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The icon of Indian cinema looks grim as he walks up the temple steps and rings the temple bell nine times. Now to expect him to say, "Bhagwan, aaj pehli baar tumse kuch maang raha hoon," like he did in Deewar would be too farfetched as Amitabh Bachchan has just entered his Juhu bungalow and is offering his daily prayers.

Obeisance paid, the man walks in. The customary handshake over, the interview begins.

Amitabh Bachchan is everywhere... films, advertisements, endorsements, launches, mahurats...
This is due to an agreement between AB Corp and myself. Jaya Bachchan and Amitabh Bachchan are looked at as assets of the company and evaluated the way plant and machinery is. We act in films, which will earn revenue for the company. AB Corp did not do well, but we stuck on even after the company went into huge debt. These performances and appearances generate revenue for the company.

The endorsements depend on the success of my films. I endorsed a lot after the AB Corp deal. I had stayed away for so many years, but I had to do it for the company. As my films flopped, my endorsements decreased, but increased again after the success of KBC and my films.

You will be turning 60 this year. Aren't you pushing yourself too much?
I think it is a perception that I am working real hard...

But you are definitely working more than you did over 20 years ago.
If I am working, I am working more out of compulsion than necessity.

You are still playing an angry man in Aankhen...
Aankhen is a very bold move by producer Gaurang Doshi. Akshay Kumar, Arjun Rampal and Paresh Rawal have taken a bold step by playing blind men. I am playing an honest, but hot-tempered bank manager, who feels that he is responsible for the good position that the bank is in today. When he sees an employee cheating a customer, he loses control and loses his job. Now he wants to take revenge on the bank by looting it with the help of the three blind men.

You are also looting a bank in Kaante. You seem to be becoming an expert...
The similarity of looting banks is the only thing in common between Kaante and Aankhen. I have a different role in Kaante. I owe a lot to the family of Sanjay Dutt, who is the producer of Kaante. His mother Nargis Dutt had taken my first screen test at the behest of my mother Teji. This was for the Film Producers Forum's talent contest, where I was edged out in the preliminaries. My mother was doing some programmes for the jawans along with Nargis Dutt and she had asked her to do screen test me.

Later, my second film Reshma Aur Shera saw Sunil Dutt taking my screen test again. So I accepted the role in Kaante. It is my small way of paying back.

Aren't you reminded of your angry young man days again?
I have never been able to understand why I was called the 'angry young man'. Maybe the wrath, the angst and displeasure of the common man were depicted in my movies. As Javed Akhtar puts it, when the whole nation was disillusioned after the Emergency here was a man who was ready to take on the establishment through his roles. It was a case of a David and a Goliath where the entire nation sided with David. So terms like 'angry young man' and 'one-man industry' came up.

Has the image ever spilled over to your personal life?
Never. All this is only good for cinema. This is a professional liability.

What are your other assignments now?
I have Hum Kisise Kum Nahin and Kaante coming up after Aankhen. Then I have Feroz Nadiadwala's Kutumb, a film each with Honey Irani, Ravi Chopra, Vidhu Vinod Chopra, Rakesh Mehra and Vipul Shah.

 

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