E-mail me with suggestions: matt_buchanan_88@post.harvard.edu
After each title I have written a short description of the ways I have used each book, but these should not be understood to limit any book to only the uses I mention. Frequently a book that works for one thing will work for another. Exercises in bold-face are described on the page, Drama from Picture Books.
Chanticleer and the Fox. Adapted
from Chaucer by Barbara Cooney. New York: HarperCollins, 1958.
The classic story from Canterbury Tales, about a rooster whose vanity
almost lands him in the soup. I use it for Instant Illustrations,
Soundtrack, and sometimes Problem-Solving Exercise. (Caldecot
Medal.)
The King's Choice. Retold by
K. Shivkumar, Illustrated by Yoko Mitsuhashi. New York: Parents'
Magazine Press, 1961.
I have no idea whether this book is still in print. It's an Indain
folk tale about a Lion and his court. I used it for the basis of
my game, The Lion King's Court, but the book is not necessary to
play the game. You could also do Instant Illustrations or
What's
Up, Tiger Lily.
The Little Baby Snoogle-Fleejer.
Jimmy Carter, Illustrated by Amy Carter.
Yes, those Carters. And it's just the sort of story you'd
expect--sweet, didactic, and painfully earnest. It's the story of
a crippled boy who makes friends with the sea monster everyone else fears.
I confess I bought this book because I thought the idea of a children's
book by the former leader of the free world was a funny idea, and it's
really not a great book, but it makes for great Role Drama.
You could also do Instant Illustrations or Soundtrack.
Make Way for Ducklings. Robert
McCloskey. New York: The Viking Press, 1941.
I said this wasn't necessarily an endorsement of the book, but in this
case it is. This is a classic that's still readily available in any
bookstore. It's about a family of ducks making their way through
the city streets of Boston to the Public Gardens, and it's wonderful.
I use it for Problem-Solving Exercise, Simple Story Dramatization, Instant
Illustrations, and Narrative Pantomime. Little ones especially
love forming the line of ducklings who follow Mrs. Mallard (me--we're into
gender-blind casting here) down the city streets, quacking away.
(Caldecot Medal.)
A River Ran Wild. Lynne Cherry.
New York: Harcourt Brace Jovanovich, 1992.
The true story of the cleanup project that rejuvenated the Nashua River
in Massachusetts and New Hampshire. I do a sort of Role Drama
exercise in which we "canoe" down an imaginary Nashua River at three different
times in its history--before the arrival of man thousands of years ago,
in the 1950s when it was most polluted, and today--and observe the animals
and other sights, and how they change. (Eventually I'll write this
lesson up and include it on this site.) You could also do a great
Soundtrack,
or Instant Illustrations.
Saint George and the Dragon.
Retold from Spenser by Margaret Hodges, Illustrated by Trina Schart Hyman.
Boston: Little, Brown and Company, 1984.
The classic tale. I use it for an activity in which we create,
using all of our bodies, a working model of the dragon. Then I, in
role as the Knight, "kill" the dragon one piece at a time, as described
in the story. It may sound gorey, but my students--remember that
I teach in a boys' school--love it, and it requires a great deal of teamwork
and careful planning, which makes it an excellent educational experience.
You could also do Soundtrack or Instant Illustrations with
great success. (Caldecot Medal.)
The Snowy Day. Ezra Jack Keats.
New York: Puffin Books, 1962.
This is a great book. A new snowfall makes the world into a magical
playground for a small boy. I use it for Narrative Pantomime.
You could also do Instant Illustrations. (Caldecot Award Book.)
Stone Soup. Marcia Brown.
New York: Simon and Schuster, 1947.
Classic folk fable about a magnificent soup made from stones.
The story is about greed and sharing. I have created and produced
a play based on this book with 1st graders. You could also do Simple
Story Dramatization or Instant Illustrations. (Caldecot
Honor Book.)
The Story of Ferdinand. Munro
Leaf, Illustrated by Robert Lawson. New York: Puffin Books,
1936.
A pacifist story about bullfighting! This classic book tells
the story of a young bull who hates fighting, but who is accidentally chosen
for the bullfights anyway. I use it for Problem-Solving Exercise
with Kindergarten. We act out the bulls butting heads, and Ferdinand
sitting on the bee. Sometimes we play the bee as well. All
without touching each other! How we solve the problem of doing this
varies, of course. You could also do a Narrative Pantomime,
What's
Up, Tiger Lily or Instant Illustrations.
Swimmy. Leo Lionni. New
York: Alfred A. Knopf, 1963.
The story of a fish who is different, and how he finally saves the
day. This is a book for very young children, but I have found it
useful for Drama with even older elementary students. In it, the
protagonist, Swimmy, sees many new sea creatures, and describes them without
knowing what they are--for example a Lobster is a giant water-moving machine.
This idea can be developed by having the children imagine other animals
he might have seen, and describing them in the same manner. This
is an extremely creative activity. Sometimes I'll expand it to apply
to other characters, or other settings as well. (What would a person
who had never seen a school bus unloading think it was? A giant yellow
caterpillar giving birth to children?) You can also do Problem-Solving,
Simple Story Dramatization, Instant Illustrations, Narrative Pantomime--even
Role
Drama--with this fun book. (Caldecot Honor Book.)
Sylvester and the Magic Pebble.
William Steig. New York: Simon & Schuster, 1969.
The story of an anthropomorphic donkey who accidentally turns himself
into a boulder. I have used this book as the basis for a 1st grade
presentation play. You could also do Instant Illustrations.
(Caldecot Medal.)
Tuesday. David Wiesner.
New York: Clarion Books, 1991.
One of the strangest an most wonderful books of the last ten years.
Using virtually no text and gorgeous pictures, the book tells of a strange
invasion of flying frogs in the middle of the night in a sleepy town.
I do a short Role Drama exercise, in which we become townspeople
who wake up to find evidence of the frogs' visit. If you have a really
creative group, it might be fun to try Soundtrack. (Caldecot
Medal.)
Walking to School. Poem by
Ethel Turner, Illustrated by Peter Gouldthorpe. New York: Orchard
Books, 1989.
A verse story of a boy's first time walking to school by himself.
I use it for Soundtrack. It would also work for Narrative
Pantomime, and maybe Instant Illustrations.
We're All in the Dumps with Jack and Guy.
Maurice Sendak. New York: HarperCollins, 1993.
This book caused all manner of controversy when it was published, not
that that was anything new for Sendak. It's a marvelous if bizzarre
book that takes two lesser-known Mother Goose rhymes and sets them in a
community of homeless. Some people think it has a homosexual theme,
which accounts for the controversy (ridiculous, in my opinion), but what
makes it such a great book for use in Drama is that it is almost wholly
open to individual interpretation. I use it for a sort of variation
of What's Up, Tiger Lily.
BACK TO DRAMA FROM PICTURE BOOKS.
E-mail me! matt_buchanan_88@post.harvard.edu