture
Schedule
Section 1: Introduction
7 January:
Course Introduction
·
Introduction to the course and its structure.
14 January: Introduction to TV Industry
·
Brief history of TV industry in Canada. The role of technology, the audience,
business concerns and public policy in the evolution of Canadian TV.
Lecture Material
·
Timeline
of key events in Canadian TV history
Assigned Reading
MacOdrum
Library:
·
Attallah, Paul and Derek Foster (2002). “Television in Canada,” from Mediascapes.
Section 2: Driving Forces of Canadian TV
21 January:
The Role of Public Policy
·
A review of the role of public policy in the broadcasting
sector and the various public policy mechanisms that are employed to achieve
various goals (e.g. regulation, direct funding, crown corporation,
competition).
Lecture Material
·
Lecture
on the role of public policy
Assigned Reading
MacOdrum
Library:
·
Hoskins et al (2001).
“Refocusing the CBC,” in Canadian Journal of Communications, Vol
26 (2001), pgs. 17-30
28 January: TV
Regulation
·
There will be three guest speakers from the CRTC: Peter Foster,
Manager of English TV Policy; Tandy Greer-Yull, Manager of Specialty TV Policy;
and Claude Doucet, Director of Distribution and Competition Policy. Each of these will outline regulations in
their respective area of expertise.
Lecture Material
·
Lecture on
CRTC regulations
4 February:
Advertising
·
Jason MacDonald, Senior Media Relation Officer at the CBC
and former reporter covering the advertising sector for Marketing Magazine
will guest lecture. Jason will provide
an overview of the advertising sector in Canada, including: the use of TV
compared to other mediums, major advertisers in Canada, explain how and
advertising campaign works; the state of different types of advertising on TV
(e.g. 30 spot, promos, sponsorships, interactive).
Assigned Reading
MacOdrum
Library:
·
Johnston, Russell.
(2001) “Selling Themselves: The
Emergence of Canadian Advertising.”
University Toronto Press. Pgs.
3-17 and 267-275.
11 February:
The Television Audience
·
Stan Staple, Director of Corporate Research for the CBC will
guest lecture. He will provide a
quantitative overview of TV audience behaviour.
Lecture Material
·
Lecture
on the television audience
18 February – Reading Week (No class)
Programming, Industry Structure and Current Issues
25 February:
Programming Strategy
·
A framework for programming strategy on broadcast, specialty
and pay TV networks and for cable and satellite operators.
Lecture Material
·
Lecture on
programming framework
Assigned Reading
MacOdrum
Library:
·
Eastman et al (2002), Chapter 1 “A Framework for Programming
Strategies” from Broadcast/Cable/Web Programming: Strategies and Practices,
pgs. 3-34
3 March:
Broadcast, Specialty and Pay TV
·
Overview of the broadcasting, specialty and pay TV market
and programming decisions.
Lecture Material
·
Lecture
on programming for broadcast and specialty channels
Assigned Reading
MacOdrum
Library:
·
Eastman et al (2002), Chapter 4 “Prime-Time Network
Entertainment Programming” from Broadcast/Cable/Web Programming: Strategies
and Practices, pgs. 111-150
·
Eastman et al (2002), Chapter 9 “Subscription and Premium
Programming” from Broadcast/Cable/Web Programming: Strategies and Practices,
pgs. 269-321
10 March:
Cable and Satellite
·
Overview of cable and satellite market and programming
decisions.
·
Lecture on
programming for cable and satellite TV operators
Assigned Reading
MacOdrum
Library:
·
Eastman et al (2002), Chapter 8 “Cable System and Satellite
Programming” from Broadcast/Cable/Web Programming: Strategies and Practices,
pgs. 235-268
17 March:
Canadian TV Production Industry
·
Guest speaker Dustin Chodorowicz, Senior Consultant at
Noridicity Group, provides an overview of producing in Canada, including: a
brief history of the market; public policy tools; what is produced; how it is
financed and future trends.
·
Lecture
on production industry
Assigned Reading
On the
Internet:
·
Transcript of: “Crisis in Television and Cultural Policy:
The Rise and Demise of the Independent Producer,” By Laszlo Barna. http://www.carleton.ca/jmc/news/events/barna.html
The Future of TV in Canada
24 March:
Emerging TV Technology
·
Discussion emerging technology trends (e.g. VOD, PVRs,
Broadband Internet, High-Definition TV) and how they may impact audience
demands, TV companies’ strategies and broadcasting policy. Guest speaker David Keeble of Keeble
Consulting will present on interactive television.
·
Lecture
on satellite time-shifting
31 March: Review Class
·
Note: the take home exam is
handed out at this class and students will have until April 28th to
complete it.